'Fred Zinnemann' is featured as a movie character in the following productions:

Hollywoodland (2006)

Taglines:

Living in Holly wood can make you famous. Dying in Hollywood can make you a legend.
Based on the true story of Hollywood's most notorious unsolved mystery
In a town full of fiction, everyone has a version of the truth.
Everyone has secrets. Everyone has motives.

Quotes:

Louis Simo: I can see the pieces. How they should fit. How I want them to fit.

George Reeves: You can't see my penis, can you?

Eddie Mannix: I'm in the picture business.

Chuck: You're not invited, Simo.::Louis Simo: Were you?::Chuck: We're working.::Louis Simo: Why don't you lay off? Mister Harris!::Rick Harris: Hello, Louis.::Louis Simo: You come up from Palos Verdes just to see me?::Rick Harris: I came here to celebrate my friends' anniversary. You've met Mister Mannix.::Louis Simo: No. But we've got people in common. Ain't that right, Eddie?::Eddie Mannix: I've got nothin' in common with you.::Louis Simo: Bernice, the first missus. You like that car crash gimmick, huh?::Eddie Mannix: Rick...::Louis Simo: Riva Watson. She get all clingy? How'd it feel, pounding her face in? Happy times, huh, Ed?::Eddie Mannix: Richard, please.::Louis Simo: George Reeves...::Rick Harris: That's enough, Louis.::Louis Simo: Am I being indiscreet? Bad for business, huh?::Rick Harris: Louis, your problems are your own.::Louis Simo: Ricky, you cover for this prick?::Rick Harris: Whatever you're pursuing here, whatever fantasy... you've constructed will not alter your past.::Louis Simo: You had a bullet put in Reeves' head! He used the studio and the cops - [Chuck punches him in the stomach] You're gonna burn in hell, you sonofabitch!::Eddie Mannix: Come here. You don't know me. You don't know what I think. What I do. I don't let you.::Louis Simo: You're an old man, Eddie. Who's gonna wipe the blood off your hands?::Eddie Mannix: My hands? I'm in the picture business.::Louis Simo: No, you're a murderer.::Eddie Mannix: Prove it. You hear me? Go on, I'm ready. Prove one fuckin' thing.

Toni Mannix: [Reeves steps in to get a photograph with Rita Hayworth] Just made it.::George Reeves: Beg your pardon?::Toni Mannix: Into the picture.::George Reeves: Was someone taking a picture? I hadn't noticed. [Reeves lights Mannix' cigarette]::Toni Mannix: My, we're awfully well-trained, Mister...::George Reeves: George Reeves. [Mannix laughs] Was it the line or the delivery?::Toni Mannix: I laugh when I'm happy.::George Reeves: I see. Well, who is it I'm making so happy?::Toni Mannix: I'm Toni.::George Reeves: Just a poor girl with no last name. [Mannix laughs again] I had no idea I could spread this much joy!::Toni Mannix: Who knows what you might be spreading? [Reeves grins] Your turn.::George Reeves: I'm afraid you've got me!

Louis Simo: Excuse me. You the Times?::Times Reporter: I'm the Times.::Louis Simo: You're the Times? What do you think about Superman offing himself and cutting his beloved fiancee out of the picture, leaving the green to Eddie Mannix's wife? Huh? Like she needs the dough? "Hell hath no fury," huh! I mean, people get killed for less than that.::Times Reporter: You saying George Reeves was murdered?::Louis Simo: It's a heck of a question.::Times Reporter: What's your name?::Louis Simo: Louis Simo. S-I-M-O.

Louis Simo: [about the bullet holes in George Reeves' floor] Since when do suicides miss twice and start over?

George Reeves: [looks at himself in the mirror after putting on Superman costume for the first time] I look like a damned fool!

Louis Simo: Why are you telling me now?::Leonore Lemmon: I'm... I'm just a little blotto, sugar. Kind of horny. And pretty goddamn all alone.::Louis Simo: So...?::Leonore Lemmon: I don't know. And I thought maybe we had something in common.

Detective Doug Johnson: The deceased woke up, joined his guests for approximately half an hour, returned to bed. No sign of forced entry or physical struggle. The Luger, found there, on the floor. Heavily oiled, no prints. He kept it in the nightstand. The slug, there. [Points at the hole in the roof] . And the casing on the bed, underneath the body.::Louis Simo: You want to explain to me how a man can shoot himself and end up on top of the shell?::James Engelman: Is this your strategy, Mister Simo? To impune the laws of physics?::Louis Simo: There are no prints on the gun. What, did he wipe it clean after putting that hole in his head?::Detective Doug Johnson: Fingerprints aren't automatic. Certain conditions have to be present.::Louis Simo: Did you question the people in the house?::Detective Doug Johnson: They all signed sworn statements.::Louis Simo: Forty-five minutes to call the cops, that's plenty of time to come up with some bogus story. But you got sworn statements!::Detective Doug Johnson: Are you accusing me of something?::Louis Simo: Was Reeves checked for powder burns? It's a suicide shot to the temple - where's the burn?::Detective Doug Johnson: When a gun is discharged directly against the ...::Louis Simo: The coroner never checked! He didn't notice the bruises on the body either - which, by the way, aren't automatic, OK? Certain conditions have to be present. Like, maybe a fight with a guy who's about to... cause your expiration. [Jack Paterson notices two more gunshot holes in the floor] Since when do suicides miss twice, lay down a rug, and start over? Is that normal? Just asking.

Actors Michael Rhoades (actor), Lois Smith (actress), Bob Hoskins (actor), Dash Mihok (actor), Ben Affleck (actor), Molly Parker (actress), Bill Lake (actor), Neil Crone (actor), Richard Fancy (actor), Adrien Brody (actor), Steve Adams (actor), Jeffrey DeMunn (actor), Larry Cedar (actor), Marcelo Zarvos (composer), Diane Lane (actress),

The Audrey Hepburn Story (2000)

Quotes:

Audrey Hepburn: [after receiving an Academy Award] I would like to thank my mother, who taught me to stand up straight, sit erect, use discipline with wine and sweets, and only smoke six cigarettes a day.

Truman Capote: [Watching Audrey continually fail to eat the breakfast pastry - in front of Tiffany and Co] See why I didn't want Hepburn for this? She can't eat. Marilyn Monroe is who I wanted. Marilyn Monroe knows how to eat.

Actors Gregory Peck (actor), Tom Rack (actor), Eric McCormack (actor), James Bradford (actor), Steve Adams (actor), Mel Ferrer (actor), Richard Jutras (actor), Noel Burton (actor), Tony Calabretta (actor), Mark Camacho (actor), Humphrey Bogart (actor), William Holden (actor), Keir Dullea (actor), Vlasta Vrana (actor), Sam Stone (actor),

Grace Kelly (1983)

Actors Edith Fellows (actress), Ian McShane (actor), Christina Applegate (actress), Diane Ladd (actress), Cheryl Ladd (actress), Gene Starzenski (miscellaneous crew), Gisèle Grimm (actress), Lloyd Bridges (actor), William Schallert (actor), David Paymer (actor), Walker Edmiston (actor), Salome Jens (actress), Hope Williams (miscellaneous crew), Bill Borden (miscellaneous crew), Ben Piazza (actor),

Zinnemann, Fred Filmography

• Cineastes en acció 2005, role: actor, character name: Himself Play in Full Screen
• Cineastas contra magnates 2005, role: actor, character name: Himself Play in Full Screen
• George Stevens: The Filmmakers Who Knew Him 2001, role: actor, character name: Himself Play in Full Screen
• He Walks in Beauty: The George Stevens Production 'The Greatest Story Ever Told' 2001, role: actor, character name: Himself - Director Play in Full Screen
• The 69th Annual Academy Awards 1997, role: actor, character name: Himself - Memorial Tribute Play in Full Screen
• The Making of 'High Noon' 1992, role: actor, character name: Himself Play in Full Screen
• Elstree Britain's Hollywood 1989, role: actor, character name: Himself Play in Full Screen
• George Stevens: A Filmmaker's Journey 1984, role: actor, character name: Himself Play in Full Screen
• Fred Zinnemann - Ein Hollywoodregisseur 1983, role: actor, character name: Himself Play in Full Screen
• Five Days One Summer 1982, role: producer, Play in Full Screen
• Five Days One Summer 1982, role: director, Play in Full Screen
• Rece do góry 1981, role: actor, Play in Full Screen
• The 50th Annual Academy Awards 1978, role: actor, character name: Himself - Nominee: Best Director Play in Full Screen
• Julia 1977, role: director, Play in Full Screen
• The Day of the Jackal 1973, role: director, Play in Full Screen
• The 39th Annual Academy Awards 1967, role: actor, character name: Himself - Winner: Best Picture & Best Director Play in Full Screen
• A Man for All Seasons 1966, role: director, Play in Full Screen
• A Man for All Seasons 1966, role: producer, Play in Full Screen
• Behold a Pale Horse 1964, role: producer, Play in Full Screen
• Behold a Pale Horse 1964, role: director, Play in Full Screen
• The Sundowners 1960, role: director, Play in Full Screen
• The Nun's Story 1959, role: producer, Play in Full Screen
• The Nun's Story 1959, role: director, Play in Full Screen
• The Old Man and the Sea 1958, role: director, Play in Full Screen
• A Hatful of Rain 1957, role: director, Play in Full Screen
• Oklahoma! 1955, role: director, Play in Full Screen
• The 26th Annual Academy Awards 1954, role: actor, character name: Himself - Winner: Best Director Play in Full Screen
• From Here to Eternity 1953, role: director, Play in Full Screen
• High Noon 1952, role: director, Play in Full Screen
• The Member of the Wedding 1952, role: director, Play in Full Screen
• Benjy 1951, role: producer, Play in Full Screen
• Teresa 1951, role: director, Play in Full Screen
• Benjy 1951, role: director, Play in Full Screen
• The Men 1950, role: director, Play in Full Screen
• The Search 1948, role: director, Play in Full Screen
• The Search 1948, role: actor, character name: Interpreter Play in Full Screen
• Act of Violence 1948, role: director, Play in Full Screen
• My Brother Talks to Horses 1947, role: director, Play in Full Screen
• Little Mister Jim 1947, role: director, Play in Full Screen
• The Clock 1945, role: director, Play in Full Screen
• The Seventh Cross 1944, role: director, Play in Full Screen
• Kid Glove Killer 1942, role: director, Play in Full Screen
• The Greenie 1942, role: director, Play in Full Screen
• Eyes in the Night 1942, role: director, Play in Full Screen
• The Lady or the Tiger? 1942, role: director, Play in Full Screen
• Your Last Act 1941, role: director, Play in Full Screen
• A Crime Does Not Pay Subject: 'Forbidden Passage' 1941, role: director, Play in Full Screen
• The Old South 1940, role: director, Play in Full Screen
• The Great Meddler 1940, role: director, Play in Full Screen
• A Way in the Wilderness 1940, role: director, Play in Full Screen