Year 1930 (MCMXXX) was a common year starting on Wednesday (link will display the full calendar) of the Gregorian calendar.
Ralph Steiner (February 8, 1899 – July 13, 1986) was an American photographer, pioneer documentarian and a key figure among avant-garde filmmakers in the 1930s.
Born in Cleveland, Steiner studied chemistry at Dartmouth, but in 1921 entered the Clarence H. White School of Modern Photography. White helped Steiner in finding a job at the Manhattan Photogravure Company, and Steiner worked on making photogravure plates of scenes from Robert Flaherty's Nanook of the North. Not long after, Steiner's work as a freelance photographer in New York began, working mostly in advertising and for publications like Ladies' Home Journal. Through the encouragement of fellow photographer Paul Strand, Steiner joined the left-of-center Film and Photo League around 1927. He was also to influence the photography of Walker Evans, giving him guidance, technical assistance, and one of his view cameras.
In 1929, Steiner made his first film, H2O, a poetic evocation of water that captured the abstract patterns generated by waves. Although it was not the only film of its kind at the time -- Joris Ivens made Regen (Rain) that same year, and Henwar Rodekiewicz worked on his similar film Portrait of a Young Man (1931) through this whole period —- it made a significant impression in its day and since has become recognized as a classic: H2O was added to the National Film Registry in December 2005. Among Steiner's other early films, Surf and Seaweed (1931) expands on the concept of H2O as Steiner turns his camera to the shoreline; Mechanical Principles (1933) was an abstraction based on gears and machinery.
Dave Koz (born March 27, 1963) is an American smooth jazz saxophonist.
Dave Koz was born on March 27, 1963 in Encino, California. Koz attended William Howard Taft High School in Woodland Hills, California performing on saxophone as a member of the school jazz band. He later graduated from UCLA with a degree in mass communications in 1986, and only weeks after his graduation, decided to make a go of becoming a professional musician. Within weeks of that decision, he was recruited as a member of Bobby Caldwell's tour. For the rest of the 1980s, Koz served as a session musician in several bands, toured with Jeff Lorber. Koz was a member of Richard Marx's band and toured with Marx throughout the late 1980s. He also played in the house band of CBS' short-lived The Pat Sajak Show, with Tom Scott as bandleader.
In 1990, Koz decided to pursue a solo career, and began recording for Capitol Records. His albums there include Lucky Man, The Dance, and Saxophonic. Saxophonic was nominated for both a Grammy Award and an NAACP Image Award.
Alison Louise Balsom (born 7 October 1978) is an English trumpet soloist.
Balsom was born in Hertfordshire. She attended the Tannery Drift Primary School, then the Greneway Middle School and the Meridian School, all in Royston, Hertfordshire, where she played in a brass band, the Royston Town Band. She took her A levels at the Hills Road Sixth Form College in Cambridge.
She studied at the Guildhall School of Music and Drama, the Royal Scottish Academy of Music and Drama, the Conservatoire de Paris, and also with Håkan Hardenberger.
Balsom has been a professional classical trumpeter since 2001. She is a former BBC Radio 3 New Generation Artist, and she released her debut album with EMI Classics in 2002. In 2005, she released her second disc, Bach Works for Trumpet as part of a contract with EMI Classics. In 2006, Balsom won 'Young British Classical Performer' at the 2006 Classical BRIT Awards and was awarded the 'Classic FM Listeners' Choice Award' at the Classic FM Gramophone Awards. She won 'Female Artist of the Year' at the 2009 and 2011 Classical BRIT Awards. Her third album (the second disc in the EMI contract), Caprice was released in September 2006 and was awarded 'Solo CD of the Year 2006' by Brass Band World magazine. Alison was a soloist at the 2009 Last Night of the Proms, performing, among other pieces, Haydn's Trumpet Concerto with the BBC Symphony Orchestra and a jazz orientated arrangement of George Gershwin's "They Can't Take That Away from Me" with mezzo-soprano Sarah Connolly.
Give me mercy and I need it now,
I'm a bleed a little poison out,
I'm a cry a little river down
and then I'm setting this whole thing on fire,
and I'm burning up the night she died
and I'm putting every last picture aside
I'm gonna say what I need to say,
in my very last letter to you,
cuz you always made it clear,
said that you'd never be my pain.
So here's to you when you cried baby blues
And just paused a cool to refrain
And you said she was satisfied
and this body's just waiting to die
and I could listen sometimes
but you said its alright
its just a whole lot harder alone.
But I wish you knew her now,
she's a better side of me now,
and I'm doing the best I can,
its what you wanted,
and I sing like you were there
and I knew it was just how you would smile
Mary you looked just like
it was 1930 that night.
But hear the nights they will eat you alive,
but I won't give in tonight,
You said its not worth my time
and not to record them,
And not to settle just a piece of mind
but I can wait it out all night,
And we keep on breathing [sigh]
But Mary I found a sound
and this heart keeps pouring it out
and the glory has come,
but its probably gonna fade like the tattoo
that hides this shame and the reasons always fade
and the pain gets out some day
and I'm saying my goodbyes deeply wise
cuz I don't know how to say
Stay still in the pain
But I wish you knew her now,
she's a better side of me now,
and I'm doing the best I can,
its what you wanted,
and I sing like you were there
and I knew it was just how you smile
Mary you looked just like
it was 1930 that night
If I recall the last thing you said to me,
before we broke up, before it took you from me,
and you said I love you more than the stars in the sky
but your aliveness just gets me tonight
these are so messed up im not even gonna try to help you fix them..haha...
Give me mercy and a minute now
I'm a bleed a little poison out
I'm a cry a little river down
And then I'm setting this whole thing on fire
And I'm burning up the night she died
And I'm putting every last picture aside
I'm gonna say what I need to say
In my very last letter to you
Cause you always made it clear
Said that you'd never be my pain
So here's to you and your bright baby blues
And just a pause to cool the refrain
And you said you were satisfied
And now this body's just waiting to die
And that you missed him sometimes but you said it's alright
It's just a whole lot harder alone
But I wish you knew her now
She's a better side of me now
And I'm doing the best I can
It's what you wanted
And I see you like you were there
And I know just how you'd smile
Mary, you looked just like it was 1930 that night
But here the nights they will eat you alive
But I won't give in tonight
You said it's not worth my time
And not to regard them
And not to settle just a piece of mind
But I can wait it out all night
If you'll just keep breathing
But Mary I found a sound
And this heart keeps pouring it out
And the glory hasn't come and it's probably gonna fade
Like the tattoo that hides this shame
And the reasons always fade
And the pain gets out some day
And I'm saying my goodbyes to your deep blue eyes
Cause I don't know how to say stay still in the pain
But I wish you knew her now
She's a better side of me now
And I'm doing the best I can
It's what you wanted
And I see you like you were there
And I know just how you'd smile
Mary, you looked just like it was 1930 that night
If I recall the last thing you said to me
Before it broke up, before it took you from me
And you said "I love you more than the stars in the sky