Croquet is a sport and also a recreational lawn game. It involves hitting plastic or wooden balls with a mallet through hoops (often called "wickets" in the US) embedded into the grass playing court.

The oldest document to bear the word "croquet" with a description of the modern game is the set of rules registered by Isaac Spratt in November 1856 with the Stationers' Company in London. This record is now in the English Public Records Office. In 1868 the first croquet all-comers' meeting was held at Moreton-in-Marsh, Gloucestershire and in the same year the All England Croquet Club was formed at Wimbledon, London.

In the book Queen of Games: The History of Croquet, Nicky Smith presents two theories of the origin of the modern game that took England by storm in the 1860s and then spread overseas.

The first explanation is that the ancestral game was introduced to Britain from France during the reign of Charles II of England, and was played under the name of paille-maille or pall mall, derived ultimately from Latin words for "ball and mallet". This was the explanation given in the ninth edition of Encyclopaedia Britannica, dated 1877. In his 1810 book entitled The Sports and Pastimes of the People of England, Joseph Strutt describes the way pall mall was played in England in the early 17th century: "Pale-maille is a game wherein a round box ball is struck with a mallet through a high arch of iron, which he that can do at the fewest blows, or at the number agreed upon, wins. It is to be observed, that there are two of these arches, that is one at either end of the alley. The game of mall was a fashionable amusement in the reign of Charles the Second, and the walk in Saint James's Park, now called the Mall, received its name from having been appropriated to the purpose of playing at mall, where Charles himself and his courtiers frequently exercised themselves in the practice of this pastime."

Matan "Mat Zo" Zohar (born April, 1990) is a British trance music and progressive house music producer, composer and DJ.

The son of successful artist Israel Zohar, and half-brother of Israeli singer Alma Zohar, Matan Zohar was born in London, England in 1990. He was raised by his mother who was a professional violinist, who possessed staunch musical ethos and nurtured Matan's early love of--and prodigious inclination toward--music. From age one to eleven, Zohar and his family lived in the city of Cleveland, Ohio in the United States. It was there at age 8 where his father presented young Zohar with a guitar as a gift. He returned at age 11 to London and continued pursuing his musical interests as a drummer and bassist as a member of a jazz and rock band respectively. However, Zohar became more interested in musical acts such as Daft Punk and the Chemical Brothers, and his musical inclinations shifted to those of electronic dance music and DJing. After 3 years living and producing music in London, his recording began to gain attention and play time by other disc jockeys such as DJ Tarkan, Perry O'neil, Swedish Egil, DJ R-Man, Jav D, Micah, Airwave, Andy Moor and Markus Schulz In the 2009 publication of DJ Magazine's top 100 poll he was described by musical acts Above & Beyond, Lange and Daniel Kandi as a promising producer. In the 2010 publication, Mat Zo was a new entry at #66.

Edward Lee Morgan (July 10, 1938, Philadelphia, Pennsylvania – February 19, 1972, New York City) was an American hard bop trumpeter.

Edward Lee Morgan was born in Philadelphia on July 10, 1938, the youngest of Otto Ricardo and Nettie Beatrice Morgan's four children.

Lee Morgan, a leading trumpeter and composer, recorded prolifically from 1956 until a day before his death in February 1972. Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. Morgan also knew how to play the alto saxophone. On his thirteenth birthday, his sister Ernestine gave him his first trumpet. His primary stylistic influence was Clifford Brown, who gave the teenager a few lessons before he joined the Dizzy Gillespie Big Band at 18, and remained a member for a year and a half, until the economical situation forced Dizzy to disband the unit in 1958. He began recording for Blue Note Records in 1956, eventually recording 25 albums as a leader for the company, with more than 250 musicians. He also recorded on the Vee-Jay label.