The term Creole and its cognates in other languages — such as crioulo, criollo, creolo, créole, kriolu, criol, kreyol, kreol, kriulo, kriol, krio, etc. — have been applied to people in different countries and epochs, with rather different meanings. Those terms are almost always used in the general area of present or former colonies in other continents, and originally referred to locally born people with foreign ancestry.

People of mixed Alaska Native American and Russian ancestry. The intermingling of promyshlenniki men with Aleut and Alutiiq women in the late 19th century gave rise to a people who assumed a prominent position in the economy of Russian Alaska and the north Pacific rim.

During the early settlement of the colonies, children born of immigrants in the colonies were often referred to as creole. This is found more often in the Chesapeake Colonies

In the United States, the word "Creole" refers to people of any race or mixture thereof who are descended from settlers in colonial French Louisiana before it became part of the United States in 1803 with the Louisiana Purchase. Some writers from other parts of the country have mistakenly assumed the term to refer only to people of mixed racial descent, but this is not the traditional Louisiana usage. Originally it referred to people of French and then Spanish descent who were born in Louisiana, to distinguish them from immigrants. Later Creole was sometimes used as well to refer to people of African descent born in Louisiana. Later the terms were differentiated, by French Creole (European ancestry) and Louisiana Creole (meaning someone of mixed racial ancestry).

Jah Shaka has been operating a South East London-based, roots reggae Jamaican sound system since the early 1970s. His name is an amalgamation of the Rastafarian term for God and that of a Zulu warrior, Shaka Zulu.

Jah Shaka started out on the Freddie Cloudburst Sound System as an operator, before setting up his own sound system. By the late 1970s Shaka's system rapidly had gained a large and loyal following due to the combination of spiritual content, high energy rhythms, massive sonority, and his dynamic personal style. That following notably included many of the pioneers of post-punk such as Public Image Ltd and The Slits.

In 1980 Shaka played himself in the film Babylon (directed by Franco Rosso, although he directed the scene he appeared in), operating his Sound System in a soundclash at the climax of the story.

Shaka stayed true to his spiritual and distinct musical style during the 1980s when many other Sound Systems had started to follow the Jamaican trend towards playing less orthodox styles tending towards slack dancehall music.

Adolphe Paul Barbarin (May 5, 1899 – February 17, 1969) was a New Orleans jazz drummer, usually regarded (along with Baby Dodds) as one of the very best of the pre-Big Band era jazz drummers. He studied under the famed drummer, Louis Cottrell, Sr.

Paul Barbarin's year of birth is often given as 1901, but his brother Louis Barbarin (born 1902) said he was quite sure that Paul was several years older than he was, and Paul Barbarin simply refused to answer the year of his birth in an interview at Tulane's Jazz Archives.

From the late 1910s on, Barbarin divided his time between Chicago, New York City and New Orleans, and touring with such bands as those of Joe "King" Oliver, Luis Russell, Louis Armstrong, and Henry Red Allen. From the 1950s on he usually led his own band. He, along with Louis Cottrell, Jr. founded and led the second incarnation of the Onward Brass Band from 1960 to 1969.

Barbarin was an accomplished and knowledgeable musician, a member of ASCAP, and the composer of a number of pop tunes and Dixieland standards, including Come Back Sweet Papa, Don't Forget To Mess Around (When You're Doing The Charleston), Bourbon Street Parade, and (Paul Barbarin's) Second Line.