"5.15" (sometimes written "5:15" or "5'15") is a song written by Pete Townshend of British rock band The Who from their second rock opera, Quadrophenia (1973). The song reached #20 on the UK Singles Chart, while the 1979 re-release (accompanying the film and soundtrack album) reached #45 on the Billboard Hot 100.
Although written as "5.15" on the single cover, on the back cover of Quadrophenia (the album from which the song is taken) it is written as "5:15".
In the song, the main character Jimmy has taken the titular train to Brighton, consumed a lot of drugs, recollecting his life with the Mods, the cultural movement to which he belongs (even if he has dropped out for now), and their duels with the Rockers. Jimmy's memories are extremely disjointed, consisting mainly of anger, confusion, violence, sexual frustration, and rootlessness.
"5.15", like many of the songs from Quadrophenia, is self-referential - "M-m-m-my generation" is a line - and thus represents an angrily self-centered, teenage disconnection with society, family and the opposite sex. 'Jimmy' was "born in the war" (that is, World War II and its aftermath) and does not understand why he should care about it (or anything) in the context of his extravagant Mod values.
Year 15 (XV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Flaccus (or, less frequently, year 768 Ab urbe condita). The denomination 15 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Chris Omprakash Sharma (born April 23, 1981 in Santa Cruz, California) is an American rock climber.
Chris Omprakash Sharma was raised in Santa Cruz, California, son of Gita Jahn and Bob Sharma. He started rock climbing when he was 12 at the Pacific Edge climbing gym. Sharma went to Mount Madonna school and attended Soquel High School for one year.
At age 14, Sharma won the Bouldering Nationals. A year later, he completed a 5.14c climb, which was the highest-rated climb in North America at the time.
Sharma then moved to Bishop, California, where he climbed The Mandala, a bouldering problem rated V12.
In July 2001, Sharma completed the extension of the established route Biographie in Ceüse, located in the Hautes-Alpes Department of France and renamed it Realization, ignoring the European tradition that equippers and not climbers name routes outside the US. At the time of the first ascent, Biographie was widely considered to be the first consensus 5.15a (9a+) in the world. He has since established or completed many routes at or above 5.15, including La Rambla and Es Pontas (a deep water soloing project in Mallorca). In 2008 Sharma climbed the 250-foot line (76 m), Jumbo Love, at Clark Mountain in California, claiming 5.15b for the grade.
Adam Ondra (born February 5, 1993 in Brno) is a Czech rock climber. He also participates in lead climbing and bouldering competitions.
Adam started climbing at the age of six, his parents are climbers and they share their passion with him. In 1999 (at age six) at Rovinj in Croatia Adam climbed 6a/5.9 routes with bolts every half meter. In 2001 (at age eight) he onsighted 7b+/5.12c routes and in 2002 (at age nine) he onsighted 7c+/5.13 and redpointed 8a/5.13b. He onsighted 8a/5.13b routes in 2003 (at age ten). In 2004 (at age eleven) Adam climbed several 8a+/5.13c onsight and 8c/5.14b redpoints. In 2005 (at age twelve) he onsighted 8b/5.13d routes. Then he became famous on climbing magazines and in 2006 he managed to climb his first 9a/5.14d Martin Krpan at Misja Pec.
In 2007 and 2008 he won the IFSC Youth World Championship category Youth B.
In 2009, at age sixteen, he could compete in the IFSC Lead Climbing World Cup: in his debut year he won the World Cup beating Spanish Patxi Usobiaga and Japanese Sachi Amma.
David Bowie ( /ˈboʊ.i/ BOH-ee; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.
Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.
Why should I care?
Why should I care?
Girls of fifteen
Sexually knowing
The ushers are sniffing
Eau-de-cologning
The seats are seductive
Celibate sitting
Pretty girls digging
Prettier women
Magically bored
On a quiet street corner
Free frustration
In our minds and our toes
Quiet stormwater
M-m-my generation
Uppers and downers
Either way, blood flows
Inside outside
Leave me alone
Inside outside
Nowhere is home
Inside outside
Where have I been?
Out of my brain
On the five fifteen!
Out of my brain on the train
Out of my brain
On the train
On a raft in the quarry
Slowly sinking
On the back of a lorry
Holy hitching
Dreadfully sorry
Apple scrumping
Born in the war
Birthday punching
He-man drag
In the glittering ballroom
Gravely outrageous
In my high heel shoes
Tightly undone
Know what they're showing
Sadly ecstatic
That their heroes are news
Inside outside
Leave me alone
Inside outside
Nowhere is home
Inside outside
Where have I been?
Out of my brain
On the five fifteen!
Out of my brain on the train
Out of my brain on the train on the train
Woah I'm out of my brain
Out of my brain on the train
Here it comes
Woo, out of my brain
On the train on the train
Out of my brain on the train
Why should I care?
Why should I care?
Oh, 5:15 is just a train.
5:24 it leaves the station again.
Tell me why.
Did she go?
5:15 is just a line.
Big black train took the girl of mine.
Tell me where does she go?
Tell me where does she go?
What big dreams we had,
Now I watch those dreams all fade and die.
What big plans we had,
Now I watch those trains go rolling by.
Rolling by, rolling by.
I'm watching the trains.
The trains.
5:15 is just a train.
5:24 it leaves the station again.
Tell me why did she go?
Tell me why did she go?
I'm watching the trains.
The trains.
The trains.
The trains.
The trains.