Weaving is a method of fabric production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The other methods are knitting, lace making and felting. The longitudinal threads are called the warp and the lateral threads are the weft or filling. (Weft is an old English word meaning "that which is woven".) The method in which these threads are inter woven affects the characteristics of the cloth.
Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band which meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back-strap, or other techniques without looms.
The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill. Woven cloth can be plain (in one colour or a simple pattern), or can be woven in decorative or artistic designs.
Basket weaving (also basketry, basket making, or basketmaking) is the process of weaving unspun vegetable fibres into a basket or other similar form. People and artists who weave baskets are called basketmakers and basket weavers.
Basketry is made from a variety of fibrous or pliable materials•anything that will bend and form a shape. Examples include pine straw, stems, animal hair, hide, grasses, thread, and wood.
The indigenous peoples and the native and aboriginal tribes are renowned for their basket-weaving techniques. These baskets may then be traded for goods but may also be used for religious ceremonies.
Basketry can be classified into four types: Catherine Erdly
plain weave
Weaving with rattan core (also known as reed) is one of the more popular techniques being practiced because it is easily available. It is pliable and when woven correctly, it is very sturdy. Also, while traditional materials like oak, hickory, and willow might be hard to come by, reed is plentiful and can be cut into any size or shape that might be needed for a pattern. This includes flat reed, which is used for most square baskets; oval reed which is used for many round baskets; and round reed which is used to twine; another advantage is that reed can also be dyed easily to look like oak or hickory. The type of baskets that reed is used for are most often referred to as "wicker" baskets, though another popular type of weaving known as "twining" is also a technique used in most wicker baskets.
Monument Valley (Navajo: Tsé Biiʼ Ndzisgaii, meaning valley of the rocks) is a region of the Colorado Plateau characterized by a cluster of vast sandstone buttes, the largest reaching 1,000 ft (300 m) above the valley floor. It is located on the Arizona-Utah state line (around 36°59′N 110°6′W / 36.983°N 110.1°W / 36.983; -110.1), near the Four Corners area. The valley lies within the range of the Navajo Nation Reservation, and is accessible from U.S. Highway 163.
The area is part of the Colorado Plateau. The floor is largely siltstone of the Cutler Formation, or sand derived from it, deposited by the meandering rivers that carved the valley. The valley's vivid red color comes from iron oxide exposed in the weathered siltstone. The darker, blue-gray rocks in the valley get their color from manganese oxide.
The buttes are clearly stratified, with three principal layers. The lowest layer is Organ Rock shale, the middle de Chelly sandstone and the top layer is Moenkopi shale capped by Shinarump siltstone. The valley includes large stone structures including the famed Eye of the Sun.
the sea is so empty
october, the tourists have gone
the street is
a windy town
i can't help but think of you far away weaving
all alone
are you sleeping alone tonight
streetcars and boston trains
heading for new york and maine
the maples are turning now
the sweet of a midwinters rain caught you weaving
all alone
The streets are screaming. They're wailing and weeping.
Hearts beating through our ears.
All those peripheral numbers decaying.
Listen to the lights melt and devastate inhibition.
The strings are singing. They're scraping and weaving to create.
Listen to the lights melt and devastate inhibition.
This is why we're here, to push expectations away.
To let our legs give out and give our hands away.
To weave these threads...
To weave these threads...
To weave these threads... into creation.
This is why we're here, to push expectations away.
To let our legs give out and give our hands away.
And we watch ourselves one by one break free, turning into threads,
entwining into place, dropping into place.
Wash off the dirt and wipe away inhibition.
This sound, it reins conviction over insecurity.
This noise, it burns away the old,