Plot
The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous.
Keywords: 1920s, 1930s, african-american, band, based-on-novel, biracial, black-american, box-office-flop, controversy, cotton-club-manhattan-new-york-city
It was the jazz age. It was an era of elegance and violence. The action was gambling. The stakes were life and death.
Where crime lords rub elbows with the rich and famous!
Welcome to The Cotton Club. Where Crime Lords rub elbows with the rich and famous. Where deals are made, lives are traded. And the legends of jazz light up the night.
[a boy runs up to Dixie in the street]::Boy in Street: Vincent's been telling everyone around here that you saved the Dutchman's ass!
Flynn: Blow that bughouse bastard to kingdom come!
Vera: You've got about as much style as a bowl of turnips.
Owney: In the next room, gentlemen, is the finest food, drink and pussy in New York at a price.
Owney: Someone oughta take out your brain and pickle it!
Dixie: I'm surprised at you! Don't you feel anything for Mr. Flynn at all? He's dead!
Vera: Mr. Flynn was a bootlegger. That's how they live in this world. Maybe one day you'll wise up, sap!
Vera: If he came in here right now, he'd kill us both.::Dixie: Forget about him.::Vera: Who?
[Frenchy has just broken Owney's watch]::Frenchy: You cheap son of a bitch! You only offered $500 for me?::Owney: What?::Frenchy: If you were kidnapped, I wouldn't offer more than that for you!::Owney: $500?::Frenchy: That's what I heard!::Owney: 50 grand! I paid 50 grand! They only wanted 35 but I gave 50 not to hurt you. $500. I would've given 500,000 for you. I been worried sick about you. Look at what you done to my fuckin' watch.::Frenchy: 50 grand?::Owney: Yeah.::[Frenchy hands Owney a box that Owney opens]::Owney: What's this? A platinum watch. (smiling) You asshole.
Vera: I was born looking 18.::Dixie: I can save you.::Vera: No, you can't.
Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress who performed in movies and on television for five decades as Joan Blondell.
After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy wisecracking blonde, she was a pre-Code staple of Warner Brothers and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951).
Blondell was seen in featured roles in two films released shortly before her death from leukemia, Grease (1978) and the remake of The Champ (1979).
Blondell was born to a vaudeville family in New York City. Her father, known as Eddie Joan Blondell, Jr., was born in Indiana in 1866 to French parents, and was a vaudeville comedian and one of the original Katzenjammer Kids. Blondell's mother was Kathryn ("Katie") Cain, born April 13, 1884, in Brooklyn of Irish American parents. Her younger sister, Gloria, also an actress, was briefly married to film producer Albert R. "Cubby" Broccoli (the future producer of the James Bond film series) and bears a strong resemblance to her older sister, Joan. Blondell also had a brother, the namesake of her father and grandfather. Her cradle was a property trunk as her parents moved from place to place and she made her first appearance on stage at the age of four months when she was carried on in a cradle as the daughter of Peggy Astaire in The Greatest Love.
Barbara Stanwyck (July 16, 1907 – January 20, 1990) was an American actress. She was a film and television star, known during her 60-year career as a consummate and versatile professional with a strong screen presence, and a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short but notable career as a stage actress in the late 1920s, she made 85 films in 38 years in Hollywood, before turning to television.
Stanwyck was nominated for the Academy Award four times, and won three Emmy Awards and a Golden Globe. She was the recipient of honorary lifetime awards from the Academy of Motion Picture Arts and Sciences in 1981, the American Film Institute in 1987, the Film Society of Lincoln Center, the Golden Globes, the Los Angeles Film Critics Association, and the Screen Actors Guild. She has a star on the Hollywood Walk of Fame and is ranked as the eleventh greatest female star of all time by the American Film Institute.
Barbara Stanwyck was born Ruby Catherine Stevens in Brooklyn, New York on July 16, 1907. She was the fifth and youngest child of Catherine Ann (née McPhee) and Byron E. Stevens; the couple were working-class, her father a native of Massachusetts and her mother an immigrant from Nova Scotia, Canada. Stanwyck had English and Scottish ancestry. When she was four, her mother was killed when a drunken stranger pushed her off a moving streetcar. Two weeks after the funeral, Byron Stevens joined a work crew digging the Panama canal and was never seen again. Ruby and her brother Byron were raised by their elder sister Mildred, five years Ruby's senior. When Mildred got a job as a John Cort showgirl, Ruby and Byron were placed in a series of foster homes (as many as four in a year), from which Ruby often ran away.
George Raft (born George Ranft; September 26, 1901 – November 24, 1980) was an American film actor and dancer identified with portrayals of gangsters in crime melodramas (mob films) of the 1930s and 1940s. A stylish leading man in dozens of movies, today George Raft is mostly known for his gangster roles in Billy Wilder's 1959 comedy Some Like it Hot, the original Scarface (1932), and Each Dawn I Die (1939), and as a dancer in Bolero (1934) and a truck driver in They Drive by Night (1940). Raft's real-life association with the New York mob gave his on-screen image an added realism.[citation needed]
Raft was born on September 26, 1901 in Hell's Kitchen, New York City, the son of Eva (Glockner) and Conrad Ranft. His father was born in Massachusetts, to German immigrant parents, and his mother was a German immigrant. His parents were married on November 17, 1895 in Manhattan, and his sister, Eva, known as "Katie" was born on April 18, 1896. Although Raft's birth year has been reported to be 1895, the 1900 Census for New York City lists his elder sister, Katie, as his parents' only child with two children born and only one living. On the 1910 Census, he is listed as being 8 years old, and his birth record can be found in the New York City birth index as being 1901. A boyhood friend of gangster Owney Madden (and later a "wheel man" for the mob"), Raft admittedly narrowly avoided a life of crime. Raft spoke German fluently, having learned the language from his parents.
Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and even a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances more than 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it."
Scott's more than thirty years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King, Rouben Mamoulian, Michael Curtiz, John Cromwell, King Vidor, Alan Dwan, Fritz Lang, and Sam Peckinpah. He also worked on multiple occasions with prominent directors: Henry Hathaway (8 times), Ray Enright (7), Edwin R. Marin (7), Andre DeToth (6), and most notably, his seven film collaborations with Budd Boetticher.
Dolores Moran (January 27, 1924 – February 5, 1982) was an American film actress and model.
Moran's brief career as a film actress began in 1942 with some uncredited roles in such films as Yankee Doodle Dandy. By 1943 she had become a popular pin-up girl and appeared on the cover of such magazines as Yank. She was given supporting roles in films such as Old Acquaintance (1943) with Bette Davis and Warner Bros. attempted to increase interest in her, promoting her along with Lauren Bacall as a new screen personality when they co-starred with Humphrey Bogart in To Have and Have Not (1944). The film made a star of Bacall, but Moran languished and her subsequent films did little to further her career, this probably had something to do with Howard Hawk's decision to marginalise Moran in order to boost the screen presence of Bacall, excising some of Moran's scenes.
The Horn Blows at Midnight gave her a leading role with Jack Benny and Alexis Smith but her film appearances after this were sporadic, and she suffered ill health that reduced her ability to work. Her film career ended in 1954 with a featured role in the John Payne and Lizabeth Scott western film Silver Lode.