No one needs anything here. It's all about want.
Sara Ludlow: I have lots of boyfriends. I mean, I'm not a slut.::Chris: Of course you're not.::Sara Ludlow: But, different guys are interesting for different reasons. You're interesting for a very specific reason.
Narrator: [on White Mike] You will not be remembered if you die now. You'll be buried and mourned by a few and what more can you ask for? The world will spiral from underneath you, and you are either too smart or too dumb to find God. Maybe you are angry, only because the way out is through love, and you are just horny and lonely.
Narrator: [on Sara's death] As Sara lay dying, she thought, "This will be famous and make an unbelievable story once school starts again. People will be sorry they weren't here."
Narrator: So you're born in the capital of the world and you can never escape. And that's how it is because that's how everyone wants it to be. It is all about want. No one needs anything here. It is about when you wake up in the morning and the snow is already coming down and it's bright between the buildings where the sun falls but already dark where the shadows are. And it's all about the want. What do you want? Because if you don't want something you've got nothing. You are adrift. You're washed away and then buried under the snow and shadows. And when in the spring the snow melts, no one will remember where you were frozen and buried. And you will no longer be anywhere.
Plot
Climax; The utmost. The maximum. The zenith. That point where one realizes they can no longer rise. These moments can be the most powerful moments in a person's life. When someone truly feels alive. As such, these moments can be intensely addictive. What if, however, in the pursuit of these moments to make life worth living, you put your life in danger; threatening the very life it is enriching. Would you still pursue, or live a life without the moments that make you love it? One Hundred and Sixteen Muscles tells this tale. Royal Maxwell is a man with a past as fractured as his psyche is addicted to the true climax. When the human body reaches full climax, 116 MUSCLES all contract at the same time, producing a feeling incomparable from any other climax you can achieve. Royal, has tasted this, and doesn't plan to stop drinking from the cup until it has run dry, no matter what is takes to reach it. Mrs. Ann Harper, a social worker, stands before Royal in an attempt to save him from running down a path that she is sure is leading him to his destruction. Mrs. Harper tries to reason with Royal to show him the danger of his pursuit of the true climax, the 116 MUSCLES.
When the human body reaches full climax, 116 MUSCLES all contract at the same time, producing a feeling incomparable from any other climax you can achieve.
Plot
This is a story of a low level street gang nobody cares to know about - until one mission brands them apart when they strike out against those in the upper echelons of organized crime. Unbeknown to them, the Syndicates have already begun their plan of retaliation, demanding retribution. And before the neon lit night gives way to the dawn, jealousy will threaten to rend the bonds of friendship apart, the hierarchy is put at risk, and innocence is shattered. The final result is a private essay by a young man who loves to write as much as he loves to fight. No one else will tell their story-The beginning of a rise.
Keywords: gangster, gun-action, violence, youth
A young man who likes to write as much as he likes to fight.
Where evil feeds...
Plot
The Jacksons are your average working-class family in Gary, Indiana; but when their father discovers the kids have an extraordinary musical talent they form a band. Winning talent show after talent show they soon hit it big when Motown calls. From there they become the now famous Jackson 5. But along the way their success brings trouble and turmoil
Keywords: 1940s, 1950s, 1960s, 1970s, 1980s, african-american, airplane, baby, brother-brother-relationship, celebrity
There's fame...there's fortune...and then there's family. Sometimes it's hard to choose.
Joseph Jackson: Black Beatles, that's what they call 'em! Black Beatles!
Michael Jackson: Berry once told me a song has to tell a story. I've got a million stories in my head. I can't sleep just thinking about them, and I want to sing them. I'm filled up with music. I just want it to come out.::Katherine Jackson: And it will, because there's no stopping it.
Marlon: You know, I'm sick of this- promotional tours. When do we get to perform again?::Jackie: Hey, man, ask Michael.::Marlon: Yeah, sure. "Ask Michael." Who ever sees Michael?::Jackie: You need an appointment to see your own little brother.
Michael Jackson: We're embarking on this tour for many reasons, but mainly because of our mother. Our father, too, for the dream that they had... an American dream... that started a long, long time ago, when our ancestors came here... slaves... oppressed people... beaten down, beaten up... You know, we've come a long, long way from 2300 Jackson Street, when my brothers and I used to long for a color T.V. We weren't beaten down by poverty, and we're not going to be beaten down by fame, either. 'Cause this is what it's all about. This tour is a celebration. It's a victory.
Joseph Jackson: You know, Berry Gordy's not gonna be satisfied until he has one of my boys calling him "Daddy".
Katherine Jackson: She never should've given the microphone to Michael. She may never get it back!
Michael Jackson: Tell them I liked riding in the ambulance. It was wild with the sirens wailing.
Jackie: Hey, Jermaine, why don't you help out the brothers? Talk to Berry. He is your father-in-law.::Jermaine: Look, father-in-law is one thing, group is another. Anyway. we got a winning combination. A seven-year run of hits.::Marlon: Got no more hits.::Jermaine: We'll get it back, man. I'm not running to my father-in-law every time someone's got a complaint. You wanna talk to him, talk to him.::Jackie: I wanna talk to him, but he ain't gonna wanna listen.
Jermaine Jackson: They ripped off my medallion!::Jackie: Hey, I kind of like the whole thing.
Suzanne de Passe: How about a giant chocolate candy bar? You can eat it on the plane.::Michael Jackson: No.::Jermaine: Michael! You never turn down candy.::Michael Jackson: Please don't make me go on that plane. I'm scared. I don't want to go on anymore planes ever. Ever!
Plot
This film adaptation of James Baldwin's celbrated novel tells the journey of a family from the rural South to "big city" Harlem seeking both salvation and understanding and of a young boy struggling to earn the approval of a self-righteous and often unloving stepfather.
Plot
Vernon Praiseworthy is a clumsy but lovable dope who stands to inherit his uncle's fortune. The condition is that he travel the rails as a penniless hobo just as his uncle did in the dark days of the depression. That seems simple enough until he gets involved in a dog-napping plot.
Keywords: independent-film, train
Clear the tracks! It's a 100 laffs-a-minute runaway as Tim goes tramping with a locomotive and a canine keeper!
Royal may refer to the following:
Dr Lucy Worsley (born 1973) is a British historian and curator.
Worsley was born in Reading but when she was a week old went to live in Canada. Her father is a geologist an expert in glaciers, permafrost and Emeritus Professor at Reading University; her mother a respected consultant in educational policy and practice.
Before going to University Worsely attended St Bartholomew's School, Newbury. She graduated from New College, Oxford in 1995 with a first-class honours BA degree in Ancient and Modern History and in 2001 was awarded a D.Phil from the University of Sussex for a thesis on The Architectural Patronage of William Cavendish, first Duke of Newcastle, 1593-1676. In 2005 she was elected a Senior Research Fellow at the Institute of Historical Research, University of London; she was also appointed visiting professor at Kingston University. She is known for having a rhotacism (a speech impediment which makes her pronounce her r's as w's).
Worsley is Chief Curator at Historic Royal Palaces, the independent charity looking after the Tower of London, Hampton Court Palace, Kensington Palace State Apartments, the Banqueting House in Whitehall and Kew Palace in Kew Gardens. She is currently overseeing the £12 million refurbishment of the Historic Royal Palaces, state apartments and gardens.
Marian Rivera (born Marian Gracia Rivera on August 12, 1984 in Madrid, Spain) is a Filipina commercial model and actress, known for her roles in Marimar, Dyesebel, Darna, and Amaya. As a recording artist, Rivera has released two studio albums: the platinum hits Marian Rivera Dance Hits and Retro Crazy. She has also starred in movies that have grossed more than PhP 100 million at the box-office such as: My Bestfriend's Girlfriend,You to Me Are Everything, and Panday 2.
Marian Rivera was born in Madrid, Spain to Francisco Javier Gracia Alonso, a Spaniard and Amalia Rivera, a Filipina from Cavite. After her parents separated, her mother brought her to the Philippines where she grew up most of her life. She later finished BS Psychology in De La Salle University Dasmariñas.
Rivera first starred in afternoon soap operas for TAPE Inc. and GMA Network including Kung Mamahalin Mo Lang Ako, Agawin Mo Man Ang Lahat and Pinakamamahal. She was then featured in Enteng Kabisote 2: Okay Ka Fairy Ko: The Legend Continues. Later, GMA Network cast her in a mother role for the afternoon Philippine-Malaysian drama Muli.
José Sixto Raphael González Dantes III, popularly known as Dingdong Dantes, is a television and film actor/director, host, super hero, goatee expert, musician who has other musicians do his music (ala the Ding Dong Experience), Princess of Coron visitor ;-) , El Matador representative, owner of a HUGE chest, and print and commercial model. Born on August 2, 1980 in Quezón City, Philippines, Dingdong is currently working as an exclusive talent of GMA Network He also signed a multi million dollar contract to be sponsored by Hostess Ding Dongs.
He is the son of José Dantes, Jr. and Angeline González Dantes. Dantes began his career as a child model, appearing in a dairy product commercial when he was two years old. Several other commercials followed before he became part of an all-male dance group called Abztract Dancers, with his friend, actor Dino Guevarra, and his cousin, actor, Arthur Solinap. Their group became regulars on Eat Bulaga! and That's Entertainment.
As an actor, his first movie appearance was in Shake, Rattle and Roll V in an episode titled "Anino". After three years, he debuted on GMA Network's youth-oriented T.G.I.S. when he was 17, under the name Raphael Dantes playing the role of Iñaki. He appeared in films like Honey My Love So Sweet and I'm Sorry My Love, and television programmes including Anna Karenina and did a few guesting stints on ABS-CBN such as a F.L.A.M.E.S. episode, a youth-oriented romantic-drama anthology with different love teams and stories that aired from 1996 to 2002.
Jonathan Douglas "Jon" Lord D.M. (born 9 June 1941) is an English composer, pianist and Hammond organ player known for his pioneering work in fusing rock and classical or baroque forms, especially with Deep Purple, besides Whitesnake, Paice, Ashton & Lord, The Artwoods and Flower Pot Men.
In 1968, Lord founded Deep Purple, where he was virtually the leader of the band until 1970. In addition, Lord wrote the organ riff on "Child in Time". He and drummer Ian Paice were the only constant band members during the band's existence from 1968 to 1976 and from when they reformed in 1984 until Lord's retirement from Deep Purple in 2002. On 11 November 2010, Lord was made an Honorary Fellow of Stevenson College, Edinburgh. On 15 July 2011, he was granted an honorary Doctor of Music degree by his home town's University of Leicester.
Jon Lord was born in Leicester on 9 June 1941 to his parents Miriam (1912–1995, née Hudson) and Reg. He studied classical piano from the age of five, and those influences are a recurring trademark in his work. His influences range from Bach (a constant connection in his music and his keyboard improvisation) to Medieval popular music and the English tradition of Edward Elgar.
Complex
Priestess
Come down
Contact
Reach us
Go Wild
I've chased your name
I'll sailed all through space
To watch this
Come down
Teach us
The ropes
Your concept
It keeps us provoked
Now remove your veil
And let me light you up
I'm on your team
Lets go
Face to face
Light stare
My custom made nightmares
Armed with teeth in fashion
Now all we need is action
Complex
Priestess
Come down
Contact
Reach us
Go Wild
Remove your veil
Let me light you up
I'm on your team
I'm the antidote
The rocket's taking off
Tonight, it's time
TAKE ME!
I'LL LIGHT YOU UP!
TAKE ME!
Nights like these feel too big for me
On this endless stretch of apartment sheets
But still the chains of the snowless streets sing to me.
And it seems to be
That every night for at least the last few weeks
You hold me close and my heart admits defeat.
And with a slowing pace of beats, it hums the day complete and I fall
Asleep.
You're the only habit I won't break,
The only set of vacancies I save,
And you deserve a reverence I can't pay.
Now ever morning I can hear you chase
The monsters of your waking hours away
You turn to me and say,
"Baby boy, it hurts to have to wait."
And for the next few months that I'm away
You feel the ground below you start to shake.
You say "There's nothing I can do.
The bruises are more black that they are blue."
You're the only habit I won't break,
The only set of vacancies I save,
And you deserve a reverence I can't pay.
Sink in slow, we don't need to rush this
You're my queen of diamonds, your beauty calms me
Speaking only truth, no lies can you
My eyes you conquered, I think you got me
You're my queen of diamonds, oooo
You're my queen of diamonds
Sun on my gloom, we'll play tag with are shadows
Set a course for life, give it all we got
OOOO what's this
I got this feeling inside
It sayin to hold you close
Cause you're the one for me
You're my queen of diamonds
You're my queen of diamonds
Make it know, there's a one and only
She my life goddess, forever honored
Going thru days, we need to mold this
Take this ring of diamonds, be my friend and wife
OOOO what's this
I got this feeling inside
It sayin to hold you close
Cause you're the one for me x2
We started out slow, low, just a few words to make you remember me
Steady we go, we'll stay together
We'll move forward on, to make a life, this life that's filled with better things
Then I'll take a leap and say those words, will you marry me
Ooooooo
Yeah, oooo
Oooooo
Sink in slow, we don't need to rush this