In grammar, inflection or inflexion is the modification of a word to express different grammatical categories such as tense, grammatical mood, grammatical voice, aspect, person, number, gender and case. Conjugation is the inflection of verbs; declension is the inflection of nouns, adjectives and pronouns.
An inflection expresses one or more grammatical categories with an explicitly stated prefix, suffix, or infix, or another internal modification such as a vowel change. For example, the Latin ducam, meaning "I will lead", includes an explicit suffix, -am, expressing person (first), number (singular), and tense (future). The use of this suffix is an inflection. In contrast, in the English clause "I will lead", the word "lead" is not inflected for any of person, number, or tense; it is simply the bare form of a verb.
The inflected form of a word often contains both a free morpheme (a unit of meaning which can stand by itself as a word), and a bound morpheme (a unit of meaning which cannot stand alone as a word). For example, the English word "cars" is a noun that is inflected for number, specifically to express the plural; the content morpheme "car" is unbound because it could stand alone as a word, while the suffix "s" is bound because it cannot stand alone as a word. These two morphemes together form the inflected word "cars".
Thomas Montgomery Newman (born October 20, 1955) is an American composer and conductor, best known for his many film scores.
Newman has received a total of ten Academy Award nominations, although as of 2011, he has yet to win the award. He has however won a BAFTA, two Grammys and an Emmy, and has been nominated for a Golden Globe. Newman was honored with the Richard Kirk award at the 2000 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.
Born in Los Angeles, California, he was the youngest son of Mississippi-born Martha Louise (née Montgomery) and composer Alfred Newman. He is a member of a film-scoring dynasty in Hollywood that includes his father, brother David Newman, sister Maria Newman, uncles Lionel Newman and Emil Newman, cousin Randy Newman (who is also known as a singer and songwriter) and his nephew Joey Newman. Newman was educated at Yale University before starting his career in music.
His first major score was for the 1984 film Reckless. In 1999, Newman composed the score to Sam Mendes' first feature film American Beauty, created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that." This was his first collaboration with Mendes, and he would go on to score all of the director's subsequent films except for Away We Go. He received a fourth Oscar nomination for this score, and although he lost again (to John Corigliano for The Red Violin), he did receive a Grammy and a BAFTA.
Invisible oppression
No sensations nevermore
My frustration caused the sickness encircled abandoned
Total dementia
Shelter from thoughts we'll find in space
Taste of brainwash as a foolproof fucking cage
And from behind, the need of being blind
Abuse is my view in complexity of mind
Somehow confined nonsense, my crude decision
Absence of static visions
My rusted soul can't hide no more
I made this mess and now it's over...
After an entire life in sanity fill my soul, then let me die
speed up
a spiral martyr will lead to your end
never to return
on these shores of despair
another murder becoming closer but perfect
cleanse me impure
I am the devil's advocate
in divine resignation
searching for freedom
a fraction of time
too late to be saved
the tool, the key, elevate to second floor
feel and feed
act of transfusion
this is the faint smell of suicide
dreams of lifeless passion
hidden in blackened chariots
entwined with lethe
but still eyes wide open
to be suspended in the side
false ecstasy
an implosion is what I feel
alchemy on my inner fields
poison flows into my veins paralyzed as I drown in flames
disintegrate, dressed in black disease
now I know what dwells within me!
immobile in spirals down
void of emptiness unbound, turns my mind
it makes no sense to live
can't stop this from being real
becoming the mannequin enslaved, to explain what's all to clear
returning to devour, as I try to erase what used to be
my anger hides within, what's left is misery wasted, broken, my dreams unfulfilled
seeking thy refuge where my pain resides
"she seated herself by me again, her embrace grew sadder and graver
she was a part of my life, the half envenomed, my threnody
incantation for better for worse, with tender movements in times of grief"
its substance moving through my eyes
endless burning of soul and mind
Useless words are the weapons of your convinction
Molesting
Infiltrating every perception
Disciples of a world called insolence
Memories corrode my soul though i meet you again
I'm alone with a neverending wrong
Feel so much pain and endless amazement
Nothing is real as the uncertainty i feel
Thirsted i drink the poisoned rain
My sentence . . . after a life in perennial cowardice
Thousands of painful dreaming elements
Like symbols of post-humanity
Collapsing like houses of cards
Fall into a strange, unusual chasm
I hear your voice, your suffering
While shattered mirrors reflect my damnation
The distorted vision of denied purification
As coward meets coward
staring trough the eyes of a cosmic existence
my body and soul divorce again
no need for the fragile human life . . .
caressing my wounds while I am chained to the ground
echoes of fear nourish my lust for domination whatever it will cost
and into the lands of purgatory I awake
I have given place to a totally new self
forsaken, stand on the fields of a self evilution
nihilistic supremacy, liberation from the thoughts naive
the hatred clears my mind
from scorn I will rise
preparing for the hardest fight
selfish pride, turning into endless pleasure time
mechanization of our lives
trough divine consciousness
lament of the human kind
obsolete perfection
a new intelligence arise
selfcaged stagnation
I'm the eraser of your world
denied salvation
an organic carnal anagram
no attempt at resolution
come and hear my twisted lies
Surrounded by fire
Cold wind blows again tonight
To subdue the calm before the storm
Walking the path
A painful reminiscence
I leave myself once again...
Emptiness, as I die, here for a while
Here the life non longer guards
While vanities enslave my heart
Forever loosing horizons
In silence everlast
Suicide, as I leave mankind
It tortures my mind
the blood falls down from your face
the blood falls down from your eyes
your blood in my goblet
now I drink your blood, raping your soul
demonic beast wants your eyes
demonic beast wants your head
the blood is so warm and your empty veins . . .
your body is so cold
now I'll break your fucking head