The Cervantes Institute is a worldwide non-profit organization created by the Spanish government in 1991. It is named after Miguel de Cervantes (1547–1616), the author of Don Quixote and perhaps the most important figure in the history of Spanish literature. The Cervantes Institute, a government agency, was modeled on the British Council and the German Goethe Institute, and is the largest organization in the world responsible for promoting the study and the teaching of Spanish language and culture.

This organization has branched out in over 20 different countries with 54 centres devoted to the Spanish and Hispanic American culture and Spanish Language. Article 3 of Law 7/1991, created by the Instituto Cervantes on March 21, explains that the ultimate goals of the Institute are to promote the education, the study and the use of Spanish universally as a second language, to support the methods and activities that would help the process of Spanish language education, and to contribute to the advancement of the Spanish and Hispanic American cultures throughout non-Spanish-speaking countries.

Octavio Paz Lozano (Spanish pronunciation: [okˈtaβjo pas loˈsano]; March 31, 1914 – April 19, 1998) was a Mexican writer, poet, and diplomat, and the winner of the 1982 Neustadt International Prize for Literature and the 1990 Nobel Prize for Literature.

Paz was born to Octavio Paz Solórzano and Josefina Lozano. His father was an active supporter of the Revolution against the Díaz regime. Paz was raised in the village of Mixcoac (now a part of Mexico City) by his mother Josefina (daughter of Spanish immigrants), his aunt Amalia Paz, and his paternal grandfather Ireneo Paz, a liberal intellectual, novelist, publisher and former supporter of President Porfirio Díaz. He studied at Colegio Williams. Because of his family's public support of Emiliano Zapata, they were forced into exile after Zapata's assassination. They served their exile in the United States.

Paz was introduced to literature early in his life through the influence of his grandfather's library, filled with classic Mexican and European literature. During the 1920s, he discovered the European poets Gerardo Diego, Juan Ramón Jiménez, and Antonio Machado, Spanish writers who had a great influence on his early writings. As a teenager in 1931, under the influence of D. H. Lawrence, Paz published his first poems, including "Cabellera". Two years later, at the age of 19, he published Luna Silvestre ("Wild Moon"), a collection of poems. In 1932, with some friends, he founded his first literary review, Barandal. By 1939, Paz considered himself first and foremost a poet.^{[citation needed]}

Juan Villoro (Mexico City, 1956) is a Mexican writer and journalist. He has been well known among intellectual circles in Mexico, Latin America and Spain for years, but his success among the readers grew since receiving the Herralde Prize for his novel El testigo.

Juan Villoro received his bachelor's degree in sociology from the Metropolitan Autonomous University, Iztapalapa campus. As a rock music fan, he was the DJ for the radio program "El lado oscuro de la luna" (the Spanish translation of The Dark Side of the Moon by Pink Floyd) from 1977 until 1981. He was then made the cultural attaché to Berlin in the then German Democratic Republic.

For three decades, Villoro has produced a steady output of articles for various Mexican periodicals, concentrating in such areas as sports, rock, cinema, literature and travel. Palmeras de la brisa rapida: un viaje a Yucatán ("Palm Trees of the Rapid Breeze: A Journey to Yucatan") 1989 is an account of his travels in a part of Mexico known for its Mayan culture. His first novel was El disparo de argón ("The Shot of Argon"), published in 1991. Los once de la tribu ("The Eleven of the Tribe"), published in 1995, collects many of his best short, non-fiction essays and interviews. The title refers to the number of people on an international football team. He covers a wide range of topics, including Andy Warhol, the Rolling Stones, the television series Dallas, the absurdities of publishing children's literature in the United States and an interview with Jane Fonda.

William Blaine "Bill" Richardson III (born November 15, 1947) is an American politician, who served as the 30th Governor of New Mexico from 2003 to 2011. Before being elected governor, Richardson served in the Clinton administration as U.S. Ambassador to the United Nations and Energy Secretary. Richardson has also served as a U.S. Congressman, chairman of the 2004 Democratic National Convention, and chairman of the Democratic Governors Association. On December 3, 2008, then-President-elect Barack Obama designated Richardson for appointment to the cabinet-level position of Commerce Secretary. On January 4, 2009, Richardson announced his decision to withdraw his nomination because of an investigation into possibly improper business dealings in New Mexico. In August 2009, federal prosecutors dropped the pending investigation against the governor, and there was speculation in the media regarding Richardson's career, as his second and final term as New Mexico governor concluded.

Jorge Francisco Isidoro Luis Borges Acevedo (24 August 1899 – 14 June 1986), known as Jorge Luis Borges (Spanish pronunciation: [ˈxorxe ˈlwis ˈβorxes]), was an Argentine short-story writer, essayist, poet and translator born in Buenos Aires. His work embraces the "character of unreality in all literature". His most famous books, Ficciones (1944) and The Aleph (1949), are compilations of short stories interconnected by common themes such as dreams, labyrinths, libraries, mirrors, animals, fictional writers, religion and God. His works have contributed to the genre of science fiction as well as the genre of magic realism, a genre that reacted against the realism/naturalism of the nineteenth century. In fact, critic Angel Flores, the first to use the term, set the beginning of this movement with Borges's Historia universal de la infamia (A Universal History of Infamy) (1935). Scholars have also suggested that Borges's progressive blindness helped him to create innovative literary symbols through imagination. His late poems dialogue with such cultural figures as Spinoza, Camões, and Virgil.