Contemporary R&B (also known as simply R&B) is a music genre that combines elements of hip hop, soul, R&B and funk.
Although the abbreviation "R&B" originates from traditional rhythm and blues music, today the term R&B is most often used to describe a style of African-American music originating after the demise of disco in the 1980s. Some sources refer to the style as urban contemporary (the name of the radio format that plays hip hop and contemporary R&B).
Contemporary R&B has a polished record production style, drum machine-backed rhythms, an occasional saxophone-laced beat to give a jazz feel (mostly common in contemporary R&B songs prior to the year 1993), and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend, and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists are often known for their use of melisma, popularized by vocalists such as Michael Jackson, Stevie Wonder,Whitney Houston and Mariah Carey.
Rhythm and blues, often abbreviated to R&B and RnB, is a genre of popular African-American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular.
The term has subsequently had a number of shifts in meaning. In the early 1950s, the term rhythm and blues was frequently applied to blues records. Starting in the mid-1950s, after this style of music contributed to the development of rock and roll, the term "R&B" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. By the 1970s, rhythm and blues was used as a blanket term for soul and funk. In the 1980s, a newer style of R&B developed, becoming known as "Contemporary R&B".
Jerry Wexler of Billboard magazine coined the term "rhythm and blues" in 1948 as a musical marketing term in the United States. It replaced the term "race music", which originally came from within the black community, but was deemed offensive in the postwar world. The term "rhythm and blues" was used by Billboard in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles".
Jody Vanessa Watley (born January 30, 1959) is an American, singer, songwriter, record producer, and one of the defining iconic artists of the 80's whose music crosses genres from Pop, R&B, Jazz, Dance and Electronic Soul. In 1987, she won the Grammy Award for "Best New Artist." Along with Janet Jackson and Madonna, she ranks as one of MTV Video Music Awards most nominated female artists ever, with six nominations for her ‘Real Love’ video.
To date, she is best known for her role in being a pioneer setting trends and standards for dance, style, music and video. Early in her solo career she was also noted for her commercial dance pop stylings with a funky edge. Jody Watley is also noted as being the first Pop/R&B singer to include a rapper on the specialized verse/bridge with their collaboration on "Friends" featuring Eric B. & Rakim, which would become a popular formula in commercial Pop/R&B/Hip-Hop.
Watley has sold over 50 million albums and singles Worldwide. In 2008, she was the recipient of a Lifetime Achievement Award from Billboard magazine, and was also prominently featured in the historic black issue of Vogue Italia in 2008.
Keri Lynn Hilson (born December 5, 1982) is an American singer, songwriter and actress. She was born and raised in Decatur, Georgia, and spent most of her youth working with producer Anthony Dent, as a songwriter and background vocalist for several R&B and hip hop artists. By the age of 14, Hilson had secured a record deal with the girl group D'Signe, who later disbanded. She attended Emory University in Atlanta, while she continued writing songs for artists, including Britney Spears and Mary J. Blige, with the production and songwriting team, The Clutch. In 2006, Hilson signed with American rapper and producer Timbaland's record label, Mosley Music. Her breakthrough came the following year after appearing on Timbaland's single, "The Way I Are", which topped charts around the world.
Hilson's debut studio album, In a Perfect World..., was released in 2009, and debuted at number four on the US Billboard 200 chart, eventually being certified gold by the Recording Industry Association of America (RIAA). The album spawned the hit singles, "Knock You Down", "Turnin Me On" and "I Like". It also earned Hilson two Grammy Award nominations for Best New Artist and Best Rap/Sung Collaboration for "Knock You Down". Her second studio album, No Boys Allowed, was released in 2010 and was considerably less successful than its predecessor; however, it included the hit single, "Pretty Girl Rock". Hilson's achievements include a BET Award, MOBO Award, NAACP Image Award and two Soul Train Music Awards. Apart from her work in music, she has pursued a career in acting. Hilson made her acting debut in the romantic comedy film, Think Like a Man, in 2012.
Terius Youngdell Nash (Born September 20, 1977), better known by his stage name The-Dream, is an American singer-songwriter and record producer. He is known for co-writing chart topping hits such as "Baby" for Justin Bieber, "Umbrella" for Rihanna and "Single Ladies (Put a Ring on It)" for Beyoncé, as well as for his three solo albums, Love Hate, Love vs. Money, and Love King.
Terius Nash was born in Rockingham, North Carolina and moved with his mother, Reva Nash, to Atlanta at the age of 3. He played trumpet, drums, and guitar as a child. His mother died in 1992 when Nash was fifteen years old, an event which would inspire him to write songs. He states that the death of his mother gave him a "soft spot" for women, which he credits to his desire to write songs about female empowerment such as Rihanna's "Umbrella". He moved in with his grandfather, a concrete mason who instilled a strong work ethic in young Nash. Of his grandfather, Nash recalls "He came out of a bad time for blacks in the South, but even though we lived in the hood, we had a boat, some cars and a house that was paid for. So I’ve always had a different outlook on life. There’s nothing I can’t do."
[redneck - as performed by Devin]
Devin, what the fuck you do in here, man?
Oh goddamn, you on that beat bop shit still?
[Devin]
Man, what the fuck you talkin about, nigga?
This is hip-hop, muthafuckin...
[redneck]
Hell man, so you gotta let me get on somethin, man
Let me get on this mic right here
[Devin]
Man, come on, dog, hold up now
I'm right in the middle of this mutha...
[redneck]
Come on Devin boy, you can let me get one of em
[Devin]
Alright man, just...
What you got some beer?
[redneck]
Hell yeah, I got some beer
[Devin]
You got some weed?
[redneck]
Hell yeah, I got some weed around here
Here, check it out
[redneck]
[coughing] That sweet's killer, man
I'm high 'like an eagle', and like the Steve Miller Band
I'm a smoker, a midnight toker
Get the Adidas box top under the sofa with the joker
Then let's roll a big old fat
Square like this here, smell like a ( ? )
[Devin]
Man, I bet yo weed ain't better than mine
[redneck]
Oh, that's bullshit
[Devin]
Take heed of my weed, man, all you need is a little bit
Now don't kill it
[redneck]
Hell man, I took a couple of pulls
Here, take two of my Budweisers, give me two of your Bulls
[Devin]
Man, I'ma give you two of these balls if you don't get your muthafuckin ass...
[redneck]
Come on Devin, don't do me like that, man
Come on, let me rock one with you
[Devin]
Hey come on man, I'm right in the middle of this shit, man
[redneck]
You need a hook or somethin
[Devin]
Man, you don't even listen to rap music
[redneck]
Hell yeah I do!
[Devin]
Aight fuck it, come on, follow through with the hook then
[redneck]
Come on
[Devin]
Reefer and beer
Can you say that?
[redneck]
Reefer and beer
[Devin]
Put some soul in it, make it like...
Reefer and beer
[redneck]
Reefer and beer
[Devin]
High, yes I am
Smokin this weed again
I had one sweet left, I broke it down and rolled two
And sold them hoes and scored a three for ten
I spend my cash and time on grass and wine
You ask for my opinion, I say it don't make
A lot of hoes hope you choke and stay broke
Or smoke coke but nope, I bend but won't break
I made major mistakes but hey, they're all mine
You gotta learn how to get up when you fall down
Lived in a small town throwin rocks at cows in a field of dreams
Hopin it will amount to just more than a hell of beans
I feel the need for beer and weed
[redneck]
Why don't you smoke some here with me?
And we can ride through the ghettos and trailer parks
We can drink and spark until it gets dark
[Devin]
I wake up in the mornin and I roll me a square
Sweet or whatever, I put that hoe in the air
[inhales] Hit that muthafucka couple of times
Sit back and recline and try to relax my mind
With some
[Devin]
Reefer and beer
Reefer and beer
Reefer and beer
Reefer and beer
[Devin]
It's a brand new you, I guess it's time to start anew
Time to get our shit together, think about things we gotta do
Stay close to all our family, keep in touch with all our friends
Last year was kinda shaky, it's time for makin some ends
Take care of our kids and then
Go and get some
[Devin]
Reefer and beer
Reefer and beer
Reefer and beer
Yeah
Reefer and beer
Yeah
[Devin]
Yeah man, that shit was aight, man!
We'll use that shit
[redneck]
Right over our first track
[Devin]
You my nigga, man
[redneck]
Yeah, you my nigger too
[Devin]
What?
[redneck]
You're my nigger too, nigger
[Devin]
My 'nigga', man, 'nigga'
Nigg-a
[redneck]
Nigg-a?
Niggaa?
[Devin]
Nah man, just...
Fuck it then, don't say it at all