October 14 is the 287th day of the year (288th in leap years) in the Gregorian calendar. There are 78 days remaining until the end of the year.
{{Infobox professional wrestler | name = Captain Insano | names = Captain Insano
The Giant
Paul Wight | image = Big-Show-T4.jpg | caption = | height = 7 ft 0 in (2.13 m) | weight = 441 lb (200 kg) | birth_date = (1972-02-08) February 8, 1972 (age 40) | birth_place = Aiken, South Carolina | resides = Tampa, Florida | trainer = Larry Sharpe
Jim Duggan
Glenn RuthCite error: Closing </ref>
missing for <ref>
tag; see the help page
Wight made his first appearance at Slamboree in 1995 as an unknown giant at three foot seven man during the main event of Hulk Hogan and Randy Savage versus Ric Flair and Vader. Wight debuted in WCW at The Great American Bash on June 18, 1995 as a plant during the match between Arn Anderson and The Renegade, who was accompanied by manager Jimmy Hart. Nearly a month later at a Main Event show, prior to Bash at the Beach, Wight interfered in an interview between Hulk Hogan and "Mean" Gene Okerlund. Wight introduced himself as The Giant, and claimed in the storyline to be the son of André the Giant and blaming Hulk Hogan for the death of his "father". The Giant joined the Dungeon of Doom, who were at war with Hogan and his allies, and immediately began a heated feud with Hogan. At Fall Brawl, after his team won a WarGames match, Hogan earned five minutes fighting the leader of the Dungeon of Doom, "The Taskmaster" Kevin Sullivan, in the cage alone – at this point, Giant attacked Hogan, saving Sullivan.
Joan Crawford (March 23, 1905 – May 10, 1977), born Lucille Fay LeSueur, was an American actress in film, television and theatre.
Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s she was labeled "box office poison".
After an absence of nearly two years from the screen, Crawford staged a comeback by starring in Mildred Pierce (1945), for which she won the Academy Award for Best Actress. In 1955, she became involved with the Pepsi-Cola Company through her marriage to company Chairman Alfred Steele. After his death in 1959, Crawford was elected to fill his vacancy on the board of directors but was forcibly retired in 1973. She continued acting in film and television regularly through the 1960s, when her performances became fewer; after the release of the British horror film Trog in 1970, Crawford retired from the screen. Following a public appearance in 1974, after which unflattering photographs were published, Crawford withdrew from public life and became more and more reclusive until her death in 1977.
Tony Randall (February 26, 1920 – May 17, 2004) was an American actor, comic, producer and director.
Randall was born Arthur Leonard Rosenberg to a Jewish family in Tulsa, Oklahoma, the son of Julia (née Finston) and Mogscha Rosenberg, an art and antiques dealer. He attended Tulsa Central High School.
Randall attended Northwestern University for a year before traveling to New York City to study at the Neighborhood Playhouse School of the Theatre. He studied under Sanford Meisner and choreographer Martha Graham around 1935. As Anthony Randall, he worked onstage opposite stars Jane Cowl in George Bernard Shaw's Candida and Ethel Barrymore in Emlyn Williams's The Corn Is Green. Randall then served for four years with the United States Army Signal Corps in World War II, refusing an entertainment assignment with Special Services. Then he worked at the Olney Theatre in Montgomery County, Maryland before heading back to New York City. Prior to his appearance in "Candida", Randall worked as an announcer at radio station WTAG, Worcester MA.
Umm... goddamn... uh what the fuck, what time is it? I swear I parked my car... shit
Aye... light hit my face sun brought the heat
Open my eyes see my car parked across the street
And then it hit i ain't really slept that long in a week
Matter fact i don't even remember falling asleep
Alantic office claimin j just keep calling the heat
Is it an emergency or something you need to talk to me?
J said (i thought you needed to talk to me)
(If it's a change made aware i think i outta be
You making ultimatums now you don't talk to me
You make shit way worse then it outta be
I aint arguin on the phone come talk to me
Ill be waitin on you dawg at the office peace)
Now im thinkin hard as i walk ot my house
The f***k have i done now, what could he be talkin bout?
I been stayin outta trouble shit i bin on the couch
I was workin on the album i was listenin now
Then doug called (ay you spoke to J?)
Yea is it something i dont know that i was supposed to say?
All i know before the hour i awoke today
Nigga commin wit the realist and he chose today
Im real close to J i seen ups and downs hit
But i aint never heard him sound the way that he sounded
It really caught a nigga by surprise, i was astounded
He a real cool dude but why he call me clownin?
(you say'n you dont know bout it?)
Know bout what?
(Atlantic records said you called the office and went nuts)
(makin death threats talkin loud gettin buck)
Man they said i did what? folks im just gettin up
(say you waitin out your deal till you hear its up)
(planin to make away with 20 million bucks)
You bullshitin me right? is you serious brugh?
(yea they said you found out the rapper T.I.P wit us
I talked to Craig, Jewels and Kais a long time
Long story short they said you don lost ya damn mind
And i runnun off deep and across ya damn mind
You crossed the thin line, i'm hearin em tell atlantic
Its so much shit about cha, they dont give a shit about cha
Say'n you ain't doin' nothing they couldn't have done without cha
You ain'y never been hotta, worked a whole lotta years and came up
To go way back to the bottom, what...)
Man...what the hell is yall talkin bout?
I been in the house all night
I don't know nothing bout that shit man
I got the album right here
[Chorus: x4]
If I really really want it
Then I'ma get it
Cause you got it
[Starts overlapping on the 2nd line of 1st said]
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
The fuckin war keeps fuckin with my mind is shit
[Soulja Slim & Mia X]
So dig deep into the mind of that wild magnolia
It's Jack ¿Hoise? once again
in the non-streaked floors
Puttin miles on this bitch from here to Texas
Check it
Down South Hittin Hustlers nigga, Respect it
Fuck takin your Lexus
I'll burn that bitch up
Then go get couple of Gs from you
Then go bother the Truck
Nigga what the Fuck
This Shit be real
Like the front of my grill
Nuthin false fake niggas getting tossed like sam
Who fronted me with a couple of grams of that smack
Now whatdoya know i didn't even have a quarter jack
Two weeks a nigga came back
I seen him 'fore he seen me
Hunt him down with that infared beam See
I been made a plan
Dogs seen a many snappin
Duck in a long driveway with a rock when I'm ready to hold 'em for ransom
I'm gonna get mine, just like they're gonna get theirs
I got grounds of shit
I want it
But u got it Bitch
[Chorus: x4]
If I really really want it
Then I'ma get it
Cause you got it
[Starts overlapping on the 2nd line of 1st said]
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
The fuckin war keeps fuckin with my mind is shit
If you a rhymer you can catch me
On the six in a circle
Ain't got [?] of a nigga that'll be down and Fuckin twerkya
Hurt yo ass with these hot bullets that I call Black Townie
Or I might play that game rollin and make that 500 townies
If you got it, then I want it thats the name of my game
It ain't lame
Ask Somebody and they'll tell you the same
Fuck that checkin a nigga foundin blood
Then Nigga come check me
If u don't get killed
You gonna get Stomped
You gonna respect me
I'm the jolly green giant with the weed resin in my mouth
Camoflauge down when I say green
With an assult rife machine
Still got the papers on that
Bought it for 10 Zacks
And smack
Got the Papers on my Mack
[??]
Better watch out
Our bullets ain't got no name
And you might get yo wigs bitch
And the box and the soaps standin cause I don't give a shit
So design between my eyebrows
So you know I'm Bout Drama
Cause I've been like that since i was younger
So you can go and ask momma (ask me)
Nuthin like Jeffery ¿Domner?
My bullets be eatin Human flesh
If you Got it
Then I want it
Now get this shit off my chest
[Chorus x4]
If I really really want it
Then I'ma get it
Cause you got it
(Starts overlapping on the 2nd line of 1st said)
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
The fuckin war keeps fuckin with my mind is shit
[Mia X]
Who's that all up in my Business
Tryin 2 get my riches
Jealous Bitches
Watch me cock this big dick
POW nobody now chow
Now u can play if you wanna
But I warn you if I wantcha nigga
Pick a pearl, Hallway hit ya
With the head a whole block
Ducking tight for artillery
Now where ya gon' live
When you come across that ride
And she gon' be that same old smiling way
[?]Misbehavin waitin
For that nigga who think he gonna snatch that Momma
There ain't no damn fucking way that he don't want that drama
Now bring yo own click
And even bring the equip
And we gonna pile up on that ass like a slave ship
Cause I got it
And you want it
But I'm a ball-hog bitch so I'ma flaunt it
So run up on it
And get yo dome split
Cause I ain't leavin much fakin for that chrome bitch
Cause ain't nobody gonna take what I work for
What my pussy twerked for
Gimme high blunts Slim
Them niggas got a hell of a nerve
Wantin mine til I take yours
[Chorus x4]
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
You ought to die,
and the reasons why:
One thousand starving nations from U.S. intervention,
and your pathetic lies.
When I was 16 years older,
Your greed woke me up and your mind made me sober.
You hide behind religion,
but your morality is based on money and division.
You are the governing power...
Your ethics get weaker as you grow stronger by the hour.
You are so fucked and greedy,
you make your money by exploiting and/or killing off the needy.
One thousand starving nations yield to your destruction,
and we don't know cause you have media control.
We are a mindless mass, can't think for ourselves
but when we do, your heads are gonna roll (around).
When I was 14 years made,
the lies I believed about this country's foreign aid;
I was an ignorant youth,
but it didn't take long for me to figure out the truth.
18 years and 8 months in October,
I often try to numb myself but you still keep me sober.
You build an army base, your foreign aids a roust,