Bishkek (in Kyrgyz and Russian: Бишкек), formerly Pishpek and Frunze, is the capital and the largest city of Kyrgyzstan. Bishkek is also the administrative centre of Chuy Province which surrounds the city, even though the city itself is not part of the province but rather a province-level unit of Kyrgyzstan.

The name is thought to derive from a Kyrgyz word for a churn used to make fermented mare's milk (kumis), the Kyrgyz national drink. Founded in 1825 as the Kyrgyz-Khokand fortress of "Bishkek", then, in 1862, named as the Russian fortress Pishpek (крепость Пишпек), in 1926 the city was renamed Frunze (Фрунзе), after the Bolshevik military leader Mikhail Frunze. In 1991, the Kyrgyz parliament restored the city's historical name.

Bishkek is situated at about 800 metres (2,600 ft) altitude just off the northern fringe of the Kyrgyz Ala-Too range, an extension of the Tian Shan mountain range, which rises up to 4,855 metres (15,928 ft) and provides a spectacular backdrop to the city. North of the city, a fertile and gently undulating steppe extends far north into neighboring Kazakhstan. The Chui River drains most of the area. Bishkek is connected to the Turkestan-Siberia Railway by a spur line.

Jean Gaumy (born 1948) is a French photographer and filmmaker who has been associated with Magnum Photos since 1977.

Gaumy was born in Pontaillac, Charente-Maritime, France. He attended school in Toulouse and Aurillac and went to university in Rouen. While a student in Rouen, he began working as a freelance photographer to help pay for his education. In 1973 he joined Gamma (agency).

Much of his work has focused on human confinement. In 1975 he began work on two such projects in France: L'hôpital and Les Incarcérés, both of which were published as books. Les Incarcérés was an unprecedented project on French prisons—he was the first to receive permission to photograph them. In 1984 he made his first film, La Boucane. It was nominated for a César in 1986. That year he also began a series of trips aboard trawlers which led to his 2001 publication Pleine Mer. Beginning in 1987 he spent two years documenting Octeville-sur-Mer through the eyes of the so-called village idiot Jean-Jacques. Since the late 1980s he has also traveled often to Iran and has also traveled in Central America and Africa