1 (one; /ˈwʌn/ or UK /ˈwɒn/) is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of "unit length" is a line segment of length 1.
One, sometimes referred to as unity, is the integer before two and after zero. One is the first non-zero number in the natural numbers as well as the first odd number in the natural numbers.
Any number multiplied by one is the number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the empty product, as any number multiplied by one is itself, which produces the same result as multiplying by no numbers at all.
The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character 一. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts). The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral Failed to parse (Missing texvc executable; please see math/README to configure.): \mathrm{I} . In some European countries (e.g., Germany), the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.
A number is a mathematical object used to count and measure. In mathematics, the definition of number has been extended over the years to include such numbers as zero, negative numbers, rational numbers, irrational numbers, and complex numbers.
Mathematical operations are certain procedures that take one or more numbers as input and produce a number as output. Unary operations take a single input number and produce a single output number. For example, the successor operation adds one to an integer, thus the successor of 4 is 5. Binary operations take two input numbers and produce a single output number. Examples of binary operations include addition, subtraction, multiplication, division, and exponentiation. The study of numerical operations is called arithmetic.
A notational symbol that represents a number is called a numeral. In addition to their use in counting and measuring, numerals are often used for labels (telephone numbers), for ordering (serial numbers), and for codes (e.g., ISBNs).
Kwasi Danquah III ( /ˈkweɪsi/ /dæŋˈkwɑː/ KWAY-see dang-KWAH) (born September 14, 1986), better known by his pseudonyms Tinchy Stryder and Star in the Hood, is a Ghanaian musician, music executive, A&R executive, and businessman. He is the co-founder and co-chief executive officer (CEO) of Takeover Roc Nation.
Stryder rose to prominence with the song "Take Me Back" which peaked at number 3 on the UK Singles Chart in January 2009. He then released the song "Number 1", (a collaboration with N-Dubz) which entered the UK chart at number 1 on 26 April 2009. Stryder later released "Never Leave You" with Amelle Berrabah from girl-group Sugababes which became Stryder's second number 1 on 9 August 2009.
Stryder has opened other ventures since the beginning of his success. He founded and is the creator of the clothing line Star in the Hood (company). He is also the President and chief executive of Takeover/Cloud 9 (music publishing company through EMI Music Publishing), and he currently serves as the Chairman and A&R executive of Takeover Entertainment Ltd.
DJ Wich (also known as Tomáš Pechlák) is a DJ who works the Czech/Slovkia hip-hop scene. He started DJing in 1998.
In 1993, DJ Wich met Indy and LA4 on a graffiti scene. In 1998 they formed Indy & Wich, where Indy performed as a rapper and DJ Wich as producer. They often work with rapper LA4 in live performances.
In 2002, they released their debut album My3. Their second album Hádej kdo… was nominated on Anděl in 2006. The following year they produced The Chronicles of Nomad with rapper Nironic.
In 2008, DJ Wich released his first solo album The Golden Touch with international stars like Lil Wayne, Talib Kweli, M.O.P, Kurupt and more.
He collaborated with Czech artists, including Orion, Hugo Toxxx, W518, LA4 and from the international Rasco, Rytmus, H16, Vec, and Nironic.
Wich streams live shows from (DJ Wich Live TV) with other rappers, live recording, interviews and chat.
DJ Wich made soundtracks for Czech movie Gympl and Ulovit miliardáře which was released on 1 October 2008 with Tomáš Vorel as director.
Keri Lynn Hilson (born December 5, 1982) is an American singer, songwriter and actress. She was born and raised in Decatur, Georgia, and spent most of her youth working with producer Anthony Dent, as a songwriter and background vocalist for several R&B and hip hop artists. By the age of 14, Hilson had secured a record deal with the girl group D'Signe, who later disbanded. She attended Emory University in Atlanta, while she continued writing songs for artists, including Britney Spears and Mary J. Blige, with the production and songwriting team, The Clutch. In 2006, Hilson signed with American rapper and producer Timbaland's record label, Mosley Music. Her breakthrough came the following year after appearing on Timbaland's single, "The Way I Are", which topped charts around the world.
Hilson's debut studio album, In a Perfect World..., was released in 2009, and debuted at number four on the US Billboard 200 chart, eventually being certified gold by the Recording Industry Association of America (RIAA). The album spawned the hit singles, "Knock You Down", "Turnin Me On" and "I Like". It also earned Hilson two Grammy Award nominations for Best New Artist and Best Rap/Sung Collaboration for "Knock You Down". Her second studio album, No Boys Allowed, was released in 2010 and was considerably less successful than its predecessor; however, it included the hit single, "Pretty Girl Rock". Hilson's achievements include a BET Award, MOBO Award, NAACP Image Award and two Soul Train Music Awards. Apart from her work in music, she has pursued a career in acting. Hilson made her acting debut in the romantic comedy film, Think Like a Man, in 2012.
I got a number in my pocket
Keep it in my wallet, right on my hip
When my paycheck's steady, I'm damn good and ready
I toll it up to my lip, and I go to the moon
I got my foot down on the throttle
Hands around the bottle, I think my speakers are blown
No rubber on my tire, I'm a gettin' higher
Higher than I've ever Known
And I ain't coming down
I can't remember the last time I touched the ground
You look at me like I'm gonna let you down
Hey, every time I come around
You got your finger on my button
Actin like it's nothing, bitchin' from your golden throne
You ain't no anybody, actin' high and mighty
Waitin' for me to explode, fire in the hole
Look out, down below, here I go
You're wasting time, why bother even coming 'round
add the bass ya'll....
add the trumpet ya'll...
well im five on a good day six, i got plenty of thing
need to fix a bigger chest with dimples in my face with
those i could be pushing seven to eight guitar in hand
add a point to my score no car slide me down to a four
six feet with a pair of blue eyes brings me back up to
five
chorus:
greater than less than equal too
youre making this way to mathematical the value of
personality seems to be dead. all walking around with
numbered halo's on our heads
well...
three's want four's and four's want five's eight's
think nine's have much better lives and its a
reasonable question to ask i guess its all worth doing
the math and i cant and lie to you and say this is
something i dont do but im a nother number crunching
fool whos calculators way overused
chorus:
greater than less than equal too
were making this way to mathematical the value of
personality seems to be dead. all walking around with
numbered halo's on our heads
and im thinking
just one time i wish i could have a nine she'd be hot
and she'd be mine just one time
but for every nine theres a two staring back at you
wish you would do what you wanted the nine too aye ayee
(ohhh noooo)90% of the mental judicial system is based
soley on superficial intuition to me that seems a bit
stange Only talk to people who we think we might be
kissn' that's a lot of ideas to be dismissing WE leave
it to humans to choose the criteria we can't change
doesn't make sence no doesn't make sense doesn't make
sense For the numbers to be where we are
concentrating In my minor sense i condesense in my
minor sense asymetrical interactions simply evaporating
simply evaporating
i'm a five on a good day six got plenty of things need
to fix i need a formua or some sort of plan to focus
I can't see nothin'
but a sphere
and the children are all
filled with straw.
filled with chaff.
(i'm flow? er? ing with the grains)
i fear
a dagger you
struck me
coming slightly.
whispers
i lapped milk from her
the inside of her elbows
like a cat
softly struck me.
i go out staggering, after midnight
just hopin'
the dark wind whispers down dark hallways
to me
to me I fear
well, that's just my way
of sayin'
daggers.
the salt from the inside of her wrists
weeping beams
hold up the moonlight
out in the moonlight keep me staggerin'
hold me up
sdaggerin' across a long black nothing.
i fear a sphere
dagger
I can't see nothin'
but a sphere
and the children are all
filled with straw.
filled with chaff.
(i'm flow
er
ing with the grains)
i fear
a dagger you
struck me
coming slightly.
whispers
i lapped milk from her
the inside of her elbows
like a cat
softly struck me.
i go out staggering, after midnight
just hopin'
the dark wind whispers down dark hallways
to me
to me I fear
well, that's just my way
of sayin'
daggers.
the salt from the inside of her wrists
weeping beams
hold up the moonlight
out in the moonlight keep me staggerin'
hold me up
sdaggerin' across a long black nothing.
i fear a sphere
dagger
Come new year's day's morning
Now what did you promise this time?
Can you remember
What accidentally slipped your mind?
No more degrading
Or humiliating stunts?
What were you saying
Before you pulled down your pants
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
I am entitled
To speak my mind about what you do
I'm not patronizing,
I am merely endorsing:
Do what you want to
Not what others expect from you
You are a person
And should demand some respect
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
You're so much more
Than a number on a mensroom
You're so much more
Than a number on a mensroom
You're so much more
Than a number on a mensroom
You're so much more
receive your number enter the machine run through the
program do you really matter? a member of a class ignored
like all the rest schoolbook propaganda jammed inside
your head apathetic system who cares if you can't read?
you're just another fucking number pushed through the
machine open a book become a statistic graduate an