The Blue may refer to:
Coordinates: 51°29′32.48″N 0°03′48.96″W / 51.4923556°N 0.0636°W / 51.4923556; -0.0636
The Blue is a central market place in Bermondsey an area in London. The market is open Monday to Saturday from 9am until 5pm and has about 50 stall holders, selling food and clothes. The area has been known as The Blue for more than two hundred and thirty years and is probably named after the Blue Anchor public house that gave its name to Blue Anchor Lane.
In 2005 a Metropolitan Police report described the area as a crime hotspot for "race crime and youth disorder". In 2009 during the funeral procession of Jade Goody a white dove was released at The Blue, where her family once had a stall.
John Randal Kleiser (born July 20, 1946) is an American film director and producer, perhaps best known for directing the 1978 musical film Grease.
Kleiser was born in Philadelphia, Pennsylvania, the son of Harriet Kelly (née Means) and John Raymond Kleiser. He was raised in the Pennsylvania Dutch community in Lebanon, Pennsylvania.
Kleiser has directed several feature films, including Grease (1978), The Blue Lagoon (1980) with Brooke Shields, Summer Lovers (1982) with Daryl Hannah, Grandview, U.S.A. (1984) with Jamie Lee Curtis, Flight of the Navigator (1986), featuring the first use of digital morphing in a film, Big Top Pee-wee (1988), White Fang (1991) and Honey, I Blew Up the Kid (1992).
In London, Kleiser directed the comedy Getting It Right (1989), starring Lynn Redgrave, Helena Bonham Carter, Jane Horrocks and Sir John Gielgud. In 1996, he wrote and directed It's My Party, starring Eric Roberts, Gregory Harrison, Lee Grant, Bruce Davison and Marlee Matlin. As a writer-producer, he was responsible for the surfing film North Shore (1987) for Universal Pictures. He also directed the thriller Shadow of Doubt (1998) with Melanie Griffith and Tom Berenger. Working in 70mm 3-D, he directed Honey, I Shrunk the Audience (1995) at the Disney Theme Parks in Anaheim, Orlando, Tokyo and Paris. His television films include The Boy in the Plastic Bubble (1976) with John Travolta, the Emmy-Award-winning The Gathering (1977) and Dawn: Portrait of a Teenage Runaway (1976).
Brooke Christa Shields (born May 31, 1965) is an American actress and model. Some of her better-known movies include Pretty Baby and The Blue Lagoon, as well as TV shows such as Suddenly Susan, That '70s Show and Lipstick Jungle.
Brooke Shields was born in New York City to Frank and Teri Shields (née Schmon), who divorced several months after she was born.
Through her father's side, she has Italian, French, Irish, and English roots, along with high social position and relations to nobility. Her paternal grandmother was the Italian princess Donna Marina Torlonia. Shields was raised in the Roman Catholic faith. She has two stepbrothers and three half-sisters.
When Shields was five days old, her mother openly stated she wanted her to be active in show business, "She's the most beautiful child and I'm going to help her with her career."
For her confirmation at the age of 10, Shields adopted her middle name, "Camille". While attending high school, Shields resided in Haworth, New Jersey.
When she was 12 years old, Shields played a child prostitute her age in the 1978 film Pretty Baby. Eileen Ford, founder of the Ford Modeling Agency, said of Brooke Shields: "...She is a professional child and unique. She looks like an adult and thinks like one."
Kylie Ann Minogue, OBE ( /ˈkaɪliː mɨˈnoʊɡ/; born 28 May 1968) — often known simply as Kylie — is an Australian singer, recording artist, songwriter, showgirl, and actress. After beginning her career as a child actress on Australian television, she achieved recognition through her role in the television soap opera Neighbours, before commencing her career as a recording artist in 1987. Her first single, "Locomotion", spent seven weeks at number one on the Australian singles chart and became the highest selling single of the decade. This led to a contract with songwriters and producers Stock, Aitken & Waterman. Her debut album, Kylie (1988), and the single "I Should Be So Lucky", each reached number one in the United Kingdom, and over the next two years, her first 13 singles reached the British top ten. Her debut film, The Delinquents (1989) was a box-office hit in Australia and the UK, and received generally positive reviews.
Initially presented as a "girl next door", Minogue attempted to convey a more mature style in her music and public image. Her singles were well received, but after four albums her record sales were declining, and she left Stock, Aitken & Waterman in 1992 to establish herself as an independent performer. Her next single, "Confide in Me", reached number one in Australia and was a hit in several European countries in 1994, and a duet with Nick Cave, "Where the Wild Roses Grow", brought Minogue a greater degree of artistic credibility. Drawing inspiration from a range of musical styles and artists, Minogue took creative control over the songwriting for her next album, Impossible Princess (1997). It failed to attract strong reviews or sales in the UK, but was successful in Australia.
Thougts 'bout broken dreams
Questions in your mind
Lonelyness in the dark
No answers to find
A shadow on your face
A movement far away
A noise beneath your feet
Pray while you may
The moon doesn't talk tonight
The moon doesn't breathe tonight
The moon doesn't cry tonight
The moon is dead tonight
Illusion, lonelyness, confusion emptyness
Your life is just a dream, the dream is just a scream
Love is hate and hate is love
In the deep of the blue
The tragic mystic of the moon
Is calling for you
Voices, whispers, lonely shadows
Are waiting for you
But there's no way to run
From the deep of the blue
Blood runs through your thougts
You wish to be lost
You wish to be wise
Whatever it costs
A strange voice is calling
Reaches your ear
And in the depth of your eyes
A lonely bloodred tear
The moon doesn't shine tonight
The moon doesn't sing tonight
The moon doesn't cry tonight
The moon is dead tonight
Submission, damnation, hatred, violation
Strange words and dreams, wishful thinking and screams
Shameless sea
Aimlessly so blue
Midnight-moon shines for you
Still, marooned
Silence drifting through
Nowhere to choose
Just blue...
Ceaselessly
Star-crossed you and me
Save our souls
We'll be forever blue
Waves roll
Lift us in blue
Drift us
Seep right through
And colour us blue
Wait for me
Shameless you, the sea
Soon, the Blue
Across your face, I see what you are
You wanna kill the sun, blot out the stars
I know you you're nothing,
you're so small
You're fuckin' nothing,
nothing at all
The sun burns on, it reminds me of you
The slit wrists of the sky bleeding into the blue
We twist beneath forever, but do you know what you've done?
Ants in the after birth,slugs under the sun
I could not wake the dead man dreaming
Acid party murder at the late show
Mutate me and breed yourselves a savior
I could not kill the dead man screaming
Eat my dead cock, oh yeah!
Eat my dead cock, oh yeah!
I have fallen deep in love with the sky
Fragments of a sunbeam glaring on a kitchen knife
The leaves will fall as everything must follow
Kill your idol come on jump into the void
Eat my cold shit
Everybody whispers were birds fall dead
I smell the yellow sickness churning inside your head
Wiping flecks of foam twisting with rabies
Bloody we run thru these fields of dead daisies
How can I ever make you know what you've done
Ants in the afterbirth, slugs under the sun
I have fallen deep in love with sky