- published: 16 Feb 2014
- views: 244
Lisa may refer to:
Soprano Lisa Sain Odom sings Debussy's "Green" in a concert of The Blonde, the Brunette and the Redhead. February 2013
Lisa Sain Odom and Fran McMillan Pinson performing my "The Silver Swan" at Campbell University's Music of Living Composers Concert on October 27, 2016.
Lisa Sain Odom and Fran McMillan Pinson performing my "Mediodia" at Campbell University's Music of Living Composers Concert on October 27, 2016.
Lisa Sain Odom, soprano, and Luke Browder, baritone sing Menotti's one act, two person opera, The Telephone with Fabio Parrini, piano at Daniel Recital Hall, Blackman Music Building, Converse College, Spartanburg, SC
Joy Laster, soprano and Jordan Taylor, tenor, (students of Dr. Lisa Sain Odom) perform the Watch Duet from Johann Strauss' Die Fledermaus at Clemson University's Brooks Center for the Performing Arts as part of the university's very first Opera Workshop class Scenes Performance.
Chris Berry sings "If I Didn't Believe in You" from The Last Five Years in the Fall 2015 Clemson University vocal recital featuring the students of Dr. Lisa Sain Odom
Lisa Sain Odom, soprano and Luke Browder, baritone explore roles they'd love to play (in thirty or so years!) by singing "Too Many Mornings" from Sondheim's Follies. Fabio Parrini, piano, Daniel Recital Hall, Blackman Music Building, Converse College
Soprano Lisa Sain Odom sings Debussy's "Green" in a concert of The Blonde, the Brunette and the Redhead. February 2013
Lisa Sain Odom and Fran McMillan Pinson performing my "The Silver Swan" at Campbell University's Music of Living Composers Concert on October 27, 2016.
Lisa Sain Odom and Fran McMillan Pinson performing my "Mediodia" at Campbell University's Music of Living Composers Concert on October 27, 2016.
Lisa Sain Odom, soprano, and Luke Browder, baritone sing Menotti's one act, two person opera, The Telephone with Fabio Parrini, piano at Daniel Recital Hall, Blackman Music Building, Converse College, Spartanburg, SC
Joy Laster, soprano and Jordan Taylor, tenor, (students of Dr. Lisa Sain Odom) perform the Watch Duet from Johann Strauss' Die Fledermaus at Clemson University's Brooks Center for the Performing Arts as part of the university's very first Opera Workshop class Scenes Performance.
Chris Berry sings "If I Didn't Believe in You" from The Last Five Years in the Fall 2015 Clemson University vocal recital featuring the students of Dr. Lisa Sain Odom
Lisa Sain Odom, soprano and Luke Browder, baritone explore roles they'd love to play (in thirty or so years!) by singing "Too Many Mornings" from Sondheim's Follies. Fabio Parrini, piano, Daniel Recital Hall, Blackman Music Building, Converse College
Lisa Sain Odom, soprano, and Luke Browder, baritone sing Menotti's one act, two person opera, The Telephone with Fabio Parrini, piano at Daniel Recital Hall, Blackman Music Building, Converse College, Spartanburg, SC
Spann and Karen sit down and talk about Street Harassment, Domestic Violenc, and share their own experiences with the issue.
Plots of thrillers involve characters which come into conflict with each other or with outside forces -- the threat is sometimes abstract or unseen. An atmosphere of creepy menace and sudden violence, such as crime and murder, characterize thrillers. Thrillers often present the world and society as dark, corrupt and dangerous. But in Hollywood they usually feature upbeat endings in which evil is overcome. The tension usually arises when the character(s) is placed in a menacing situation, a mystery, or a trap from which escaping seems impossible. Life is threatened, usually because the principal character is unsuspectingly or unknowingly involved in a dangerous or potentially deadly situation.[15] Thrillers emphasize the puzzle aspect of the plot. There are clues and the viewer/reader shou...
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...