A barquentine (alternatively barkentine) is a sailing vessel with three or more masts; with a square rigged foremast and fore-and-aft rigged main, mizzen and any other masts.

While a full-rigged ship is square-rigged on all three masts, and the barque is square-rigged on the foremast and main, the barquentine extends the principle by making only the foremast square-rigged. The advantages of a smaller crew, good performance before the wind and the ability to sail relatively close to the wind while carrying plenty of cargo made it a popular rig at the end of the 19th century.

Today, barquentines are popular with modern tall ship and sail training operators as their suite of mainly fore-and-aft sails can be operated with ease and efficiency, but the single mast of square sails offers long distance speed and dramatic appearance in port.

The term "barquentine" is 17th century in origin, formed from "barque" in imitation of "brigantine", a two-masted vessel square-rigged only on the forward mast, and apparently formed from the word brig.

Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was an English writer, artist, poet and illustrator. He is best known for what are usually referred to as the Gormenghast books. The three works were part of what Peake conceived as a lengthy cycle, the completion of which was prevented by his death, and consequently should not be considered a trilogy.^{[dubious – discuss]} They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but his surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology.

Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children (Letters from a Lost Uncle), stage and radio plays, and Mr Pye, a relatively tightly-structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero.

Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived in London, and he was commissioned to produce portraits of well-known people. For a short time during World War 2 he was commissioned by various newspapers to depict war scenes. A collection of his drawings are still in the possession of his family. Although he gained little popular success in his lifetime, his work was highly respected by his peers, and his friends included Dylan Thomas and Graham Greene. His works are now included in the collections of the National Portrait Gallery, the Imperial War Museum and The National Archives.