Tile at the Alhambra ولا غالب الا الله (wa-lā ġāliba illā ʾllāh)
There is no victor except God

Qadi (also known as qaadi, qaadee, qazi, kazi or kadi) (Arabic: قاضي‎ qāḍī) is a judge ruling in accordance with Islamic religious law (sharia) appointed by the ruler of a Muslim country. Because Islam makes no distinction between religious and secular domains, qadis traditionally have jurisdiction over all legal matters involving Muslims. The judgment of a qadi must be based on ijmah, the prevailing consensus of the Islamic scholars (ulema).

The origin of the institution of qadi is the old Arab arbitrator, the Hakam, but qualities from officials in areas conquered by Arabs have been added to the structure.

History[link]

The term "qadi" was in use right from the time of the Prophet Muhammad, and remained the term used for judges throughout Islamic history and the period of the caliphates. While the muftis and fuqaha played the role in elucidation of the principles of jurisprudence and the laws, the qadi remained the key person ensuring the establishment of justice on the basis of these very laws and rules. Thus, the qadi was chosen from amongst those who had mastered the sciences of jurisprudence and law.

Abû Zayd pleads before the Qadi of Ma'arra (1334).

During the period of the Abbasid Caliphate, the office of the qadi al-qudat (Chief Justice of the Highest Court) was established. Among the most famous of the early qadi al-qudat was Qadi Abu Yusuf who was a disciple of the famous early jurist Abu Hanifa.

The office of the qadi continued to be a very important one in every principality of the caliphates and sultanates of the Muslim empires over the centuries. The rulers appointed qadis in every region, town and village for judicial and administrative control and to establish peace and justice over the dominions they controlled.

The Abbasids created the office of chief qadi (qadi al-quḍāh, sometimes romanized as Qadi al-Quda), whose holder acted primarily as adviser to the caliph in the appointment and dismissal of qadis. Later Islamic states generally retained this office, while granting to its holder the authority to issue appointments and dismissals in his own name. The Mamluk state, which ruled Egypt and Syria from 1250 to 1516 CE, introduced the practice of appointing four chief qadis, one for each of the Sunni legal schools (madhhabs).

Although the primary responsibility of a qwas a judicial one, he was generally charged with certain nonjudicial responsibilities as well, such as the administration of religious endowments (waqfs), the legitimization of the accession or deposition of a ruler, the execution of wills, the accreditation of witnesses, guardianship over orphans and others in need of protection, and supervision of the enforcement of public morals (ḥisbah).

Functions[link]

A qadi is a judge responsible for the application of Islamic positive law (fiqh). The office originated under the rule of the first Umayyad caliphs (AH 40–85/661–705 CE), when the provincial governors of the newly created Islamic empire, unable to adjudicate the many disputes that arose among Muslims living within their territories, began to delegate this function to others. In this early period of Islamic history, no body of Islamic positive law had yet come into existence, and the first qadis therefore decided cases on the basis of the only guidelines available to them: Arab customary law, the laws of the conquered territories, the general precepts of the Qurʾān, and their own sense of equity.

During the later Umayyad period (705–750 CE), a growing class of Muslim legal scholars, distinct from the qadis, busied themselves with the task of supplying the needed body of law, and by the time of the accession to power of the Abbasid dynasty in 750 their work could be said to have been essentially completed. In constructing their legal doctrine, these legal scholars took as their point of departure the precedents already established by the qadis, some of which they rejected as inconsistent with Islamic principles as these were coming to be understood, but most of which they adopted, with or without modification. Thus the first qadis in effect laid the foundations of Islamic positive law. Once this law had been formed, however, the role of the qadi underwent a profound change. No longer free to follow the guidelines mentioned above, a qadi was now expected to adhere solely to the new Islamic law, and this adherence has characterized the office ever since.

A qadi continued, however, to be a delegate of a higher authority, ultimately the caliph or, after the demise of the caliphate, the supreme ruler in a given territory. This delegate status implies the absence of a separation of powers; both judicial and executive powers were concentrated in the person of the supreme ruler (caliph or otherwise). On the other hand, a certain degree of autonomy was enjoyed by a qadi in that the law that he applied was not the creation of the supreme ruler or the expression of his will. What a qadi owed to the supreme ruler was solely the power to apply the law, for which sanctions were necessary that only the supreme ruler as head of the state could guarantee.

Qualifications[link]

A qadi must be an adult. They must be free, a Muslim, sane, unconvicted of slander and educated in Islamic science. Their performance must be totally congruent with Sharia without using their own interpretation. In a trial in front of a qadi, it is the plaintiff who is responsible for bringing evidence against the defendant in order to have him or her convicted. There are no appeals to the judgements of a qadi. The qadi must exercise their office in a public place, the chief masjid is recommended, or, in their own house, where the public should have free access.^[1]

Qadis must not receive gifts from participants in trials and they must be careful in engaging themselves in trade. Despite the rules governing the office, Muslim history is full of complaints about qadis. It has often been a problem that qadis have been managers of waqfs, religious endowments.

The qualifications that a qadi must possess are stated in the law, although the law is not uniform on this subject. The minimal requirement upon which all the jurists agree is that a qadi possess the same qualifications as a witness in court, that is, that they be free, sane, adult, trustworthy, and a Muslim. Some require that they also possess the qualifications of a jurist, that is, that they be well versed in the law, while others regard those qualifications as simply preferable, implying that a person may effectively discharge the duties of the office without being well versed in the law. This latter position presupposed that a qadi who is not learned in matters of law would consult those who are before reaching a decision. Indeed, consultation was urged upon the learned qadi as well, since even the learned are fallible and can profit from the views of others. Those consulted did not, however, have a voice in the final decision making. The Islamic court was a strictly one-judge court and the final decision rested upon the shoulders of a single qadi.

Jurisdiction[link]

The jurisdiction of a qadi was theoretically coextensive with the scope of the law that he applied. That law was fundamentally a law for Muslims, and the internal affairs of the non-Muslim, or dhimmī, communities living within the Islamic state were left under the jurisdictions of those communities. Islamic law governed dhimmīs only with respect to their relations to Muslims and to the Islamic state. In actual practice, however, the jurisdiction of a qadi was hemmed in by what must be regarded as rival jurisdictions, particularly that of the maẓālim court and that of the shurṭah.

The maẓālim was a court (presided over by the supreme ruler himself or his governor) that heard complaints addressed to it by virtually any offended party. Since Islamic law did not provide for any appellate jurisdiction but regarded the decision of a qadi as final and irrevocable, the maẓālim court could function as a kind of court of appeals in cases where parties complained of unfair decisions from qadis. The maẓālim judge was not bound to the rules of Islamic law (fiqh), nor for that matter was he bound to any body of positive law, but was free to make decisions entirely on the basis of considerations of equity. The maẓālim court thus provided a remedy for the inability of a qadi to take equity freely into account. It also made up for certain shortcomings of Islamic law, for example, the lack of a highly developed law of torts, which was largely due to the preoccupation of the law with breaches of contracts. In addition, it heard complaints against state officials.

The shurṭah, on the other hand, was the state apparatus responsible for criminal justice. It too provided a remedy for a deficiency in the law, namely the incompleteness and procedural rigidity of its criminal code. Although in theory a qadi exercised a criminal jurisdiction, in practice this jurisdiction was removed from his sphere of competence and turned over entirely to the shurṭah, which developed its own penalties and procedures. What was left to the qadi was a jurisdiction concerned mainly with cases having to do with inheritance, personal status, property, and commercial transactions. Even within this jurisdiction, a particular qadi's jurisdiction could be further restricted to particular cases or types of cases at the behest of the appointing superior.

The principle of delegation of judicial powers not only allowed the supreme ruler to delegate these powers to a qadi; it also allowed qadis to further delegate them to others, and there was in principle no limit to this chain of delegation. All persons in the chain, except for the supreme ruler or his governor, bore the title qadi. Although in theory the appointment of a qadi could be effected by a simple verbal declaration on the part of the appointing superior, normally it was accomplished by means of a written certificate of investiture, which obviated the need for the appointee to appear in the presence of the superior. The appointment was essentially unilateral rather than contractual and did not require acceptance on the part of the appointee in order to be effective. It could be revoked at any time.

Religious and judicial roles[link]

In the Islamic world, under constitutional government, such as Turkey, where sharia is not the basis for the legal system, the term qadi is still used to identify judges or magistrates. However in countries where some shariah law is enforced, such as Saudi Arabia, the qadi is the judge who rules under the Islamic laws enforced.

In countries that practice a hybrid legal system such as Egypt, a qadi makes an initial ruling in all civil and criminal matters. In Pakistan, where there is a dual legal system of the regular courts and the Shariah courts, the qadis (kazis) are appointed in the latter case who rule according to the shariah law. In some Islamic countries, the position of qadi, formerly reduced to simply being responsible for the initial hearing of cases or even abolished in the process of Westernization, has been recently reinstated, as in some Islamic provinces of northern Nigeria. When it involves a severe penalty, his decision has to be approved by a Mufti, certainly in capital punishment cases, to ensure that verdict is in compliance with the Islamic law.

Women as qadis[link]

Although the role of qadi has traditionally been restricted to men, some women have been appointed as qadis in recent years. In 2009, two women were appointed as qadis by the Palestinian Authority in the West Bank.^[2] In 2010, Malaysia appointed two women as qadis as well. However, it was decided that as women they may only rule over custody, alimony, and common property issues, not over criminal or divorce cases, which usually make up most of a qadi's work.^[3] In Indonesia, there are nearly 100 female qadis.^[3]

There is disagreement among Islamic scholars as to whether women are qualified to act as qadis or not.^[2]

Local usage[link]

Indian subcontinent[link]

The rulers of Muslim India also used the same institution of the qadi (or kazi). The qadi (kazi) was given the responsibility for total administrative, judicial and fiscal control over a territory or a town. He would maintain all the civil records as well. He would also retain a small army or force to ensure that his rulings are enforced.

In most cases, the kazi (qadi) would pass on the title and position to his son, descendent or a very close relative. Over the centuries, this profession became a title within the families, and the power remained within one family in a region. Throughout India and Pakistan, we now find various Kazi families who descended through their famous kazi (qadi) ancestors and retained the lands and position. Each family is known by the town or city that their ancestors controlled.^[4]

Mayotte governorship[link]

On the island of Mayotte, one of the Comoro Islands, the title qadi was used for Umar who governed it from 19 November 1835 to 1836 after its conquest by and annexation to the Sultanate of Ndzuwani (Anjouan).^[5]

Songhai Empire[link]

In the Songhai Empire, criminal justice was based mainly, if not entirely, on Islamic principles, especially during the rule of Askia Muhammad. The local qadis were responsible for maintaining order by following Sharia law according to the Qur'an. An additional qadi was noted as a necessity in order to settle minor disputes between immigrant merchants.^[6] Qadis worked at the local level and were positioned in important trading towns, such as Timbuktu and Djenné. The Qadi was appointed by the king and dealt with common-law misdemeanors according to Sharia law. The Qadi also had the power to grant a pardon or offer refuge.^[7]

Spanish derivation[link]

Alcalde, one of the current Spanish terms for the mayor of a town or city, is derived from the Arabic al-qaḍi ( قاضي,), "the judge." In Al-Andalus a single qadi was appointed to each province. To deal with issues that fell outside of the purview of sharia or to handle municipal administration (such as oversight of the police and the markets) other judicial officers with different titles were appointed by the rulers.^[8]

The term was later adopted in Portugal, Leon and Castile during the eleventh and twelfth centuries to refer to the assistant judges, who served under the principal municipal judge, the iudex or juez. Unlike the appointed Andalusian qadis, the alcaldes were elected by an assembly of the municipality's property owners.^[9] Eventually the term came to be applied to a host of positions that combined administrative and judicial functions, such as the alcaldes mayores, the alcaldes del crimen and the alcaldes de barrio. The adoption of this term, like many other Arabic ones, reflects the fact that, at least in the early phases of the Reconquista, Muslim society in the Iberian Peninsula imparted great influence on the Christian one. As Spanish Christians took over an increasing part of the Peninsula, they adapted Muslim systems and terminology for their own use.^[10]

Ottoman Empire[link]

In the Ottoman Empire, qadis were appointed by the Veliyu l-Emr. With the reform movements, secular courts have replaced qadis, but they formerly held wide ranging responsibilities:

... During Ottoman period, [qadi] was responsible for the city services. The charged people such as Subasi, Bocekbasi, Copluk Subasisi, Mimarbasi and Police assisted the qadi, who coordinated all the services." [From History of Istanbul Municipality, Istanbul Municipality (in Turkish).]

In the Ottoman Empire, a Kadiluk – the district covered by a kadı – was an administrative subdivision, smaller than a Sanjak. ^[11]

See also[link]

• Ibn Battuta
• Cadilesker
• House of Kadies Al-Kadi Saudi House
• Islamic law
• Kadiluk, Ottoman administrative unit ruled by a Kadi
• List of Islamic terms in Arabic
• Tel el-Qadi, ("Mound of the Judge"), Arabic name of Tel Dan, Israel
• Thumal the qahraman

References[link]

Sources

Further reading[link]

• Schacht, Joseph. An Introduction to Islamic Law. Oxford, 1964.
• Tyan, Emile. "Judicial Organization." In Law in the Middle East, vol. 1, edited by Majid Khadduri and Herbert J. Liebesny, pp. 236–278. Washington, D. C., 1955.
• Tyan, Emile. Histoire de l'organization judiciaire en pays d'Islam. 2d ed. Leiden, 1960.

Qazi Touqeer (Kashmiri: क़ाज़ी तौक़ीर (Devanagari), قاضی توقیر (Nastaleeq)), born June 2, 1985 in Srinagar, India, was one of the three finalists of Fame Gurukul, one of the most watched television shows in India - along with Rex D'Souza and Ruprekha Banerjee. He is a singer in the Kashmiri and Hindi languages. On 20 October 2005, he managed to grab the top prize along with Ruprekha Banerjee.

He was voted by the Indian public to be the winner of "Fame Gurukul," India's version of "Fame Academy."^[1] The president of India, in regards to Qazi Touqeer, declared him to be the hero of the Kashmir Valley.^[1] As a result of Qazi's success, a plethora of Kashmiri youth auditioned in Indian Idol tryouts, which were held in Srinagar, a city in the Kashmir Valley.^[2]

He released a new album out along with Ruprekha Banerjee at the end of 2005. Qazi had no formal training before Fame Gurukul.

Family[link]

Qazi's father was a lawyer, who later became a Sufi saint. His mother is a teacher, and his uncle: Qazi Rafiq was a Kashmiri singer. He has studied in Minto Circle School in Raj Bagh. The young man grew up mimicking Indian film heroes in the Mughal Gardens of Srinagar, posting in front of a video camera held by his brother.^[1]

Discography[link]

Albums[link]

TV appearance[link]

He broke all the records for getting the highest votes in any of the then reality shows. His charming looks and sincerity got his first Fame on TV.

Filmography[link]

References[link]

External links[link]

• Review of Qazi Touqeer and Ruprekha Banerjee's first album: Jodi No. 1
• A picture of Qazi Touqeer

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Enrique Iglesias
Enrique Iglesias, during an interview with MuchMusic.
Background information
Birth name	Enrique Miguel Iglesias Preysler
Born	(1975-05-08) May 8, 1975 (age 37) Madrid, Spain
Genres	Pop, Latin pop, R&B, dance-pop, soft rock, rap
Occupations	Singer-songwriter, actor, record producer, model
Instruments	Vocals, guitar
Years active	1994–present
Labels	Fonovisa, Interscope, Universal Music Latino, Universal Republic, Polydor
Website	www.enriqueiglesias.com

Enrique Iglesias (born Enrique Miguel Iglesias Preysler; May 8, 1975) is a Spanish singer, songwriter and occasional actor, popular in both the Latin market and the Hispanic American market in the United States. He is the son of the famous Spanish singer Julio Iglesias. Within five years of beginning his musical career in the 1990s, he became the biggest seller of Spanish-language albums of that decade. He made his crossover into the mainstream English language market before the turn of the millennium, signing a multi-album deal with Universal Music Group for an unprecedented US$50,000,000 with Universal Music Latino to release his Spanish albums and Interscope to release English albums. In 2010, he parted with Interscope and signed with another Universal Music Group label, Universal Republic.

Iglesias has sold over 100 million records worldwide, making him one of the best selling Spanish language artists of all time.^[1] He has had five Billboard Hot 100 top five singles, including two number-ones, and holds the record for producing 22 number-one Spanish-language singles on the Billboard's Hot Latin Tracks.^[2] He has also had ten number-one songs on Billboard's Dance charts, more than any other single male artist. Altogether, Iglesias has amassed 55 number-one hits on the various Billboard charts. Billboard has called him The King of Latin Pop and The King of Dance. Billboard also named Enrique the number two Latin artist of the years 1986–2011 (Luis Miguel taking the first spot).^[3]

Early life[link]

Iglesias was born in Madrid, Spain,^[4] and is the third and youngest child of singer Julio Iglesias and socialite and magazine journalist Isabel Preysler. His mother is Filipina^[5][6] and his father is of Spanish ancestry from Galicia.^[7][8] His parents' marriage was annulled in 1979.

In 1986, Iglesias' grandfather, Dr. Julio Iglesias Puga, was kidnapped by the armed Basque terrorist group ETA. For their safety, Enrique and his brother, Julio Iglesias, Jr., were sent to live with their father in Miami.^[9] He also lived in Belgrade, Serbia, for one year with his mother.^[10] As his father's career kept him on the road, the young Iglesias was raised by the family nanny. He attended the prestigious Gulliver Preparatory School, where he made his singing debut in a production of Hello, Dolly!.^[11] Iglesias later went on to study business at the University of Miami.^[12]

Iglesias did not want his father to know about his plans for a musical career and did not want his famous surname to help advance his career. He borrowed money from his family nanny and he recorded a demo cassette tape which consisted of a Spanish song and two English songs. Approaching his father's former publicist, Fernan Martinez, the two promoted the songs under the stage name 'Enrique Martinez' with the backstory of being an unknown singer from Guatemala. Iglesias was signed the Mexican label Fonovisa. After dropping out of college, he traveled to Toronto to record his first album.^[13]

Music career[link]

[edit] 1995–96: Enrique Iglesias

On July 12, 1995, Iglesias released Enrique Iglesias, a collection of light rock ballads, including hits such as "Si Tú Te Vas", "Experiencia Religiosa", and others. The record sold half a million copies in its first week, a rare accomplishment then for an album recorded in a language other than English, going Gold in Portugal within the first week of release, and sold over a million copies in the next three months.^[11]

His song "Por Amarte" was included in Televisa's telenovela Marisol, but with a twist: instead of Por amarte daría mi vida (To love you, I'd give my life), the words were Por amarte Marisol, moriría (To love you, Marisol, I'd die). The CD also yielded Italian and Portuguese editions of the album, with most of the songs translated into those languages.

Five singles released from this album, such as "Por Amarte", "No Llores Por Mí", and "Trapecista" topped the Billboard's Latin charts. The album went on to win Iglesias a Grammy Award for Best Latin Pop Performance.

[edit] 1997–99: Vivir and Cosas Del Amor

Iglesias with Ronald McDonald in 1999, his Cosas del Amor tour was sponsored by McDonald's.

In 1997, Iglesias' star continued to rise with the release of Vivir (To Live), which put him up with other English language music superstars in sales for that year. The album also included a cover version of the Yazoo song "Only You", translated into Spanish as "Solo en Tí".

Three singles released from Vivir ("Enamorado Por Primera Vez", "Sólo en Ti" and "Miente") topped the Latin singles chart as well as those in several Spanish-speaking countries. Along with his father and Luis Miguel, Iglesias was nominated for an American Music Award in the first-ever awarded category of Favorite Latin Artist. It was said beforehand that the elder Iglesias would walk out if he did not win the award. Iglesias lost out to his father, but did perform the song "Lluvia Cae" at the event.

Insisting on playing stadiums for his first concert tour, that summer, Iglesias , backed by sidemen for Elton John, Bruce Springsteen and Billy Joel, played to sold-out audiences in sixteen countries. Beginning in Odessa, Texas the tour went on to three consecutive nights in Mexico's Plaza de Toros, two consecutive nights at Monterrey's Auditorio Coca Cola and two at the Estadio River Plate in Buenos Aires, Argentina to over 130,000 people as well as 19 arenas in the U.S.^[14]

In 1998, Iglesias released his third album, Cosas del Amor (Things of Love). Taking a more mature musical direction, the album, aided by the popular singles "Esperanza" and "Nunca Te Olvidaré", both of which topped the Latin singles chart, helped cement his status in the Latin music scene.

Iglesias did a short tour of smaller venues to accompany the release of the album, with one show being televised from Acapulco, Mexico. This was followed by a larger world tour of over eighty shows in even bigger venues. The Cosas del Amor Tour was the first ever concert tour sponsored by McDonald's.

He won an American Music Award in the category of Favorite Latin Artist against Ricky Martin and Los Tigres del Norte. The song "Nunca te Olvidaré" was also used as the theme music for a Spanish soap opera of the same name and he sang the song himself on the last episode of the series.

[edit] 1999–2000: Enrique

By 1999, Iglesias had begun a successful crossover career into the English language music market. Thanks to other successful crossover acts, most notably that of Ricky Martin and Selena, Latino artists and music had a great surge in popularity in mainstream music. After attending one of his concerts Will Smith asked Iglesias to contribute to the soundtrack of his movie Wild Wild West, his contribution "Bailamos" was released as a single and became a number one hit in the US.

After the success of "Bailamos", several mainstream record labels were eager to sign Iglesias. Signing a multi-album deal after weeks of negotiations with Interscope, Iglesias recorded and released his first full CD in English, Enrique. The pop album, with some Latin influences, took two months to complete. It contained the song Rhythm Divine, a duet with Whitney Houston entitled "Could I Have This Kiss Forever", and a cover of the Bruce Springsteen song "Sad Eyes".

In 2000 Iglesias performed at the Superbowl halftime show with Christina Aguilara. Shock jock Howard Stern repeatedly played a tape of a supposedly very off-key Iglesias on his radio show and accused the Iglesias of not being able to sing live. On June 8th 2000 Iglesias sang the song live on Stern's show with just a guitar accompanying him. After the performance Stern remarked "I respect you for coming in here; you really can sing".^[15] Iglesias would remark that the controversy was the best promotion he could have. The album's single Be With You became Iglesias's second #1 single on Billboard's Hot 100.

[edit] 2001–02: Escape

In 2001 Iglesias released his second English language album Escape. Where most of the Latin crossover acts of the previous year experienced some difficulty matching the record sales of their first English language albums, Iglesias actually went on to sell even more. The album's first single, "Hero", became a number one hit in the United Kingdom, and in many other countries. The entire album was co-written by Iglesias.

Escape is his biggest commercial success to date. The singles "Escape" and "Don't Turn Off The Lights" became radio staples, fairing well and placing highly or topping various charts both in North America and elsewhere. A second edition of the album was released internationally and contained a new version of one of Iglesias's favorite tracks, "Maybe", as well as a duet with Lionel Richie called "To Love a Woman".

Iglesias capitalized on the album's success with his "One-Night Stand World Tour" consisting of 50 sold-out shows in 16 countries. Including Radio City Music Hall and three consecutive nights in London's Royal Albert Hall, the tour ended with a big show at Stadium National Lia Manoliu in Bucharest, Romania. The concert launched MTV Romania, with the video for "Love to See You Cry" being the first to be shown on the channel.

The second leg of the tour, "Don't Turn Off The Lights", was completed in the summer of 2002, with two sold-out nights in Madison Square Garden and another two in Mexico's National Auditorium. The tour finished with a single show in the Roberto Clemente Coliseum in San Juan, Puerto Rico.

[edit] 2002–04: Quizás & 7

In 2002, Iglesias chose to release a fourth Spanish-language album titled Quizás (Perhaps). A more polished musical production than his previous Spanish albums and containing more introspective songs, the album's title track is a song about the strained relationship Iglesias has with his famous father.

The album debuted at number 12 on the Billboard 200 albums chart, the highest placement of a Spanish language album on the chart at the time. Quizás sold a million copies in a week, making it the fastest-selling album in Spanish in 5 years. The three singles released from the album all ended up topping the Latin chart, giving Iglesias a total of 16 number ones on the chart. He currently holds the record for the most number one singles on Billboard's Latin Chart. His last single from the album, "Para Que la Vida", reached a million spins on U.S. radio, the only Spanish language song to do so.^[16]

The video to the song "Quizás" was the first Spanish language music video to be added to the selection on one of MTV's popular show Total Request Live. Iglesias performed the song on The Tonight Show with Jay Leno, becoming the first to sing a Spanish song on the show, and opening doors for other artists such as Ricky Martin, Juanes and Jorge Drexler to perform their Spanish material. Iglesias included songs from Quizás in his "Don't Turn Off the Lights Tour", and the album went on to win a Latin Grammy Award for Best Pop Vocal Album.

By 2003 Iglesias released his seventh album, which he called 7, the second to be co-written by Iglesias. Among its more 1980s-inspired material, it features the song "Roamer", which he wrote with his friend and longtime guitarist, Tony Bruno. The CD also contained the song "Be Yourself", a song about independence (the chorus talks about how Iglesias' own parents did not believe he'd ever succeed in his singing career). The first single was the song "Addicted", and was followed closely by a remix of the song "Not in Love", featuring Kelis.

With this album, Iglesias went on his biggest world tour to date. The highly publicised tour started with twelve shows in the United States ending with Iglesias playing at Houston Rodeo and continued on to several countries, most of which he'd never previously visited playing to sold-out arenas and stadiums in Australia, India, Egypt and Singapore before ending his tour in South Africa.

[edit] 2007–08: Insomniac

Iglesias performing on August 29, 2007.

Iglesias released his new album Insomniac on June 12, 2007. The album was so named due to it being recorded mainly at night. The album contained a more contemporary pop style than that of previous albums. The album's highlights include "Push", with rapper Lil' Wayne, as well as "Ring My Bells", and a cover of Ringside's "Tired of Being Sorry".

The first single "Do You Know? (The Ping Pong Song)" was released on April 10, 2007. It was the Iglesias's highest charting song on the Hot 100 since "Escape" it was also a hit throughout Europe peaking in the top 10 in many countries and the Spanish version entitled "Dímelo" was #1 on Hot Latin Tracks for 12 weeks becoming his second best performing song on that chart.

Iglesias followed up with the ballad "Somebody's Me", which was released as a single in the American continent. The song was played extensively on AC radio and peaked high on Billboard's Hot AC, where the Spanish version also performed well. In Europe, the second single was "Tired of Being Sorry", which performed well in many countries; he recorded a version of the song with French singer Nâdiya which was #1 in France for eleven weeks.

On July 4, Enrique Iglesias became the first Western artist to play a concert in Syria in three decades when he performed for a sold-out crowd of 10,000 in the capital [Damas] and in the same week performed on Live Earth in [Hamburg].

The Insomniac World Tour was launched at the Dome in Johannesburg, South Africa, the same venue he ended his last world Tour and took him to sold out arenas throughout Europe. It was his first arena tour of the UK with him playing venues such as Manchester's MEN Arena and Wembley Arena. The tour ended with Iglesias performing at newly opened L.A. Live. A second leg of the tour has taken him throughout Latin America from Mexico to Argentina.

A solo version of "Push" was added to the soundtrack of the movie Step Up 2 the Streets. The song was regarded as the third single from the album. A music video was shot which features the film's lead actors. Despite never being officially added to radio the song has charted in several countries and is one of his most highly rated songs amongst fans.

Iglesias's song "Can You Hear Me" has been chosen as the official song of the UEFA Euro 2008 football tournament.^[17] He performed the song live at the June 29, 2008 final in Vienna, Austria.^[18] The song featured on a re-issue of the Insomniac album being released in certain countries.

[edit] 2008–09: Greatest Hits albums

Iglesias released a Spanish Greatest Hits album on March 25, 2008 which included his seventeen #1 songs on Hot Latin Tracks chart, plus two new songs. The first single was the song "Dónde Están Corazón", which is written by Argentine star Coti and became Iglesias's 18th #1 single on Billboard's Hot Latin Songs. The album debuted at #1 on Billboard's Latin Albums Chart and #18 on the overall Billboard 200 albums chart. It was Iglesias's second Spanish album to debut in the top 20 of the Billboard 200 (Quizás debuted at #12 in 2002). The album was certified double Platinum (Latin field) in the U.S. and in some Latin American countries.

The album's second single "Lloro Por Ti" had an official remix featuring Wisin & Yandel which also reached #1. Iglesias did a tour of the US. Beginning in Laredo, Texas and ending at the Izod Center in New Jersey he was accompanied though most of the tour with Bachata band Aventura who also performed "Lloro Por Ti" with him at the Premios Juventud.

Iglesias was a surprise performer at the Lo Nuestro Awards, opening the show with a medley of "Dónde Están Corazón" and "Dimelo". He also performed at the Billboard Latin Music Awards, where he received a special award.

After the success of his Spanish Greatest Hits compilation, Iglesias released a compilation of his English language hits on November 11. The album includes "Can You Hear Me" as well two new songs. The first single is entitled "Away" featuring Sean Garrett and was followed by "Takin' Back My Love" featuring Ciara.^[19]

The compilation includes English hit songs such as "Bailamos", "Hero", "Be with You", "Not in Love" and "Escape" which have topped various Billboard charts (two of which did so on the Hot 100) as well as songs such as "Rhythm Divine", "Tired of Being Sorry" and "Do You Know? (The Ping Pong Song)", which have also topped charts in Europe.

After the successful collaboration with Nadiya Iglesias has recorded a second duet with her called "Miss You" which featured on a deluxe edition of the album.

The album debuted at #3 on the official UK Albums Chart and sold over 80,000 copies in its first two weeks of release alone.

Iglesias was the winner of two World Music Awards in the categories of "World's Best Selling Latin Performer" and "World's Best Selling Spanish Artist", in the ceremony held in Monaco on November 9, 2008.

[edit] 2010–present: Euphoria

Earlier in 2010, Iglesias featured in the charity song We Are the World 25 for Haiti along with 25 other top artists from USA in order to raise funds for the Earthquake hit Haiti area. It was produced by Quincy Jones, and executively produced by Lionel Richie, and Haitian-American musician Wyclef Jean. Enrique also recorded the song "It Must Be Love" for the album Download to Donate for Haiti for the same cause.

On July 5, 2010, Iglesias released his ninth and tenth studio albums, Euphoria, his first work to be released under his new label, Universal Republic. The album is Iglesias's first bilingual album with seven original English songs and six original Spanish songs.^[20] The album has won Billboard Music Award for Top Latin Album, Billboard Latin Award for Latin Album of the Year and Latin Pop Album of the Year and was nominated for Latin Grammy Award for Album of the Year.

Iglesias worked with three (actually four but one isn't mentioned) producers whom he has worked with before; RedOne, Mark Taylor and Carlos Paucer. The album features collaborations with Akon, Usher, Nicole Scherzinger, Ludacris, Pitbull, Juan Luis Guerra and his third duet with Wisin & Yandel. In a joint venture with Universal Latino Iglesias will release different singles in both languages simultaneously to different formats.

The first English single from the album, "I Like It", which features the rapper Pitbull, was released on May 3, 2010 in the U.S. and became a success, reaching number 4 on the Billboard Hot 100.

"Cuando Me Enamoro" was released as the lead Spanish single from the album. The song debuted at number 8 and number 25 on U.S Latin Pop Songs and U.S. Hot Latin Songs, respectively. The song became his 25th top 10 single on the U.S. Billboard Hot Latin Songs & after 4 weeks of its release date it became his 21st No.1 song on this chart.^[21][22]

As of January 2011 "Tonight (I'm Fuckin' You)" broke into the top 10 on the Billboard charts reaching no 4.^[23] The song was released only for digital download in the U.S. although was featured on some Editions of "Euphoria" in Europe and some Asian areas. The song has became his first #1 on the US Pop Songs and Hot 100 airplay Charts.^[24]

A remix version of "Dirty Dancer" was released and became his ninth Dance Club play chart topper making him the male with the most number-one dance singles. tying with Prince & Michael Jackson.^[25][26] "Ayer" serves as the albums seventh single.

The Euphoria Tour has taken him across the US, Canada UK and Europe. A second which has taken him to Australia will include leg will include fellow artists Pitbull and Prince Royce and will be across North America. Iglesias was finalizing production for an extension to Euphoria, titled Euphoria Reloaded, however due to the poor commercial performance of I Like How It Feels featuring rapper Pitbull, plans of the rerelease were cut.The song topped the Billboard Hot Dance-Club Songs,making him the male artist with most number-one dance singles. Iglesias has recently collaborated with Dev on a song called "Naked". It was released on iTunes on December 20, 2011. This song was written by Iglesias.

Iglesias announced on 30 April, 2012 in a press conference at Boulevard3 that he would go on a joint world tour titled Jennifer Lopez and Enrique Iglesias in Concert with Jennifer Lopez & Wisin & Yandel. The trek is presented by State Farm Insurance and promoted by AEG Live. ^[27]

On May 22, 2012 Iglesias performed at the first Q102 Springle Ball 2012 concert, among the songs he performed were "Tonight I'm Loving You", "Hero", and "I Like It".

Songwriting, producing, and acting[link]

Iglesias has collaborated with songwriter Guy Chambers to write "Un Nuovo Giorno", the lead single from Andrea Bocelli's first pop album. The song was later translated into English as "First Day of My Life" and recorded by Spice Girl Melanie C. The song has since gone to become a huge hit throughout Europe, and peaked in the number one spot in numerous countries. Iglesias also wrote the single "The Way" for American Idol runner up Clay Aiken. Four songs co-written by Iglesias appear on the UK band The Hollies' current album. Many times Iglesias has said that should he ever retire, he wants to write and produce songs for other artists. In 2010 Idol Allstars 2010 (Swedish Idol Series) released a song "All I Need Is You" co-written by Iglesias with Andreas Carlsson, Kalle Engström and Kristian Lundin. It went straight to iTunes #1.

In 2000, Iglesias co-produced an off Broadway musical called Four Guys Named Jose and Una Mujer Named Maria. In the musical, four Americans of Latin heritage possess a common interest in music and meet and decide to put on a show. The show contained many references and allusions to many classic and contemporary Latin and pop songs by the likes of Carmen Miranda, Selena, Richie Valens, Santana, Ricky Martin and Iglesias himself.

Iglesias also developed an interest in acting, starring alongside Antonio Banderas, Salma Hayek and Johnny Depp in the Robert Rodriguez film Once Upon a Time in Mexico, in which he played the foul-mouthed gun-wielding Lorenzo. In 2007, he had guest starred in the TV comedy Two and a Half Men as a carpenter/handyman. He says that he would act again if given small roles that he could fit in between his musical commitments.

He also guest starred as Gael, an Argentinean guitar playing/surfer/massage therapist love interest of Robin in season 3 of the CBS hit TV show How I Met Your Mother.

Iglesias also played the part of an evil Roman emperor in an ambitious TV commercial for Pepsi, which sponsored his last world tour. He starred alongside Britney Spears, Beyoncé and Pink, who turn the tables on him in the commercial. He's also starred in commercials for Tommy Hilfiger, Doritos and for Viceroy watches.

Personal life[link]

Iglesias started dating tennis player Anna Kournikova in late 2001 (she appeared in his video, "Escape"), and rumors that the couple had secretly married circulated in 2003 and again in 2005. Kournikova herself has consistently refused to directly confirm or deny the status of her personal relationships. But in May 2007, Enrique Iglesias was quoted (incorrectly, as he would clarify later) in the New York Sun that he had no intention of marrying Kournikova and settling down because they had split up^{[citation needed]}. The singer would later deny these rumors of "divorce" or simply separation^{[citation needed]}. In June 2008, Iglesias told the Daily Star that he had married Kournikova the previous year and that they are currently separated.^[28] In an interview with Graham Norton in 2010, Kournikova confirmed that she and Iglesias have been together for over eight years but have no plans to marry in the near future.^{[citation needed]}

Discography[link]

• Enrique Iglesias (1995)
• Vivir (1997)
• Cosas del Amor (1998)
• Enrique (1999)
• Escape (2001)
• Quizás (2002)
• 7 (2003)
• Insomniac (2007)
• Euphoria (2010)

Filmography[link]

Tours[link]

• Vivir World Tour (1997)
• Enrique World Tour (2000)
• One Night Stand World Tour (2002)
• Insomniac World Tour (2007)
• Greatest Hits Tour (2009)
• Euphoria Tour (2010-12)
• Jennifer Lopez and Enrique Iglesias in Concert (2012)

Awards and nominations[link]

• Enrique Iglesias is one of the most celebrated Latin musical artists of all time. He has won 16 Billboard Music Awards and 23 Billboard Latin Music Awards, as well as 5 American Music Awards, a Grammy, a Latin Grammy and 7 World Music Awards. He also won an award for Best International Pop Act at the MTV India Awards. As well as being named "King of Latin Pop", he has won 15 Premios Lo Nuestro awards. In 2000, he was also awarded Most Fashionable Artist at the VH1/Vogue Fashion Awards. In 2001, for the release of his second English studio album Escape, he received awards for Best-Selling Pop Male Artist and European Male Artist at the World Music Awards.^[29] Iglesias also won an award for Most Successful Spanish Artist of the Decade at Premios Ondas in 2002.

See also[link]

Latin American music portal

• List of best-selling Latin artists
• List of best-selling music artists
• List of best-selling singles worldwide

References[link]

External links[link]

Wikimedia Commons has media related to: Enrique Iglesias

• Enrique Iglesias at the Internet Movie Database
• Official Enrique Iglesias website
• Official Interscope Records website
• Enrique Iglesias on Myspace
• Enrique Iglesias's channel on YouTube
• Enrique Iglesias on Facebook
• Enrique Iglesias profile at NNDB