Plot
1857 AD. The entire Indian sub continent is ruled by a company. The British East India Company. The most successful business enterprise in history. The company has its own laws, its own administration, its own army. It controls the destiny of one fifth of humanity. Mangal Pandey - The Rising is an epic tale of friendship, betrayal, love and sacrifice set against the backdrop of what the British called the sepoy mutiny but which for the Indians was the First War of Independence. 'Company Raj' as it was known, had been plundering the country, treating the locals unjustly and causing widespread resentment. After a hundred years of subjugation, the Indian consciousness is rising through the revolutionary prospect of change and self-rule. During a fierce battle in one of the Afgan wars that the Company fought in the mid-century, Mangal Pandey, the heroic sepoy, saves the life of his British commanding officer William Gordon. Gordon is indebted to Mangal and a strong friendship develops between them, transcending consideration of rank and race. The friendship is soon challenged by the introduction of a new rifle called the Enfield . The new rifle has come with a new cartridge which is rumored to be coated with the grease of cow and pig fat. The new cartridge has to be bitten before it is loaded, which ignites anger and resentment among the Indian sepoys. The cow is sacred to the Hindus, the pig forbidden to the Muslims. They will not touch such a kartoos (gun cartridge), it would defile them. Set in one of the most beautiful countries on earth, told across the divides of time, Mangal Pandey - The Rising tells the tale of friends, lovers and enemies, exploiters and exploited, and the growth and awareness of a man and a nation. It is a story of one man and his dream of freedom. This sweeping epic is based on real historical events, seen as a trigger for Indian independence
Keywords: 1800s, 1850s, bare-chested-male, bare-chested-male-bondage, beating, bengal, betrayal, bhang, blood, breast-feeding
Legend of Mangal Pandey
You can kill a man, but not his dreams
An epic tale of friendship, love, loss and betrayal
India, 1857. One man rises against the Empire...
This August discover the birth of India's independence
Hewson: Say you are a black dog!::Mangal Pandey: You are a Black Dog!
[Pandey marches in front of a cannon. The soldiers loading it look at him in shock]::Mangal Pandey: Fire!
Mangal Pandey: I am Hindustan.
Jwala: My name is Jwala...
Captain William Gordon: If you kill this man, Mangal Pandey, it will lead to the fall of this company!
Mangal Pandey: You have tasted a black man's loyalty - now taste his *fury*!
Mangal Pandey: What is "company"?::Captain William Gordon: In your Ramayana there was one villain "Ravana" who had ten heads, company has a hundred heads and they're all joined by the glue of greed.
Mangal Pandey: Halla Bol!
Bahadur Shah II (Urdu: بہادر شاہ دوم), born Abu Zafar Sirajuddin Muhammad Bahadur Shah Zafar (Urdu: ابو ظفر سِراجُ الْدین محمد بُہادر شاہ ظفر), on October 1775 – died November 7, 1862) was the last Mughal emperor and a member of the Timurid Dynasty. Zafar was the son of Akbar Shah II and Lalbai, who was a Hindu Rajput, and became Mughal Emperor when his father died on September 28, 1837. He was widely known as Bahadur Shah Zafar. He used Zafar, a part of his name, meaning “victory”, as a nom de plume (takhallus) as an Urdu poet and wrote many Urdu ghazals under it. After his involvement in the Indian Rebellion of 1857 the British tried and then exiled him from Delhi.
Zafar's father, Akbar Shah II, ruled over a rapidly disintegrating empire between 1806 to 1837. It was during his time that the East India Company dispensed with the illusion of ruling in the name of the Mughal monarch and removed his name from the Persian texts that appeared on the coins struck by the company in the areas under their control.
Bahadur Shah may refer to
Mehdi Hassan Khan (Urdu: مہدی حسن خان ) is a Pakistani ghazal singer and a former playback singer for Lollywood. He is famously known as the 'King of ghazal' (Urdu: شہنشاہِ غزل). He has ruled the Pakistan film industry along with Ahmed Rushdi. He was honoured with Tamgha-e-Imtiaz, Pride of Performance and Hilal-e-Imtiaz by the Government of Pakistan, and Gorkha Dakshina Bahu by the Government of Nepal.
Mehdi Hassan was born on 18 July 1934 in a village called Luna in Rajasthan, India into a family of traditional musicians. He claims to be the 16th generation of hereditary musicians hailing from the Kalawant clan of musicians. Mehdi Hassan had his musical grooming from his father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both traditional Dhrupad singers. Hassan started to perform at a young age and the first concert of dhrupad and kheyal with his elder brother is reported to have been held in Fazilka Bungla, near present DC House (1935) of Undivided Punjab. After the Partition of India, 20-year-old Hassan and his family migrated to Pakistan and suffered severe financial hardships.
Habib Wali Mohammad (Urdu: حبیب ولی محمد) (born 1921) is a Pakistani ghazal singer.
Habib Wali Mohammad was born in Rangoon to a conservative Memon family, which later moved to Bombay. His family, Tabani, an industrial house has large business holdings in Pakistan.
During his childhood Habib Wali often listened to Qawwali music. But due to economic reasons, he gave priority to academics.
He received his MBA from Syracuse University in 1947, and then lived in Bombay for about 10 years before moving to Pakistan. His brother Ashraf W. Tabani was governor of the province of Sindh around 1988.)
As a youth, Habib Wali received classical music lessons from Ustad Latafath Husain, nephew of Ustad Fayyaz Khan. In college, he became active in the musical functions of Ismail Yusuf College, gaining the nickname ‘Taan sain’. After completing bachelors in Bombay, he studied for his MBA in USA. In mid 1940s he returned to Bombay.
In 1941, Habib Wali was awarded first prize in a Bombay music competition with 1200 contestants, including the singer Mukesh Chand Mathur. His winning performance was singing the ghazal of last Moghul Emperor Bahadur Shah Zafar, Lagta Nahin Hai Jee Mera Ujray Diyar Mein.
Abida Parveen (born 1954) (Sindhi: عابده پروين, Urdu: عابده پروین), is a Pakistani singer of Sindhi descent and one of the foremost exponents of Sufi music (Sufiana kalaam). She sings mainly ghazals, Urdu love songs, and her forte, Kafis, a solo genre accompanied by percussion and harmonium, using a repertoire of songs by Sufi poets. Parveen sings in Urdu, Sindhi, Saraiki, Punjabi and Persian, and together with Nusrat Fateh Ali Khan is considered one of the finest Sufi vocalists of the modern era.
Abida Parveen, a Sindhi, was born in mohalla Ali Goharabad in Larkana (Sindh province, Pakistan). She received her musical
training initially from her father, Ustad Ghulam Haider, and later from Ustad Salamat Ali Khan of the Sham Chorasia gharana. Growing up, she attended her father's music school,where her foundation in music was laid
Abida Parveen embarked upon her professional career from Radio Pakistan, Hyderabad, in 1973. Her first hit was the Sindhi song “Tuhinje zulfan jay band kamand widha”.