Grapes being pressed to create must.

Must (from the Latin vinum mustum, “young wine”) is freshly pressed fruit juice (usually grape juice) that contains the skins, seeds, and stems of the fruit. The solid portion of the must is called pomace; it typically makes up 7%–23% of the total weight of the must. Making must is the first step in winemaking. Because of its high glucose content, typically between 10 and 15%, must is also used as a sweetener in a variety of cuisines. Unlike commercially sold grape juice, which is filtered and pasteurized, must is thick with particulate matter, opaque, and comes in various shades of brown and/or purple.

Winemaking[link]

The length of time that the pomace stays in the juice is critical for the final character of the wine. When the winemaker judges the time to be right, the juice is drained off the pomace, which is then pressed to extract the juice retained by the matrix. Yeast is added to the juice to begin the fermentation, while the pomace is often returned to the vineyard or orchard to be used as fertilizer. A portion of selected unfermented must may be kept as Süssreserve, to be added prior to bottling as a sweetening component. Some winemakers create a second batch of wine from the used pomace by adding a quantity of water equivalent to the juice removed, letting the mixture sit for 24 hours, and draining off the liquid. This wine may be used as a drink for the employees of the winemaker or as a basis for some pomace brandies. Grappa, however, by law, must be produced only from the pomace solids, with no water added.

For mead production[link]

This term is also used by meadmakers for the unfermented honey-water mixture that becomes mead. The analogous term in beer brewing is wort.

In cookery[link]

Must was commonly used as a cooking ingredient in ancient Rome. It was boiled down in lead or bronze kettles into a milder concentrate called defrutum or a stronger concentrate called saba. It was often used as a souring agent and preservative, especially in fruit dishes. Reduced must is used in Balkan and Middle Eastern cookery, either as a syrup known as pekmez or dibis or as the basis for confections where it is thickened with flour: moustalevria, soutzoukos, churchkhela. Moustokoúloura ("must cookies") is a popular Greek variety of soda cookies or biscuits whose sweet dough is made by kneading flour, olive oil, and must. They are made in various shapes and sizes, and they are dark brown in color because of the must.

Roman lead poisoning theory[link]

Geochemist Jerome Nriagu published an article in the New England Journal of Medicine in 1983 hypothesizing that defrutum and saba may have contained enough lead acetate to be of danger to those who consumed them regularly. This theory has been thoroughly criticized by, among others, pharmacologist John Scarborough.^[1]

In Christian liturgy[link]

In Roman Catholic Eucharistic liturgy, must may be substituted for sacramental wine, on condition that the ordinary has granted permission for the benefit of a priest or lay person who should not, usually because of alcoholism, ingest wine; but in normal circumstances it may not be used in place of wine.^[2]

Official Roman Catholic documents define must (mustum in Latin) precisely as "grape juice that is either fresh or preserved by methods that suspend its fermentation without altering its nature (for example, freezing),"^[2] and it excludes pasteurized grape juice.^[3]

This teaching goes back at least to Pope Julius I (337–352), who is quoted in Thomas Aquinas's Summa Theologica as having declared that in case of necessity, but only then, juice pressed from a grape could be used. Aquinas himself declared that it is forbidden to offer fresh must in the chalice, because this is unbecoming owing to the impurity of the must; but he added that in case of necessity it may be done.^[4]

Aquinas himself declared:

Must has already the species of wine, for its sweetness ["Aut dulcis musti Vulcano decoquit humorem"; Virgil, Georg. i, 295] indicates fermentation, which is "the result of its natural heat" (Meteor. iv); consequently this sacrament can be made from must. ... It is forbidden to offer must in the chalice, as soon as it has been squeezed from the grape, since this is unbecoming owing to the impurity of the must. But in case of necessity it may be done: for it is said by the same Pope Julius, in the passage quoted in the argument: "If necessary, let the grape be pressed into the chalice."^[5]

Liturgical norms[link]

The latest document from the Congregation for the Doctrine of the Faith on the matter, issued on 24 July 2003, gave the following norms, which simplify those previously in force:^[2]

The Ordinary is competent to give permission for an individual priest or layperson to use mustum for the celebration of the Eucharist. Permission can be granted habitually, for as long as the situation that occasioned the granting of permission continues (e.g., the priest is an alcoholic).

When the principal celebrant at a concelebration has permission to use mustum, a chalice of normal wine is to be prepared for the concelebrants.

Given the centrality of the celebration of the Eucharist in the life of a priest, one must proceed with great caution before admitting to Holy Orders those candidates unable to ingest alcohol without serious harm.

Attention should be paid to medical advances in the area of alcoholism and encouragement given to the production of unaltered mustum.

See also[link]

• Amazake – similar early product in rice wine making
• Julmust

References[link]

Further reading[link]

• Baldy, Marian W. The University Wine Course: A Wine Appreciation Text & Self Tutorial, 2nd Edition. San Francisco, Calif.: The Wine Appreciation Guild, 1995. ISBN 0-932664-69-5.
• Gozzini Giacosa, Ilaria. A Taste of Ancient Rome. Chicago: University of Chicago Press, 1994. ISBN 0-226-29032-8.
• Herbst, Ron, and Sharon Tyler Herbst. Wine Lover's Companion. Hauppauge, N.Y.: Barron's, 1995. ISBN 0-8120-1479-0.
• Nriagu, Jerome O. "Saturnine Gout Among Roman Aristocrats: Did Lead Poisoning Contribute to the Fall of the Empire?" New England Journal of Medicine 11, no. 308 (17 March 1983): 660–3.
• Whittaker, John. Winemaking Made Easy. Edmonton: Lone Pine Publishing, 1993. ISBN 1-55105-030-7.

External links[link]

• Further information from the USCCB's Committee on Divine Worship
• Further information from the Liturgy Office of the Catholic Bishops' Conference of England and Wales

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Billy Currington
Currington in April 2010
Background information
Birth name	William Matthew Currington[1]
Born	(1973-11-19) November 19, 1973 (age 38) Savannah, Georgia, USA
Origin	Rincon, Georgia, USA
Genres	Country
Occupations	Singer-songwriter
Instruments	Vocals, guitar
Years active	2003–present
Labels	Mercury Nashville
Associated acts	Luke Bryan, Carson Chamberlain, Shania Twain
Website	BillyCurrington.com

William Matthew "Billy" Currington (born November 19, 1973) is an American country music artist. Signed to Mercury Nashville Records in 2003, he has released four studio albums for the label: 2003's Billy Currington, 2005's Doin' Somethin' Right, 2008's Little Bit of Everything, and 2010's Enjoy Yourself. These four albums have produced nine singles on the Billboard Hot Country Songs charts, including six #1 hits "Must Be Doin' Somethin' Right", "Good Directions", "People Are Crazy", "That's How Country Boys Roll", "Pretty Good at Drinkin' Beer", and "Let Me Down Easy". He has also charted as a duet partner on Shania Twain's single "Party For Two" and his own non-album single "Tangled Up", for a total of eleven Top 40 hits.

Early life and career[link]

Billy Currington was born in Savannah, Georgia, raised in Rincon, Georgia, and currently lives in Nashville, Tennessee. He has four sisters (Lexie, Ann, Kim, and Kellie) and two brothers (Charles and Jason). When he was one and a half years old, his mother married Laurie (Larry) Currington. He also has a Chocolate Lab named Paco.

When he was a junior in Effingham County High School (Springfield, Georgia), Currington auditioned for a spot at Opryland, the renowned country music theme park located in Nashville, Tennessee, the country music capital. Failing the audition, after high school he moved to Nashville to pursue his career in country music.^[2] His first stint did not last too long, and he later sang for a bar named Cavalier Country Club in Georgia. In Nashville, Currington also worked for a concrete company, and also as a personal trainer. One of the clients he worked with as a personal trainer led Currington to recording demo tapes, as well as writing songs. He eventually had cuts by George Strait, Tracy Byrd, and Marty Raybon.^[3] After almost being offered to join RCA Records, he signed to Mercury Records in 2003.

Musical career[link]

Currington performing in 2008

[edit] Billy Currington

His self-titled debut album was released in 2003. The first single was "Walk a Little Straighter" about his relationship with his alcoholic stepfather, including a chorus that Currington wrote when he was twelve years old.^[4] "Walk a Little Straighter" went on to peak at #8 that year on the Hot Country Singles & Tracks chart and established Currington as a major Country performer in Nashville. He first hit the Top 5 on the country charts with his second single, "I Got a Feelin'", also from his debut album.

He scored a third consecutive top 10 hit with Shania Twain in late 2004, on the song "Party for Two". The song was from Twain's Greatest Hits album and was released in two formats: a pop version with Mark McGrath as Twain's duet partner, and the country version, which featured Currington.

[edit] Doin' Somethin' Right

In 2005, Currington released a second album entitled Doin' Somethin' Right,^[4] which peaked at #2 on the Top Country Albums chart and #11 on the Billboard 200. Doin' Somethin' Right produced his first Number One in "Must Be Doin' Somethin' Right", followed by "Why, Why, Why" at #13 and another Number One in "Good Directions". Co-written by Capitol Records artist Luke Bryan, the latter was the #2 country song of 2007 according to the Billboard Year-End charts. Doin' Somethin' Right is certified platinum by the RIAA. Doin' Somethin' Right also featured "Lucille" which was a song Currington covered from original artist Kenny Rogers.

[edit] Little Bit of Everything

On July 19, 2007, Currington announced he had cancelled the rest of his tour dates for the year because of laryngitis. His 2007 single, "Tangled Up", peaked at #30 in late 2007, and his third album was delayed. He also had to undergo therapy due to trauma induced by the abuse that he suffered as a child.^[2]

He was absent from the charts for nearly a year before the release of his next single, "Don't", in mid-2008. It was the first single from his third studio album, Little Bit of Everything, which was released on October 14. Currington co-wrote five of the songs on this album.^[5] "Don't" peaked at #2 on the country charts in early 2009. "People Are Crazy", co-written by Bobby Braddock and Troy Jones, was released as the second single from the album in March 2009 and this became his third Number One hit in July 2009. The third single to be issued, "That's How Country Boys Roll" became his fourth Number One hit in March 2010. The song was the first that Billy shared writing credit on to reach Number One.

On August 1, 2009, Billy Currington suffered a concussion at the Big Valley Jamboree in Camrose, Alberta after the stage on which he was performing collapsed during a massive wind storm that also injured Currington's bass guitarist and killed a spectator.^[6]

[edit] Enjoy Yourself

In May 2010, he released his tenth solo single overall, "Pretty Good at Drinkin' Beer", which hit #1 in September. Also written by Troy Jones, it was the first single from his fourth studio album, entitled Enjoy Yourself---which was released on September 21, 2010. The album's second single "Let Me Down Easy" went to radio on October 4, 2010 and reached #1 in 2011.^[7] The album's third single "Love Done Gone" released to country radio on April 18, 2011 and reached #11 later that year. The album's fourth single "Like My Dog" released to country radio on October 10, 2011 and peaked at #24 in 2012.

Awards and nominations[link]

Discography[link]

References[link]

External links[link]

• Official Site
• Official Billy Currington UMG Nashville Artist Page

Nadia Ali
Nadia Ali in 2011
Background information
Birth name	Nadia Ali
Born	(1980-08-03) August 3, 1980 (age 31) Libya
Origin	Queens, New York, U.S.
Genres	Electronic dance music, trance, house
Occupations	Singer-songwriter
Instruments	Vocals
Years active	2001–present
Labels	Smile in Bed
Associated acts	iiO, Armin van Buuren, Morgan Page, Avicii, Starkillers, Sultan & Ned Shepard
Website	nadiaali.com

Nadia Ali (Urdu: نادیہ علی; born August 3, 1980) is a Pakistani American singer-songwriter, born in Libya and raised in Queens, New York. She gained attention as the frontwoman and songwriter of the band iiO, after their 2001 hit "Rapture" reached No. 2 on the UK Singles Chart.^[1] The song also charted across several countries in Europe.^[2] Their 2006 single, "Is It Love?", reached the top of the Billboard Hot Dance Club Play Chart.^[3]

After embarking on a solo career in 2005, Ali became successful as an oft-requested vocalist in electronic dance music. She released her debut album Embers in 2009. Critics praised her unique songwriting, which combined electronica with ballads, Eastern and acoustic music. Three singles from the album reached the top-ten of the Billboard Hot Dance Club Play Chart, including the No. 1 hit, "Love Story".^[4][5][6] The song was also nominated at the 25th International Dance Music Awards at the Winter Music Conference, while "Fantasy" was nominated for a Grammy award.^[7][8]

In 2010, she released a remix compilation titled Queen of Clubs Trilogy to mark her decade-long career as a singer-songwriter. "Rapture" was re-released as the only single from the compilation and the song was once again a chart success in Europe.^[9] Ali released the single "Pressure" with Starkillers and Alex Kenji in 2011, which became a club and festival anthem and received an International Dance Music Award.^[10] She has also collaborated with several notable producers and DJs, such as Armin van Buuren, Schiller, BT and John Creamer & Stephane K. Ali is currently working on her second studio album titled Phoenix, which is due to be released in 2012.

Life and career[link]

1980–2005: Early life and iiO[link]

Nadia Ali was born in Libya to Pakistani parents in 1980. The family relocated when she was five years old and she was subsequently raised in Queens, New York.^[11][12] An eight year old Ali used any opportunity she could get to sing after a friend heard her humming a Madonna song at school and complimented her.^[13] While continuing singing as a hobby and for the thrill of performing and receiving no formal vocal training, she had also started writing poems and songs for her friends by the time she was 15.^[11] As a teenager her interest in dance music developed after visiting nightclubs in Manhattan and inspired her to dream that she would one day be featured on one of the records playing in the club.^[14]

Ali started working in the New York offices of Versace when she was 17, where she attracted attention by singing at the Christmas parties.^[11] A colleague from Versace introduced her to producer Markus Moser, who was looking for a female singer to collaborate on some of his original production for a girl group in Germany.^[13] The two teamed up with Moser working on production, while Ali wrote the lyrics and vocals for the songs.^[15] Her first song was the single "Rapture", which she wrote in 30 minutes based on an encounter with an Australian nightclub patron.^[16] A demo of the song was first played at the New York club Twilo in 2001 and received early support from influential DJ Pete Tong who played the demo on his show on BBC Radio 1. The song eventually became an Ibiza favourite after support from prominent DJ's such as Sasha, Danny Tenaglia and Sander Kleinenberg during the summer season.^[17] Released in late 2001 by Ministry of Sound, the single became a commercial success peaking at No. 2 on UK Singles Chart and Billboard's Hot Dance Club Play Chart, while charting in several countries in Europe.^[1][2][3] The success of "Rapture", Ali said, caused the formation of iiO as the music they were initially working on was quite different from dance music and were asked to come up with a project name to promote the single.^[18] They originally named themselves Vaiio after the Sony VAIO laptop Ali used to write the lyrics on.^[2] The duo toured internationally and released several more singles, including "At the End", "Runaway", "Smooth", and "Kiss You". Their first studio album, Poetica followed in 2005.^[4]

Ali left the group in 2005 to pursue a solo career, while Moser continued to release iiO material featuring her on vocals. Most notably, these releases include the 2006 single "Is It Love?", which reached No. 1 in America on the Billboard Hot Dance Club Play Chart,^[3] the 2007 remix album Reconstruction Time: The Best Of iiO Remixed^[4] and the 2011 studio album Exit 110.^[4] When asked about her decision to pursue a solo career, she said her time with iiO was a great learning experience but she decided to leave because she didn't want to restrict herself to one style of music but explore her creativity and also to have the freedom to collaborate with others artists.^[19]

Her decision to pursue a career as a singer was not initially encouraged by her Pakistani parents who were academically inclined and wanted her to pursue a more stable career. She has said since then they have evolved and are one of her biggest supporters.^[12] Speaking of her identity as a Pakistani and Muslim woman, she has said it is very important to her to set an example that they are able to contribute positively and capable of taking their career into their own hands. Explaining further, she said that she feels it as her responsibility to any women who are sometimes stereotyped to show that they can contribute to arts or any professional field.^[11] Her ethnicity, she has stated, has been an advantage and helped her stand out in the entertainment industry.^[20] She has said that over the years, she has met South Asian women who have told her that her story has inspired them to pursue something they loved.^[21]

[edit] 2006–09: Embers

Nadia Ali performing at Avalon, Boston in 2006

Ali started working on her debut solo album soon after leaving iiO, a process which took her four years. She attributed the delay to her busy tour schedule and the fact that she was still learning and "trying to establish her identity as a songwriter and co-producer".^[18][22] Her first solo release was the 2006 single, "Who is Watching?", a collaboration with Dutch DJ Armin van Buuren, which appeared on his album Shivers.^[23] She has described "Who is Watching?" as one of her most meaningful songs, the song described one's struggle to reach the top, only to realise once one is there how lonely it is and how one has forgotten their priorities and the important people in their life.^[24] This was followed by "Something to Lose" in 2006, a duet with singer-songwriter Rosko, produced by John Creamer & Stephane K and released by Ultra Records. The track was licensed to Roger Sanchez's Release Yourself, Vol. 5, as well as Sharam Tayebi of Deep Dish for his Global Underground debut Dubai.^[25][26]

In June 2008, she released "Crash and Burn", the first single from her solo album. The single became a club success peaking at No. 6 on Billboard's Hot Dance Club Play Chart.^[5] She released the second single, "Love Story" from the as-yet untitled album in February 2009. It topped Billboard Hot Dance Club Play Chart in April 2009 and was nominated for the Best Progressive/House Track at the 2010 International Dance Music Awards at the Winter Music Conference.^[6][7] Ali was featured on MTV Iggy in March 2009, where she recorded three live acoustic videos, performing "Rapture", "Crash and Burn" and "Love Story".^[27]

The third single "Fine Print" was released in July 2009. Ali announced that the single preceded the release of her debut solo album Embers.^[28] The single peaked at No. 4 on Billboard's Hot Dance Club Play Chart.^[29] Embers was released in September 2009. Co-produced by Sultan & Ned Shepard, Alex Sayz and Scott Fritz, Ali self-released the album on her own label, Smile in Bed Records.^[22] Embers generally received positive reviews, Chase Gran from About.com called it a "well rounded, gourmet album with impressive songs".^[30] Gail Navarro from Racket magazine complimented Ali on her songwriting saying, "It wasn’t just her sultry sound mixed in together with that enchanting singing voice; her songwriting got me hook, line and sinker".^[31] Speaking about the self-release of the album, she has cited her creative independence and the pressure of deadlines as the main reasons why she created her own record label.^[32][33] She chose to release her singles and albums digitally citing the nature of the electronic music audience with the listener choosing to click a button and getting music instantly and the traditional method of distribution deals in the United States.^[32]

Ali released two collaborations in 2009, the first "Better Run" with Tocadisco was released on his album TOCA 128.0 FM and "12 Wives In Tehran" with Serge Devant was released on his album Wanderer.^[34][35]

[edit] 2010–2011: Queen of Clubs Trilogy

Ali's first release in 2010 was the track "Try", a collaboration with German producer Schiller, chosen as the lead single from his album Atemlos, the music video premiered on YouTube in February 2010.^[36] In April 2010, Ali released "Fantasy", the fourth single from Embers. The track was chosen as a single by her fans after a poll conducted by Ali on her Facebook page.^[22] The music video for "Fantasy" was set to the Morgan Page remix, which served as a prologue to Ali's next project; Queen of Clubs Trilogy: The Best of Nadia Ali Remixed. Speaking about the project, Ali mentioned that she wanted a remix compilation, which spanned the 10 years of her career from her one-half as iiO, to her solo album and collaborations.^[37] Explaining the name of the concept, she said she wanted to incorporate her upbringing in Queens and the fact that her music is predominantly played in nightclubs.^[38] Using that inspiration, she decided to use the playing card "Queen of Clubs" as the title, portraying herself as the Queen, a move she described as "audacious" but something she felt she could prove because she had the substance.^[37] The package was broken into three releases: Ruby Edition (August 2010), Onyx Edition (October 2010) and Diamond Edition (December 2010). It featured collaborations with, and remixes by, Armin van Buuren, Gareth Emery and Avicii amongst several other prominent DJs and producers.^[39]

I think the fact that it (electronic dance music) is mostly male dominated makes females stand out that much more if they are driven enough. I believe anything is possible with hard work.

– Nadia Ali^[40]

With a decade-long career, MTV described Ali as one of the "enduring empresses" of electronic dance music and the Queen of Clubs Trilogy as "aptly titled".^[41] Noted for being the "definitive" and "unmistakable" voice of dance music, she is said to have "enriched" and "invigorated" the genre.^[21][42] Ali has went on to become an oft-requested collaborator by DJs and producers.^[22] She was praised for acquiring notability in a male and DJ-dominated genre where vocalists serve as supporting acts.^[40][43] In December 2010 she received her first Grammy nomination when the Morgan Page remix of "Fantasy" was nominated in the Best Remixed Recording, Non-Classical category.^[8]

Her first track with iiO, "Rapture" was re-released as a single from Queen of Clubs Trilogy with remixes by Tristan Garner, Gareth Emery and Avicii. A new music video for the track was shot based on the "Queen of Clubs" theme and released on January 24, 2011.^[44] The song peaked at No. 3 on the Romanian Top 100 chart, while charting in other European countries.^[9]

Nadia Ali performing at Armin Only in Poland

Throughout 2010, Ali's collaborations with DJs and producers were released. These included remixes of her upcoming collaboration "That Day" with Dresden and Johnston, which were released on compilation albums. The next, "The Notice" with Swiss duo Chris Reece was released on July 13 on all digital retailers.^[45] Ali was featured on the track "Feels So Good" on Armin van Buuren's fourth album Mirage. Released as the fifth single from the album, the song was voted as the Best Trance Track at the 27th International Dance Music Awards in the Best Trance Song category.^[10][46] She was also a featured guest on his Armin Only tour.^[12]

During 2011, Ali announced the release of collaborations with several DJs and producers. The first of these was "Call My Name" with the duo Sultan & Ned Shepard, released by Harem Records on February 9. "Call My Name" was a club success, charting at No. 5 on Billboard Hot Dance Club Play Chart.^[47] The second track "Pressure", a collaboration with Starkillers and Alex Kenji was released on February 15 by Spinnin' Records.^[48] The Alesso remix of "Pressure" became a club and festival anthem and received support from notable DJs such as Armin van Buuren, Tiesto, Swedish House Mafia and Calvin Harris and was voted the Best Progressive House Track at the 27th International Dance Music Awards.^[10][49]

In April, iiO released the studio album Exit 110, which featured Ali on vocals. She distanced herself from the album and stated she had no involvement in the project besides her vocals and words from nearly 10 years ago being used for the songs.^[50] She described it as "interesting" that there was new material featuring her released by iiO when she hadn't worked with Moser since 2005.^[19] She further said that she hadn't spoken with Moser since her departure and when asked whether the split of iiO was amicable, she refused to explain the circumstances surrounding the dissolution of the duo.^[19] On May 23, her next collaboration, "Free To Go" with Alex Sayz was released by Zouk Recordings.^[51] She was featured on Sander van Doorn's second studio album Eleve11 on the track "Rolling the Dice", a collaboration between van Doorn, Sidney Samson and her.^[52] Her next release was the single "Believe It" with the German duo Spencer & Hill, which was released on October 3 by Wall Recordings.^[53] She collaborated once again with Starkillers on the single "Keep It Coming", which was released on December 26 by Spinnin' Records.^[54]

[edit] 2012–present: Phoenix

As of November 2010, Ali had begun working on her second studio album.^[12] A music video for the lead single from the album, "When It Rains", was released on her YouTube channel on August 17 2011 with a release date to be announced.^[55] She attributed the delay in the release of the album once again on her busy touring schedule citing the demand to perform live particularly in the United States.^[56][57] However, beginning in February 2012 she took 40 days off to finalise the album, which she said would be titled Phoenix.^[56] She chose the name as an allusion to what she felt was a relaunch of her career.^[58] Explaining the creative process behind the album, she said she chose to work with a mix of international producers in an effort to combine the North American understanding of good songwriting with the European expertise in production to create a high energy dance album catered for her dance music fans.^[57][59] She said she had tried to bring together the DJs who she had released songs with in the last few years to make one cohesive compilation.^[58] The theme of the album, she elaborated, was trying to get the listener to understand the "artist personality" and the singer-songwriter behind the music.^[59]

Her first release in 2012 was "This Is Your Life", the fourth single from Swiss DJ EDX's album On The Edge.^[60] That was followed by "Carry Me", a collaboration with Morgan Page on his third studio album, In the Air.^[61] Her next release will be "Must Be The Love", the lead single from BT's upcoming eighth studio album, which was a collaboration between him, Arty and Ali.^[62]

Musical style and influences[link]

Ali is perhaps best known for her characteristic voice and vocal abilities.^[21][31][63] Reema Kumari Jadeja from MOBO described her work as "masterfully encapsulating euphoric and melancholic, Ali’s signature music style sees Eastern mystique caressed with intelligent electronica and fortified with soul".^[21] The songs on Embers were likened to Madonna's work in her prime and a "modern re-intepretation" of Stevie Nicks. Billboard praised her voice for having "too much life on its own".^[42][31][63] Ali has been influenced by an eclectic mix of artists, which she credits to her Eastern background and upbringing in Queens.^[18][33] She listed alternative, folk, Indian and Pakistani music as her biggest influences.^[16][18] Some of her vocal and songwriting influences, she said, were Stevie Nicks, Nusrat Fateh Ali Khan, Madonna, Sade and Bono.^[13][16][32]

	"Crash and Burn" (2008) noicon "Crash and Burn" combines Ali's signature music styles: Eastern, electronic and acoustic
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Her debut album was noted for a blend of electronica, acoustic and Middle Eastern melodies.^[30] Speaking about Embers, Ali said she did not want a typical dance record and chose to experiment, particularly with the number of ballads on the album.^[18] Meanwhile, her second album Phoenix, she said would be a more "high-energy" dance album, where while she maintained her characteristic vocal style, she also experimented with the musical style.^[58] She said while working on the album she was inspired and influenced by indie pop and the styles of Avicii, R3hab and Skrillex.^[58] Ali has collaborated with DJs from a broad range of genres and styles in electronic dance music. Some of the resulting work has been described as minimal trance,^[64] "sad disco"^[36] and "mainstream pop".^[45]

She has been praised for her songwriting, describing personal experiences with people, which "hit a powerful and striking chord" with the listener.^[31] Ali has said she almost always prefers to sing a song she has written herself and that the best songs are mostly written when they narrate a true account.^[13][14] The songs on Embers, Ali has stated, describe the relationships she has experienced and the emotions they have left behind.^[40] The song "Fantasy", she said, summed her up how she likes to be recognised, "an emotional songwriter who loves being a part of electronic music".^[22] Ali has said in the future she would like to focus more on production and songwriting and has written songs for Tocadisco, Avicii, Hardwell, Sultan & Ned Shepard, EDX and Pete tha Zouk.^[21][24]

Discography[link]

Studio albums

• Embers (2009)
• Phoenix (2012)

Compilations

• Queen of Clubs Trilogy: Ruby Edition (2010)
• Queen of Clubs Trilogy: Onyx Edition (2010)
• Queen of Clubs Trilogy: Diamond Edition (2010)

Awards and nominations[link]

References[link]