Black tie is a dress code for evening events and social functions derived from Anglo-American costume conventions of the Nineteenth century. Worn only for events after six p.m., black tie is less formal than white tie but more formal than informal or business dress. It is also more formal than recent intermediate codes of “creative,” “alternate” or “optional” black tie.

For males, the elements of black tie are a suit, usually of black wool, in which the jacket lapels and trouser braid are of silk or other contrasting material, a white dress shirt, a black bow-tie, a waistcoat or cummerbund, and black dress shoes. Women's dress for black tie occasions has varied greatly through the years; traditionally it was dinner (ankle) or tea (below mid-calf) length sleeveless dress, often accompanied by a wrap or stole, gloves, and evening shoes. Today, cocktail (knee) length dresses are considered equally appropriate in most places.

When the dinner jacket (tuxedo in the US) first came into fashion in the Victorian era it was used as a less formal alternative for the tailcoat which men of the upper classes wore every evening. Thus it was worn with the standard accompaniments for the evening tailcoat at the time: matching trousers, white or black waistcoat, white bow tie, white wing-collar formal shirt and black formal shoes. Lapels were often faced or edged in silk or satin in varying widths. Dinner jackets were considered from the first less formal than full dress (cutaway) and etiquette guides declared it inappropriate for wear in mixed company.

Zeca Pagodinho (b. February 4, 1959, birth name Jessé Gomes da Silva Filho) is a Brazilian singer/songwriter working in the genres of samba and pagode.

Born in the neighborhood of Irajá, Rio de Janeiro, Zeca Pagodinho grew up around the most traditional manifestations of samba and started making his own verses while still a kid. In the '70s, Zeca started frequenting the Carnival Block of Cacique de Ramos, which took place in Rio de Janeiro every Wednesday and became a true pagode's crib (pagode is a type of samba). At one of these jams, samba singer Beth Carvalho was impressed with Zeca's skills and invited him to record the song "Camarão Que Dorme a Onda Leva". From that point on, Zeca began to record his own albums. There are now 15 of them, and three DVDs. His creative, joyful, malicious songs translate the day-by-day of the typical easy going carioca and are a big success in Brazil. He's one of the biggest-sellers in the country.

One of Zeca's first hits is from his first album. It's called SPC; the SPC, in Brazil, is a blacklist of bad debtors from which it is hard to get one's name removed (it stands for Credit Protection Service). The song, a partnership between Arlindo Cruz and Zeca, tells the story of someone who asks a friend (or partner) to use their credit card on his behalf; afterwards, the relationship breaks up. Both persons are implied to have low incomes.

David Bowie ( /ˈboʊ.i/ BOH-ee; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

Fernanda Montenegro (born Arlete Pinheiro Esteves da Silva; October 16, 1929) is a Brazilian stage, television and film actress, mostly recognized for her leading role in Central Station, which she was nominated for the Academy Award for Best Actress, becoming the first Brazilian actor to be nominated.

She is commonly revered as one of Brazil's finest actresses and referred to as "The First Lady of Brazilian Theater" and "The First Lady of Brazilian Television".

Montenegro was born Arlete Pinheiro Esteves da Silva in Rio de Janeiro, of Portuguese and Italian descent. Regarding the adoption of a stage name, the actress has stated that she chose Fernanda simply because of its sonority, whilst Montenegro was the surname of her family's doctor. Montenegro was married to Fernando Torres from 1954 until his death in 2008. They had two children: Fernanda Torres who is an actress and has been nominated for the Cannes Film Festival and film director Cláudio Torres.

In late 1940s, Montenegro was adapting famous theatre plays to radio. She began her artistic life in the theatre with the play Alegres Canções nas Montanhas (Happy Songs on the Mountain) in 1950. Among her mates was Fernando Torres, who would soon become her husband. In the next years she worked with other acclaimed actors like Sérgio Britto, Cacilda Becker, Nathalia Timberg, Cláudio Correa e Castro and Ítalo Rossi. In 1951 she become one of the TV's pioneers in Brazil, working in Rio de Janeiro's TV Tupi - the second TV station of South America. She played in several plays on TV between 1951 and 1970.