Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. These, as well as most of their other Savoy operas, continue to be performed regularly throughout the English-speaking world and beyond by opera companies, repertory companies, schools and community theatre groups. Lines from these works have become part of the English language, such as "short, sharp shock", "What, never? Well, hardly ever!", and "Let the punishment fit the crime".

Gilbert also wrote the Bab Ballads, an extensive collection of light verse accompanied by his own comical drawings. His creative output included over 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw. According to The Cambridge History of English and American Literature, Gilbert's "lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since".

William Somerset Maugham (/ˈmɔːm/ MAWM), CH (25 January 1874 – 16 December 1965) was an English playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.

Maugham's father Robert Ormond Maugham was an English lawyer who handled the legal affairs of the British embassy in Paris, France. Since French law declared that all children born on French soil could be conscripted for military service, his father arranged for Maugham to be born at the embassy, technically on British soil. His grandfather, another Robert, had also been a prominent lawyer and co-founder of the English Law Society. It was taken for granted that Maugham and his brothers would follow in their footsteps. His elder brother Viscount Maugham enjoyed a distinguished legal career and served as Lord Chancellor from 1938 to 1939.

Maugham's mother Edith Mary (née Snell) had tuberculosis, a condition for which her doctor prescribed childbirth. She had Maugham several years after the last of his three older brothers; they were already enrolled in boarding school by the time he was three. The youngest, he was effectively raised as an only child.

Sir Arthur Seymour Sullivan MVO (13 May 1842 – 22 November 1900) was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado. Sullivan composed 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".

The son of a military bandmaster, Sullivan composed his first anthem at age eight. He was selected as soloist in the boys' choir of the Chapel Royal. The Reverend Thomas Helmore, the choirmaster, encouraged Sullivan and arranged for the publication and performance of his early compositions. In 1856, the Royal Academy of Music awarded the first Mendelssohn Scholarship to the 14-year-old Sullivan, allowing him to study first at the Academy and then in Germany, at the Leipzig Conservatoire. His graduation piece was a suite of incidental music to Shakespeare's The Tempest. When it was performed in London in 1862, it was an immediate sensation. Sullivan began his composing career with a series of ambitious works, interspersed with hymns, parlour ballads and other light pieces. Among his best received early pieces were a ballet, L'Île Enchantée (1864), and his Irish Symphony, Cello Concerto and Overture in C (In Memoriam) (all in 1866). From 1861 to 1872, he supplemented his income by working as a church organist and as a music teacher.

Sylvia McNair (born June 23, 1956) is an American opera singer and classical recitalist who has also achieved notable success in the Broadway and cabaret genres. McNair, a soprano, has made several critically acclaimed recordings and has won two Grammy Awards.

Sylvia McNair was born in Mansfield, Ohio, the daughter of George and Marilou McNair. As a youth, she studied violin. She originally enrolled in the undergraduate music program at Wheaton (Ill.) College as a violin major but was encouraged by a violin instructor there to study voice as well. She commenced vocal studies at Wheaton with Margarita Evans, and finding herself more suited to singing, discontinued violin as her major. She earned a Bachelor of Music degree in 1978 from Wheaton and subsequently a Master of Music with Distinction in 1983 from Indiana University (whose music school is now the Jacobs School of Music), where she studied voice with Virginia MacWatters, John Wustman, and Virginia Zeani.

Sylvia McNair made her professional concert debut in 1980 with the Indianapolis Symphony Orchestra. Her operatic debut, in 1982, was as Sandrina in Haydn's L'infedeltà delusa with the Mostly Mozart Festival. She appeared regularly at the Vienna State Opera, the Salzburg Festival, Royal Opera House at Covent Garden, the Santa Fe Opera, the San Francisco Opera and at the Metropolitan Opera, and has soloed with many major European and American orchestras.

Jean Rigby (born 22 December 1954), is an English opera and concert singer. A mezzo-soprano, she is a long-time principal with the English National Opera.

Born in Fleetwood, Lancashire, she studied at the Birmingham School of Music and the Royal Academy of Music. She made her debut with the English National Opera in 1977. She has sung with the Royal Opera and has been for many years a regular guest at the Glyndebourne Festival. At the 2008 Glyndebourne festival, she created the role of Martina Laborde in Peter Eötvös' opera Love and Other Demons. In the field of concert music, she has been a frequent soloist at the BBC Promenade Concerts.