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15 (fifteen) is the natural number following 14 and preceding 16. In English, it is the smallest natural number with seven letters in its spelled name.
In speech, the numbers 15 and 50 are often confused. When carefully enunciated, they differ in which syllable is stressed: 15 /fɪfˈtiːn/ vs 50 /ˈfɪfti/. However, in dates such as 1500 ("fifteen hundred") or when contrasting numbers in the teens, the stress generally shifts to the first syllable: 15 /ˈfɪftiːn/.
Fifteen is a triangular number, a hexagonal number, a pentatope number and the 4th Bell number. Fifteen is the double factorial of 5. It is a composite number; its proper divisors being 1, 3 and 5. With only two exceptions, all prime quadruplets enclose a multiple of 15, with 15 itself being enclosed by the quadruplet (11, 13, 17, 19). 15 is also the number of supersingular primes.
15 is the 4th discrete semiprime (3.5) and the first member of the (3.q) discrete semiprime family. It is thus the first odd discrete semiprime. The number proceeding 15; 14 is itself a discrete semiprime and this is the first such pair of discrete semiprimes. The next example is the pair commencing 21.
Year 15 (XV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Flaccus (or, less frequently, year 768 Ab urbe condita). The denomination 15 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Kanye Omari West ( /ˈkɑːnjeɪ/; born June 8, 1977) is an American musician, film director and fashion designer. West first rose to fame as a producer for Roc-A-Fella Records, where he eventually achieved recognition for his work on Jay-Z's album The Blueprint, as well as hit singles for musical artists including Alicia Keys, Ludacris, and Janet Jackson. His style of production originally used pitched-up vocal samples from soul songs incorporated with his own drums and instruments. However, subsequent productions saw him broadening his musical palette and expressing influences encompassing '70s R&B, baroque pop, trip hop, arena rock, folk, alternative, electronica, synthpop, and classical music.
West released his debut album The College Dropout in 2004, his second album Late Registration in 2005, his third album Graduation in 2007, his fourth album 808s & Heartbreak in 2008, and his fifth album My Beautiful Dark Twisted Fantasy in 2010. West released a collaborative album, Watch the Throne with Jay-Z in 2011, which is the duo's first collaborative album. His five solo albums, all of which have gone platinum, have received numerous awards and critical acclaim. As of 2012, West has won a total of eighteen Grammy Awards, making him one of the most awarded artists of all-time. All albums have been very commercially successful, with My Beautiful Dark Twisted Fantasy becoming his fourth consecutive No. 1 album in the U.S. upon release. West has had 5 songs exceed 3 million in digital sales as of July 2011, with "Gold Digger" selling 3,086,000, "Stronger" selling 4,402,000, "Heartless" selling 3,742,000, "E.T." selling over 4,000,000 and "Love Lockdown" selling over 3,000,000 placing him third in overall digital sales of the past decade. He has sold over 30 million digital songs in the United States making him one of the best-selling digital artists of all-time.
Melissa Lou Etheridge (born May 29, 1961) is an American rock singer-songwriter and activist.
Etheridge is known for her mixture of confessional lyrics, pop-based folk-rock, and raspy, smoky vocals. She has also been an iconic gay and lesbian activist since her public coming out in January 1993.
Born in Leavenworth, Kansas, the younger of two girls, to John Etheridge, a psychology teacher at Leavenworth High School, and Elizabeth Williamson, a computer consultant. She attended David Brewer School, which is still located at 17th and Osage Streets. She graduated in 1979 from Leavenworth High School (LHS), 10th Avenue and Halderman. Etheridge was a member of the first "Power and Life" musical/dance group at LHS which is still active today. Her childhood home was at 1902 Miami Street.
Etheridge's interest in music began early; she picked up her first guitar at 8. She began to play in all-men country music groups throughout her teenage years, until she moved to Boston to attend Berklee College of Music.
James Randi (born Randall James Hamilton Zwinge; August 7, 1928) is a Canadian-American stage magician and scientific skeptic best known as a challenger of paranormal claims and pseudoscience. Randi is the founder of the James Randi Educational Foundation (JREF). Randi began his career as a magician named The Amazing Randi, but after retiring at age 60, he began investigating paranormal, occult, and supernatural claims, which he collectively calls "woo-woo".
Although often referred to as a "debunker", Randi rejects that title owing to its perceived bias, instead describing himself as an "investigator". He has written about the paranormal, skepticism, and the history of magic. He was a frequent guest on The Tonight Show Starring Johnny Carson and was occasionally featured on the television program Penn & Teller: Bullshit!. The JREF sponsors The One Million Dollar Paranormal Challenge offering a prize of US$1,000,000 to eligible applicants who can demonstrate evidence of any paranormal, supernatural or occult power or event under test conditions agreed to by both parties.
I got a number in my pocket
Keep it in my wallet, right on my hip
When my paycheck's steady, I'm damn good and ready
I toll it up to my lip, and I go to the moon
I got my foot down on the throttle
Hands around the bottle, I think my speakers are blown
No rubber on my tire, I'm a gettin' higher
Higher than I've ever Known
And I ain't coming down
I can't remember the last time I touched the ground
You look at me like I'm gonna let you down
Hey, every time I come around
You got your finger on my button
Actin like it's nothing, bitchin' from your golden throne
You ain't no anybody, actin' high and mighty
Waitin' for me to explode, fire in the hole
Look out, down below, here I go
You're wasting time, why bother even coming 'round
add the bass ya'll....
add the trumpet ya'll...
well im five on a good day six, i got plenty of thing
need to fix a bigger chest with dimples in my face with
those i could be pushing seven to eight guitar in hand
add a point to my score no car slide me down to a four
six feet with a pair of blue eyes brings me back up to
five
chorus:
greater than less than equal too
youre making this way to mathematical the value of
personality seems to be dead. all walking around with
numbered halo's on our heads
well...
three's want four's and four's want five's eight's
think nine's have much better lives and its a
reasonable question to ask i guess its all worth doing
the math and i cant and lie to you and say this is
something i dont do but im a nother number crunching
fool whos calculators way overused
chorus:
greater than less than equal too
were making this way to mathematical the value of
personality seems to be dead. all walking around with
numbered halo's on our heads
and im thinking
just one time i wish i could have a nine she'd be hot
and she'd be mine just one time
but for every nine theres a two staring back at you
wish you would do what you wanted the nine too aye ayee
(ohhh noooo)90% of the mental judicial system is based
soley on superficial intuition to me that seems a bit
stange Only talk to people who we think we might be
kissn' that's a lot of ideas to be dismissing WE leave
it to humans to choose the criteria we can't change
doesn't make sence no doesn't make sense doesn't make
sense For the numbers to be where we are
concentrating In my minor sense i condesense in my
minor sense asymetrical interactions simply evaporating
simply evaporating
i'm a five on a good day six got plenty of things need
to fix i need a formua or some sort of plan to focus
I can't see nothin'
but a sphere
and the children are all
filled with straw.
filled with chaff.
(i'm flow? er? ing with the grains)
i fear
a dagger you
struck me
coming slightly.
whispers
i lapped milk from her
the inside of her elbows
like a cat
softly struck me.
i go out staggering, after midnight
just hopin'
the dark wind whispers down dark hallways
to me
to me I fear
well, that's just my way
of sayin'
daggers.
the salt from the inside of her wrists
weeping beams
hold up the moonlight
out in the moonlight keep me staggerin'
hold me up
sdaggerin' across a long black nothing.
i fear a sphere
dagger
I can't see nothin'
but a sphere
and the children are all
filled with straw.
filled with chaff.
(i'm flow
er
ing with the grains)
i fear
a dagger you
struck me
coming slightly.
whispers
i lapped milk from her
the inside of her elbows
like a cat
softly struck me.
i go out staggering, after midnight
just hopin'
the dark wind whispers down dark hallways
to me
to me I fear
well, that's just my way
of sayin'
daggers.
the salt from the inside of her wrists
weeping beams
hold up the moonlight
out in the moonlight keep me staggerin'
hold me up
sdaggerin' across a long black nothing.
i fear a sphere
dagger
Come new year's day's morning
Now what did you promise this time?
Can you remember
What accidentally slipped your mind?
No more degrading
Or humiliating stunts?
What were you saying
Before you pulled down your pants
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
I am entitled
To speak my mind about what you do
I'm not patronizing,
I am merely endorsing:
Do what you want to
Not what others expect from you
You are a person
And should demand some respect
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
You're so much more
Than a number on a mensroom
You're so much more
Than a number on a mensroom
You're so much more
Than a number on a mensroom
You're so much more
receive your number enter the machine run through the
program do you really matter? a member of a class ignored
like all the rest schoolbook propaganda jammed inside
your head apathetic system who cares if you can't read?
you're just another fucking number pushed through the
machine open a book become a statistic graduate an