Plot
In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams.
Keywords: 1950s, 1960s, actor, actress, adultery, automobile, based-on-book, beach-house, black-humor, blonde
Good evening.
Behind every Psycho is a great woman.
Alfred Hitchcock: [after viewing the shower scene with Bernard Herrmann's score for the first time] It's getting there.
Alfred Hitchcock: I will never find a Hitchcock blonde as beautiful as you.::Alma Reville: Oh, Hitch. I've waited thirty years to hear you say that.::Alfred Hitchcock: And that my dear, is why they call me the Master of Suspense.
Alfred Hitchcock: My contract guarantees me final cut on all of my pictures.::Barney Balaban: It also states that Paramount doesn't have to release anything that might cause the studio embarrassment!::Alfred Hitchcock: As opposed to those last five Martin and Lewis pictures you're so proud of?
Geoffrey Shurlock: [In reference to the shower scene] The addition of a lyrical score will not change my opinion!
Alfred Hitchcock: You may call me Hitch. Hold the Cock.
Alfred Hitchcock: [to Janet] Hope you don't mind, I told Mrs Bates she could use your dressing room.
[last lines]::Alfred Hitchcock: Good evening.
Alma Reville: It was the knife that, a moment later, cut off her scream, and her head. Charming. Doris Day should do it as a musical!
Rita Riggs: Is this really going to be your next picture?::Alfred Hitchcock: Yes Madam! Oh by the way, try the finger sandwiches. They are real fingers.
Alma Reville: Are we going to have to sell the whole house, or just the pool?
Plot
When Grace Kelly retires from films to marry Prince Rainier Alfred Hitchcock looks for a similar blonde and finds her in TV model,the little known Tippi Hedren,who will star in his film adaptation of horror story 'The Birds'. Hitchcock is obsessed with Tippi sexually and,when she rebuffs his advances,sadistically puts her through five days of filming where she is attacked and injured by real birds. Hitchcock's wife Alma and his assistant Peggy are appalled but can do nothing. Tippi is resolved that she will not give in to Hitchcock despite the situation giving her nightmares. Hitchcock and Tippi make a second film,'Marnie'. Having admitted that Alma is the only woman he has ever had sex with and that he now finds her cold Hitchcock continues to pursue Tippi, bombarding her with phone calls declaring his love for her yet reminding her that he alone made her famous and she owes him. At this stage Tippi demands that her contract be terminated and an end title states that they never worked together again.
Keywords: 1960s, abuse, actor's-life, actress, animal-trainer, aspiring-actress, assistant-director, automobile, backyard, based-on-biography
He made her his star. And his darkest obsession.
[Alfred Hitchcock pours a glass of wine for Tippi Hedren, just after he has first met her]::Alfred Hitchcock: This is a very fine Californian pinot noir. It's called the heartbreak grape. Do you know why? Of all the grapes used to make wine, these are the most fragile. It has a very thin skin, prone to disease, mould, every kind of rot and virus known to the vintner's art. So growing pinot noir is a bit like making a movie - heartbreak guaranteed.
[Evan Hunter, writer of the screenplay for The Birds, disagrees with Hitchcock about the casting of Tippi Hedren]::Evan Hunter: A seven-year contract?::Alfred Hitchcock: Her inexperience is an asset. She has nothing to un-learn. Also she's unattached so she won't get pregnant. I do *hate* it when actresses get pregnant.::Evan Hunter: I thought you were kidding.::Alfred Hitchcock: [grimly] As is well-known, I have no sense of humor whatsoever.
[Hitchcock recites a limerick to Tippi Hedren]::Alfred Hitchcock: There was a young lady of Trent / Who said she knew what it meant / When he asked her to dine / Private room, lots of wine / She knew, oh she knew - but she went!::[Tippi raises her wineglass as a toast]::Tippi Hedren: Heartbreak guaranteed.
Alfred Hitchcock: There was a young man from Nantucket / Who had such a large cock he could suck it. / He looked in the glass / And saw his own arse / And broke his neck trying to fuck it.
Alfred Hitchcock: A worried young man from Stamboul / Discovered red spots on his tool. / Said the doctor, a cynic, / Get out of my clinic! / Just wipe off that lipstick, you fool.
Alfred Hitchcock: There was a young girl from Sofia / Who succumbed to her lover's desire. / She said it's a sin, / But now that it's in / Could you shove it a few inches higher?
[title quote]: Blondes make the best victims. They're like virgin snow that shows up the bloody footprints. - Alfred Hitchcock
Martin Henry Balsam (November 4, 1919 – February 13, 1996) was an American actor. He is known for his Oscar-winning role as "Arnold Burns" in A Thousand Clowns and his role as "Detective Milton Arbogast" in Psycho.
Martin Balsam was born in The Bronx, New York to Jewish parents Lillian (née Weinstein) and Albert Balsam, who was a manufacturer of ladies sportswear. He attended DeWitt Clinton High School, where he participated in the drama club. He studied at the Dramatic Workshop of The New School in New York with the influential German director Erwin Piscator and then served in the United States Army Air Forces during World War II.
Martin Balsam made his professional debut in August 1941 in a production of The Play's the Thing in Locust Valley. In 1947, he was selected by Elia Kazan and Lee Strasberg to be a player in the Actors Studio television program. He appeared in many other television drama series, including The Twilight Zone (episodes "The Sixteen Millimeter Shrine" and "The New Exhibit"), as a psychologist in the pilot episode, Five Fingers, Target: The Corruptors!, The Eleventh Hour, Breaking Point, Alfred Hitchcock Presents, The Fugitive, and Mr. Broadway, as a retired U.N.C.L.E. agent in The Man from U.N.C.L.E. episode, "The Odd Man Affair", and guest starred in the two-part Murder, She Wrote episode, "Death Stalks the Big Top".
"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.
The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.
The earliest recorded use[citation needed] of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." [dubious – discuss] In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.
James Earl Jones (born January 17, 1931) is an American actor. Since his Broadway debut in 1957, Jones has spent more than five decades as "one of America's most distinguished and versatile actors" and has been termed "one of the greatest actors in American history." On November 12, 2011, Jones received an Honorary Academy Award.
He is well known for his distinctive bass voice and for his portrayal of characters of substance, gravitas and leadership.
James Earl Jones was born in Arkabutla, Mississippi, son of Robert Earl Jones (1910–2006), an actor, boxer, butler, and chauffeur who left the family shortly after James Earl's birth, and his wife Ruth (Connolly) Jones, a teacher and maid. Jones and his father reconciled many years later. Jones was raised by his maternal grandparents, farmers John Henry and Maggie Connolly. He is multiracial, with African, Irish, and Native American ancestry.
Jones describes his grandmother, Maggie, as "the most racist person I have ever known", thus forcing him to develop his own independent thinking. His grandmother was of Cherokee, Choctaw, and black ancestry.
Jason Nelson Robards, Jr. (July 26, 1922 – December 26, 2000) was an American actor on stage, and in film and television. He is a winner of the Tony Award, two Academy Awards and the Emmy Award. He was also a United States Navy combat veteran of World War II.
He became famous playing works of Eugene O'Neill, an American playwright, and regularly performed in O'Neill's works throughout his career. Robards was cast in both common-man roles and as well-known historical figures.
Robards was born in Chicago, the son of Hope Maxine (née Glanville) Robards and Jason Robards, Sr., an actor who regularly appeared on the stage and in such early films as The Gamblers (1929). Robards was of English, Welsh, Irish, and Swedish descent.
The family moved to New York City, New York, when Jason Jr. was still a toddler, and then moved to Los Angeles, California, when he was six years old. Later interviews with Robards suggested that the trauma of his parents' divorce, which occurred during his grade-school years, greatly affected his personality and worldview.
Lila Kedrova (born Yelizaveta Nikolayevna Kedrova; Russian: Елизавета Николаевна Кедрова; 9 October, c. 1918 – 16 February 2000) was a Russian-born French actress.
Kedrova claimed to have been born in 1918, in Petrograd, Russia. Her parents were Russian opera singers. Lila Kedrova's brother was Nikolay Kedrov, Jr. Her father, Nikolay Kedrov, Sr., was a singer and composer, a creator of the first Russian male quartet to perform liturgical chants. Her mother, Sofia Gladkaya (ru: Софья Николаевна Гладкая) (1875—1965), was a singer at the Mariinsky Theatre. In 1922, some time after the October Revolution, the family emigrated from Russia and lived in Berlin. In 1928 they moved to France. There, Kedrova's mother taught at the Conservatoire de Paris, and her father once again recreated the quartet "Quatuor Kedroff". In 1932, Lila Kedrova joined the Moscow Art Theatre touring company. Then her film career began, mostly in French films, until her first English appearance in 1964 as Mme Hortense in Zorba the Greek. Her performance won her the Oscar for Best Supporting Actress. She then went on to play a series of eccentric or batty ladies in several Hollywood films.[citation needed]