October 17 is the 290th day of the year (291st in leap years) in the Gregorian calendar. There are 75 days remaining until the end of the year.
Peter Tosh, born Winston Hubert McIntosh (19 October 1944 – 11 September 1987), was a Jamaican reggae musician who was a core member of the band The Wailers (1963–1974), and who afterwards had a successful solo career as well as being a promoter of Rastafari.
Peter Tosh was born in Grange Hill, Jamaica, and was raised by his aunt. He began to sing and learn guitar at an early age, inspired by American radio stations. After a notable career with The Wailers and as a solo musician, he was murdered at his home during a robbery.
Elizabeth Evans May, OC, MP (born June 9, 1954) is an American-born Canadian Member of Parliament, environmentalist, writer, activist, lawyer, and the leader of the Green Party of Canada. She was the executive director of the Sierra Club of Canada from 1989 to 2006. She became a Canadian citizen in 1978.
May's permanent residence is in Sidney, British Columbia. Her family home is in Margaree Harbour, Cape Breton Island. On May 2, 2011, she became the first elected Green Party Member of Parliament in Canada, defeating the incumbent, Gary Lunn.
May was born in Hartford, Connecticut to a British father and American mother; she has a younger brother named Geoffrey. Her mother was a prominent anti-nuclear activist and one of the original founders of the peace group SANE, while her father was Assistant Vice President of Aetna Life and Casualty. May's godfather was actor Cliff Robertson.
May attended Renbrook School and the prestigious Miss Porter's School in Farmington, Connecticut. Her family was rooted in the Welsh Congregationalist tradition of free thinking on religious beliefs.
The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP), and was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, W.S. Braithwaite, M. D. Maclean.
The original title of the journal was The Crisis: A Record of The Darker Races. From 1997 to 2003, it appeared as The New Crisis: The Magazine of Opportunities and Ideas, but the title has since reverted to The Crisis. The title derives from the poem "The Present Crisis" by James Russell Lowell. Published monthly, by 1920 its circulation had reached 100,000 copies. Du Bois proclaimed his intentions in his first editorial:
Predominantly a current-affairs journal, The Crisis also included poems, reviews, and essays on culture and history. Du Bois' initial position as editor was in line with the NAACP's liberal programme of social reform and racial equality, but by the 1930s Du Bois was advocating a form of black separatism. This led to disputes between Du Bois and the NAACP resulting in his resignation as editor in 1934. He was replaced by Roy Wilkins.
Jeffrey Katzenberg (born December 21, 1950) is an American film producer and CEO of DreamWorks Animation. He is perhaps most known for his period as chairman of The Walt Disney Studios when Disney produced some of its biggest hits, including Good Morning, Vietnam, Dead Poets Society, The Little Mermaid, Pretty Woman, Beauty and the Beast, Aladdin, Sister Act and The Lion King. As a founder and CEO of DreamWorks Animation, he has overseen the production of such animated franchises as Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon.
Katzenberg was born in New York City, the son of Anne, an artist, and Walter, a stockbroker. He attended the Ethical Culture Fieldston School, graduating in 1969.
Katzenberg began his career as an assistant to producer David Picker, then in 1974 he became an assistant to Barry Diller, the Chairman of Paramount Pictures. Diller moved Katzenberg to the marketing department, followed by other assignments within the studio, until he was assigned to revive the Star Trek franchise, which resulted in the hit film, Star Trek: The Motion Picture (1979). He continued to work his way up and became President of Production under Paramount President Michael Eisner.
Umm... goddamn... uh what the fuck, what time is it? I swear I parked my car... shit
Aye... light hit my face sun brought the heat
Open my eyes see my car parked across the street
And then it hit i ain't really slept that long in a week
Matter fact i don't even remember falling asleep
Alantic office claimin j just keep calling the heat
Is it an emergency or something you need to talk to me?
J said (i thought you needed to talk to me)
(If it's a change made aware i think i outta be
You making ultimatums now you don't talk to me
You make shit way worse then it outta be
I aint arguin on the phone come talk to me
Ill be waitin on you dawg at the office peace)
Now im thinkin hard as i walk ot my house
The f***k have i done now, what could he be talkin bout?
I been stayin outta trouble shit i bin on the couch
I was workin on the album i was listenin now
Then doug called (ay you spoke to J?)
Yea is it something i dont know that i was supposed to say?
All i know before the hour i awoke today
Nigga commin wit the realist and he chose today
Im real close to J i seen ups and downs hit
But i aint never heard him sound the way that he sounded
It really caught a nigga by surprise, i was astounded
He a real cool dude but why he call me clownin?
(you say'n you dont know bout it?)
Know bout what?
(Atlantic records said you called the office and went nuts)
(makin death threats talkin loud gettin buck)
Man they said i did what? folks im just gettin up
(say you waitin out your deal till you hear its up)
(planin to make away with 20 million bucks)
You bullshitin me right? is you serious brugh?
(yea they said you found out the rapper T.I.P wit us
I talked to Craig, Jewels and Kais a long time
Long story short they said you don lost ya damn mind
And i runnun off deep and across ya damn mind
You crossed the thin line, i'm hearin em tell atlantic
Its so much shit about cha, they dont give a shit about cha
Say'n you ain't doin' nothing they couldn't have done without cha
You ain'y never been hotta, worked a whole lotta years and came up
To go way back to the bottom, what...)
Man...what the hell is yall talkin bout?
I been in the house all night
I don't know nothing bout that shit man
I got the album right here
[Chorus: x4]
If I really really want it
Then I'ma get it
Cause you got it
[Starts overlapping on the 2nd line of 1st said]
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
The fuckin war keeps fuckin with my mind is shit
[Soulja Slim & Mia X]
So dig deep into the mind of that wild magnolia
It's Jack ¿Hoise? once again
in the non-streaked floors
Puttin miles on this bitch from here to Texas
Check it
Down South Hittin Hustlers nigga, Respect it
Fuck takin your Lexus
I'll burn that bitch up
Then go get couple of Gs from you
Then go bother the Truck
Nigga what the Fuck
This Shit be real
Like the front of my grill
Nuthin false fake niggas getting tossed like sam
Who fronted me with a couple of grams of that smack
Now whatdoya know i didn't even have a quarter jack
Two weeks a nigga came back
I seen him 'fore he seen me
Hunt him down with that infared beam See
I been made a plan
Dogs seen a many snappin
Duck in a long driveway with a rock when I'm ready to hold 'em for ransom
I'm gonna get mine, just like they're gonna get theirs
I got grounds of shit
I want it
But u got it Bitch
[Chorus: x4]
If I really really want it
Then I'ma get it
Cause you got it
[Starts overlapping on the 2nd line of 1st said]
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
The fuckin war keeps fuckin with my mind is shit
If you a rhymer you can catch me
On the six in a circle
Ain't got [?] of a nigga that'll be down and Fuckin twerkya
Hurt yo ass with these hot bullets that I call Black Townie
Or I might play that game rollin and make that 500 townies
If you got it, then I want it thats the name of my game
It ain't lame
Ask Somebody and they'll tell you the same
Fuck that checkin a nigga foundin blood
Then Nigga come check me
If u don't get killed
You gonna get Stomped
You gonna respect me
I'm the jolly green giant with the weed resin in my mouth
Camoflauge down when I say green
With an assult rife machine
Still got the papers on that
Bought it for 10 Zacks
And smack
Got the Papers on my Mack
[??]
Better watch out
Our bullets ain't got no name
And you might get yo wigs bitch
And the box and the soaps standin cause I don't give a shit
So design between my eyebrows
So you know I'm Bout Drama
Cause I've been like that since i was younger
So you can go and ask momma (ask me)
Nuthin like Jeffery ¿Domner?
My bullets be eatin Human flesh
If you Got it
Then I want it
Now get this shit off my chest
[Chorus x4]
If I really really want it
Then I'ma get it
Cause you got it
(Starts overlapping on the 2nd line of 1st said)
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
The fuckin war keeps fuckin with my mind is shit
[Mia X]
Who's that all up in my Business
Tryin 2 get my riches
Jealous Bitches
Watch me cock this big dick
POW nobody now chow
Now u can play if you wanna
But I warn you if I wantcha nigga
Pick a pearl, Hallway hit ya
With the head a whole block
Ducking tight for artillery
Now where ya gon' live
When you come across that ride
And she gon' be that same old smiling way
[?]Misbehavin waitin
For that nigga who think he gonna snatch that Momma
There ain't no damn fucking way that he don't want that drama
Now bring yo own click
And even bring the equip
And we gonna pile up on that ass like a slave ship
Cause I got it
And you want it
But I'm a ball-hog bitch so I'ma flaunt it
So run up on it
And get yo dome split
Cause I ain't leavin much fakin for that chrome bitch
Cause ain't nobody gonna take what I work for
What my pussy twerked for
Gimme high blunts Slim
Them niggas got a hell of a nerve
Wantin mine til I take yours
[Chorus x4]
I want it
You got it
Let me get it out so nigga you drop it
I can't stop it
There's not stoppin me
You ought to die,
and the reasons why:
One thousand starving nations from U.S. intervention,
and your pathetic lies.
When I was 16 years older,
Your greed woke me up and your mind made me sober.
You hide behind religion,
but your morality is based on money and division.
You are the governing power...
Your ethics get weaker as you grow stronger by the hour.
You are so fucked and greedy,
you make your money by exploiting and/or killing off the needy.
One thousand starving nations yield to your destruction,
and we don't know cause you have media control.
We are a mindless mass, can't think for ourselves
but when we do, your heads are gonna roll (around).
When I was 14 years made,
the lies I believed about this country's foreign aid;
I was an ignorant youth,
but it didn't take long for me to figure out the truth.
18 years and 8 months in October,
I often try to numb myself but you still keep me sober.
You build an army base, your foreign aids a roust,