Year 1533 (MDXXXIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar.

Hans Holbein the Younger (c. 1497 – between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school.

Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own.

Michel Eyquem de Montaigne (French pronunciation: [miʃɛl ekɛm də mɔ̃tɛɲ]), February 28, 1533 – September 13, 1592, was one of the most influential writers of the French Renaissance, known for popularising the essay as a literary genre and is popularly thought of as the father of Modern Skepticism. He became famous for his effortless ability to merge serious intellectual speculation with casual anecdotes and autobiography—and his massive volume Essais (translated literally as "Attempts") contains, to this day, some of the most widely influential essays ever written. Montaigne had a direct influence on writers the world over, including René Descartes,Blaise Pascal, Jean-Jacques Rousseau, Ralph Waldo Emerson, Friedrich Nietzsche, Stefan Zweig, Eric Hoffer,Isaac Asimov, and possibly on the later works of William Shakespeare.

In his own time, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that, 'I am myself the matter of my book', was viewed by his contemporaries as self-indulgent. In time, however, Montaigne would be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertaining doubt which began to emerge at that time. He is most famously known for his skeptical remark, 'Que sçay-je?' ('What do I know?' in Middle French; modern French Que sais-je?). Remarkably modern even to readers today, Montaigne's attempt to examine the world through the lens of the only thing he can depend on implicitly—his own judgment—makes him more accessible to modern readers than any other author of the Renaissance. Much of modern literary non-fiction has found inspiration in Montaigne and writers of all kinds continue to read him for his masterful balance of intellectual knowledge and personal story-telling.

Sarah Bakewell is an author of fiction and non-fiction. She currently lives in Clapham, in south London, writing and working as a part-time cataloger of rare books at the National Trust in London.

Bakewell was born in the seaside town of Bournemouth, England, where her parents ran a guest house. When she was five, the family began traveling through India in a camper, and continued to do so for two years before settling in Sydney, Australia. There, her father worked as a bookseller and her mother worked as a librarian. She was educated at Essex University in England, and spent some of her young adulthood working in bookstores.

The first readings that especially interested Bakewell included Kafka’s short stories and Thomas Bernhard’s collection of 104 micro-narratives, The Voice Imitator, and she calls The Land of the Thinsies, by Dorothy Ann Lovell "one of her first loves." Now, however, she says she has "a thing about monster-books – the kinds that make outrageous demands on the reader and defiantly outstay their welcome."