Plot
If one could recover their loved one. What would we do? How would we act? Would we love them the same? If we had time on our side, is it true that that's the only thing we need? This story tries to show our most hidden secrets regarding solitude, attachment and love. The type of secrets that only a few get to know, those that don't travel farther than our own reflection on a mirror.
Plot
A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.
Keywords: part-of-trilogy
Plot
Charting the New World was the task of American surveyors and European mapmakers. This is a 21st-century look at the craftmanship and importance of 18th-century mapmaking that reveals for student historians the geography of a rapidly changing world.
[referring to President Theodore Roosevelt]::Oliver Wendell Holmes: He said, among other things, that he could carve a judge with more backbone out of a banana.::Fanny Bowditch Holmes: [outraged] Well, the very idea!::Graham, reporter for Boston Transcript: Is there any statement, Mrs. Holmes, that you would make?::Fanny Bowditch Holmes: Yes, Mr. Graham, there is.::Oliver Wendell Holmes: Fanny...::Fanny Bowditch Holmes: You may say that we adore dear Mr. Roosevelt at all times -::Graham, reporter for Boston Transcript: Adore, Mrs. Holmes?::Fanny Bowditch Holmes: Yes, Mr. Graham, we adore everything about him... except his taste in bananas.
Plot
The son of a man sentenced to death for a murder he didn't commit vows to become a criminal himself. He starts his own street gang, and their crime spree is financed by a mysterious young man--who turns out to be the son of the District Attorney who sent the boy's father to the electric chair.
Keywords: little-tough-guys, sequel
HERE AGAIN...TO JOLT YOU FROM YOUR SEATS! (original ad - all caps)
Secretary is a 2002 independent film directed by Steven Shainberg and starring Maggie Gyllenhaal as Lee Holloway and James Spader as E. Edward Grey. The film is based on a short story from Bad Behavior by Mary Gaitskill, and explores the relationship between a sexually dominant man and his submissive secretary.
Lee Holloway (Maggie Gyllenhaal), the socially awkward and emotionally sensitive youngest daughter of a dysfunctional family, adjusts to normal life after having been hospitalized following an incident of dangerous self-harm. She learns to type, starts to date an acquaintance from high school named Peter, and begins to work as a secretary for an eccentric attorney, E. Edward Grey (James Spader), who hires her despite her stilted social skills and unprofessional appearance.
Though at first Grey appears highly irritated by Lee's typos and other innocuous mistakes, it soon becomes apparent that he is sexually aroused by her submissive behavior. After he confronts her about her propensity for self-injury and commands that she never hurt herself again, the two embark on a BDSM relationship. Lee experiences a sexual and personal awakening, and she falls deeply in love. Edward, however, displays insecurity concerning his feelings for Lee, and he shows shame and disgust over his sexual habits. After a sexual encounter in his office, he fires Lee.
Typing her letters she's the type I like
Lookin' like a girl of impulse and delight
Working her typewriter, pen between her lips
She has the whole world at her fingertips.
Oh won't you come and be my secretary
I got most of my work done
Won't you come and be my secretary
We can have a lot of fun.
Her in-tray's full up
Her out-tray's empty
And the only thing that's pending is me
So I just sit and watch her hair fall on her face
While she keeps pushin' it back in place.
Oh won't you come and be my secretary
I got most of my work done
Won't you come and be my secretary
We can have a lot of fun.
But all she sees are the keys
As she crosses her knees
And straightens her backache
She lights a cigarette
Drinks her coffee
Yet she don't notice me (she don't notice me)
She don't notice me (she don't notice me).
Oh won't you come and be my secretary
I got most of my work done
Won't you come and be my secretary