Immunity:

Jon Hopkins (born 1979) is a London-based producer and musician who writes and performs his own melodic electronica and dance music. After starting his career performing keyboard for Imogen Heap, he's produced or contributed to albums by Brian Eno, Coldplay, David Holmes, and others. Hopkins composed the soundtrack for the 2010 film Monsters, which was nominated for an Ivor Novello Award for Best Original Score. His third solo album, Insides, reached #15 on the Dance/Electronic Album Chart in 2009,. His collaborations on Small Craft on a Milk Sea with Brian Eno and Leo Abrahams and Diamond Mine with King Creosote both reached #82 on the UK Albums Chart. In 2011 Diamond Mine was nominated for a Mercury Prize, which is annually awarded for best album from the United Kingdom and Ireland.

Jon Hopkins was born in 1979 in Wimbledon in the South of London, where he was raised. He first became aware of electronic music after hearing early house music on the radio at the age of seven or eight, and also became an avid fan of Depeche Mode and the Pet Shop Boys. These records inspired an early fascination with synths.

Robert Kegan (1946) is the William and Miriam Meehan Professor in Adult Learning and Professional Development at Harvard University. Additionally he is the Educational Chair for the Institute for Management and Leadership in Education and the Co-director for the Change Leadership Group. Kegan is a developmental psychologist and the author of numerous books, including his most well-known work The Evolving Self (1982).

In The Evolving Self, Kegan presents a model of psychological development consisting of six "equilibrium stages": the incorporative stage, the impulsive stage, the imperial stage, the interpersonal stage, the institutional stage, and the inter-individual stage. The object of each stage is the subject of the preceding stage.

The subject of the incorporative stage are reflexes, and it has no object. The subjects of the impulsive stage are the individual's impulses and perceptions, and its objects are the reflexes. The subject of the imperial stage are the individual's needs, interests, and desires, and its objects are the individual's impulses and perceptions. The subject of the interpersonal stage are interpersonal relationships and mutuality, and its objects are the individual's needs, interests, and desires. The subject of the institutional stage are the individual's authorship, identity, and ideology, and its objects are interpersonal relationships and mutuality. The subject of the inter-individual stage is "the interpenetrability of self-systems", and its objects are the individual's authorship, identity, and ideology.