Plot
Take a brief chronological journey into the lives of four characters - their loved ones, their passions, and their weekend prior to their tragedy at the West Indian Parade. Empathize with each character as their life as they know it is drastically changed by a series of unexpected events - culminating in gun violence.
Plot
This is the story of a young man's search for the truth behind his parents disappearance when he was a baby. He has recently learned of their possible fate and must journey through extremely hostile terrain in the quest for the truth.
Plot
Jazz, a building inspector, is about to enter a home expecting it to be empty and ready for demolition. Jazz is also feeling sick. When he finds that the premises are still occupied, he ends up in a heated discussion with the tenant. Jazz begins to cough heavily. The tenant feels that he can help the inspector. The discussion ends when Jazz collapses on the floor. Jazz wakes in a vacant home feeling healthy.
Plot
At 17 Mike O'Donnell is on top of the world: he's the star of his high school basketball team, is a shoo-in for a college scholarship, and is dating his soul-mate, Scarlet. But at what's supposed to be his big game where a college scout is checking him out, Scarlet reveals that she's pregnant. Mike decides to leave the game and asks Scarlet to marry him, which she does. During their marriage, Mike can only whine about the life he lost because he married her, so she throws him out. When he also loses his job, he returns to the only place he's happy at, his old high school. While looking at his high school photo, a janitor asks him if he wishes he could be 17 again and he says yes. One night while driving he sees the janitor on a bridge ready to jump, and goes after him. When he returns to his friend Ned's house, where he has been staying, he sees that he is 17 again. He decides to take this opportunity to get the life he lost.
Keywords: 20-years-later, abstinence, adult-as-child, anger, athlete, basketball, basketball-coach, basketball-player, best-friend, big-game
Who says you're only young once?
Back to High School
[from trailer]::Ned Freedman: What are you eating?::Mike O' Donnell: I don't even know, all I know is that I'm hungry...::[squrits Cheez-Whiz into his mouth]... *all* the time.
Maggie O'Donnell: Why are you dating him? He's bullying your brother::Maggie O'Donnell: Who are you, my father?
Alex O'Donnell: [after watching Mike dance with Scarlet] Do you dance with all your friends' moms?::Mike O' Donnell: [Walking away casually] Pretty much...
Ned Freedman: You look like a douche.::Mike O'Donnell: I do not look like a *douche*.::Guy from School: [in background referring to Mike O'Donnell] What a douche.
Ned Freedman: I think our hands just made a baby.
Mike O' Donnell: [after being transformed] Come on, man! Don't you ever wanna go back and do high school again?::Ned Freedman: No. I'm rich and no one has shoved my head in a toilet today!
Mike O' Donnell: [the girls are mercilessly trying to seduce him] Listen, girls. If you don't respect yourself, how do you expect others to respect you?::Lauren: Don't respect me.::Samantha: No! Don't respect *me*.::Jaime: You don't even have to remember my name!::Lauren: [In shock] Okay, wow.::Samantha: Yeah, that's like, *really* slutty.
Principal Jane Masterson: You can plunder my dungeon anytime.::Ned Freedman: I'll bring my longbow.
Ned Freedman: It's a classic transformation story. Are you now or have you ever been a Norse God, Vampire, or Time Traveling Cyborg?::Mike O' Donnell: I have know you since what, first grade? I think that maybe I would have told you!::Ned Freedman: Vampire wouldn't tell, Cyborg wouldn't know.
Mike O' Donnell: If this were Afganistan, you would be pulled backwards through the streets by mountain goats with your hands cut off... just saying.::[talking to Naomi about getting Alex mom a new man in front of him]
What Happened To The Person You Were Going To Be?
Plot
A futuristic research compound develops a new police tool called the Power Glove. Supposedly, it gives the wearer incredible powers by letting him tap into the 'unused 80%' of his mental potential. It turns out that the glove also enables the wearer to take over the minds of others, and one unbalanced police volunteer tries to use this to stage a coup. In the end, one of the three test cops is killed, another survives to stay on the force, and the rogue cop makes his escape. 20 years later, the dead officer's son gives away his identity by using his father's personal martial arts technique in a fighting competition, thus drawing the attention of both the remaining good and evil supercops. The kids and the old guys must then start getting ready for a multi-generational final battle of good vs. evil.
Keywords: action-hero, aikido, based-on-video-game, battle, brawl, chop-socky, combat, cult-film, dictator, duel
Jazz is a musical style that originated at the beginning of the 20th century in black communities in the Southern United States.
It was born out of a mix of African and European music traditions. Its African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation and the swung note. From its early development until the present day jazz has also incorporated music from American popular music.
As the music has developed and spread around the world it has drawn on many different national, regional and local musical cultures giving rise, since its early 20th century American beginnings, to many distinctive styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s and on down through West Coast jazz, cool jazz, avant-garde jazz, Afro-Cuban jazz, modal jazz, free jazz, Latin jazz in various forms, soul jazz, jazz fusion and jazz rock, smooth jazz, jazz-funk, punk jazz, acid jazz, ethno jazz, jazz rap, cyber jazz, Indo jazz, M-Base, nu jazz, urban jazz and other ways of playing the music.
Esau Mwamwaya is a singer from Lilongwe, Malawi. He is best known for his collaboration, The Very Best with London based DJ/production duo Radioclit. His music has been described as an Afro-Western mix of dance, hiphop, pop and the traditional music of Malawi.
Esau Mwamwaya was born in Mzuzu, Malawi, but grew up in the capital, Lilongwe, where he played drums in various bands. He played with numerous artists including Masaka Band and Evison Matafale.
In 1999 he moved to London and while running a second-hand furniture shop in Clapton, East London, Esau sold a bicycle to the producer from the band Radioclit, Etienne Tron. Radioclit's studio was on the same street as Esau's shop, and eventually, Esau became friends with both Tron and Johan Karlberg aka Radioclit.
In 2008, the three men worked together to create a project known as 'The Very Best', releasing a critically lauded free mixtape through the label GREEN OWL() in collaboration with other indie artists, including M.I.A., Vampire Weekend, Architecture in Helsinki, BLK JKS, Santigold and the Ruby Suns. The songs are sung in Chichewa, the national language of Malawi.
Eric Marienthal (born December 13, 1957 in Sacramento, CA) is a Los Angeles-based contemporary saxophonist best known for his work in the jazz, jazz fusion, smooth jazz, and pop genres.
After graduating from high school in Southern California in 1976, he studied at the Berklee College of Music in Boston, Massachusetts, where he studied with the saxophone professor, Joe Viola. By the time he left Berklee, Eric had achieved the highest proficiency rating given by the school. In 1995 Eric was awarded the Berklee Distinguished Alumnus Award for outstanding achievements in contemporary music. He has since gone on to perform in over 65 different countries, recorded 13 solo CDs and has played on hundreds of records, films, television shows and commercial jingles.
Marienthal started his professional career in 1980 with famed New Orleans trumpeter Al Hirt. After returning to Los Angeles, Eric became a member of the Chick Corea Elektric Band. He recorded 6 CDs with that band and 2 of those CDs were Grammy award winners.
Janel Meilani Parrish (born October 30, 1988) is an American actress and singer-songwriter. She is best known for playing Jade in the 2007 film Bratz: The Movie and her role as Mona Vanderwaal on the ABC Family series Pretty Little Liars.
Parrish first achieved fame in Hawaii as the winner of local talent contests. She got her start as a professional entertainer when she was cast as "Young Cosette" in the National Touring Company of Les Misérables, and later portrayed "Young Cosette" in the Broadway production as well; the role showcased both her acting and singing abilities. She subsequently appeared in several community theater productions in Hawaii—most notably as "Scout" in Manoa Valley Theatre's revival of "To Kill A Mocking Bird" in 1998.
Parrish got her first off-stage acting job as a minor role in 1999's four-part miniseries Too Rich: The Secret Life of Doris Duke. Shortly after, she appeared in two episodes of Baywatch as a young girl named Hina. In 2000 she was featured in Disney's made-for-TV live-action incarnation of the Pinocchio story entitled Geppetto. She then went on to appear as the character Vanessa in the short-lived sitcom The O'Keefes, as well as appearing in many Disney shows and made-for-TV movies on the Disney channel. Along with appearances on The Bernie Mac Show, Zoey 101 and The O.C. One of her recent acting roles has been the theatrical Bratz motion picture, as one of the main characters, Jade. It is her first role in a theatrical motion picture as well as her first starring role. She also landed a recurring role in the hit NBC series Heroes.
Paul Hardcastle (born 10 December 1957, London, England) is an English composer and musician, specialising in the synthesizer.
In the early 1980s, Hardcastle played the keyboards on several singles on the Oval record label by the dance music groups Direct Drive and First Light, before going solo.
He achieved some acclaim for his early singles, notably in 1984, the electro-funk/freestyle/instrumental track, "Rain Forest", which along with the track, "Sound Chaser" hit number two on the dance chart. "Rain Forest" also hit number five on the soul chart and number fifty-seven on the Hot 100. In 1985, he came to greater prominence with the international hit "19", a song about America's involvement in the Vietnam War and the effect it had on the soldiers who served, using sampled dialogue from an American television documentary about the post-traumatic stress disorder suffered by veterans.
Hardcastle enjoyed several further hits in the UK, including "Don't Waste My Time" (with vocals by Carol Kenyon) (UK #8) and "The Wizard", a UK #15 hit that became the theme tune for BBC Television's music chart show Top of the Pops in the 80's. He also had a hit with "Just For Money", which reached #19 in the UK and featured Bob Hoskins and Laurence Olivier. Earlier, he had cut a cover version of D-Train's most influential hit "You're the One For Me", segued with his own compositions "Daybreak" and "A.M." Hardcastle also wrote the theme tune for Saturday Live, a popular entertainment show which ran from 1985-1987.
Intro/Chorus
We got the jazz [X4]
Verse One: Q-Tip
Stern firm and young with a laid-back tongue
The aim is to succeed and achieve at 21
Just like Ringling Brothers, I'll daze and astound
Captivate the mass, cause the prose is profound
Do it for the strong, we do it for the meek
Boom it in your boom it in your boom it in your Jeep
Or your Honda or your Beemer or your Legend or your Benz
The rave of the town to your foes and your friends
So push it, along, trails, we blaze
Don't deserve the gong, don't deserve the praise
The tranquility will make ya unball your fist
For we put hip-hop on a brand new twist
A brand new twist with the homie-alistic
So low-key that ya probably missed it
And yet it's so loud that it stands in the crowd
When the guy takes the beat, they bowed
So raise up squire, address your attire
We have no time to wallow in the mire
If you're on a foreign path, then let me do the lead
Join in the essence of the cool-out breed
Then cool out to the music cuz it makes ya feel serene
Like the birds and the bees and all those groovy things
Like getting stomach aches when ya gotta go to work
Or staring into space when you're feeling berserk
I don't really mind if it's over your head
Cuz the job of resurrectors is to wake up the dead
So pay attention, it's not hard to decipher
And after the horns, you can check out the Phifer
Chorus
Verse Two: Phife Dawg
Competition, dem Phifer come sideway
But competition, dey mus' me come straightway
Competition, dem Phifer come sideway
But competition, dey mus' come straightway
Hows about that, it seems like it's my turn again
All through the years my mike has been my best friend
I know some brothers wonder, can Phifer really kick it?
Some even wanna dis me, but why sweat it?
I'm all into my music cuz it's how I make papes
Tryin' to make hits, like Kid Capri makes tapes
Me sweat another? I do my own thing
Strictly hardcore tracks, not a new jack swing
I grew up as a Christian so to Jah I give thanks
Collect my banks, listen to Shabba Ranks
I sing, and chat, I do all of that
It's 1991 and I refuse to come wack
I take off my hat to other crews that intend to rock
But the Low End Theory's here, it's time to wreck shop
I got Tip and Shah, so whom shall I fear
Stop look and listen, but please don't stare
So jet to the store, and buy the LP
On Jive/RCA, cassettes and CD's
Produced and arranged by the four-man crew
And oh shit, Skiff Anselm, he gets props too
Make sure you have a system with some phat house speakers
So the new shit can rock, from Mars to Massapequa
Cuz where I come from quality is job one
And everybody up on Linden know we get the job done
So peace to that crew, and peace to this crew
Bring on the tour, we'll see you at a theatre nearest you
Verse Three: Q-Tip
Hey yo but wait, back it up, hup, easy back it up
Please let the Abstract embellish on the cut
Back and forth just like a Cameo song
If you dig this joint then please come dance along
To the music cuz it's done just for the rhyme
Now I gotta scat and get mine, underline
The jazz, the what? The jazz can move that ass
Cuz the Tribe originates that feelin' of pizzazz
It's the universal sound, best to brothers underground
In the one-six below, ya didn't have to go
Some say that I'm a sinner cuz I once had an orgy
And sometimes for breakfast I eat grits and porgies
If this is a stinker, then call me a stink, I ask
"What? What? What?" - now check it out
All my peoples in Queens ya don't stop
Now all my peoples in Brooklyn ya don't stop
And all my peoples uptown ya don't stop
That includes the Bronx a' Harlem ya don't stop
Now to that girl Ramelle ya don't stop
I say because Ladies First ya don't stop
And to the JB's, ya don't stop
And De La Soul, ya don't stop
To my Brand Nubians ya don't stop
And to my Leaders of the New ya don't stop
To my man Large Professor ya don't stop
Pete Rock for the beat ya don't stop
Everybody in the place ya don't stop
Ya keep it on, to the rhythm, ya don't stop
And last but not least on the sure shot
Good evening ladies & gentlemen
The Brood in jazz
I saw the genius come out of the bottle
freakin' out the old man in the candystore
a sad eyed jazz-cat tried to sell his trumpet
whatever the offer he always wants more
Every hit you get that don't break y'r neck
is gonna make you feel stronger
every storm you survive
is gonna make you last longer
Holes in the paper where words should be
I guess it's holy it's so hard to see
I wanna laugh & then again I wanna cry
I gotta dance, I gotta die
Junk-sick mornin's in the subway train
I shouldn't be there love in vain
whiskey in the ice-box colour TV
& for tonight you've got me
so I wonder
What's the hassle
What's the hassle
You took my style you used my phone
you took my bike you left me alone
I lost my job my family life
I lost my guts my natural drive
The first time I met you child
we were like tigers in a cage
goin' places I forgot
I guess we've got to turn the page
So what's the hassle
A forza di pensare sempre A cielo e mare Ho rovinato tutti i miei
pensieri più belli L'autonomia di fare, di parlare e ragionare
Ha rovinato anche i miei capelli E mentre controllavo dalla torre
dei ragionamenti miei Andavo non so dove Però era meglio che restavo
qui A far canzoni nuove Lo stress che ci circonda a volte Non si fa
vedere, si nasconde Non lo vedi ma c'è Ormai assimilato nel programma
basilare S'è infilato nella scheda che è in te E noi facciamo il tutto
per poterci rilassare E allora ecco cielo e mare perché E se stanotte
non vorrò pensare Dormirò da te Si questo è jazz Perché altrimenti
come si chiama Si questo è jazz Ma solo due o tre volte a settimana
e non di più Perché il jazz Fa bene si allo stress Ma t'allontana
dalla base e rischi non tornare più Sognavo anche di notte Quei
locali un po' fumosi, con magari una nera che canta Ma quando poi
mi risvegliavo M'accorgevo che non eravamo più negli anni sessanta.
Sarà che mi rilassa questo suono affascinante Che comunque ancora un
po'è diverso Sarà per questo che si fa jazz Magari a tempo perso Si
questo è jazz Perché altrimenti come si chiama Si questo è jazz
Ma solo due o tre volte a settimana e non di più Perché il jazz
Fa bene si allo stress Ma t'allontana dalla base e rischi non tornare