- published: 29 Apr 2009
- views: 12805
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Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, recorded live at a concert in Handel House, London on 5 July 2007. This compositional tour de force by John Bull (1562-1628 http://en.wikipedia.org/wiki/John_Bull_(composer)) compares with Tallis's Felix Namque http://www.youtube.com/watch?v=VgAb2AjkgWE in its extended use of a plainsong cantus firmus. However Bull does something which was unique at the time by making every third bar 3 beats within an otherwise 4 beat piece. This has has the effect of making a cycle of 11 beats. Nobody before Stravinsky ever experimented with irregular bars, certainly not in the 16thC. But it's not a stunt, it's also a wonderful piece. The piece comes from the Fitzwilliam Virginal Book. For more about Michael Maxwell Steer visit http://msteer.co.uk/edu/3temperament.htm
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull (year composed unknown).
John Bull (1562 or 1563 – 15 March 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book.
In addition to his keyboard compositions, he wrote verse anthems, canons and other works.
Much of his music was lost when he fled England; some was destroyed, and some was stolen by other composers, though occasionally such misattributions can be corrected today based on stylistic grounds. One of the most unusual collections of music from the period is his book of 120 canons, an astonishing display of contrapuntal skill worthy of Ockeghem or J.S. Bach. Of the 120 canons, 116 are based on the Miserere. Techniques employed to transform the simple theme include diminution, augmentation, retrograde and mixed time signatures. Some of his music in the Fitzwilliam Virginal Book is of a lighter character and uses whimsical titles: "A Battle and No Battle," "Bonny Peg of Ramsey," "The King's Hunt," and "Bull's Good-Night."
He is sometimes credited with the composition of God Save the King, the British national anthem.
The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e. the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816, where it remains to this day in the Fitzwilliam Museum.
Once called Queen Elizabeth's Virginal Book, a title that has been abandoned because it has been determined that she never owned it, the manuscript was given no title by its author. It is believed to be the manuscript collection of an amateur keyboard player of the very early 17th century named Francis Tregian the Younger, who copied the entire collection while imprisoned between 1609 and 1619 in connection with his Catholic sympathies (although his authorship is now disputed). There is no authorship attribution in the book itself. Until Parthenia was printed in about 1612, there was no music published as such in England at this time, and like the Fitzwilliam Virginal Book, most of the collections of keyboard music were compiled by performers: other examples include Will Forster's Virginal Book; Clement Matchett's Virginal Book; [William] Tisdale's Virginal Book.
It includes music dating from approximately 1562 to 1612 by John Bull, Giles Farnaby (51 of whose 52 known pieces are included), William Byrd, Peter Philips and Jan Pieterszoon Sweelinck, as well as many others; there are more than 300 separate pieces. As with many keyboard manuscripts of the time, the pieces were not written for a specific instrument (at least, none is mentioned), and most sound happily on all contemporary keyboard instruments, from the virginals through to chamber organs. Most of the pieces in the book are short, and many of them are character pieces with droll and memorable titles, including: "Put up thy Dagger, Jemy," "The New Sa-Hoo," and "Quodlings Delight," by Giles Farnaby; "Nobody's Gigge," by Richard Farnaby; "Pakington's Pownde" and "The Irishe Dumpe" (anonymous); "The Ghost" and "The Earle of Oxford's Marche," by William Byrd; "Worster Braules" by Thomas Tomkins, and the famous "Lachrymae Pavan" by John Dowland, as arranged by Giles Farnaby.
The book was not published at the time of its writing, instead remaining a manuscript in private hands. In 1899, Breitkopf & Härtel published a newly engraved edition with critical commentary. Since copyright on this edition has now lapsed, it has been reprinted by Dover Publications and other publishers specializing in reprinting of out-of-copyright editions, and is available inexpensively.
(Wikipedia and IMSLP)
Please take note once again that the audio AND the sheet music are NOT mine. Change the quality to 480p if the video is blurry.
Pf.: MIDI
A big thank you to YouTube user Stephen Malinowski (smalin) for the sheet music.
- published: 25 Dec 2014
- views: 729
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. chamber organ. The video provides additional information about both the composer and this piece. I have recorded one of the other two settings here: https://www.youtube.com/watch?v=nt433ULTZ0I
Bull's CV in the video states that he became organist of Antwerp Cathedral in 1618. In fact he succeeded to the post already in 1617 at the death of the previous incumbent, and he had already played the organs in the cathedral from 1615.
a_osiander(at)gmx.net / www.andreas-osiander.net
- published: 19 Dec 2014
- views: 301
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camerata. Soloists: Kathryn Copeland Donaldson, soprano, Bethann Dillione, mezzo, Jennifer Lawyer, alto, Lenny Young, tenor, Sean Donaldson, bass
Sung on our program "An Epiphany of Light," on January 6 2013 at Shadyside Presbyterian Church.
- published: 18 Mar 2013
- views: 780
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in the Tower of London, in the 17th century. He was believed to have been from a cornish noble family probably jailed for his catholic views. While in Jail, to amuse himself and for something to play he made a manuscript of pieces for keyboard instruments of the time. One such is the Virginal a small harpsichord popular as home entertainment. These pieces could also have been played on a Clavichord (simple piano ish), or a small organ. They work well on both.
John Bull was a noted composer and performer on the organ. For more information try http://en.wikipedia.org/wiki/John_Bull_%28composer%29 .
Hope you enjoy this. It is recorded binaurally, and is the first of many from this virginal collection.
- published: 13 Jan 2013
- views: 3664
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
More of this wiki info:
http://en.wikipedia.org/wiki/John_Bull_%28composer%29
http://en.wikipedia.org/wiki/Fitzwilliam_Virginal_Book
Another famous virginal book:
http://www.bl.uk/onlinegallery/virtualbooks/viewrecadd/index.html#
With images from the movie Mary of Scotland 1936
Ernst Stolz virginal
- published: 13 Dec 2009
- views: 5575
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #8416
"Dana & Kurt Kaiser", available on DVD.
Diane Bish performs Richard Ellsasser's (incorrectly attributed to John Bull) "Rondo in G" on the magnificent Rufatti Pipe Organ of the Coral Ridge Presbyterian Church in Ft. Lauderdale Florida.
- published: 14 Jun 2012
- views: 15475
John Bull: Pavan & Galliard of My Lord Lumley.
0:06 Pavan
4:42 Galliard
Robert Hill, harpsichord (K. Hill fter Giusti)
1/4 comma meantone tuning
c2015
- published: 04 Jun 2015
- views: 633
The renowned organist Craig Williams performs this piece by composer John Bull at the St. James Episcopal Church in Callicoon, NY.
- published: 07 Feb 2016
- views: 5
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In 1615 Antwerp Cathedral appointed him as assistant organist, and as principal organist in 1617. Bull wrote a series of letters while in Flanders, including one to the mayor of Antwerp, claiming that the reason he left England was to escape religious persecution.
Rondo and its French part-equivalent rondeau are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form. The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.
The Rondo in G Major was written by Bull in the late Renaissance and early Baroque eras and although originally written for Pipe Organ, I created this arrangement for Flutes (2) & Strings (Violins (2), Viola, Cello & Bass)
- published: 03 Aug 2013
- views: 173
John Bull is a national personification of Britain in general and England in particular, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country dwelling, jolly, matter-of-fact man.
John Bull originated in the creation of Dr John Arbuthnot in 1712, and was popularised first by British print makers. Arbuthnot created Bull in his pamphlet Law is a Bottomless Pit (1712)." Originally derided, William Hogarth and other British writers made Bull "a heroic archetype of the freeborn Englishman." Later, the figure of Bull was disseminated overseas by illustrators and writers such as American cartoonist Thomas Nast and Irish writer George Bernard Shaw, author of John Bull's Other Island.
Starting in the 1760s, Bull was portrayed as an Anglo-Saxon country dweller. He is almost always depicted in a buff-coloured waistcoat and a simple frock coat (in the past Navy blue, but more recently with the Union Jack colours).Britannia, or a lion, is sometimes used as an alternative in some editorial cartoons.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/John_Bull
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
William Byrd (1540 or late 1539 – 4 July 1623) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school) and consort music.
Knowledge of Byrd's biography expanded in the late 20th century, thanks largely to the research of John Harley (Harley, 1997). Following the discovery of a document dated 2 October 1598 in which Byrd's age is given as "58 years or there abouts," it now appears that he was born in 1540. The older dating 1542–3 is derived from Byrd's will (endorsed on 22 November 1622) which describes him as 'in the 80th year of my age'. It now becomes clear that it must have been drafted about three years earlier than the date of endorsement. Byrd was born in London, the son of a Thomas Byrd (not Thomas Byrd of the Chapel Royal) about whom little is known. Byrd had two brothers, Symon'd and John, and four sisters. It is clear from a reference in the prefatory material in the Tallis/Byrd Cantiones of 1575 that Byrd was a pupil of Thomas Tallis, then the leading composing member of the Chapel Royal Choir. Byrd also worked in collaboration with two other Chapel Royal singing-men, John Sheppard and William Mundy, on one of his earliest compositions, a contribution to a joint setting of the alternatim psalm In exitu Israel composed for the procession to the font at the Paschal Vigil. As an item for the Sarum liturgy this was presumably composed near the end of the reign of Mary Tudor (1553–1558), whose Catholic beliefs impelled her to revive Sarum liturgical practices during her brief reign. In view of these contacts it is reasonable to speculate that Byrd was a Chapel Royal choirboy, though the surviving records do not name the choristers individually.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/William_Byrd
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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6:57In Nomine (in 11/4) by John Bull
In Nomine (in 11/4) by John BullIn Nomine (in 11/4) by John Bull
Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, recorded live at a concert in Handel House, London on 5 July 2007. This compositional tour de force by John Bull (1562-1628 http://en.wikipedia.org/wiki/John_Bull_(composer)) compares with Tallis's Felix Namque http://www.youtube.com/watch?v=VgAb2AjkgWE in its extended use of a plainsong cantus firmus. However Bull does something which was unique at the time by making every third bar 3 beats within an otherwise 4 beat piece. This has has the effect of making a cycle of 11 beats. Nobody before Stravinsky ever experimented with irregular bars, certainly not in the 16thC. But it's not a stunt, it's also a wonderful piece. The piece comes from the Fitzwilliam Virginal Book. For more about Michael Maxwell Steer visit http://msteer.co.uk/edu/3temperament.htm -
6:14John Bull (c. 1562 - 1628) - Fantasy for keyboard
John Bull (c. 1562 - 1628) - Fantasy for keyboardJohn Bull (c. 1562 - 1628) - Fantasy for keyboard
Pierre Hantai -
3:45John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull (year composed unknown). John Bull (1562 or 1563 – 15 March 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In addition to his keyboard compositions, he wrote verse anthems, canons and other works. Much of his music was lost when he fled England; some was destroyed, and some was stolen by other composers, though occasionally such misattributions can be corrected today based on stylistic grounds. One of the most unusual collections of music from the period is his book of 120 canons, an astonishing display of contrapuntal skill worthy of Ockeghem or J.S. Bach. Of the 120 canons, 116 are based on the Miserere. Techniques employed to transform the simple theme include diminution, augmentation, retrograde and mixed time signatures. Some of his music in the Fitzwilliam Virginal Book is of a lighter character and uses whimsical titles: "A Battle and No Battle," "Bonny Peg of Ramsey," "The King's Hunt," and "Bull's Good-Night." He is sometimes credited with the composition of God Save the King, the British national anthem. The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e. the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816, where it remains to this day in the Fitzwilliam Museum. Once called Queen Elizabeth's Virginal Book, a title that has been abandoned because it has been determined that she never owned it, the manuscript was given no title by its author. It is believed to be the manuscript collection of an amateur keyboard player of the very early 17th century named Francis Tregian the Younger, who copied the entire collection while imprisoned between 1609 and 1619 in connection with his Catholic sympathies (although his authorship is now disputed). There is no authorship attribution in the book itself. Until Parthenia was printed in about 1612, there was no music published as such in England at this time, and like the Fitzwilliam Virginal Book, most of the collections of keyboard music were compiled by performers: other examples include Will Forster's Virginal Book; Clement Matchett's Virginal Book; [William] Tisdale's Virginal Book. It includes music dating from approximately 1562 to 1612 by John Bull, Giles Farnaby (51 of whose 52 known pieces are included), William Byrd, Peter Philips and Jan Pieterszoon Sweelinck, as well as many others; there are more than 300 separate pieces. As with many keyboard manuscripts of the time, the pieces were not written for a specific instrument (at least, none is mentioned), and most sound happily on all contemporary keyboard instruments, from the virginals through to chamber organs. Most of the pieces in the book are short, and many of them are character pieces with droll and memorable titles, including: "Put up thy Dagger, Jemy," "The New Sa-Hoo," and "Quodlings Delight," by Giles Farnaby; "Nobody's Gigge," by Richard Farnaby; "Pakington's Pownde" and "The Irishe Dumpe" (anonymous); "The Ghost" and "The Earle of Oxford's Marche," by William Byrd; "Worster Braules" by Thomas Tomkins, and the famous "Lachrymae Pavan" by John Dowland, as arranged by Giles Farnaby. The book was not published at the time of its writing, instead remaining a manuscript in private hands. In 1899, Breitkopf & Härtel published a newly engraved edition with critical commentary. Since copyright on this edition has now lapsed, it has been reprinted by Dover Publications and other publishers specializing in reprinting of out-of-copyright editions, and is available inexpensively. (Wikipedia and IMSLP) Please take note once again that the audio AND the sheet music are NOT mine. Change the quality to 480p if the video is blurry. Pf.: MIDI A big thank you to YouTube user Stephen Malinowski (smalin) for the sheet music. -
4:48John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. chamber organ. The video provides additional information about both the composer and this piece. I have recorded one of the other two settings here: https://www.youtube.com/watch?v=nt433ULTZ0I Bull's CV in the video states that he became organist of Antwerp Cathedral in 1618. In fact he succeeded to the post already in 1617 at the death of the previous incumbent, and he had already played the organs in the cathedral from 1615. a_osiander(at)gmx.net / www.andreas-osiander.net -
5:49Star Anthem - John Bull
Star Anthem - John BullStar Anthem - John Bull
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camerata. Soloists: Kathryn Copeland Donaldson, soprano, Bethann Dillione, mezzo, Jennifer Lawyer, alto, Lenny Young, tenor, Sean Donaldson, bass Sung on our program "An Epiphany of Light," on January 6 2013 at Shadyside Presbyterian Church. -
10:43John Bull Walsingham
John Bull WalsinghamJohn Bull Walsingham
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in the Tower of London, in the 17th century. He was believed to have been from a cornish noble family probably jailed for his catholic views. While in Jail, to amuse himself and for something to play he made a manuscript of pieces for keyboard instruments of the time. One such is the Virginal a small harpsichord popular as home entertainment. These pieces could also have been played on a Clavichord (simple piano ish), or a small organ. They work well on both. John Bull was a noted composer and performer on the organ. For more information try http://en.wikipedia.org/wiki/John_Bull_%28composer%29 . Hope you enjoy this. It is recorded binaurally, and is the first of many from this virginal collection. -
2:45John Bull Pavana from the Fitzwilliam Virginal Book
John Bull Pavana from the Fitzwilliam Virginal BookJohn Bull Pavana from the Fitzwilliam Virginal Book
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. More of this wiki info: http://en.wikipedia.org/wiki/John_Bull_%28composer%29 http://en.wikipedia.org/wiki/Fitzwilliam_Virginal_Book Another famous virginal book: http://www.bl.uk/onlinegallery/virtualbooks/viewrecadd/index.html# With images from the movie Mary of Scotland 1936 Ernst Stolz virginal -
0:44Capellrock Acústico - John Bull Porto Alegre
Capellrock Acústico - John Bull Porto Alegre -
3:29John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #8416 "Dana & Kurt Kaiser", available on DVD. Diane Bish performs Richard Ellsasser's (incorrectly attributed to John Bull) "Rondo in G" on the magnificent Rufatti Pipe Organ of the Coral Ridge Presbyterian Church in Ft. Lauderdale Florida. -
7:08John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichordJohn Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
John Bull: Pavan & Galliard of My Lord Lumley. 0:06 Pavan 4:42 Galliard Robert Hill, harpsichord (K. Hill fter Giusti) 1/4 comma meantone tuning c2015 -
2:20The King's Hunting Jigg
The King's Hunting JiggThe King's Hunting Jigg
The renowned organist Craig Williams performs this piece by composer John Bull at the St. James Episcopal Church in Callicoon, NY. -
3:03Rondo in G Major for Flutes & Strings
Rondo in G Major for Flutes & StringsRondo in G Major for Flutes & Strings
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In 1615 Antwerp Cathedral appointed him as assistant organist, and as principal organist in 1617. Bull wrote a series of letters while in Flanders, including one to the mayor of Antwerp, claiming that the reason he left England was to escape religious persecution. Rondo and its French part-equivalent rondeau are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form. The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation. The Rondo in G Major was written by Bull in the late Renaissance and early Baroque eras and although originally written for Pipe Organ, I created this arrangement for Flutes (2) & Strings (Violins (2), Viola, Cello & Bass) -
7:10John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichordJohn Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
John Bull: Chromatic Fantasia on Ut, Re, Mi, Fa, Sol, La Fitzwilliam Virginal Book I, 51 composed for Cembalo Universale, a harpsichord with 19 divisions to the octave tuned in quarter-comma meantone (all major thirds used are pure) Robert Hill, harpsichord (after Giusti by K. Hill) in simulated 19-division meantone tuning April 2015 c2015 -
1:01The First Gresham Professor of Music - Professor Christopher Page
The First Gresham Professor of Music - Professor Christopher PageThe First Gresham Professor of Music - Professor Christopher Page
Christopher Page pays tribute to his predecessor, John Bull, the first Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england A noted spy and composer, John Bull was sued by the college before giving his first lecture and later fired for misconduct, but his contribution to Music is undoubted and resonates with the newest Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england More information on Professor Tony Mann can be found here: http://www.gresham.ac.uk/professors-and-speakers/professor-christopher-page Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,600 lectures free to access or download from the website. Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege
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-
In Nomine (in 11/4) by John Bull
Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, recorded live at a concert in Handel House, London on 5 July 2007. This compositional tour de force by John Bull (1562-1628 http://en.wikipedia.org/wiki/John_Bull_(composer)) compares with Tallis's Felix Namque http://www.youtube.com/watch?v=VgAb2AjkgWE in its extended use of a plainsong cantus firmus. However Bull does something which was unique at the time by making every third bar 3 beats within an otherwise 4 beat piece. This has has the effect of making a cycle of 11 beats. Nobody before Stravinsky ever experimented with irregular bars, certainly not in the 16thC. But it's not a stunt, it's also a wonderful piece. The piece comes from the Fitzwilliam Virginal Book. For more about Michael Maxwell S... -
John Bull (c. 1562 - 1628) - Fantasy for keyboard
Pierre Hantai -
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull (year composed unknown). John Bull (1562 or 1563 – 15 March 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In addition to his keyboard compositions, he wrote verse anthems, canons and other works. Much of his music was lost when he f... -
John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. chamber organ. The video provides additional information about both the composer and this piece. I have recorded one of the other two settings here: https://www.youtube.com/watch?v=nt433ULTZ0I Bull's CV in the video states that he became organist of Antwerp Cathedral in 1618. In fact he succeeded to the post already in 1617 at the death of the previous incumbent, and he had already played the organs in the cathedral from 1615. a_osiander(at)gmx.net / www.andreas-osiander.net -
Star Anthem - John Bull
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camerata. Soloists: Kathryn Copeland Donaldson, soprano, Bethann Dillione, mezzo, Jennifer Lawyer, alto, Lenny Young, tenor, Sean Donaldson, bass Sung on our program "An Epiphany of Light," on January 6 2013 at Shadyside Presbyterian Church. -
John Bull Walsingham
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in the Tower of London, in the 17th century. He was believed to have been from a cornish noble family probably jailed for his catholic views. While in Jail, to amuse himself and for something to play he made a manuscript of pieces for keyboard instruments of the time. One such is the Virginal a small harpsichord popular as home entertainment. These pieces could also have been played on a Clavichord (simple piano ish), or a small organ. They work well on both. John Bull was a noted composer and performer on the organ. For more information try http://en.wikipedia.org/wiki/John_Bull_%28composer%29 . Hope you enjoy this. It is recorded binaurally, and is the first of many from this virginal collec... -
John Bull Pavana from the Fitzwilliam Virginal Book
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. More of this wiki info: http://en.wikipedia.org/wiki/John_Bull_%28composer%29 http://en.wikipedia.org/wiki/Fitzwilliam_Virginal_Book Another famous virginal book: http://www.bl.uk/onlinegallery/virtualbooks/viewrecadd/index.html# With images from the movie Mary of Scotland 1936 Ernst Stolz virginal -
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John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #8416 "Dana & Kurt Kaiser", available on DVD. Diane Bish performs Richard Ellsasser's (incorrectly attributed to John Bull) "Rondo in G" on the magnificent Rufatti Pipe Organ of the Coral Ridge Presbyterian Church in Ft. Lauderdale Florida. -
John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
John Bull: Pavan & Galliard of My Lord Lumley. 0:06 Pavan 4:42 Galliard Robert Hill, harpsichord (K. Hill fter Giusti) 1/4 comma meantone tuning c2015 -
The King's Hunting Jigg
The renowned organist Craig Williams performs this piece by composer John Bull at the St. James Episcopal Church in Callicoon, NY. -
Rondo in G Major for Flutes & Strings
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In 1615 Antwerp Cathedral appointed him as assistant organist, and as principal organist in 1617. Bull wrote a series of letters while in Flanders, including one to the mayor of Antwerp, claiming that the reason he left England was to escape religious pe... -
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
John Bull: Chromatic Fantasia on Ut, Re, Mi, Fa, Sol, La Fitzwilliam Virginal Book I, 51 composed for Cembalo Universale, a harpsichord with 19 divisions to the octave tuned in quarter-comma meantone (all major thirds used are pure) Robert Hill, harpsichord (after Giusti by K. Hill) in simulated 19-division meantone tuning April 2015 c2015 -
The First Gresham Professor of Music - Professor Christopher Page
Christopher Page pays tribute to his predecessor, John Bull, the first Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england A noted spy and composer, John Bull was sued by the college before giving his first lecture and later fired for misconduct, but his contribution to Music is undoubted and resonates with the newest Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england More information on Professor Tony Mann can be found here: http://www.gresham.ac.... -
John Bull (1562/63-1628): Een kindeken is ons geboren (in D)(Laurenskerk R'dam Trans.)
Deutsch unten One of 3 settings of this Dutch christmas carol by Bull. I have recorded another here: https://youtu.be/ejLWG9R_498 . That video has extra information about the carol. - John Bull was born in 1562 or 63, probably in or near Hereford: as a boy he was a chorister of Hereford Cathedral before becoming a chorister of the Chapel Royal; he returned to Hereford in 1582 to become cathedral organist. In 1586 he became a Gentleman (adult singer) and later organist of the Chapel Royal, and in 1592 was awarded the degree of Doctor of Music, first by Cambridge University and then also by Oxford University. In 1597 Gresham College opened in London: a legacy of the founder of the London stock exchange, Sir Thomas Gresham, funded seven professors who were to lecture not to students, but to t... -
Music for the Elisabethan Court William Byrd John Bull; Ensemble Fanfare DSS Aarlanderveen
Fanfare DSS Aarlanderveen Innsbrucker Promenade Konzerte - Music for the Elisabethan Court William Byrd & John Bull arr. Danny Oosterman & Christian de Jongh 1. Earle of Oxford Marche 2. Pavane 3. Galliard 4. The King's Hunting Jigg -
Salvator mundi by Dr. John Bull performed by James M. Guthrie
Salvator mundi (Fitzwilliam XIV) by Dr. John Bull (1562-1628) performed by James M. Guthrie in a Chowan University Faculty Organ Recital at Murfreesboro United Methodist Church, October 15, 2009. -
JOHN BULL BAND - Help The Poor LIVE 03072015 @ Selma Alabama USA 7
The John Bull Band peform B.B. King's "Help The Poor" live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blues Stage in Selma, Alabama, USA. "Help The Poor" is track #14 on the 1960 album, KING OF THE BLUES and the 1965 album, LIVE AT THE REGAL. It was written by Charlie Singleton. Riley B. King was born on September 16, 1925, in a cabin on a cotton plantation outside of Berclair, Mississippi, the son of Albert King and Nora Ella Farr. In the late 1940s, he worked at WDIA, in Memphis, Tennessee as a singer and disc jockey, gaining the nickname Beale Street Blues Boy, which was later shortened to Blues Boy and finally to B.B The John Bull Band's veteran players channel their sound from an era in American music that began about the time L... -
JOHN BULL BAND - J.B.'s Boogie (an original) LIVE 03072015 @ Selma Alabama USA 6
The John Bull Band playing an original J.B.'s "Boogie" instrumental blues live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blues Stage in Selma, Alabama, USA. These veteran players channel their sound from an era in American music that began about the time Little Walter first “electrified” his harmonica with a cheap dispatchers mic and tube amp, and ended about the time B.B. King recorded “Thrill is Gone”. While they mine their material from sources as diverse as Hank Williams and Nat King Cole (also from Montgomery), the sound never strays far from the blues. John Bull - singer/harp player, once captained his own riverboat in Montgomery, Al. He hired the best local and regional blues players to entertain, and ran a Sunday evening "Blu... -
Dr Bull's Ground: (flute & keyboard)
John Bull was born in England around 1562 and died in Antwerp in 1628. He was at various times a choir boy in the Chapel Royal, organist (Hereford Cathedral, Chapel Royal, Oxford and Cambridge). First Gresham Professor of Music, he ended his days as organist of the Chapel Royal, Brussels and Antwerp Cathedral. As a brilliant performer on the virginals and an ingenious composer, he ranks as one of the founders of the keyboard repertoire and performance. -
All Nintendo Music HQ ~ Vol. 90 - StarTropics : 25 - A Royal Farewell (God Save the Queen)
All Nintendo Music HQ ~ Vol. 90 - StarTropics JAP : N/A USA : December 1990 EUA : August 20th 1992 Composer : Yoshio Hirai by Nintendo R&D3; on N.E.S. Reference : "God Save the Queen" by John Bull? https://www.youtube.com/watch?v=tN9EC3Gy6Nk -
Anberlin - The Resistance (Curitiba / John Bull Music Hall / 24/03/2010)
Anberlin tocando "The Resistance" no John Bull Music Hall - Curitiba - 24/03/2010. -
Jan Pieterszoon Sweelinck - Fantasia Cromatica
- Composer: Jan Pieterszoon Sweelinck (April/May 1562 -- 16 October 1621) - Performer: Helmut Walcha - Year of recording: 1977 (On the Schnitger organ at Cappel, Germany) Fantasia Cromatica in D minor/dorian, SwWV 258. The Fantasia Cromatica is Sweelinck's most famous work—probably because of the spectacular nature of the theme (a chromatic descending fourth) and the extreme turbulence at the end when the theme appears double-diminished. Sweelinck was called the "Orpheus of Amsterdam", he spent almost all of his long and productive musical life, a 44-year career, playing the organ and harpsichord for Amsterdam's Oude Kerk. In Reformed Amsterdam the organs were the property of the town, so he was a civic employee, with duties to play twice every day, an hour's concert in the morning (bef...
In Nomine (in 11/4) by John Bull
- Order: Reorder
- Duration: 6:57
- Updated: 29 Apr 2009
- views: 12805
Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, recorded live at a concert in Handel House, London on 5 July 2007. This...
Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, recorded live at a concert in Handel House, London on 5 July 2007. This compositional tour de force by John Bull (1562-1628 http://en.wikipedia.org/wiki/John_Bull_(composer)) compares with Tallis's Felix Namque http://www.youtube.com/watch?v=VgAb2AjkgWE in its extended use of a plainsong cantus firmus. However Bull does something which was unique at the time by making every third bar 3 beats within an otherwise 4 beat piece. This has has the effect of making a cycle of 11 beats. Nobody before Stravinsky ever experimented with irregular bars, certainly not in the 16thC. But it's not a stunt, it's also a wonderful piece. The piece comes from the Fitzwilliam Virginal Book. For more about Michael Maxwell Steer visit http://msteer.co.uk/edu/3temperament.htm
wn.com/In Nomine (In 11 4) By John Bull
Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, recorded live at a concert in Handel House, London on 5 July 2007. This compositional tour de force by John Bull (1562-1628 http://en.wikipedia.org/wiki/John_Bull_(composer)) compares with Tallis's Felix Namque http://www.youtube.com/watch?v=VgAb2AjkgWE in its extended use of a plainsong cantus firmus. However Bull does something which was unique at the time by making every third bar 3 beats within an otherwise 4 beat piece. This has has the effect of making a cycle of 11 beats. Nobody before Stravinsky ever experimented with irregular bars, certainly not in the 16thC. But it's not a stunt, it's also a wonderful piece. The piece comes from the Fitzwilliam Virginal Book. For more about Michael Maxwell Steer visit http://msteer.co.uk/edu/3temperament.htm
- published: 29 Apr 2009
- views: 12805
John Bull (c. 1562 - 1628) - Fantasy for keyboard
- Order: Reorder
- Duration: 6:14
- Updated: 19 Feb 2008
- views: 17660
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
- Order: Reorder
- Duration: 3:45
- Updated: 25 Dec 2014
- views: 729
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull (year composed unknown).
John Bull (1562 or 1563 – 15 March 1628) wa...
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull (year composed unknown).
John Bull (1562 or 1563 – 15 March 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book.
In addition to his keyboard compositions, he wrote verse anthems, canons and other works.
Much of his music was lost when he fled England; some was destroyed, and some was stolen by other composers, though occasionally such misattributions can be corrected today based on stylistic grounds. One of the most unusual collections of music from the period is his book of 120 canons, an astonishing display of contrapuntal skill worthy of Ockeghem or J.S. Bach. Of the 120 canons, 116 are based on the Miserere. Techniques employed to transform the simple theme include diminution, augmentation, retrograde and mixed time signatures. Some of his music in the Fitzwilliam Virginal Book is of a lighter character and uses whimsical titles: "A Battle and No Battle," "Bonny Peg of Ramsey," "The King's Hunt," and "Bull's Good-Night."
He is sometimes credited with the composition of God Save the King, the British national anthem.
The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e. the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816, where it remains to this day in the Fitzwilliam Museum.
Once called Queen Elizabeth's Virginal Book, a title that has been abandoned because it has been determined that she never owned it, the manuscript was given no title by its author. It is believed to be the manuscript collection of an amateur keyboard player of the very early 17th century named Francis Tregian the Younger, who copied the entire collection while imprisoned between 1609 and 1619 in connection with his Catholic sympathies (although his authorship is now disputed). There is no authorship attribution in the book itself. Until Parthenia was printed in about 1612, there was no music published as such in England at this time, and like the Fitzwilliam Virginal Book, most of the collections of keyboard music were compiled by performers: other examples include Will Forster's Virginal Book; Clement Matchett's Virginal Book; [William] Tisdale's Virginal Book.
It includes music dating from approximately 1562 to 1612 by John Bull, Giles Farnaby (51 of whose 52 known pieces are included), William Byrd, Peter Philips and Jan Pieterszoon Sweelinck, as well as many others; there are more than 300 separate pieces. As with many keyboard manuscripts of the time, the pieces were not written for a specific instrument (at least, none is mentioned), and most sound happily on all contemporary keyboard instruments, from the virginals through to chamber organs. Most of the pieces in the book are short, and many of them are character pieces with droll and memorable titles, including: "Put up thy Dagger, Jemy," "The New Sa-Hoo," and "Quodlings Delight," by Giles Farnaby; "Nobody's Gigge," by Richard Farnaby; "Pakington's Pownde" and "The Irishe Dumpe" (anonymous); "The Ghost" and "The Earle of Oxford's Marche," by William Byrd; "Worster Braules" by Thomas Tomkins, and the famous "Lachrymae Pavan" by John Dowland, as arranged by Giles Farnaby.
The book was not published at the time of its writing, instead remaining a manuscript in private hands. In 1899, Breitkopf & Härtel published a newly engraved edition with critical commentary. Since copyright on this edition has now lapsed, it has been reprinted by Dover Publications and other publishers specializing in reprinting of out-of-copyright editions, and is available inexpensively.
(Wikipedia and IMSLP)
Please take note once again that the audio AND the sheet music are NOT mine. Change the quality to 480p if the video is blurry.
Pf.: MIDI
A big thank you to YouTube user Stephen Malinowski (smalin) for the sheet music.
wn.com/John Bull In Nomine (Christmas And New Year Tribute)
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull (year composed unknown).
John Bull (1562 or 1563 – 15 March 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book.
In addition to his keyboard compositions, he wrote verse anthems, canons and other works.
Much of his music was lost when he fled England; some was destroyed, and some was stolen by other composers, though occasionally such misattributions can be corrected today based on stylistic grounds. One of the most unusual collections of music from the period is his book of 120 canons, an astonishing display of contrapuntal skill worthy of Ockeghem or J.S. Bach. Of the 120 canons, 116 are based on the Miserere. Techniques employed to transform the simple theme include diminution, augmentation, retrograde and mixed time signatures. Some of his music in the Fitzwilliam Virginal Book is of a lighter character and uses whimsical titles: "A Battle and No Battle," "Bonny Peg of Ramsey," "The King's Hunt," and "Bull's Good-Night."
He is sometimes credited with the composition of God Save the King, the British national anthem.
The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e. the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816, where it remains to this day in the Fitzwilliam Museum.
Once called Queen Elizabeth's Virginal Book, a title that has been abandoned because it has been determined that she never owned it, the manuscript was given no title by its author. It is believed to be the manuscript collection of an amateur keyboard player of the very early 17th century named Francis Tregian the Younger, who copied the entire collection while imprisoned between 1609 and 1619 in connection with his Catholic sympathies (although his authorship is now disputed). There is no authorship attribution in the book itself. Until Parthenia was printed in about 1612, there was no music published as such in England at this time, and like the Fitzwilliam Virginal Book, most of the collections of keyboard music were compiled by performers: other examples include Will Forster's Virginal Book; Clement Matchett's Virginal Book; [William] Tisdale's Virginal Book.
It includes music dating from approximately 1562 to 1612 by John Bull, Giles Farnaby (51 of whose 52 known pieces are included), William Byrd, Peter Philips and Jan Pieterszoon Sweelinck, as well as many others; there are more than 300 separate pieces. As with many keyboard manuscripts of the time, the pieces were not written for a specific instrument (at least, none is mentioned), and most sound happily on all contemporary keyboard instruments, from the virginals through to chamber organs. Most of the pieces in the book are short, and many of them are character pieces with droll and memorable titles, including: "Put up thy Dagger, Jemy," "The New Sa-Hoo," and "Quodlings Delight," by Giles Farnaby; "Nobody's Gigge," by Richard Farnaby; "Pakington's Pownde" and "The Irishe Dumpe" (anonymous); "The Ghost" and "The Earle of Oxford's Marche," by William Byrd; "Worster Braules" by Thomas Tomkins, and the famous "Lachrymae Pavan" by John Dowland, as arranged by Giles Farnaby.
The book was not published at the time of its writing, instead remaining a manuscript in private hands. In 1899, Breitkopf & Härtel published a newly engraved edition with critical commentary. Since copyright on this edition has now lapsed, it has been reprinted by Dover Publications and other publishers specializing in reprinting of out-of-copyright editions, and is available inexpensively.
(Wikipedia and IMSLP)
Please take note once again that the audio AND the sheet music are NOT mine. Change the quality to 480p if the video is blurry.
Pf.: MIDI
A big thank you to YouTube user Stephen Malinowski (smalin) for the sheet music.
- published: 25 Dec 2014
- views: 729
John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
- Order: Reorder
- Duration: 4:48
- Updated: 19 Dec 2014
- views: 301
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. chamber organ. The video provides additional information about both t...
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. chamber organ. The video provides additional information about both the composer and this piece. I have recorded one of the other two settings here: https://www.youtube.com/watch?v=nt433ULTZ0I
Bull's CV in the video states that he became organist of Antwerp Cathedral in 1618. In fact he succeeded to the post already in 1617 at the death of the previous incumbent, and he had already played the organs in the cathedral from 1615.
a_osiander(at)gmx.net / www.andreas-osiander.net
wn.com/John Bull (1562 63 1628) Een Kindeken Is Ons Geboren (In G)(Gapinge)
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. chamber organ. The video provides additional information about both the composer and this piece. I have recorded one of the other two settings here: https://www.youtube.com/watch?v=nt433ULTZ0I
Bull's CV in the video states that he became organist of Antwerp Cathedral in 1618. In fact he succeeded to the post already in 1617 at the death of the previous incumbent, and he had already played the organs in the cathedral from 1615.
a_osiander(at)gmx.net / www.andreas-osiander.net
- published: 19 Dec 2014
- views: 301
Star Anthem - John Bull
- Order: Reorder
- Duration: 5:49
- Updated: 18 Mar 2013
- views: 780
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camerata. Soloists: Kathryn Copeland Donaldson, soprano, Bethann Dillione, m...
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camerata. Soloists: Kathryn Copeland Donaldson, soprano, Bethann Dillione, mezzo, Jennifer Lawyer, alto, Lenny Young, tenor, Sean Donaldson, bass
Sung on our program "An Epiphany of Light," on January 6 2013 at Shadyside Presbyterian Church.
wn.com/Star Anthem John Bull
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camerata. Soloists: Kathryn Copeland Donaldson, soprano, Bethann Dillione, mezzo, Jennifer Lawyer, alto, Lenny Young, tenor, Sean Donaldson, bass
Sung on our program "An Epiphany of Light," on January 6 2013 at Shadyside Presbyterian Church.
- published: 18 Mar 2013
- views: 780
John Bull Walsingham
- Order: Reorder
- Duration: 10:43
- Updated: 13 Jan 2013
- views: 3664
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in the Tower of London, in the 17th century. He was believed to have bee...
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in the Tower of London, in the 17th century. He was believed to have been from a cornish noble family probably jailed for his catholic views. While in Jail, to amuse himself and for something to play he made a manuscript of pieces for keyboard instruments of the time. One such is the Virginal a small harpsichord popular as home entertainment. These pieces could also have been played on a Clavichord (simple piano ish), or a small organ. They work well on both.
John Bull was a noted composer and performer on the organ. For more information try http://en.wikipedia.org/wiki/John_Bull_%28composer%29 .
Hope you enjoy this. It is recorded binaurally, and is the first of many from this virginal collection.
wn.com/John Bull Walsingham
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in the Tower of London, in the 17th century. He was believed to have been from a cornish noble family probably jailed for his catholic views. While in Jail, to amuse himself and for something to play he made a manuscript of pieces for keyboard instruments of the time. One such is the Virginal a small harpsichord popular as home entertainment. These pieces could also have been played on a Clavichord (simple piano ish), or a small organ. They work well on both.
John Bull was a noted composer and performer on the organ. For more information try http://en.wikipedia.org/wiki/John_Bull_%28composer%29 .
Hope you enjoy this. It is recorded binaurally, and is the first of many from this virginal collection.
- published: 13 Jan 2013
- views: 3664
John Bull Pavana from the Fitzwilliam Virginal Book
- Order: Reorder
- Duration: 2:45
- Updated: 13 Dec 2009
- views: 5575
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ builder. He was a renowned keyboard performer of the virginalist school and...
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
More of this wiki info:
http://en.wikipedia.org/wiki/John_Bull_%28composer%29
http://en.wikipedia.org/wiki/Fitzwilliam_Virginal_Book
Another famous virginal book:
http://www.bl.uk/onlinegallery/virtualbooks/viewrecadd/index.html#
With images from the movie Mary of Scotland 1936
Ernst Stolz virginal
wn.com/John Bull Pavana From The Fitzwilliam Virginal Book
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
More of this wiki info:
http://en.wikipedia.org/wiki/John_Bull_%28composer%29
http://en.wikipedia.org/wiki/Fitzwilliam_Virginal_Book
Another famous virginal book:
http://www.bl.uk/onlinegallery/virtualbooks/viewrecadd/index.html#
With images from the movie Mary of Scotland 1936
Ernst Stolz virginal
- published: 13 Dec 2009
- views: 5575
Capellrock Acústico - John Bull Porto Alegre
- Order: Reorder
- Duration: 0:44
- Updated: 21 Apr 2013
- views: 16
Banda Capellrock
Música: Só Quero
Produção: Composer Invent Produtora
http://www.composerinvent.com.br
Banda Capellrock
Música: Só Quero
Produção: Composer Invent Produtora
http://www.composerinvent.com.br
wn.com/Capellrock Acústico John Bull Porto Alegre
John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
- Order: Reorder
- Duration: 3:29
- Updated: 14 Jun 2012
- views: 15475
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #8416
"Dana & Kurt Kaiser", available on DVD.
Diane Bish performs Ric...
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #8416
"Dana & Kurt Kaiser", available on DVD.
Diane Bish performs Richard Ellsasser's (incorrectly attributed to John Bull) "Rondo in G" on the magnificent Rufatti Pipe Organ of the Coral Ridge Presbyterian Church in Ft. Lauderdale Florida.
wn.com/John Bull (Richard Ellsasser) Rondo In G Diane Bish Program 8416
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #8416
"Dana & Kurt Kaiser", available on DVD.
Diane Bish performs Richard Ellsasser's (incorrectly attributed to John Bull) "Rondo in G" on the magnificent Rufatti Pipe Organ of the Coral Ridge Presbyterian Church in Ft. Lauderdale Florida.
- published: 14 Jun 2012
- views: 15475
John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
- Order: Reorder
- Duration: 7:08
- Updated: 04 Jun 2015
- views: 633
John Bull: Pavan & Galliard of My Lord Lumley.
0:06 Pavan
4:42 Galliard
Robert Hill, harpsichord (K. Hill fter Giusti)
1/4 comma meantone tuning
c2015
John Bull: Pavan & Galliard of My Lord Lumley.
0:06 Pavan
4:42 Galliard
Robert Hill, harpsichord (K. Hill fter Giusti)
1/4 comma meantone tuning
c2015
wn.com/John Bull Pavan Galliard Of My Lord Lumley. Robert Hill, Harpsichord
John Bull: Pavan & Galliard of My Lord Lumley.
0:06 Pavan
4:42 Galliard
Robert Hill, harpsichord (K. Hill fter Giusti)
1/4 comma meantone tuning
c2015
- published: 04 Jun 2015
- views: 633
The King's Hunting Jigg
- Order: Reorder
- Duration: 2:20
- Updated: 07 Feb 2016
- views: 5
The renowned organist Craig Williams performs this piece by composer John Bull at the St. James Episcopal Church in Callicoon, NY.
The renowned organist Craig Williams performs this piece by composer John Bull at the St. James Episcopal Church in Callicoon, NY.
wn.com/The King's Hunting Jigg
The renowned organist Craig Williams performs this piece by composer John Bull at the St. James Episcopal Church in Callicoon, NY.
- published: 07 Feb 2016
- views: 5
Rondo in G Major for Flutes & Strings
- Order: Reorder
- Duration: 3:03
- Updated: 03 Aug 2013
- views: 173
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of...
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In 1615 Antwerp Cathedral appointed him as assistant organist, and as principal organist in 1617. Bull wrote a series of letters while in Flanders, including one to the mayor of Antwerp, claiming that the reason he left England was to escape religious persecution.
Rondo and its French part-equivalent rondeau are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form. The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.
The Rondo in G Major was written by Bull in the late Renaissance and early Baroque eras and although originally written for Pipe Organ, I created this arrangement for Flutes (2) & Strings (Violins (2), Viola, Cello & Bass)
wn.com/Rondo In G Major For Flutes Strings
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium. Bull was one of the most famous composers of keyboard music of the early 17th century, exceeded only by Sweelinck in the Netherlands, Frescobaldi in Italy, and, some would say, by his countryman and elder, the celebrated William Byrd. He left many compositions for keyboard, some of which were collected in the Fitzwilliam Virginal Book. In 1615 Antwerp Cathedral appointed him as assistant organist, and as principal organist in 1617. Bull wrote a series of letters while in Flanders, including one to the mayor of Antwerp, claiming that the reason he left England was to escape religious persecution.
Rondo and its French part-equivalent rondeau are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form. The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.
The Rondo in G Major was written by Bull in the late Renaissance and early Baroque eras and although originally written for Pipe Organ, I created this arrangement for Flutes (2) & Strings (Violins (2), Viola, Cello & Bass)
- published: 03 Aug 2013
- views: 173
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
- Order: Reorder
- Duration: 7:10
- Updated: 20 Apr 2015
- views: 2150
John Bull: Chromatic Fantasia on Ut, Re, Mi, Fa, Sol, La
Fitzwilliam Virginal Book I, 51
composed for Cembalo Universale,
a harpsichord with 19 divisions to...
John Bull: Chromatic Fantasia on Ut, Re, Mi, Fa, Sol, La
Fitzwilliam Virginal Book I, 51
composed for Cembalo Universale,
a harpsichord with 19 divisions to the octave
tuned in quarter-comma meantone (all major thirds used are pure)
Robert Hill, harpsichord (after Giusti by K. Hill)
in simulated 19-division meantone tuning
April 2015
c2015
wn.com/John Bull Chromatic Fantasia On Ut Re Mi Fa Sol La. Robert Hill, Harpsichord
John Bull: Chromatic Fantasia on Ut, Re, Mi, Fa, Sol, La
Fitzwilliam Virginal Book I, 51
composed for Cembalo Universale,
a harpsichord with 19 divisions to the octave
tuned in quarter-comma meantone (all major thirds used are pure)
Robert Hill, harpsichord (after Giusti by K. Hill)
in simulated 19-division meantone tuning
April 2015
c2015
- published: 20 Apr 2015
- views: 2150
The First Gresham Professor of Music - Professor Christopher Page
- Order: Reorder
- Duration: 1:01
- Updated: 28 Jul 2014
- views: 325
Christopher Page pays tribute to his predecessor, John Bull, the first Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Informati...
Christopher Page pays tribute to his predecessor, John Bull, the first Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england
A noted spy and composer, John Bull was sued by the college before giving his first lecture and later fired for misconduct, but his contribution to Music is undoubted and resonates with the newest Gresham Professor of Music.
Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england
More information on Professor Tony Mann can be found here: http://www.gresham.ac.uk/professors-and-speakers/professor-christopher-page
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,600 lectures free to access or download from the website.
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
wn.com/The First Gresham Professor Of Music Professor Christopher Page
Christopher Page pays tribute to his predecessor, John Bull, the first Gresham Professor of Music. Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england
A noted spy and composer, John Bull was sued by the college before giving his first lecture and later fired for misconduct, but his contribution to Music is undoubted and resonates with the newest Gresham Professor of Music.
Christopher Page is the Gresham Professor of Music. Information on his ongoing series of free public lectures is available here: http://www.gresham.ac.uk/men-women-and-guitars-in-romantic-england
More information on Professor Tony Mann can be found here: http://www.gresham.ac.uk/professors-and-speakers/professor-christopher-page
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,600 lectures free to access or download from the website.
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
- published: 28 Jul 2014
- views: 325
John Bull (1562/63-1628): Een kindeken is ons geboren (in D)(Laurenskerk R'dam Trans.)
- Order: Reorder
- Duration: 2:35
- Updated: 11 Dec 2015
- views: 202
Deutsch unten
One of 3 settings of this Dutch christmas carol by Bull. I have recorded another here: https://youtu.be/ejLWG9R_498 . That video has extra informa...
Deutsch unten
One of 3 settings of this Dutch christmas carol by Bull. I have recorded another here: https://youtu.be/ejLWG9R_498 . That video has extra information about the carol. - John Bull was born in 1562 or 63, probably in or near Hereford: as a boy he was a chorister of Hereford Cathedral before becoming a chorister of the Chapel Royal; he returned to Hereford in 1582 to become cathedral organist. In 1586 he became a Gentleman (adult singer) and later organist of the Chapel Royal, and in 1592 was awarded the degree of Doctor of Music, first by Cambridge University and then also by Oxford University. In 1597 Gresham College opened in London: a legacy of the founder of the London stock exchange, Sir Thomas Gresham, funded seven professors who were to lecture not to students, but to the public. The chair of music went to Bull. However, in 1607 he was forced both to resign and to marry a woman he apparently had not been planning to marry. He continued to enjoy the patronage of King James and of the Prince of Wales (as he had previously enjoyed that of Queen Elizabeth), until in 1613 he hastily left England for Brussels. The circumstances are mysterious. Already in 1601/02 Bull had been travelling in continental Europe for a year and a half, receiving employment offers from various courts while perhaps carrying out some secret diplomatic mission. In Brussels the governor of the Spanish Netherlands, Archduke Albert, immediately took Bull into his service, but revoked that decision after a forceful protest from the English ambassador. According to the ambassador Bull falsely claimed to have been persecuted in England on account of his faith, when in reality he had to leave because of his dissolute lifestyle. This may be calumny. We do not know if Bull was a catholic; and although he was apt to get himself into trouble there is no evidence that this was ever for religious reasons. We may never know if Bull really claimed this; at the same time one does not see how a dissolute lifestyle would have forced him into exile. In 1617 (not 1618 as stated in the video) Bull became organist of Antwerp Cathedral and thus presumably now really was a catholic, though this is not documented. The British Museum owns a sheaf of keyboard works by him copied by an organist colleague in Antwerp. Among other things this contains variations on folk tunes like this one, at the time a popular genre in the music of the Low Countries.
a_osiander(at)gmx.net / www.andreas-osiander.net
Eine von 3 Bearbeitungen dieses niederländischen Weihnachtsliedes von Bull. Eine andere habe ich hier eingespielt: https://youtu.be/ejLWG9R_498 , dort auch mehr über das Lied selbst. - John Bull wird 1562 oder 63 wohl in oder bei Hereford geboren: als Kind singt er in Hereford im Domchor, wird dann Chorknabe der Chapel Royal, kehrt 1582 als Domorganist nach Hereford zurück. 1586 wird er Gentleman (erwachsener Sänger) und später Organist der Chapel Royal und erwirbt 1592 den Grad eines Doktors der Musik, in Cambridge und dann auch in Oxford. 1597 eröffnet in London das Gresham College: ein Legat des Gründers der Londoner Börse, Sir Thomas Gresham, finanziert sieben Lehrstühle, deren Inhaber Vorlesungen nicht vor Studenten, sondern öffentlich halten sollen. Die Professur für Musik geht an Bull. Ein Skandal 1607 zwingt ihn zum Rücktritt sowie zu einer offenbar so nicht geplanten Heirat. Er genießt weiter die Gunst König Jakobs und des Thronfolgers, wie zuvor die Königin Elisabeths, setzt sich aber 1613 nach Brüssel ab. Die Umstände sind mysteriös. Bereits 1601-02 hat Bull anderthalb Jahre das Festland bereist und dort Angebote europäischer Höfe abgelehnt; vielleicht war er in geheimer diplomatischer Mission unterwegs. In Brüssel nimmt ihn der Statthalter der spanischen Niederlande, Erzherzog Albert, sofort in seine Dienste, sieht sich aber nach Protesten des englischen Botschafters genötigt, Bull wieder zu entlassen. Dem Botschafter zufolge hatte Bull fälschlich behauptet, in England seines Glaubens wegen verfolgt zu werden; in Wahrheit habe er ob seines liederlichen Lebenswandels fliehen müssen. Das mag Verleumdung sein. Ob Bull Katholik war, wissen wir nicht; von religiöser Verfolgung kann nicht die Rede sein; ob er sie vorgegeben hat, muß wohl offen bleiben. Ein liederlicher Lebenswandel wieder wäre kaum Anlaß gewesen, das Land zu verlassen. 1617 (nicht 1618 wie im Video zu lesen) wird Bull Domorganist in Antwerpen; das setzt wohl voraus, daß er sich spätestens damals zum Katholizismus bekannt hat, aber es gibt darüber anscheinend keine Unterlagen. Im Britischen Museum ist ein Packen Bull'scher Werke für Tasteninstrument erhalten, die ein Antwerpener Organistenkollege abgeschrieben hat. Darunter finden sich auch Variationen über Volksweisen wie diese, ein in der niederländischen Musik damals beliebter Typus.
wn.com/John Bull (1562 63 1628) Een Kindeken Is Ons Geboren (In D)(Laurenskerk R'Dam Trans.)
Deutsch unten
One of 3 settings of this Dutch christmas carol by Bull. I have recorded another here: https://youtu.be/ejLWG9R_498 . That video has extra information about the carol. - John Bull was born in 1562 or 63, probably in or near Hereford: as a boy he was a chorister of Hereford Cathedral before becoming a chorister of the Chapel Royal; he returned to Hereford in 1582 to become cathedral organist. In 1586 he became a Gentleman (adult singer) and later organist of the Chapel Royal, and in 1592 was awarded the degree of Doctor of Music, first by Cambridge University and then also by Oxford University. In 1597 Gresham College opened in London: a legacy of the founder of the London stock exchange, Sir Thomas Gresham, funded seven professors who were to lecture not to students, but to the public. The chair of music went to Bull. However, in 1607 he was forced both to resign and to marry a woman he apparently had not been planning to marry. He continued to enjoy the patronage of King James and of the Prince of Wales (as he had previously enjoyed that of Queen Elizabeth), until in 1613 he hastily left England for Brussels. The circumstances are mysterious. Already in 1601/02 Bull had been travelling in continental Europe for a year and a half, receiving employment offers from various courts while perhaps carrying out some secret diplomatic mission. In Brussels the governor of the Spanish Netherlands, Archduke Albert, immediately took Bull into his service, but revoked that decision after a forceful protest from the English ambassador. According to the ambassador Bull falsely claimed to have been persecuted in England on account of his faith, when in reality he had to leave because of his dissolute lifestyle. This may be calumny. We do not know if Bull was a catholic; and although he was apt to get himself into trouble there is no evidence that this was ever for religious reasons. We may never know if Bull really claimed this; at the same time one does not see how a dissolute lifestyle would have forced him into exile. In 1617 (not 1618 as stated in the video) Bull became organist of Antwerp Cathedral and thus presumably now really was a catholic, though this is not documented. The British Museum owns a sheaf of keyboard works by him copied by an organist colleague in Antwerp. Among other things this contains variations on folk tunes like this one, at the time a popular genre in the music of the Low Countries.
a_osiander(at)gmx.net / www.andreas-osiander.net
Eine von 3 Bearbeitungen dieses niederländischen Weihnachtsliedes von Bull. Eine andere habe ich hier eingespielt: https://youtu.be/ejLWG9R_498 , dort auch mehr über das Lied selbst. - John Bull wird 1562 oder 63 wohl in oder bei Hereford geboren: als Kind singt er in Hereford im Domchor, wird dann Chorknabe der Chapel Royal, kehrt 1582 als Domorganist nach Hereford zurück. 1586 wird er Gentleman (erwachsener Sänger) und später Organist der Chapel Royal und erwirbt 1592 den Grad eines Doktors der Musik, in Cambridge und dann auch in Oxford. 1597 eröffnet in London das Gresham College: ein Legat des Gründers der Londoner Börse, Sir Thomas Gresham, finanziert sieben Lehrstühle, deren Inhaber Vorlesungen nicht vor Studenten, sondern öffentlich halten sollen. Die Professur für Musik geht an Bull. Ein Skandal 1607 zwingt ihn zum Rücktritt sowie zu einer offenbar so nicht geplanten Heirat. Er genießt weiter die Gunst König Jakobs und des Thronfolgers, wie zuvor die Königin Elisabeths, setzt sich aber 1613 nach Brüssel ab. Die Umstände sind mysteriös. Bereits 1601-02 hat Bull anderthalb Jahre das Festland bereist und dort Angebote europäischer Höfe abgelehnt; vielleicht war er in geheimer diplomatischer Mission unterwegs. In Brüssel nimmt ihn der Statthalter der spanischen Niederlande, Erzherzog Albert, sofort in seine Dienste, sieht sich aber nach Protesten des englischen Botschafters genötigt, Bull wieder zu entlassen. Dem Botschafter zufolge hatte Bull fälschlich behauptet, in England seines Glaubens wegen verfolgt zu werden; in Wahrheit habe er ob seines liederlichen Lebenswandels fliehen müssen. Das mag Verleumdung sein. Ob Bull Katholik war, wissen wir nicht; von religiöser Verfolgung kann nicht die Rede sein; ob er sie vorgegeben hat, muß wohl offen bleiben. Ein liederlicher Lebenswandel wieder wäre kaum Anlaß gewesen, das Land zu verlassen. 1617 (nicht 1618 wie im Video zu lesen) wird Bull Domorganist in Antwerpen; das setzt wohl voraus, daß er sich spätestens damals zum Katholizismus bekannt hat, aber es gibt darüber anscheinend keine Unterlagen. Im Britischen Museum ist ein Packen Bull'scher Werke für Tasteninstrument erhalten, die ein Antwerpener Organistenkollege abgeschrieben hat. Darunter finden sich auch Variationen über Volksweisen wie diese, ein in der niederländischen Musik damals beliebter Typus.
- published: 11 Dec 2015
- views: 202
Music for the Elisabethan Court William Byrd John Bull; Ensemble Fanfare DSS Aarlanderveen
- Order: Reorder
- Duration: 10:05
- Updated: 17 Jul 2015
- views: 261
Fanfare DSS Aarlanderveen Innsbrucker Promenade Konzerte - Music for the Elisabethan Court William Byrd & John Bull arr. Danny Oosterman & Christian de Jongh
...
Fanfare DSS Aarlanderveen Innsbrucker Promenade Konzerte - Music for the Elisabethan Court William Byrd & John Bull arr. Danny Oosterman & Christian de Jongh
1. Earle of Oxford Marche
2. Pavane
3. Galliard
4. The King's Hunting Jigg
wn.com/Music For The Elisabethan Court William Byrd John Bull Ensemble Fanfare Dss Aarlanderveen
Fanfare DSS Aarlanderveen Innsbrucker Promenade Konzerte - Music for the Elisabethan Court William Byrd & John Bull arr. Danny Oosterman & Christian de Jongh
1. Earle of Oxford Marche
2. Pavane
3. Galliard
4. The King's Hunting Jigg
- published: 17 Jul 2015
- views: 261
Salvator mundi by Dr. John Bull performed by James M. Guthrie
- Order: Reorder
- Duration: 7:29
- Updated: 18 Jun 2014
- views: 195
Salvator mundi (Fitzwilliam XIV) by Dr. John Bull (1562-1628) performed by James M. Guthrie in a Chowan University Faculty Organ Recital at Murfreesboro United ...
Salvator mundi (Fitzwilliam XIV) by Dr. John Bull (1562-1628) performed by James M. Guthrie in a Chowan University Faculty Organ Recital at Murfreesboro United Methodist Church, October 15, 2009.
wn.com/Salvator Mundi By Dr. John Bull Performed By James M. Guthrie
Salvator mundi (Fitzwilliam XIV) by Dr. John Bull (1562-1628) performed by James M. Guthrie in a Chowan University Faculty Organ Recital at Murfreesboro United Methodist Church, October 15, 2009.
- published: 18 Jun 2014
- views: 195
JOHN BULL BAND - Help The Poor LIVE 03072015 @ Selma Alabama USA 7
- Order: Reorder
- Duration: 6:32
- Updated: 11 Mar 2015
- views: 250
The John Bull Band peform B.B. King's "Help The Poor" live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blu...
The John Bull Band peform B.B. King's "Help The Poor" live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blues Stage in Selma, Alabama, USA. "Help The Poor" is track #14 on the 1960 album, KING OF THE BLUES and the 1965 album, LIVE AT THE REGAL. It was written by Charlie Singleton. Riley B. King was born on September 16, 1925, in a cabin on a cotton plantation outside of Berclair, Mississippi, the son of Albert King and Nora Ella Farr. In the late 1940s, he worked at WDIA, in Memphis, Tennessee as a singer and disc jockey, gaining the nickname Beale Street Blues Boy, which was later shortened to Blues Boy and finally to B.B
The John Bull Band's veteran players channel their sound from an era in American music that began about the time Little Walter first “electrified” his harmonica with a cheap dispatchers mic and tube amp, and ended about the time B.B. King recorded “Thrill is Gone”. While they mine their material from sources as diverse as Hank Williams and Nat King Cole (also from Montgomery), the sound never strays far from the blues.
John Bull - singer/harp player, once captained his own riverboat in Montgomery, Al. He hired the best local and regional blues players to entertain, and ran a Sunday evening "Blues Cruise". John learned much sitting-in with these accomplished veterans, including his current guitarist, Sheffield Walker. Over the years John formed his own bands, eventually selling the riverboat and focusing on music. These days John is a local favorite and tours throughout the southeast. While he no longer owns Montgomery's riverboat, John still plays the "Blues Cruise" on most Sunday evenings, as he has for more than twenty years.
Sheffield Walker - guitarist, was seventeen years old when he played on legendary harp player Slim Harpo’s 1968 album “Tip on in”. This is just one of many significant pieces of Sheffield's long musical history, but you’d be hard pressed to get him to speak at all about his past - he lets his playing do the talking, and it speaks loud and clear of decades spent honing his skills in southern jute joints. Sheffield is a bonafide blues guitar hero to even the best area guitarists who know and appreciate the gut–wrenching emotion and technical mastery of his playing, yet he’s relatively unknown to casual music fans; He's an authentic, undiscovered blues treasure.
Dr. Phillip “Pete” Terrell - bassist, has a Ph.D. in Music Industry Studies and teaches Audio Recording Technology at Alabama State University in Montgomery. His musical history is diverse, having played with Ray Charles and toured with Steppenwolf, and recording for Kay Tel records in the early ‘70’s.
https://www.facebook.com/johnbullbandal?pnref=lhc.recent
Band members:
John Bull - vocals, harmonica
Dr. Pete Terrell - bass guitar
Sheffield Walker - guitar
John "Clam Chop" Etheridge - drums
Lyrics:
elp the poor
Won't you help poor me
I need help from you baby
Need it desperately
I need you so much
I need your care
Need all the loving baby you can spare
Help the poor
Oh, baby won't you help poor me
Say you will
Say you'll help me on
I can't make it no longer
In this world alone
Baby I'm beggin' with tears in my eyes
For your love don't you realize
I need help
Oh baby help poor me
You are my inspiration
Baby that's makes be a king
But if you don't come to my rescue
I couldn't ever be anything
Help the poor
Won't you help poor me
Have a heart won't you baby
Listen to my plead
Oh I lost my courage till I found you
You got what it takes baby
To pull me through
Help the poor
Oh baby won't you help poor me
You are my inspiration
Baby that's makes be a king
But if you don't come to my rescue
I couldn't ever be anything
Help the poor
Won't you help poor me
Have a heart won't you baby
Listen to my plead
Oh I lost my courage till I found you
You got what it takes baby
To pull me through
Help the poor
Oh baby won't you help poor me
MVI 7553
wn.com/John Bull Band Help The Poor Live 03072015 Selma Alabama USA 7
The John Bull Band peform B.B. King's "Help The Poor" live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blues Stage in Selma, Alabama, USA. "Help The Poor" is track #14 on the 1960 album, KING OF THE BLUES and the 1965 album, LIVE AT THE REGAL. It was written by Charlie Singleton. Riley B. King was born on September 16, 1925, in a cabin on a cotton plantation outside of Berclair, Mississippi, the son of Albert King and Nora Ella Farr. In the late 1940s, he worked at WDIA, in Memphis, Tennessee as a singer and disc jockey, gaining the nickname Beale Street Blues Boy, which was later shortened to Blues Boy and finally to B.B
The John Bull Band's veteran players channel their sound from an era in American music that began about the time Little Walter first “electrified” his harmonica with a cheap dispatchers mic and tube amp, and ended about the time B.B. King recorded “Thrill is Gone”. While they mine their material from sources as diverse as Hank Williams and Nat King Cole (also from Montgomery), the sound never strays far from the blues.
John Bull - singer/harp player, once captained his own riverboat in Montgomery, Al. He hired the best local and regional blues players to entertain, and ran a Sunday evening "Blues Cruise". John learned much sitting-in with these accomplished veterans, including his current guitarist, Sheffield Walker. Over the years John formed his own bands, eventually selling the riverboat and focusing on music. These days John is a local favorite and tours throughout the southeast. While he no longer owns Montgomery's riverboat, John still plays the "Blues Cruise" on most Sunday evenings, as he has for more than twenty years.
Sheffield Walker - guitarist, was seventeen years old when he played on legendary harp player Slim Harpo’s 1968 album “Tip on in”. This is just one of many significant pieces of Sheffield's long musical history, but you’d be hard pressed to get him to speak at all about his past - he lets his playing do the talking, and it speaks loud and clear of decades spent honing his skills in southern jute joints. Sheffield is a bonafide blues guitar hero to even the best area guitarists who know and appreciate the gut–wrenching emotion and technical mastery of his playing, yet he’s relatively unknown to casual music fans; He's an authentic, undiscovered blues treasure.
Dr. Phillip “Pete” Terrell - bassist, has a Ph.D. in Music Industry Studies and teaches Audio Recording Technology at Alabama State University in Montgomery. His musical history is diverse, having played with Ray Charles and toured with Steppenwolf, and recording for Kay Tel records in the early ‘70’s.
https://www.facebook.com/johnbullbandal?pnref=lhc.recent
Band members:
John Bull - vocals, harmonica
Dr. Pete Terrell - bass guitar
Sheffield Walker - guitar
John "Clam Chop" Etheridge - drums
Lyrics:
elp the poor
Won't you help poor me
I need help from you baby
Need it desperately
I need you so much
I need your care
Need all the loving baby you can spare
Help the poor
Oh, baby won't you help poor me
Say you will
Say you'll help me on
I can't make it no longer
In this world alone
Baby I'm beggin' with tears in my eyes
For your love don't you realize
I need help
Oh baby help poor me
You are my inspiration
Baby that's makes be a king
But if you don't come to my rescue
I couldn't ever be anything
Help the poor
Won't you help poor me
Have a heart won't you baby
Listen to my plead
Oh I lost my courage till I found you
You got what it takes baby
To pull me through
Help the poor
Oh baby won't you help poor me
You are my inspiration
Baby that's makes be a king
But if you don't come to my rescue
I couldn't ever be anything
Help the poor
Won't you help poor me
Have a heart won't you baby
Listen to my plead
Oh I lost my courage till I found you
You got what it takes baby
To pull me through
Help the poor
Oh baby won't you help poor me
MVI 7553
- published: 11 Mar 2015
- views: 250
JOHN BULL BAND - J.B.'s Boogie (an original) LIVE 03072015 @ Selma Alabama USA 6
- Order: Reorder
- Duration: 5:12
- Updated: 11 Mar 2015
- views: 79
The John Bull Band playing an original J.B.'s "Boogie" instrumental blues live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the H...
The John Bull Band playing an original J.B.'s "Boogie" instrumental blues live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blues Stage in Selma, Alabama, USA.
These veteran players channel their sound from an era in American music that began about the time Little Walter first “electrified” his harmonica with a cheap dispatchers mic and tube amp, and ended about the time B.B. King recorded “Thrill is Gone”. While they mine their material from sources as diverse as Hank Williams and Nat King Cole (also from Montgomery), the sound never strays far from the blues.
John Bull - singer/harp player, once captained his own riverboat in Montgomery, Al. He hired the best local and regional blues players to entertain, and ran a Sunday evening "Blues Cruise". John learned much sitting-in with these accomplished veterans, including his current guitarist, Sheffield Walker. Over the years John formed his own bands, eventually selling the riverboat and focusing on music. These days John is a local favorite and tours throughout the southeast. While he no longer owns Montgomery's riverboat, John still plays the "Blues Cruise" on most Sunday evenings, as he has for more than twenty years.
Sheffield Walker - guitarist, was seventeen years old when he played on legendary harp player Slim Harpo’s 1968 album “Tip on in”. This is just one of many significant pieces of Sheffield's long musical history, but you’d be hard pressed to get him to speak at all about his past - he lets his playing do the talking, and it speaks loud and clear of decades spent honing his skills in southern jute joints. Sheffield is a bonafide blues guitar hero to even the best area guitarists who know and appreciate the gut–wrenching emotion and technical mastery of his playing, yet he’s relatively unknown to casual music fans; He's an authentic, undiscovered blues treasure.
Dr. Phillip “Pete” Terrell - bassist, has a Ph.D. in Music Industry Studies and teaches Audio Recording Technology at Alabama State University in Montgomery. His musical history is diverse, having played with Ray Charles and toured with Steppenwolf, and recording for Kay Tel records in the early ‘70’s.
https://www.facebook.com/johnbullbandal?pnref=lhc.recent
Band members:
John Bull - vocals, harmonica
Dr. Pete Terrell - bass guitar
Sheffield Walker - guitar
John "Clam Chop" Etheridge - drums
MVI 7552
wn.com/John Bull Band J.B.'s Boogie (An Original) Live 03072015 Selma Alabama USA 6
The John Bull Band playing an original J.B.'s "Boogie" instrumental blues live, March 7, 2015, at the 22nd Annual Edmund Pettus Bridge Crossing Jubilee on the Hip Hop, R&B;, and Blues Stage in Selma, Alabama, USA.
These veteran players channel their sound from an era in American music that began about the time Little Walter first “electrified” his harmonica with a cheap dispatchers mic and tube amp, and ended about the time B.B. King recorded “Thrill is Gone”. While they mine their material from sources as diverse as Hank Williams and Nat King Cole (also from Montgomery), the sound never strays far from the blues.
John Bull - singer/harp player, once captained his own riverboat in Montgomery, Al. He hired the best local and regional blues players to entertain, and ran a Sunday evening "Blues Cruise". John learned much sitting-in with these accomplished veterans, including his current guitarist, Sheffield Walker. Over the years John formed his own bands, eventually selling the riverboat and focusing on music. These days John is a local favorite and tours throughout the southeast. While he no longer owns Montgomery's riverboat, John still plays the "Blues Cruise" on most Sunday evenings, as he has for more than twenty years.
Sheffield Walker - guitarist, was seventeen years old when he played on legendary harp player Slim Harpo’s 1968 album “Tip on in”. This is just one of many significant pieces of Sheffield's long musical history, but you’d be hard pressed to get him to speak at all about his past - he lets his playing do the talking, and it speaks loud and clear of decades spent honing his skills in southern jute joints. Sheffield is a bonafide blues guitar hero to even the best area guitarists who know and appreciate the gut–wrenching emotion and technical mastery of his playing, yet he’s relatively unknown to casual music fans; He's an authentic, undiscovered blues treasure.
Dr. Phillip “Pete” Terrell - bassist, has a Ph.D. in Music Industry Studies and teaches Audio Recording Technology at Alabama State University in Montgomery. His musical history is diverse, having played with Ray Charles and toured with Steppenwolf, and recording for Kay Tel records in the early ‘70’s.
https://www.facebook.com/johnbullbandal?pnref=lhc.recent
Band members:
John Bull - vocals, harmonica
Dr. Pete Terrell - bass guitar
Sheffield Walker - guitar
John "Clam Chop" Etheridge - drums
MVI 7552
- published: 11 Mar 2015
- views: 79
Dr Bull's Ground: (flute & keyboard)
- Order: Reorder
- Duration: 2:34
- Updated: 03 Sep 2014
- views: 67
John Bull was born in England around 1562 and died in Antwerp in 1628. He was at various times a choir boy in the Chapel Royal, organist (Hereford Cathedral, Ch...
John Bull was born in England around 1562 and died in Antwerp in 1628. He was at various times a choir boy in the Chapel Royal, organist (Hereford Cathedral, Chapel Royal, Oxford and Cambridge). First Gresham Professor of Music, he ended his days as organist of the Chapel Royal, Brussels and Antwerp Cathedral. As a brilliant performer on the virginals and an ingenious composer, he ranks as one of the founders of the keyboard repertoire and performance.
wn.com/Dr Bull's Ground (Flute Keyboard)
John Bull was born in England around 1562 and died in Antwerp in 1628. He was at various times a choir boy in the Chapel Royal, organist (Hereford Cathedral, Chapel Royal, Oxford and Cambridge). First Gresham Professor of Music, he ended his days as organist of the Chapel Royal, Brussels and Antwerp Cathedral. As a brilliant performer on the virginals and an ingenious composer, he ranks as one of the founders of the keyboard repertoire and performance.
- published: 03 Sep 2014
- views: 67
All Nintendo Music HQ ~ Vol. 90 - StarTropics : 25 - A Royal Farewell (God Save the Queen)
- Order: Reorder
- Duration: 0:32
- Updated: 18 Aug 2015
- views: 24
All Nintendo Music HQ ~ Vol. 90 - StarTropics
JAP : N/A
USA : December 1990
EUA : August 20th 1992
Composer : Yoshio Hirai
by Nintendo R&D3;
on N.E.S.
Reference...
All Nintendo Music HQ ~ Vol. 90 - StarTropics
JAP : N/A
USA : December 1990
EUA : August 20th 1992
Composer : Yoshio Hirai
by Nintendo R&D3;
on N.E.S.
Reference : "God Save the Queen" by John Bull?
https://www.youtube.com/watch?v=tN9EC3Gy6Nk
wn.com/All Nintendo Music Hq ~ Vol. 90 Startropics 25 A Royal Farewell (God Save The Queen)
All Nintendo Music HQ ~ Vol. 90 - StarTropics
JAP : N/A
USA : December 1990
EUA : August 20th 1992
Composer : Yoshio Hirai
by Nintendo R&D3;
on N.E.S.
Reference : "God Save the Queen" by John Bull?
https://www.youtube.com/watch?v=tN9EC3Gy6Nk
- published: 18 Aug 2015
- views: 24
Anberlin - The Resistance (Curitiba / John Bull Music Hall / 24/03/2010)
- Order: Reorder
- Duration: 3:43
- Updated: 25 Mar 2010
- views: 189
Anberlin tocando "The Resistance" no John Bull Music Hall - Curitiba - 24/03/2010.
- published: 25 Mar 2010
- views: 189
Jan Pieterszoon Sweelinck - Fantasia Cromatica
- Order: Reorder
- Duration: 7:51
- Updated: 31 Dec 2015
- views: 455
- Composer: Jan Pieterszoon Sweelinck (April/May 1562 -- 16 October 1621)
- Performer: Helmut Walcha
- Year of recording: 1977 (On the Schnitger organ at Cappel...
- Composer: Jan Pieterszoon Sweelinck (April/May 1562 -- 16 October 1621)
- Performer: Helmut Walcha
- Year of recording: 1977 (On the Schnitger organ at Cappel, Germany)
Fantasia Cromatica in D minor/dorian, SwWV 258.
The Fantasia Cromatica is Sweelinck's most famous work—probably because of the spectacular nature of the theme (a chromatic descending fourth) and the extreme turbulence at the end when the theme appears double-diminished.
Sweelinck was called the "Orpheus of Amsterdam", he spent almost all of his long and productive musical life, a 44-year career, playing the organ and harpsichord for Amsterdam's Oude Kerk. In Reformed Amsterdam the organs were the property of the town, so he was a civic employee, with duties to play twice every day, an hour's concert in the morning (before church if there was a service) and an hour in the evening. Sweelinck attracted a large number of talented young musicians to travel to Amsterdam that they might study with him or hear his music, including Peter Phillips, John Bull, Samuel Scheidt, and Heinrich Scheidemann. Sweelinck was particularly known for his improvisatory skill. This lifelong practice served him best in the free-form keyboard works, such as the Fantasia Chromatica, the aptly named "chromatic" fantasy.
As in all his fantasias, Sweelinck constructs a large-scale form on one single snippet of melody. Uniquely here, however, he takes a gratingly chromatic descent through a melodic fourth as his foundation. On an instrument tuned to the system of Sweelinck's time, this chromatic line would sound even more jarring, as the various half-steps were not all equidistant. In fact, the pitches E flat and D sharp were not the same under this tuning system; D sharp was a distinct and higher pitch. Sweelinck's Fantasia Chromatica is probably only the second keyboard work in history to use both pitches in the same piece (William Byrd had done so once already).
The overall form of the Fantasia Chromatica unfolds in three parts, following the composer's different techniques with his chromatic melody. For most of the first half, iterations of the chromatic line sound almost constantly in one voice or another. The relentless chromaticism is made even more piquant by the frequent overlaps of entries, such that two voices will superimpose their colorful notes upon each other. After a brief respite of refreshingly non-chromatic writing, Sweelinck leaps into the second section, in which each chromatic voice sounds in augmentation to longer note values; this leads quickly to flashes of brilliant passagework in the other hand. Finally, he diminishes the note values, speeding up the pace of chromatic frenzy first to half-values, and then to a fourth. A final virtuosic flourish completes this most interesting piece.
wn.com/Jan Pieterszoon Sweelinck Fantasia Cromatica
- Composer: Jan Pieterszoon Sweelinck (April/May 1562 -- 16 October 1621)
- Performer: Helmut Walcha
- Year of recording: 1977 (On the Schnitger organ at Cappel, Germany)
Fantasia Cromatica in D minor/dorian, SwWV 258.
The Fantasia Cromatica is Sweelinck's most famous work—probably because of the spectacular nature of the theme (a chromatic descending fourth) and the extreme turbulence at the end when the theme appears double-diminished.
Sweelinck was called the "Orpheus of Amsterdam", he spent almost all of his long and productive musical life, a 44-year career, playing the organ and harpsichord for Amsterdam's Oude Kerk. In Reformed Amsterdam the organs were the property of the town, so he was a civic employee, with duties to play twice every day, an hour's concert in the morning (before church if there was a service) and an hour in the evening. Sweelinck attracted a large number of talented young musicians to travel to Amsterdam that they might study with him or hear his music, including Peter Phillips, John Bull, Samuel Scheidt, and Heinrich Scheidemann. Sweelinck was particularly known for his improvisatory skill. This lifelong practice served him best in the free-form keyboard works, such as the Fantasia Chromatica, the aptly named "chromatic" fantasy.
As in all his fantasias, Sweelinck constructs a large-scale form on one single snippet of melody. Uniquely here, however, he takes a gratingly chromatic descent through a melodic fourth as his foundation. On an instrument tuned to the system of Sweelinck's time, this chromatic line would sound even more jarring, as the various half-steps were not all equidistant. In fact, the pitches E flat and D sharp were not the same under this tuning system; D sharp was a distinct and higher pitch. Sweelinck's Fantasia Chromatica is probably only the second keyboard work in history to use both pitches in the same piece (William Byrd had done so once already).
The overall form of the Fantasia Chromatica unfolds in three parts, following the composer's different techniques with his chromatic melody. For most of the first half, iterations of the chromatic line sound almost constantly in one voice or another. The relentless chromaticism is made even more piquant by the frequent overlaps of entries, such that two voices will superimpose their colorful notes upon each other. After a brief respite of refreshingly non-chromatic writing, Sweelinck leaps into the second section, in which each chromatic voice sounds in augmentation to longer note values; this leads quickly to flashes of brilliant passagework in the other hand. Finally, he diminishes the note values, speeding up the pace of chromatic frenzy first to half-values, and then to a fourth. A final virtuosic flourish completes this most interesting piece.
- published: 31 Dec 2015
- views: 455
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6:57
In Nomine (in 11/4) by John Bull
Michael Maxwell Steer plays one of the most remarkable musical experiments of the 16thC, r...
published: 29 Apr 2009
In Nomine (in 11/4) by John Bull
In Nomine (in 11/4) by John Bull
- Report rights infringement
- published: 29 Apr 2009
- views: 12805
6:14
John Bull (c. 1562 - 1628) - Fantasy for keyboard
Pierre Hantai
published: 19 Feb 2008
John Bull (c. 1562 - 1628) - Fantasy for keyboard
John Bull (c. 1562 - 1628) - Fantasy for keyboard
- Report rights infringement
- published: 19 Feb 2008
- views: 17660
3:45
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
In Nomine, Piece No. 37 from the "Fitzwilliam Virginal Book" by English composer John Bull...
published: 25 Dec 2014
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIBUTE)
- Report rights infringement
- published: 25 Dec 2014
- views: 729
4:48
John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
One of three settings of this Dutch christmas carol by John Bull, played on a mid-18th-c. ...
published: 19 Dec 2014
John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
John Bull (1562/63-1628): Een kindeken is ons geboren (in G)(Gapinge)
- Report rights infringement
- published: 19 Dec 2014
- views: 301
5:49
Star Anthem - John Bull
One of the most famous works of Jacobean composer John Bull, sung by The Pittsburgh Camera...
published: 18 Mar 2013
Star Anthem - John Bull
Star Anthem - John Bull
- Report rights infringement
- published: 18 Mar 2013
- views: 780
10:43
John Bull Walsingham
This is the first part of the Fitzwilliam Virginal book. A book created by a prisoner in ...
published: 13 Jan 2013
John Bull Walsingham
John Bull Walsingham
- Report rights infringement
- published: 13 Jan 2013
- views: 3664
2:45
John Bull Pavana from the Fitzwilliam Virginal Book
John Bull (1562 or 1563 15 March 1628) was an English composer, musician, and organ build...
published: 13 Dec 2009
John Bull Pavana from the Fitzwilliam Virginal Book
John Bull Pavana from the Fitzwilliam Virginal Book
- Report rights infringement
- published: 13 Dec 2009
- views: 5575
0:44
Capellrock Acústico - John Bull Porto Alegre
Banda Capellrock
Música: Só Quero
Produção: Composer Invent Produtora
http://www.composer...
published: 21 Apr 2013
Capellrock Acústico - John Bull Porto Alegre
Capellrock Acústico - John Bull Porto Alegre
- Report rights infringement
- published: 21 Apr 2013
- views: 16
3:29
John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
Call 1-800-933-4844 or visit http://thejoyofmusic.org to order the full 1/2 hour program #...
published: 14 Jun 2012
John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
John Bull (Richard Ellsasser) - Rondo in G - Diane Bish - Program #8416
- Report rights infringement
- published: 14 Jun 2012
- views: 15475
7:08
John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
John Bull: Pavan & Galliard of My Lord Lumley.
0:06 Pavan
4:42 Galliard
Robert Hill, h...
published: 04 Jun 2015
John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
John Bull: Pavan & Galliard of My Lord Lumley. Robert Hill, harpsichord
- Report rights infringement
- published: 04 Jun 2015
- views: 633
2:20
The King's Hunting Jigg
The renowned organist Craig Williams performs this piece by composer John Bull at the St. ...
published: 07 Feb 2016
The King's Hunting Jigg
The King's Hunting Jigg
- Report rights infringement
- published: 07 Feb 2016
- views: 5
3:03
Rondo in G Major for Flutes & Strings
John Bull (1562 or 1563 -- 1628) was an English composer, musician and organ builder. He w...
published: 03 Aug 2013
Rondo in G Major for Flutes & Strings
Rondo in G Major for Flutes & Strings
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- published: 03 Aug 2013
- views: 173
7:10
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
John Bull: Chromatic Fantasia on Ut, Re, Mi, Fa, Sol, La
Fitzwilliam Virginal Book I, 51
...
published: 20 Apr 2015
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La. Robert Hill, harpsichord
- Report rights infringement
- published: 20 Apr 2015
- views: 2150
1:01
The First Gresham Professor of Music - Professor Christopher Page
Christopher Page pays tribute to his predecessor, John Bull, the first Gresham Professor o...
published: 28 Jul 2014
The First Gresham Professor of Music - Professor Christopher Page
The First Gresham Professor of Music - Professor Christopher Page
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- published: 28 Jul 2014
- views: 325
In Nomine (in 11/4) by John Bull...
John Bull (c. 1562 - 1628) - Fantasy for keyboard...
John Bull - In Nomine (CHRISTMAS AND NEW YEAR TRIB...
John Bull (1562/63-1628): Een kindeken is ons gebo...
Star Anthem - John Bull...
John Bull Walsingham...
John Bull Pavana from the Fitzwilliam Virginal Boo...
Capellrock Acústico - John Bull Porto Alegre...
John Bull (Richard Ellsasser) - Rondo in G - Diane...
John Bull: Pavan & Galliard of My Lord Lumley. Rob...
The King's Hunting Jigg...
Rondo in G Major for Flutes & Strings...
John Bull Chromatic Fantasia on Ut Re Mi Fa Sol La...
The First Gresham Professor of Music - Professor C...
John Bull (1562/63-1628): Een kindeken is ons gebo...
Music for the Elisabethan Court William Byrd J...
Salvator mundi by Dr. John Bull performed by James...
JOHN BULL BAND - Help The Poor LIVE 03072015 @ Sel...
JOHN BULL BAND - J.B.'s Boogie (an original) LIVE ...
Dr Bull's Ground: (flute & keyboard)...
All Nintendo Music HQ ~ Vol. 90 - StarTropics : 25...
Anberlin - The Resistance (Curitiba / John Bull Mu...
