This Diwali, Vengeance Will Be Funny
For his return...He waited 30 years!
Plot
Munni loves Sher Khan. Sher Khan loves Munni, and so does every other man in town. They get married, but her notorious flirting causes a quick divorce. In order to remarry each other, they must follow the law - she has to marry someone else for 24 hours, then divorce him. She chooses to remarry - Sher's 70 year old grandfather......who decides not to divorce.....
Plot
Perci Trachtenberg, widely regarded as the world's greatest living mathematician, meets Venkat, a reclusive math genius from India, at a high rolling casino in London. Venkat tells Perci about an equation that could not only change the dialogue on mathematics forever, but one that has already left an indelible impression of guilt - for many painful reasons - on Venkat's life. As it turns out, the reclusive genius Venkat has cracked a theory that could redefine the principles of probability and randomness. However, as with all exceptional knowledge, his equation has its upside - as well as its dark underbelly. Aware that he is on the precipice of an extraordinary discovery, one that could find applications across various sciences, Venkat is encouraged to test his theory in the real world by professor Shantanu, an ambitious colleague of Venkat. Although Venkat has no interest in the money that could come from practicing his equation to crack Teen Patti, (a poker game) he eventually succumbs to Shantanu's charismatic persuasion. Soon, with the help of a few students, each with a complicated and singular fate of their own, they explore the addas (underground gambling dens) of wild Bombay. But what starts out as an experiment between a charismatic young professor and an eccentric older one soon descends into a game neither of them can control. When their lives sink into maddening chaos, the greed and desperation that had fueled them on can no longer save them. Perci understands that Venkat's theory in essence, questions the idea of what is random - and what is fated.
Keywords: card-game, cricket-the-game, mathematics, student, suicide
An equation that changed all other equations.
Are You Being Played...?
Plot
Billu (Jayam Ravi) is the son of Mudaliar (Vijay Kumar). Mudaliar is much loved and respected by people of his locality and Billu is almost like a foster son to every person in the locality. Billu takes an instant liking for Susi (Bhavana) the moment he sets his eyes on her at the railway station. Susi, who has arrived from Bangalore to Chennai, is all set to stay at Sait's (VMC Haneefa) place and Sait, who has worked for Susi's father Chidambaram (Lal), a dreaded thug, earlier, has changed ways but retains his respect towards him nevertheless. Susi, who has been craving for love and concern since young, gets impressed with the bonding that the Royapuram residents share. Love blooms between Susi and Billu, and just when they share a light moment with Billu's friends, the unexpected occurs.
Plot
Pooja comes from a very poor family consists of her mom, dad Ramlal and brother, Raju. She meets the wealthy, Thakur Suraj Pratap and both is in love and get married with the blessings of her family and relocates to the Thakur parental mansion with Raju, Pooja finds that she is unable to conceive, Raju falls in love with the Thakur's sister, Jyoti and is all set to make her his bride, to which Thakur agree but tragedy strikes when the Thakur meets Vaishali, whom he wants to make his bride and no body dears go against his decision, all including Pooja. When Raju hears of this he solely protests but is silence by the Thakur, publicly humiliated and shunned by each family member including Jyoti. Now his dream of marrying Jyoti will never come through and he must not dear go against the Thakur words because he might be responsible for his own sister ruin.
Plot
Following the brutal slaying of a call-girl named Julie in Bombay city, two police inspectors, namely Anil Sharma and Rajat Bedi, are assigned to investigate and bring the culprit(s) to book. Anil & Rajat note that the killer leaves "2001" marked on the body of the victim. Anil comes to know that the man staying in Julie's room is a prominent Member of State Parliament, Ramaswamy, and would like to list him as a suspect. Julie's death is followed by more killings in the same style, and killed are Advocates Sarkari and Kajal, and a man named Krishna Rao. Then Ramaswamy himself is attacked, but survives and is hospitalized. When he regains consciousness for a brief period of time, he points an accusing finger at Rajat and then relapses. Not wanting to take any chance, Police Commissioner Malik has Rajat under house arrest. Then Anil comes across some evidence that links the killing to none other than Malik himself, while Rajat starts to gather together evidence against Anil. The question remains: Is the killer one of these police officers? If so, which one, or are all three collectively involved in these gruesome deaths?
Plot
A police officer, Rajesh is an expert in explosives and chemicals. Rajesh lives with his dog and his cook, and has a love interest in Rita. The department in which Rajesh works discovers that there are people interested in stealing information about explosives from them, and start to guard against such an attack, but Rajesh is kidnapped and taken abroad. The kidnappers keep Rajesh imprisoned and send a look-alike, Jackoss, back to India to deceive the department. Jackoss is a non-Indian, with blue eyes and a voice different from Rajesh's. To deceive Rajesh's department, he uses contact lenses and tells them that he lost his voice in the kidnapping. Rita believes him and accepts him as Rajesh, although she has some misgivings. Rajesh's dog and cook realise what has happened, so Jackoss kills them to avoid their exposing him. The authorities are also less trusting and do not allow Jackoss to enter the high-security zone, until some other criminals help Jackoss to convince the authorities of his identity. Meanwhile Rajesh escapes and makes his way back to India. Jackoss had plans to blow up a laboratory, but Rajesh reaches it on time and foils his plan. After killing Jackoss, Rajesh marries Rita.
Billu (Hindi: बिल्लू), originally titled Billu Barber and released under that title in the United States, is a 2009 Bollywood film by Priyadarshan, produced by Red Chillies Entertainment, with an adapted screenplay by Manisha Korde and Mushtaq Sheikh based on the script by Sreenivasan. It stars Irrfan Khan and Lara Dutta, and features Om Puri, Rajpal Yadav and Asrani in supporting roles. Shahrukh Khan makes an extended appearance in the film, while Kareena Kapoor, Deepika Padukone, and Priyanka Chopra make guest appearances in item numbers. The film was released on 13 February 2009.
It is a official adaptation of the 2007 critically acclaimed Malayalam film Kadha Parayumbol. It is also a retelling of the story of Sudama and Krishna. The film was screened at the 2009 Hawaii International Film Festival.
Billu (Irfan Khan) is a poor barber who lives with his wife Bindiya (Lara Dutta) and their two children, Gunja (Mitali Mayakar) and Ronak (Pratik Dalvi) in the village of Budbuda. He also spends time with his close friends Budbudiya (Rajpal Yadav) and Naubat Chacha (Asrani). Though struggling, Billu lives an uneventful life until Bollywood superstar Sahir Khan (Shahrukh Khan) comes to the village for a film shoot.
Shahrukh Khan (pronounced [‘ʃaːɦrəx ˈxaːn]; born 2 November 1965), often credited as Shah Rukh Khan and informally referred to as SRK, is an Indian film actor. Known as "The King of Bollywood", Khan has acted in over 70 Hindi films. He has won fourteen Filmfare Awards from thirty nominations for his work in Indian films and shares the record for the highest number of Best Actor awards with Dilip Kumar, eight wins. In 2005, the Government of India honoured him with the Padma Shri for his contributions towards Indian cinema.
After graduating with a Bachelor's degree in economics, he started his career appearing in theatre and several television serials in the late 1980s and later made his Hindi film debut in 1992 with Deewana. Early in his career he was recognised for his unconventional choice of negative roles in films such as Darr (1993), Baazigar (1993) and Anjaam (1994). Since then he has played leading roles in a wide variety of film genres, including romantic films, comedies, thrillers, action films, sport films, and historical dramas among others.
Deepika Padukone (born 5 January 1986) is an Indian actress and a former model. She appears mostly in Hindi as well as Tamil and Kannada language films. Born to badminton player Prakash Padukone, she chose to become an actress and not pursue a career in sports.
Padukone made her acting debut in the 2006 Kannada film Aishwarya. The following year, she made her Hindi film debut in Om Shanti Om, for which she earned the Filmfare Best Female Debut Award. It also remains her biggest commercial success so far. She subsequently appeared in films such as Love Aaj Kal (2009) and Housefull (2010). While the former earned her a Filmfare nomination in the Best Actress category, the latter emerged as a commercial success.
In addition to acting, Padukone is also the ambassador of prominent brands such as Tissot, Sony Cybershot, Nescafe and Kingfisher Airlines.
Padukone was born in Copenhagen, Denmark. Her father, Prakash Padukone, is a former badminton player of international repute, and her mother is a travel agent. Her father was then training in Denmark in the sport and when she was eleven months old, her family moved to Bangalore, Karnataka, India. Padukone also has a younger sister, Anisha, born on 2 February 1991.
{{#invoke:Infobox|infobox}}
Kareena Kapoor (pronounced [kəˈriːnaː kəˈpuːr]; born 21 September 1980), also known as Kareena Kapoor Khan, is an Indian actress who appears in Bollywood films. She is the daughter of actors Randhir Kapoor and Babita, and the younger sister of actress Karisma Kapoor. Noted for playing a variety of characters in a range of film genres—from contemporary romantic dramas to comedies—Kapoor has received six Filmfare Awards, and has established herself as a leading actress of Hindi cinema.[1][2]
After making her acting debut in the 2000 war drama Refugee, Kapoor's early years in the film industry were successful; she received a Filmfare nomination for Asoka (2001) and appeared in the melodrama Kabhi Khushi Kabhie Gham... the same year, one of her biggest commercial successes to date. This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. She portrayed a sex worker in Chameli (2004), the turning point in her career, and starred in the critically acclaimed films Dev (2004) and Omkara (2006). Kapoor played the lead female role in the romantic comedy Jab We Met (2007, which earned her the Filmfare Award for Best Actress) and the dramedy 3 Idiots (2009, the highest-grossing Bollywood film of all time).
Married to actor Saif Ali Khan, Kapoor's off-screen life is the subject of widespread coverage in India. She is known in the Indian media for being publicly outspoken and assertive, and is recognised for her contributions to the film industry through her fashion style and film roles. In addition to film acting, Kapoor is a stage performer and has contributed as a co-author to three books: an autobiographical memoir, and two nutrition guides. She has also launched her own clothing line in association with the retail chain Globus.
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Born into a film family in Mumbai on 21 September 1980, Kapoor (often informally referred to as 'Bebo')[4] is the younger daughter of Randhir Kapoor and Babita (née Shivdasani);[5] her elder sister Karisma is also an actress. She is the granddaughter of actor and filmmaker Raj Kapoor and niece of actor Rishi Kapoor. According to Kapoor, the name "Kareena" was derived from the book Anna Karenina, which her mother read while she was pregnant with her.[6] She is of Punjabi descent on her father's side,[7] and Sindhi on her mother's side.[8]
Describing herself as a "very naughty [and] spoilt child", Kapoor's exposure to films from a young age kindled her interest in acting;[3] she was particularly inspired by the work of actors Nargis and Meena Kumari.[9] Despite her family background, her father disapproved of women entering films because he believed it conflicted with the traditional maternal duties and responsibility of women in the family.[10] This led to a conflict between her parents, and they separated.[11] She was then raised by her mother, who worked several jobs to support her daughters until Karisma debuted as an actress in 1991.[12] After living separately for several years, her parents reconciled in October 2007.[11] Kapoor remarked "My father is also an important factor in my life [...] [Al]though we did not see him often in our initial years, we are a family now."[12]
Kapoor attended Jamnabai Narsee School in Mumbai, followed by Welham Girls' School in Dehradun.[9] She attended the institution primarily to satisfy her mother, though later admitted to liking the experience.[3] According to Kapoor, she was a good student and received first-class honours in all subjects except mathematics.[3] After graduating from Welham she studied commerce for two years at Mithibai College in Vile Parle (Mumbai).[9] Kapoor then registered for a three-month summer course in microcomputers at Harvard University in the United States.[9] She later developed an interest in law, and enrolled at the Government Law College, Mumbai; during this period, she developed a long-lasting passion for reading.[9] However, after completing her first year, Kapoor decided to pursue her interest to become an actress.[13] She began training at an acting institute in Mumbai mentored by Kishore Namit Kapoor, a member of the Film and Television Institute of India (FTII).[14]
While training at the institute, Kapoor was cast as the female lead in Rakesh Roshan's Kaho Naa... Pyaar Hai (2000) opposite his son, Hrithik Roshan.[9] Several days into the filming, however, she abandoned the project; Kapoor later explained that she had benefited by not doing the film since more prominence was given to the director's son.[9] She debuted later that year alongside Abhishek Bachchan in J. P. Dutta's war drama Refugee. Set during the Indo-Pakistani war of 1971, the film centers on a man who illegally transports civilians back and forth across the border. Kapoor portrayed Naaz, a Bangladeshi girl who falls in love with Bachchan's character while illegally migrating to Pakistan with her family. Her performance was acclaimed by critics; Taran Adarsh of Bollywood Hungama wrote that Kapoor "has a magnetic personality, which will make the viewer fall in love with her instantly. What surprises you is the ease with which she emotes the most difficult of scenes [...] There is no denying the fact that she is a natural performer who is very camera friendly."[15] On the experience of acting in her first film, Kapoor described it as "tough ... [but] also a great learning experience".[9] Refugee was a moderate box-office success in India[16] and Kapoor's performance earned her the Filmfare Award for Best Female Debut.[17]
For her second release, Kapoor was paired opposite Tusshar Kapoor in Satish Kaushik's box office success Mujhe Kucch Kehna Hai (2001).[18] A review in The Hindu noted that based on her first two films, she was "definitely the actress to watch out for".[19] She next starred in Subhash Ghai's family drama Yaadein alongside Jackie Shroff and Hrithik Roshan, which received negative reviews and was unsuccessful at the box office.[18] Later that year, she appeared in Santosh Sivan's period epic Asoka opposite Shahrukh Khan. The film was selected for the Venice and 2001 Toronto International Film Festivals, and received generally positive reviews.[20] Kapoor's portrayal of Kaurwaki—a Kalingan princess, with whom Ashoka falls in love—received mixed reactions from critics; Rediff.com concluded that her presence in the film was primarily used for aesthetic purposes.[21] She later received her first nomination for Best Actress at the 47th Filmfare Awards.[17]
Kapoor's final release of 2001 was Kabhi Khushi Kabhie Gham... in which she featured part of an ensemble cast. Directed by Karan Johar, the melodrama became India's second highest-grossing film of the year and Kapoor's highest-grossing film to that point.[18] It also became one of the biggest Bollywood success of all time in the overseas market, earning over 1 billion (US${{#invoke:Math|precision_format| 17,200,000/1E6 | 0}} million) worldwide.[22] Kapoor's performance as Poo (a good-natured, superficial girl) was described by Taran Adarsh as "one of the main highlights of the film",[23] and earned her a Filmfare Best Supporting Actress nomination.[17]
During 2002 and 2003, Kapoor experienced a setback in her career. All six films in which she starred —Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins..., Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil — were critically and commercially unsuccessful.[24][25] Critics described Kapoor's performances as unoriginal, repetitive, an uninspired;[5] they expressed concern that she was becoming typecast. These negative reviews motivated her to accept more challenging roles.[26][27]
The year 2004 marked Kapoor's work in a series of films that would bring her critical acclaim.[26] Under the direction of Sudhir Mishra, Kapoor essayed the role of a golden-hearted prostitute in Chameli, a film relating the story of a young prostitute who meets with a widowed investment banker (played by Rahul Bose). When Kapoor was initially offered the film she refused it, explaining that she would be uncomfortable in the role.[27] She relented when Mishra approached her for the second time, viewing it as an opportunity to demonstrate her acting range.[27] Chameli was well received by critics and the film marked a significant turning point in her career,[26] earning Kapoor the Filmfare Special Performance Award.[28] Indiatimes praised her "intuitive brilliance" and stated that she had exceeded all expectations.[29] Rediff.com, however, found her portrayal unconvincing and excessively stereotypical, describing her as "sounding more like a teenager playacting than a brash, hardened streetwalker" and comparing her mannerisms to a caricature.[30]
Kapoor next co-starred in Mani Ratnam's bilingual project Yuva alongside Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Rani Mukerji and Esha Deol. The film, consisting of three chapters, tells the story of six individuals linked by a car accident. Kapoor is featured in the third chapter as Oberoi's love interest (Mira, a witty young woman). In a Times of India review film critic Subhash K Jha described her role as "fey and insubstantial", but further stated that "she turns these character traits to her own advantage to create a girl who is at once enigmatic and all-there".[31] She then appeared alongside Amitabh Bachchan and Fardeen Khan in Govind Nihalani's critically acclaimed film Dev, which revolved around the 2002 Hindu-Muslim riots in the Indian state of Gujarat.[32] Kapoor's role was that of a Muslim victim named Aaliya, modelled after Zaheera Sheikh (a key witness in Vadodara's Best Bakery case).[32] It earned her a Filmfare Critics Award for Best Actress and nominations for Best Actress at various award ceremonies.[17] Taran Adarsh noted that she was "first-rate" and in particular noted her scene with Bachchan's character.[33]
Shortly afterwards, Kapoor was cast for the first time as a villain in the thriller Fida. Set against the backdrop of the Mumbai underworld, the film follows the story of an online heist in which her character, Neha Mehra, becomes involved. During the filming of Fida Kapoor began a romantic relationship with co-actor Shahid Kapoor, whom she later described as having "a major positive influence in my life".[34] Although the film was unsuccessful at the box office[35] Kapoor received positive reviews for her performance, and some critics noted a distinct progression from her earlier roles.[36] Her subsequent releases that year included Abbas-Mustan's thriller Aitraaz and Priyadarshan's comedy Hulchul, both of which were successful at the Indian box office.[35] Following the success of her last two releases, she was cast as the protagonist of the 2005 drama Bewafaa. The feature received mostly negative reviews, and Kapoor's portrayal of Anjali Sahai (an unfaithful woman) was not well received. Nikhat Kazmi of Indiatimes believed that to become a serious actress Kapoor was embodying a maturer, more-jaded character beyond her years in Bewafaa.[37] She then starred in Priyadarshan's romantic drama Kyon Ki, which was a box-office failure;[38] however, Kapoor's performance was generally well received by critics (with the BBC describing her as "a pure natural").[39]
In 2006, Kapoor appeared in three films. She first starred in the thriller 36 China Town, followed by the comedy Chup Chup Ke; both were moderately successful.[40] She next portrayed the character of Desdemona in Omkara, the Hindi adaptation of William Shakespeare's Othello. Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh.[41] It premiered at the 2006 Cannes Film Festival and was screened at the Cairo International Film Festival.[41][42] Omkara was received positively by critics, and Kapoor's portrayal earned her a fourth Filmfare Award and first Screen Award.[17] In a 2010 retrospective of the "Top 80 Iconic Performances" of Hindi cinema, Filmfare wrote that she was "brilliant" and praised her ability to "effortless[ly]" convey the various emotions her character went through.[43] Kapoor considered her role in Omkara as a "new benchmark" in her career, and compared her portrayal of Dolly with her own evolving maturity as a woman.[44]
Following Omkara, Kapoor took a short break from acting, as she felt that "nothing [was] challenging enough for me to say yes".[44] In an interview with The Times of India Kapoor commented, "In my initial years in the industry, I pushed myself to do a lot of work because I was greedy. I did some films—which I now regret—purely for the money. Today, I want to do selective films."[45]
Kapoor returned to film as the female protagonist Geet Dhillon, a vivacious Sikh girl with a zest for life, in the Imtiaz Ali-directed romantic comedy Jab We Met (2007). Featured opposite Shahid Kapoor, the film relates the story of two people with contrasting personalities who meet on a train and eventually fall in love. The film was received favourably by critics and became successful at the box office with gross earnings of 302.5 million (US${{#invoke:Math|precision_format| 5,203,000/1E6 | 1}} million).[47] Kapoor won several awards for her performance, including her second Screen Award and the Filmfare Award for Best Actress.[17] Rajeev Masand of CNN-IBN noted, "Uninhibited and spontaneous, Kareena Kapoor is the soul of this picture, its biggest strength, as she brings alive her character with not just those smart lines, but with the kind of candor actors seldom invest in their work."[48] While shooting for Jab We Met, Kapoor and Shahid ended their three-year relationship.[46] When asked by Mumbai Mirror, she stated "I hold him in utmost regard, and I hope one day we could be good friends. He is a great guy."[12]
The following year, Kapoor co-starred with Akshay Kumar, Saif Ali Khan and Anil Kapoor in Vijay Krishna Acharya's action-thriller Tashan. Although a poll (conducted by Bollywood Hungama) named it the most anticipated release of the year,[49] the film was a commercial and critical failure.[50] She next provided her voice for the character of Laila, the love interest of a street dog named Romeo, in the Yash Raj Films and Walt Disney Pictures animated film Roadside Romeo. She then appeared in Rohit Shetty's comedy Golmaal Returns, the sequel to the 2006 film Golmaal: Fun Unlimited. Part of an ensemble cast which included Ajay Devgan, Arshad Warsi and Tusshar Kapoor, Kapoor played a mistrustful wife who believed her husband was unfaithful. The film had an ambivalent reception from critics, and Kapoor received mixed reviews. The Indian Express believed the screenplay was derivative, concluding: "There is nothing particularly new about a suspicious wife keeping tabs on her husband, and there is nothing particularly new in the way Kareena plays it."[51] Golmaal Returns was a financial success with global revenues of 792.5 million (US${{#invoke:Math|precision_format| 13,631,000/1E6 | 0}} million).[22]
In 2009, Kapoor was cast as Simrita Rai (opposite Akshay Kumar) in Sabbir Khan's battle-of-the-sexes comedy Kambakkht Ishq. Set in Los Angeles, it was the first Indian film to be shot at Universal Studios and featured cameo appearances by Hollywood actors.[52] The film was poorly received by critics but became an economic success, earning over 840 million (US${{#invoke:Math|precision_format| 14,448,000/1E6 | 0}} million) worldwide;[22] a review in The Times of India described Kapoor's performance as "a complete let-down" and "unconvincing".[53] She next played the leading lady in the dramatic thriller Kurbaan, alongside Saif Ali Khan and Vivek Oberoi. The film (which marked the directorial debut of Rensil D'Silva) featured Kapoor as Avantika Ahuja, a woman who is confined to house arrest after discovering that her husband is a terrorist. Describing the film as "an emotionally draining experience", Kapoor explained that it was difficult to disconnect from her character.[54] The film was critically praised, and Kapoor received her fourth Filmfare Best Actress nomination.[17] According to Subhash K Jha, "Kurbaan belongs to Kareena Kapoor. In her most consistently pitched performance to date she pulls out all stops to play a betrayed wife with splendid sensitivity. Kareena accommodates her radiant beauty into an utterly credible character and performance. At her best, Kareena is incomparable. She proves it in Kurbaan."[55]
Kapoor's final release of the year was Rajkumar Hirani's drama 3 Idiots, a film loosely based on the novel Five Point Someone by Chetan Bhagat.[56] Co-starring alongside Aamir Khan, R. Madhavan and Sharman Joshi, Kapoor played Pia (a medical student and Khan's love interest). The film received critical acclaim and emerged as the highest-grossing Bollywood film of all time, grossing 2,025.7 million (US${{#invoke:Math|precision_format| 34,842,040/1E6 | 0}} million) in India.[57] It also did well internationally, earning over 1.08 billion (US${{#invoke:Math|precision_format| 18,576,000/1E6 | 0}} million), the biggest Bollywood success ever in the overseas market.[58] The Deccan Herald opined that Kapoor "brings a dollop of sunshine and feminine grace to an otherwise masculine tale. She is so spunky and spontaneous you wish there was room for more of her."[59] During the 55th Filmfare Awards, Kapoor received another Best Actress nomination for her role.[17]
In 2010, Kapoor appeared in the romantic comedy Milenge Milenge, a production delayed since 2005.[60] The feature garnered negative reviews and poor box-office returns. Kapoor's role was small, and not well received.[60] She next took a supporting role as career-oriented Shreya Arora in We Are Family, adapted from the 1998 Hollywood film Stepmom. Reaction to the film was lukewarm, but Kapoor's performance drew positive reviews and ultimately won her the Filmfare Award for Best Supporting Actress.[61] Priyanka Roy of The Telegraph praised Kapoor for "breath[ing] life and a new-found maturity into what is largely a uni-dimensional character".[62] At the end of the year, she reunited with director Rohit Shetty for Golmaal 3, a sequel to Golmaal Returns. Like its predecessor, the film received mixed reviews though emerged as the most successful entry in the Golmaal series, earning more than 1 billion (US${{#invoke:Math|precision_format| 17,200,000/1E6 | 0}} million) domestically.[63] For her portrayal of the tomboy Daboo, Kapoor received Best Actress nominations at various award ceremonies including Filmfare.[61]
Kapoor had further success in 2011 as the love interest of Salman Khan's character in the romantic drama Bodyguard, a remake of the 2010 Malayalam film of the same name. The film was not well received by critics, though became a financial success, with a domestic total of 1,409.5 million (US${{#invoke:Math|precision_format| 24,243,400/1E6 | 0}} million)—India's highest-earning film of the year.[64] A review in Mint dismissed Kapoor's role as the "sacrificial, ornamental [and] submissive female";[65] Mid Day referred to her as "bright", arguing that she "actually manages to bring her caricature of a role alive".[66] She next appeared in Anubhav Sinha's science fiction film Ra.One with Shahrukh Khan. The film, employing special effects previously unused in Bollywood, became the most expensive Hindi film ever produced.[67] Despite garnering mixed reviews, Ra.One became one of the biggest earners of the year with a worldwide total of over 2 billion (US${{#invoke:Math|precision_format| 34,400,000/1E6 | 0}} million), and Kapoor's fourth major commercial success in three years.[68]
The following year, Kapoor played the role of a carefree young woman, Riana Braganza, in Shakun Batra's directorial debut Ek Main Aur Ekk Tu (2012) with Imran Khan. Produced by Dharma Productions, the romantic comedy is set in Las Vegas and tells the story of two strangers who get married one night after getting drunk. In an interview with The Times of India, Kapoor explained that she was drawn to her character's qualities: "Riana knows what she is doing. Even though she does not have a house or a job, she is a positive person [...] very similar to the way I am."[69] The film received positive reviews and was an economic success, grossing a total of 530 million (US${{#invoke:Math|precision_format| 9,116,000/1E6 | 1}} million) in India and abroad.[70] The Hollywood Reporter found her "endearingly natural";[71] Sukanya Verma of Rediff.com asserted that "after doing ornamental roles in films like Bodyguard and Ra.One, it is nice to see the spunky actress in her element again since Jab We Met. Though vivacious, her Riana isn't a child-woman like Geet but a free-spirited, unflappable adult armed with plucky impulses and scrumptious smile that helps Rahul come-of-age and Ek Main Aur Ekk Tu worth a helping."[72] Her next appearance was in Agent Vinod, an espionage thriller directed by Sriram Raghavan. Kapoor was enthusiastic about the project, but it met with a tepid response and she was described as miscast.[73] When asked why she had taken the role, Kapoor described it as an opportunity to attempt something she had never done before.[74]
For her next feature, Kapoor was cast as the protagonist of Madhur Bhandarkar's Heroine, a drama revolving around the Bollywood film industry. Originally the first choice for the role, Kapoor was hesitant to take on the project when Bhandarkar approached her with the film's initial concept.[75] With reservations about the criticism her character might evoke, she was replaced by Aishwarya Rai.[75] Days after production began, Rai left the film (due to her pregnancy) and Bhandarkar re-approached Kapoor with the film. When the director reinforced his faith in her, she agreed to do the film after receiving the completed script.[75] Kapoor (who described her character of Mahi Arora—a fading star—as "bipolar and schizophrenic") refrained from taking on any other projects, since she found Heroine "very aggressive and tiring".[76] Bollywood Hungama observed it as her best work to date noting that "[t]hough her character is inconsistent [...] Kareena furnishes the heroine's character with a rare vulnerability and an exceptional inner life."[77] She later received Best Actress nominations at the annual Apsara, Filmfare, Screen and Stardust Award ceremonies.[61]
Following the release of Heroine, Kapoor married actor Saif Ali Khan on 16 October 2012.[78] Described as India's "wedding and social event of the year" in Rupa Subramanya's blog at The Wall Street Journal,[79] the wedding consisted of a five-day celebration period beginning with a pre-wedding bash at Kapoor's residence followed by a registered marriage in the presence of family and close friends.[78] A reception was later held at the Taj Mahal Palace & Tower hotel in Mumbai and the Lutyens Bungalow Zone in Delhi.[78]
At the end of the year, she co-starred alongside Aamir Khan and Rani Mukerji as the "tantalisingly seductive prostitute"[80] Rosie, in Reema Kagti's crime mystery Talaash: The Answer Lies Within. Set against the backdrop of Mumbai's red-light districts, it follows the travails of its personnel and principal, Inspector Surjan Singh Shekhawat (Khan) who is assigned the duty of solving a mysterious car accident. The film generated predominantly positive reviews with Kapoor being praised in particular. The Telegraph described her performance as "naughty [and] nonchalan[t]," played with "an unseen mix of oomph and emotion that becomes the [film's] centrepiece".[81] Talaash eventually emerged as a financial success with global revenues of 1.74 billion (US${{#invoke:Math|precision_format| 29,928,000/1E6 | 0}} million).[82]
In February 2013, Kapoor commenced filming for two projects: Prakash Jha's political drama Satyagraha and Punit Malhotra's romantic comedy Gori Tere Pyaar Mein.[83]
Kapoor has participated in several stage shows and world tours since 2002. Her first concert tour (Heartthrobs: Live in Concert (2002) with Hrithik Roshan, Karisma Kapoor, Arjun Rampal and Aftab Shivdasani) was successful in the United States and Canada.[84] At the end of that year, she performed with several other Bollywood stars at Kings Park Stadium in Durban, South Africa in the show Now or Never.[85] Four years later, Kapoor took part with six other Bollywood celebrities in the Rockstars Concert world tour. The concert was staged in 19 cities across the United Kingdom, the United States and Canada, and was a success.[86] In 2008 Kapoor performed in Shahrukh Khan's Temptation Reloaded 2008, a series of concerts in a number of countries. The show (which also featured Arjun Rampal, Katrina Kaif, Ganesh Hegde, Javed Ali and Anusha Dandekar) debuted at the Ahoy Rotterdam venue in Rotterdam, the Netherlands.[87] Several months later she again joined Khan, Rampal and Kaif to perform for an audience of 15,000 at Dubai's Festival City Arena.[88]
During her years in the film industry, Kapoor has been involved with various philanthropic endeavours. In November 2003 she performed at a fundraiser for the World Youth Peace Summit.[89] In 2005, she and other Bollywood stars participated in a concert to raise money for victims of the 2004 Indian Ocean earthquake and tsunami.[90] Later that year, she visited the desert heartland of Rajasthan to boost morale of jawan (infantry) troops in a special Holi weekend episode of the NDTV show, Jai Jawan. The programme consists of entertainers who visit Indian troops in isolated regions (with an NDTV crew).[91] During her 2010 appearance on the NDTV Greenathon, Kapoor adopted the village of Chanderi in Madhya Pradesh to provide it with electricity.[92] Kapoor later participated in UNESCO and FIFA's international campaign, 1GOAL Education for All.[93] In March 2011 Kapoor was appointed ambassador for the Shakti Campaign, a project launched by the NDTV television network to combat violence against women in commemoration of the 100th anniversary of International Women's Day.[94]
In August 2007, Kapoor was appointed spokesperson for Globus in a five-year contract.[95] In association with the retail chain, she became the first Indian actress to launch her own line of clothing.[96] Her collection made its debut several months later in stores across India, and was well received.[97] Following the end of her contract with Globus, Kapoor expressed a desire to work with a design house to release her clothing line internationally,[98] but later explained that those plans were on hold.[99]
In 2009, Kapoor collaborated with nutritionist Rujuta Diwekar on Don't Lose Your Mind, Lose Your Weight, a book which focused on the principles of healthy eating habits.[100] Published by Random House Publications, the book was well received by critics, and sold 10,000 copies within its first twenty days.[100] A follow-up titled, Women and The Weight Loss Tamasha, was released in January 2011. It addressed the weight loss concerns and eating habits of women in various parts of their life, and featured Kapoor in a voice-over for the audiobook.[101] The following year, she released her autobiographical memoir: The Style Diary of a Bollywood Diva (2012). Co-authored alongside Rochelle Pinto, it became the first book to be launched under the Shobhaa De imprint of Penguin Books—a set of series that included celebrity memoirs, guides and biographies.[102] In a review published by Mint, Shefalee Vasudev criticised Kapoor's writing style as "too-breezy" but further stated that it is "a well-produced book, reproducing chirpy little post-it notes and diet charts, punctuated with Bebo's stunning pictures from her private albums to fashion magazine covers."[103]
Known for her nonchalant relationship with the media, Kapoor has gained a reputation for discussing her private life with no reservations.[50][104] As a child she regularly attended award ceremonies and events with her family, and would also accompany Karisma on-set during filming.[4] In an interview with Filmfare, she explained that growing up in a film family helped her develop a sense of professionalism and dedication towards her craft.[105] Kapoor's private life has been the subject of media attention in India, with frequent press coverage of her weight and relationship with actor Saif Ali Khan.[50] The couple—dubbed "Saifeena" by the entertainment media—has been one of the country's most-reported celebrity stories since 2007.[106]
While a segment of the press has described Kapoor as friendly and extremely close to her family,[4] others have criticized her for being arrogant and vain—an image she gained in the wake of her superficial character, Poo, in Kabhi Khushi Kabhie Gham... (2001).[26] She subsequently featured in films portraying similar characters, and this further established her off- and on-screen personae.[5] Before the release of Chameli (2004) (in which she played a sex worker), Kapoor stated that "there is a certain image that people identify you with [and] [i]t always follows you whichever role you play. I am trying to transgress this image and become more screen-friendly than image-friendly."[108] Chameli helped Kapoor reinvent her on-screen persona,[26] and she later explained that her honesty and openness was often perceived by the media as arrogance.[109]
Kapoor is also known for her assertive and moody nature,[109][110] and her outspoken views and independence have been singled out for making major contributions to her career; they "add to her superstar aura".[111] In an early interview, she confessed to being an "introvert, yet [...] extremely candid and blunt", reasoning: "Total faith and complete belief in myself is my attitude towards life, films and virtually everything else. I am all about doing what I feel is right. It is not easy to pin me down as I can be a bundle of contradictions."[109] Journalist Subhash K Jha explained that while this approach has sometimes been at the cost of professional opportunities, it "makes her such a favourite among the generation that believes in self regard being the highest form of creativity [...] She lives for the moment and crams all her intensity into it, not sparing a single thought for what is gone and what is waiting around the corner."[112] Meanwhile, Anu Ahuja suggested that Kapoor's demeanour is an act; she is "cold and unapproachable so that no one will act funny with her".{{#invoke:Footnotes|sfn}}
Today, Kapoor is considered as one of the most popular Bollywood celebrities in India.[113] Her look and performances have established her as a style icon for young women.[10][114] In a 2009 poll conducted by the newspaper Daily News and Analysis Kapoor was voted one of India's most popular icons;[115] with her partner Saif Ali Khan, she was listed amongst the top celebrity endorsers for brands and products worldwide.[116] She became the only Indian actress to be featured on CNNGo's list of "Who Mattered Most in India",[2] and was later selected by Verve for its list of the country's most powerful women from 2008 to 2010.[117][118][119] In June 2010 Kapoor was described as "India's Most Beautiful Woman" by People;[2] Eastern Eye and Maxim named her as "Asia's Sexiest Woman" and "India's Hottest Woman" in 2011 and 2012 respectively.[120] The following year, she ranked seventh on Forbes' list of India's biggest entertainers[121] and was later selected by India Today for its list of the country's most influential women.[122]
According to media reports, Kapoor relies on her instincts and spontaneity as an actor.[110] She is known to commit heavily to each role, and refrains from rehearsing for a project.[110][123] Commenting on this, director Rajkumar Hirani said "I usually have a habit of conducting rehearsals for my actors, but she insisted on not having them as it would affect her spontaneity. She really surprised me with a couple of emotional scenes which we canned in just one take."[110] Karan Johar described Kapoor as a "natural", explaining that "she has no craft, grammar or process attached to her acting [...] It is a great sense of cinema that can keep her going."[110] According to Rensil D'Silva (who directed her in Kurbaan), "Kareena [..] is instinctive and has emotional intelligence. She absorbs the situation and performs accordingly. Discussing the scene, in fact, harms her."[124]
While discussing her career highlights in a 2010 article, Rediff.com noted: "[E]ven though a lot of her starring roles have been forgettable, [a] look at her filmography now, however, would show a more thoughtful selection of roles [...] playing to her strengths."[104] Her portrayal of a series of superficial characters at the start of her career were criticized; film historian Gyan Prakash explained that these roles "tended to infantilise her, packaging her as daddy's little girl, all bubble and no fizz".[27] Critics noted Chameli (2004) as her coming of age, claiming that "a new actor in her was discovered".[26] Following her portrayal of a variety of character types in Chameli, Dev (2004), Omkara (2006) and Jab We Met (2007), Kapoor was noted for her versatility.[1][50] In 2010, Filmfare Magazine included two of her performances—from Omkara and Jab We Met—in its list of "80 Iconic Performances". India Today labelled her "the most versatile female lead in the industry", noting that she "play[s] her roles with trademark spunk".[125]
Manjula Sen of The Telegraph wrote that although she has "the worst success ratio among her contemporaries", it does not affect her marketability.[50] Sen further explained that Kapoor's strength lies in her being versatile; she is "effortlessly honest in her performances. It is a candour that spills over in her personal conduct."[50] Writing for CNN-IBN, Rituparna Chatterjee spoke of her transformation to date: "[A]fter 40 films and 10 years of fighting off competition from some of the most versatile actors of her generation, Kareena has matured into a bankable actor reinventing herself with surprising ease."[126] In 2004, Kapoor placed third on Rediff's list of "Top Bollywood Female Stars".[127] She was later ranked seventh and fifth in 2005 and 2006, respectively, and returned to third place in 2007.[128][129][130] In January 2011, Kapoor placed fourth on Rediff's list of "Top 10 Actresses of 2000–2010".[131]
Year | Film | Role | Notes |
---|---|---|---|
2000 | Refugee | Nazneen "Naaz" Ahmed | Filmfare Award for Best Female Debut |
2001 | Mujhe Kucch Kehna Hai | Pooja Saxena | |
2001 | Yaadein | Isha Singh Puri | |
2001 | Ajnabee | Priya Malhotra | |
2001 | Asoka | Kaurwaki | Nominated—Filmfare Award for Best Actress |
2001 | Kabhi Khushi Kabhie Gham... | Pooja "Poo" Sharma | Nominated—Filmfare Award for Best Supporting Actress |
2002 | Mujhse Dosti Karoge! | Tina Kapoor | |
2002 | Jeena Sirf Merre Liye | Pooja / Pinky | |
2003 | Talaash: The Hunt Begins... | Tina | |
2003 | Khushi | Khushi Singh (Lali) | |
2003 | Main Prem Ki Diwani Hoon | Sanjana | |
2003 | LOC Kargil | Simran | |
2004 | Chameli | Chameli | Filmfare Award for Special Performance |
2004 | Yuva | Mira | |
2004 | Dev | Aaliya | Filmfare Critics Award for Best Actress |
2004 | Fida | Neha Mehra | |
2004 | Aitraaz | Priya Saxena / Malhotra | |
2004 | Hulchul | Anjali | |
2005 | Bewafaa | Anjali Sahai | |
2005 | Kyon Ki | Dr. Tanvi Khurana | |
2005 | Dosti: Friends Forever | Anjali | |
2006 | 36 China Town | Priya | |
2006 | Chup Chup Ke | Shruti | |
2006 | Omkara | Dolly Mishra | Filmfare Critics Award for Best Actress Nominated—Filmfare Award for Best Actress |
2006 | Don | Kamini | Cameo |
2007 | Kya Love Story Hai | Herself | Special appearance in song "It's Rocking" |
2007 | Jab We Met | Geet Dhillon | Filmfare Award for Best Actress |
2008 | Halla Bol | Herself | Special appearance |
2008 | Tashan | Pooja Singh | |
2008 | Roadside Romeo | Laila | Voice |
2008 | Golmaal Returns | Ekta | |
2009 | Luck by Chance | Herself | Special appearance |
2009 | Billu | Herself | Special appearance in song "Marjaani" |
2009 | Kambakkht Ishq | Simrita Rai | |
2009 | Main Aurr Mrs Khanna | Raina Khanna | |
2009 | Kurbaan | Avantika Ahuja / Khan | Nominated—Filmfare Award for Best Actress |
2009 | 3 Idiots | Pia Sahastrabudhhe | Nominated—Filmfare Award for Best Actress |
2010 | Milenge Milenge | Priya Malhotra | |
2010 | We Are Family | Shreya Arora | Filmfare Award for Best Supporting Actress |
2010 | Golmaal 3 | Daboo | Nominated—Filmfare Award for Best Actress |
2011 | Bodyguard | Divya | |
2011 | Ra.One | Sonia Subramaniam | |
2012 | Ek Main Aur Ekk Tu | Riana Braganza | |
2012 | Agent Vinod | Iram Parveen Bilal / Dr. Ruby Mendes |
|
2012 | Rowdy Rathore | Special appearance in song "Chinta Ta" | |
2012 | Heroine | Mahi Arora | Nominated—Filmfare Award for Best Actress |
2012 | Talaash: The Answer Lies Within | Rosie / Simran | |
2012 | Dabangg 2 | Special appearance in song "Fevicol Se" | |
2013 | Bombay Talkies | Herself | Special appearance in song "Apna Bombay Talkies" |
2013 | Satyagraha | Yasmin | Post-production |
2013 | Gori Tere Pyaar Mein | Filming |
|CitationClass=book }}
|CitationClass=book }}
Wikimedia Commons has media related to: Kareena Kapoor |
{{#invoke: Navbox | navbox }}
Persondata | |
---|---|
Name | Kapoor, Kareena |
Alternative names | Bebo |
Short description | Film actress |
Date of birth | 21 September 1980 |
Place of birth | Mumbai, Maharashtra, India |
Date of death | |
Place of death |
Chacha Chaudhary is a very popular Indian comic book character, created by cartoonist Pran.The comic comes in ten Indian languages including Hindi and English and has sold almost ten million copies. has also been made into a television series with Raghuvir Yadav playing .
Chacha Chaudhary was created in 1971 for the Hindi magazine Lotpot. It soon became popular among kids and the elderly alike.
According to a Diamond Comics press release the Indian kids in the age group 10–13 years ranked Chacha Chaudhary as their most recognizable comic book character.
has also been featured as a guest in other Diamond Comics series, with Billoo, Pinki and Lucky.
Chacha Chaudhary is a middle class Indian, frail but an extremely intelligent old man. The word chacha means paternal uncle in Hindi, while Chaudhary is a term used for big landlords or the most honorable, elderly or a respectable person in small villages or towns in India for various communities like Ror, jats, khatris, gujjars, ahirs, brahmins (in bengal and bihar regions).
eternal life is now on my trail
got my red glitter coffin, man, just need one last nail
while all these ugly gentlemen play out their foolish games
there's a flaming red horizon that screams our names
and as your fantasies are broken in two
did you really think this bloody road would
pave the way for you
you better turn around
and blow your kiss hello to life eternal, angel
racist everyman, what have you done
man, you've made a killer of your unborn son...
crown my fear your king at the point of a gun
all i want to do is love everyone...
and as your fantasies are broken in two
did you really think this bloody road would
pave the way for you
you better turn around
and blow your kiss hello to life eternal....
there's no time for hatred, only questions
what is love, where is happiness, what is life, where is peace
when will I find the strength to bring me release
and tell me where is the love in what your prophet has said
man, it sounds to me just like a prison for the walking dead
and i've get a message for you and your twisted hell
you better turn around
and blow your kiss goodbye to life eternal, angel...
Laying by my precious
Not long ago
Hiding behind the shadows
Of your broken soul
Why is it always you and something you can never have?
Why did you you try to tell me?
How could you be this way
Your throat, I take grasp
Can you feel the pain?
Then your eyes roll back
Can you feel the pain?
Your racing through my vains
Can't you feel the pain?
Your heart stops beating
Can't you feel the pain
Like orgasms
Can't you feel the pain
I guess your life is dead
Can't you feel the pain
There you are my precious
With your broken soul
Forever my crotch Take control
Why is it
You fuck up something you have always had
Why'd you try to tell me
How could you be so cold?
Your throat, I take grasp
Can you feel the pain?
Then your eyes roll back
Can you feel the pain?
Your racing through my vains
Can't you feel the pain?
Your heart stops beating
Can't you feel the pain
Like orgasms
Can't you feel the pain
I guess your life is dead
Can't you feel the pain
Here I am, just a man
Feeling the pain, gives me life
Relieving us is my plan
I'd anything to see through your eyes
Just to see through your lies
I hate you, Can you feel the pain?
Can't you feel the pain?
I hate you, Can you feel the pain?
Your throat, I take grasp
Can you feel the pain?
Then your eyes roll back
Can you feel the pain?
Your racing through my vains
Can't you feel the pain?
Your heart stops beating
Can't you feel the pain
Like orgasms
Can't you feel the pain
I guess your life is dead
Can't you feel the pain
Saragietta, saragietta la marina
per trovare un amorata
scianca rossa scianca rossa graziana
per'appropria'a pesciara
Tiritomba tiritonba
Tiritomba nero ole ole ole
Titritomba tiritomba
tiritomba all' aria va!
Sit back, relax before you give yourself a heart attack
I ain't havin none of that
Raise hell, prevail, as long as it sells
High priest, all cease like your TV evangelist
Use them as they catalyst
Who cares, time wears
Ain't it always fair
So let them stare
And what's been wrong, I'll make all right
Well right on, right on
Let's start a chain reaction
Let's see some satisfaction
Here in Babalon
Here in Babalon
I've seen the change deranging everything in sight, tonight
But that's alright
There's not much left here to ignite, to ignite
I'd take a laser, phaser gun
And aim it at the sun
And pull the fuckin' trigger once
But what fun would that be, it's already done
And that's no fun
But what's been wrong, I'll make all right
Well right on, right on
Feeding my brain addictions
Leaving the same restrictions
Here in Babalon
Here in Babalon
Here in
Let's go
Here in Babalon
Here in Babalon
Here in Babalon
Here in Babalon
Lock shit down Raekwon
Verse 1:
Six million is what it cost them
To put back together that cat Steve Austin
Now Defari gets Bionic
Over 6 million tracks with 10 million topics
I'm fiber optic crystal clear with my projection
Wack MCs get cloths lined when they walk across my intersection
They need protection
Some guidance some right direction
A job center with with an application for a new profession
Never settle for nothing' less
I blaze contests
And set shops for pay days
In strange ways life twists and turn
Word to Gangstarr in this business skrilla Hard To Earn
I format attack new knack technique
Speak with a passion on wax and tape and CD
Mad niggas front for paper
And switch like a bitch in and out like a cross fader
All I know is how to rock shit
They say the hotter the MC the hotter the spot get
Lock shit down
Hook:
It's the coming
Of the bionic
Defari here to
Lock shit down (x3)
Verse 2:
See I got books of lyrics on deck like Tash
Pocket full of cash ready to bounce rollin' slash
Seater and hash
Pro Tour in the Masters
Grab the mic flex my wrists and hit like Sampres
Handle this
Make you believe like an evangelist (what?)
That real MCs are coming to reclaim Los Angeles
And heres are standing chance
To finally get my time to shine
In the golden state like Sprewell out the hatch
Lock lock
This heat is hot it make me lock like astronaut
Like Heru said that shit for my people when we blow spots
Pause
Freeze
My steez rolls like Es, V12s, trees and seven seas
If you didn't know champ
Defari Heru is a Lowland brother
From the Likwit camp
Hook
Verse 3:
Wack MCs get damaged like civil eyes to savage
Sharp lyrics cut deep wounds these niggas need bandages
They can't handle this Los Angeles
Relentless pressure
Full court measure for measure
I'm like Piteno a game plan Gambino
Where every verse starts with defense first like a casino
Every minute every hour I use brain power
For Mr. Space Shuttle Challenger I devour
A Tower like Eiffel
Bust off verses like rifles
Bust all bullets through flesh unless you're wearing a vest
And even then I still enter
The human form of a splinter
The summer fall spring winter
Lock lock
Likwit crew member
Champion contender
Holy like the month of December
The raw prototype member
Hook
I know you've heard it all before
But I'm sorry for this three year war
For the setting up of camps
and wire and trenches
I'm sorry for the other night
I know sorry it don't make it right
I'm sorry for things I can't even mention
I'm sorry, sorry, sorry, sorry
I'm sitting feeling sorry in the Thirsty Dog
I'm sorry, sorry, sorry, sorry
I'm feeling very sorry in the Thirsty Dog
You keep nailing me back into my box
I'm sorry I keep popping back up
With my crazy mouth
and jangling jester's cap
I'm sorry I ever wrote that book
I'm sorry for the way I look
But there ain't a lot that
I can do about that
I'm sorry, sorry, sorry, sorry
I'm sitting feeling sorry in the Thirsty Dog
I'm sorry, sorry, sorry, sorry
I'm feeling very sorry in the Thirsty Dog
I'm sorry about the hospital
Some things are unforgivable
That things simply cannot be forgiven
I was not equipped to know how to care
Amnd on the occassions I came up for air
I saw my life and wondered
what the hell I had been living
I'm sorry, sorry, sorry, sorry
I'm sitting feeling sorry in the Thirsty Dog
I'm sorry, sorry, sorry, sorry
I'm feeling very very sorry in the Thirsty Dog
I'm sorry about all your friends
I hope they'll speak to me again
I said before I'd pay for all the damages
I'm sorry it's just rotten luck
I'm sorry I've forgotten how to fuck
It's just that I think my heart
and soul are kind of famished
I'm sorry, sorry, sorry, sorry
I'm sitting feeling sorry in the Thirsty Dog
I'm sorry, sorry, sorry, sorry
I'm feeling very sorry in the Thirsty Dog
Forgive me, baby but don't worry
Love is always having to
say you're sorry
And I am, from my head
down to my shoes
I'm sorry that I'm always pissed
I'm sorry that I exist
And when I look into your eyes
I can see you're sorry too
I'm sorry, sorry, sorry
I'm sitting feeling sorry in the Thirsty Dog
I'm sorry, sorry, sorry
I'm feeling very sorry in the Thirsty Dog
I'm sorry, sorry, sorry
I'm feeling very thirsty in the Sorry Dog
I'm sorry, sorry, sorry
I'm feeling very sorry in the Thirsty Dog
Been living in the city too long now
Even my lungs have started to groan
Everybody is singing their own song
Sometimes I wanna sing alone
Never been a primadonna
Never seem to wanna be the one to complain
Enough's too much and now I'm gonna
Stop the madness soon before it drives me insane
So, take me where the sun won't shine on me
Take me where my conscience won't go
Take me where the sun won't shine on me
Don't tell me I'm backing out cos I don't wanna know
Everyone around this town is so angry
Blaring horns, swearing, shaking fists
If everybody in the world was a hit man
We'd wipe each other off each other's hit lists
Who wants to stand and be counted
All anger ever amounted to was lines on your face
I don't want to be the one to start the shouting
I'm part of this society and I know my place
(Chorus)
Everything around this town is so boring
Nothing changes, nothing doesn't stay the same
Ten years ago when we had high ideals
We couldn't wait to play the protest game
But now we have our thing together
Brand new leather, three bank accounts
Who cares about the starving millions
We're just happy that our cheques don't bounce
(Chorus)
Ooh, baby let's get down tonight
Baby I'm hot just like an oven
I need some lovin'
And baby, I can't hold it much longer
It's getting stronger and stronger
And when I get that feeling
I want Sexual Healing
Sexual Healing, baby
Makes me feel so fine
Helps to relieve my mind
Sexual Healing baby, is good for me
Sexual Healing is something that's good for me
Whenever blue tear drops are falling
And my emotional stability is leaving me
There is something I can do
I can get on the telephone and call you my baby, and
Honey I know you'll be there to relieve me
The love you give to me will free me
If you don't know the things you're dealing
I can tell you, darling, that it's Sexual Healing
Get up, Get up, Get up, Get up, let's make love tonight
Wake up, Wake up, Wake up, Wake up, 'cos you do it right
Baby I got sick this morning
A sea was storming inside of me
Baby I think I'm capsizing
The waves are rising and rising
And when I get that feeling
I want Sexual Healing
Sexual Healing is good for me
Makes me feel so fine, it's such a rush
Helps to relieve the mind, and it's good for us
Sexual Healing, baby, is good for me
Sexual Healing is something that's good for me
And it's good for me and it's good to me
My baby ohhh
Come take control, just grab a hold
Of my body and mind
soon we'll be making it
Honey, oh we're feeling fine
You're my medicine open up and let me in
Darling, you're so great
I can't wait for you to operate
Get up get up get up get up
let´s make love tonight
wake up wake up wake up wake up
cause you do it right
We had the right love
At the wrong time
Guess I always knew inside
I wouldn't have you for a long time
Those dreams of yours
Are shining on distant shores
And if they're calling you away
I have no right to make you stay,
But Somewhere down the road
Our roads are gonna cross again
It doesn't really matter when
But somewhere down the road
I know that heart of yours
will come to see
That you belong with me
Sometimes goodbyes are not forever
It doesn't matter if you're gone
I still believe in us together
I understand more than you think I can
You have to go out on your own
So you can find your way back home
* And Somewhere down the road
Letting go is just another way to say
I'll always love you so
We had the right love
At the wrong time
Maybe we've only just begun
Maybe the best is yet to come
* Cause Somewhere down the road
Hanging out!
Down the Street -
the same old thing!
We did last week
Not a thing to do -
but to talk to you
woaho yeah!
Hello Wisconsin!
Mom and Dad live upstairs
The music's loud
So we don't care
Nixon's gone
But rock lives on
Alright!
We're still rocking in Wisconsin
Oh yeah!
We're still rocking in Wisconsin
That's right!
Steal a car
And drive on down ... pick me up
And we'll drive around
Not a thing to do
But talk to you
Whoah yeah! Hello Wisconsin!
(Taylor)
In my mind I'm going to Carolina. Can't you see the sunshine,
can't you just feel the moon shining?
Ain't it just like a friend of mine to hit me from behind and I'm going to Carolina in my mind.
Karen she's a silver sun, you best walk her way and watch it shine,
watch her watch the morning come.
A silver tear's appearing now, I'm crying, ain't I? I'm going to Carolina in my mind.
There ain't no doubt it no one's mind that loves the finest thing around,
whisper something soft and kind.
And hey, babe, the sky's on fire, I'm dying, ain't I? I'm going to Carolina in my mind.
In my mind I'm going to Carolina. Can't you see the sunshine,
can't you just feel the moon shining?
Ain't it just like a friend of mine to hit me from behind and I'm going to Carolina in my mind.
Dark and silent late last night, I think I might have heard the highway call.
Geese in flight and dogs that bite.
Signs that might be omens say I'm going. I'm going, I'm going to Carolina in my mind.
With a holy host of others standing round me, still I'm on the dark side of the moon.
and it seems like it goes on like this forever, you must forgive me if it's up and
In my mind I'm going to Carolina. Can't you see the sunshine,
can't you just feel the moon shining?
Ain't it just like a friend of mine to hit me from behind and I'm going to Carolina in my mind,
in my mind I'm going to Carolina.
Can't you see the sunshine, can't you just feel the moon shining?
Ain't it just like a friend of mine to hit me from behind and I'm going to Carolina in my mind.
It ain't the clothes that you wear
It ain't the things that you buy
It ain't your house on the hill
It ain't the plane that you fly
It ain't your black limousine
It ain't your ninety-foot yacht
It ain't the things that you'll get
It ain't the things that you got
It ain't the money or the diamond rings
Honey I ain't impressed with your material things
It's the way that you love me
It's just the way that you love me
It's the way that you love me
It's just the way that you love me
It ain't your friends at the top
It ain't their fortune and fame
It ain't your heavy connections
It ain't the Hollywood game
Ain't famous people or the parties they throw
Honey I ain't impressed with all the people you know
It's just the way that you love me
(In the heat of the night)
It's just the way that you love me
(Baby)
It's just the way that you love me
(When you're lovin' me right)
It's just the way that you love me
(Baby)
It's just the way that you love me
(And the things that you do)
It's just the way that you love me
(Baby)
It's just the way that you love me
(Make me crazy for you)
It's just the way that you love me
It ain't the money or the diamond rings
Honey I ain't impressed with those material things
It ain't the trips to Brazil
It ain't the weekends in Rome
It ain't the French Riviera
You know I'd rather stay home
Ain't the Bahamas
It ain't Monaco
Honey I ain't impressed
With all the places we go
It's just the way that you love me
The way that you love me
The way that you love me
It's just the way that you love me
The way that you love me
(It ain't the money)
It's just the way that you love me
(Or the diamond rings)
The way that you love me
(Ain't what you buy my baby)
It's just the way that you love me
(Ain't material things)
The way that you love me
(Ain't your Maserati)
It's just the way that you love me
(Your house on the hill)
The way that you love me
(It ain't the parties)
It's just the way that you love me
(Or the trips to Brazil)
He is coming back...
Another body another face but same soul
His former life is filling up with hate and pain
Many people dying through his hands
Uponing to tortured
Uponing to tortured
And agonized with blood
The calling was to the dead ones always ahead
After the death given a new life
The punishment you taken for mistakes
His old corpse is rotting away
And smelling decomposed
Reincarnation - A new life
Reincarnation - The same way
His old corpse is rotting and decomposed
The punishment for mistakes is painful
Imprisoned in a deformity body
The deliverance out of this life
Is-the-death-imprisoned-deliverance-the punishment
His old corpse is rotting and decomposed
The punishment for mistakes is painful
Imprisoned in a deformity body
The deliverance out of this life
Is-the-death-imprisoned-deliverance-the punishment
After the death given new life
The punishment you taken for mistakes
His old corpse is rotting away
And smelling decomposed
Reincarnation - A new life
Reincarnation - The same way
Closing your eyes for off you prophesy
And ignored your mistakes
Agonized and murdered - Let your propelling the push
Look-forward-of your-new-birth
Child will you come on down
Come on in with me
Morning says to idle on
Stay clear of the street.
On the wing
And on the land
Can you sing
With anything
Do you wanna dance
Do ya
Do ya, do ya, do ya wanna dance
Stroke it Noel
They say we're lazy men
Drinkin' our white wine
We could go right insane
'Cause we can buy the time
Oh, keep an eye
On the sky
Will they come
Oh the bombs
Do you wanna dance
Easy now, easy now
Do ya, do ya, do ya wanna dance
Do ya wanna, do ya, wanna dance
(Hess)
Do you find in the desert
That all the sand looks the same
I drink the optic illusion
But the thirst never fades
We're not in the same shoes
With no one to blame
But the fools who surround me
I'll always have someone to crucify
Here out on the seas of dissension
I'm stalling the floods
This martyr for peace has surrendered
Drowning in blood
Behind the vale of delusion
Hides the road I should take
Damned to live contradiction
Thirty years tempting fate
There's one thing I tell you friend
I don't believe in supermen
Who fly thru the clouds above the rest
I don't believe in the best
And I never wanted to fight with you
It's just the last thing that I wanna do
But you're so afraid to look at love
Gotta let it all go this cut-above stuff
'Cause this is the hook that drags you
This is the hook in the crook of your neck
It's the hook that snags you
This is the hook
And there's one thing I tell you friend
All of our trials gonna come to an end
And you and I we're gonna fall
Like we never have stood on this little earth at all
'Cause this is the hook that drags you
This is the hook in the crook of your neck
It's the hook that snags you
This is the hook in the crook of your neck
It's hook that drags you
This is the hook
Oh oh oh
[spoken]
Here is the news
According the latest world population survey
The figures have reached danger point, my god
London 15 million 75 thousand
New York 80 million
Paris 15 million and 30
China 1000 million
Billington-Spa: lots
My studies include suffragy
I formed my own society
To study the power of fecundity
The world will overpopulate
Unless you claim infertility
So who will buy a drink for me, your Messiah
[CHORUS]
We are not your friends
We don't give a damn for what you're saying
We're here to live our lives
I propose to give the pill
Free of charge to those that feel
That they are not infertible
The crops of few, the cattle gun
There's only one way to linger on
So who will buy a drink for me, your
Messiah
[CHORUS]
[spoken]
Achtung, achtung, these are your orders
Anyone found guilty of consuming more than their
allotted amount of air
Will be slaughtered and cremated
One only cubic foot of air is :
I have prepared a document, legalising mass abortion
We will turn a blind eye to infanticide
[CHORUS]
You don't seem to hear me clear
Do I talk about your sphere
Let me explain my project dear
Show you how I'll save the world
Or let it die within the year
Why do you look that way at me, your messiah
[CHORUS]
We are hungry men
We don't give a damn for what you're saying
We're here to eat you
They're Either Too Young or Too Old
Tommy Dorsey
Words by Frank Loesser and music by Arthur Schwartz.
Introduced by Bette Davis in the 1945 film Thank Your Lucky Stars.
Her interpretation was in an amusing manner with many lyrics added to the
original. Nominated for an Academy Award in 1943.
You marched away and left this town
As empty as can be.
I can't sit under the apple tree
With anyone else but me.
For there is no secret lover
That the draft board didn't discover.
They're either too young or too old
They're either too grey or too grassy green.
The pickings are poor and the crop is lean.
What's good is in the army.
What's left will never harm me.
I'm either their first breath of spring.
Or I'm their last little fling.
I must confess to one romance,
I[m sure you will allow.
He tries to serenade me,
But his voice is changing now.
I'm finding it easy to stay good as gold.
They're either too young or too old.
I'll never ever fail ya, when you are in Australia
And flying over Egypt, your heart will never by gypped.
And when you get to India, I'll still be what I've been to ya,
I've looked the field over, and lo and behold!
They're either too young or too old.
(English: If I One Day)
Words and Music by Per Gessle
Published by Music For Money/Inhouse Music
Om jag en dag tar fram mitt mod / Och kastar bort min enda tr
The sun no longer shines on your side
Remember this cold
When the fog won't lift in your town
And you turn old
I heard you killed your only friend last year
You're such a disease
You can buy your other friends
But you can't buy me
Chorus:
Disarm, can you hear the British ambulance
Breaking down, trick, bomb still goes
Tick tick time on by, watching me explode
When did I create you?
Did you ever destroy me?
Can this be settled with questions?
I can't think of anything.
I'm just a little boy with an untrained voice
But I have cannons for arms
I play the guitar and songs
With hidden missiles and bombs
Repeat Chorus
Philip Bailey, Allee Willis A.Z. Giles
Het gets wild at night
Gotta sleep all day
'Cause he's wound so tight
Blowing his brains away
He's in the land of the free
And he wants to be
Someone they all say will make good
But what's reality when you're from the hood
It's evil yea, yea, yea
(Chorus)
Evil, Evil Roy, who is fooling who
Don't you know Evil Evil someone
watching you
Well he got no job so he peddling-fear
Trying to push so hard
No way out of here
It's just the law of the street
Too much heat
Pressure cooking, gonna explode
But where you gonna be
if you lose control
it's evil yea yea yea
(Chorus)
(Bridge)
Can't you see that your way
Is going nowhere fast
And your time is just running out
Fighting fire with fire
It will never pass
If evil's what your life's about
(Out Chrus)
When you take never giving
Hide the pain
You stop living
They're for all to see
Selfcontained lovers
Welded orally
No run for cover
I'd join in the fun
If I had someone
But it seems I'm undone
These public displays of affection
Surely your love must be new
I can't wait for my next rejection
I'm always the first in the queue
Try to hold your soul
But I'll crush your spirit
Why do I feel so close?
When I can't get near it
I'm flooded with fear
and it don't disappear
But I'm still standing here
These public displays of affection
Surely your love must be new
So conscious of my imperfections
I've never lost interest in you
These public displays of affection
Surely your love must be new
You're natural overprotection
leaves me with nothing to do
These public displays of affection
Surely your love must be new
I've got no time for reflection
My service is long overdue
P - Hello hello, may I speak to the E?
E - This is me... is this the doctor M.D.?
Yo P it's kinda early, who's there Laverner and Shirley?
Is it Kate and Allie, or some other girlie?
Well anyway, yo P you know I'm lazy
Callin me this time of hour you must be crazy
P - Excuse me, but I'm sorry E Double
It's a terrible situation and it might cause trouble
Throw on your coat jump in your Benz and come over
E - Why P?
P - Yo, I think Jane is on my sofa
E - What?
P - Last night I was all alone
Cold watch the boob tube, because my fuse was blown
Picked up the bat phone, to drop a line to you
Maybe 10:15, or maybe 10:22
E - Where was I?
P - I don't know, you wasn't there
Threw on the link Rolex watch and fresh gear
I grabbed my key, along with the cash flow
Shifted out the door to the local disco
E - Where'd you go, not to that ran down pub
P - Hell no... I was coolin at a club
It was Spanish night, so I was drinkin Molta
Threw on a little tango, plus a little salsa
Seen a fly girl, standin next to me
So I slid over to her very non-chalantly
She was DEF, body perfectly fit
She was packin, a 300-E with the kit
I said, Kitten, how ya doin miss?
I said, Hello my name is Parrish
E - Hi, my name is Cris
P - Can I buy you a drink?
E - Yes
P - What will it be?
E - A martini and Rossi, Asi Spumante.
By the way is that your Caadillac Allante
parked outside right next to my Monte
car? You can call it, my ex-husband bought it.
P - Put my ego up here and said it's time to go for it
This place is a drag, grab your coat and bag.
We'll have drinks on the house, back at my pad.
We got to my house we walked through the door
Threw on Night and Day by
E - Al. B Sure
P - She grabbed me, gave me kiss on the lips
So I grabbed the cold booty and caressed the hips
I got ahead of myself, because I wanted to flirt
Took off the G-strings and the V-neck skirt
Put my eho up here
E - Yeah it's time to do work
P - I felt the movement below so it's time to react
I went in my back utility belt anad pulled out a jim hat
I bust a move... when it came to that
But then she freaked it, and grabbed the bozack
Started dpom it, then she called me the master
E - You got bigger, better, stronger and much faster
P - At first I laughed, as if it was a joke
But then my heart skipped a beat, and I lost a stroke
I said to myself, oh no it couldn't be
The J to the A to the N to the E
E - Yo P don't tell me it was Jane you were douchin
With the Anita Baker head
P - Nah more like Whitney Houston
E - While the record's still playing to Al B. Sure's Effect Mode
Stay tuned, to be continued on the next episode
Peace, I'm Audi 5000
(Steve Walsh)
I remember when I saw your face I said out loud she's out of place
She's summer's child and still she feels no freedom
Your hair was long and so was mine when we were young I felt a kind of magic
Did you feel that for me
(Chorus)
I thought that you would understand you thought that I was in your hand
Now's the time when I can't stay not even you can change the way
I'm a loner
I remember when I saw your eyes I said out loud I realize
That beauty often hides a heart that's hardened
You tell me now you use them all they love it best before they fall
Collected like a flower in your garden
(Chorus)
I Wanna Be Sedated
Twenty twenty twenty four hours to go
I wanna be sedated
Nothing to do, no where to go
I wanna be sedated
Just get me to the airport and put me on a plane
Hurry hurry hurry before I go insane
I can't control my fingers, I can't control my brain
Oh no oh no
Just put me in a wheel chair and get me to the show
Hurry hurry hurry before I go loco
I can't control my fingers I can't control my toes
Oh no oh no
Indian Summer
Glenn Miller
Written by Victor Herbert and Al Dubin.
As recorded by the Glenn Miller Orchestra on November 5th, 1939 with Ray Eberle.
(The melody was actually written in 1919 as a piano piece subtitled An American Idyll ,
lyrics were added in 1939).
Summer, you old Indian Summer
You
It's over
You don't need to tell me
I hope you're with someone who makes you
Feel safe in your sleeping tonight
I won't kill myself, trying to stay in your life
I got no distance left to run
When you see me
Please turn your back and walk away
I don't want to see you
Cos I know the dreams that you keep is wearing me
When your coming down, think of me here
I got no distance left to run
It's over, I knew it would end this way
I hope you're with someone who makes you feel
That this life is alive
And it settles down, stays around
Spends more time with you
I got no distance left to run
[Parrish Smith]
Haircut, like Anita Baker
Murder?/Yeah murder one son, for the death of Jane (repeat 4X)
Aiyyo they came to my jail cell, and let me go on technicalities
The girl that got merked it wasn't Jane it was fuckin Valerie
The prostitute from downtown, we checked the dental records
Found her butt naked, and on the side EPMD record
Two hours later on Greyhound, on my way now
Peeped the shorty up front, starin wants to play now
Set gets laid out, she black, draws the gat
Screamin 'lay flat' then bust a cap as she walk back
Remain cool, I want the money quality jewels
And anybody breakin these rules they get two's
This is a jack, pass the money back, no eye contact
Relax, and keep quiet and pass the bag back
to my accomplice, havin no nonsense
That's when another girl pushed up, white girl on some calm shit
Thinkin quick that's when the hammer went click
An off-duty P.O., licked off and touched first bitch, she fell
Hit the floor, she was leakin
My partner cock back, blast, one woman started screamin
Who's next? Who wanna flex? Cop in the seat wet
Licked another shot off, hit the driver then the bus tipped
Shit's thick, that's when she grabbed me took me hostage
Told me 'snatch the bags and don't fuck with my props kid'
Pistol still smokin, she kicked the fuckin door open
Bus on it's side wheels spinnin, with the engine smokin
Runnin on the shoulders, she put the gat in the holster
Played it cool, and never lost my composure
As screamin soldier got closer, I followed her to the
drop point, she took the leads off a Range Rover
and passed me the keys, proceeded to roll trees
Shorty gained her silence, guess what was in the CD
And as I did the knowledge the Jeep raised from the hydraulic
I'm thinkin, Could this be Jane as my co-pilot?
Time to activate, JANE on the license plate
Pushin ninety-five with no headlights, on the interstate
Murder?/Yeah murder one son for the death of Jane (repeat 8X)
Dog A Fox
f/ DMX
[DMX]
Uhhhh, uhhhhhh
Let's do it, we're startin'
Uh, come on boogie boogie, uh, uh
Lets do it, let's do it, DMX, come on
I been playin' bitches all my life, from that hoe to my wife
You think I give a fuck, like you don't know I'm livin' trife
Strife and struggle, bitches with pussy on the juggle
Little shorty named Tomika from 25th who can smuggle
Cheese to that Columbian Connection
From that cross-the-water section
Baby nine-seventeen, try for protection
Injection of that shit I'm kickin'
Got you stickin' niggas you got love for
Bring 'em up, touch 'em with the buzz saw
Bitches slingin' rocks, swingin' glocks, bringin' knocks
Holdin' down the fort even when it's steamin' hot
Money's being got but honeys actin' shady
So I hit it with 5 between the 380's
Can't fox a 300 Mercedes
Time like this bring out the savage and shit
Bitches ain't keepin' it real, so I'm damagin' shit
I'm on that scavenger shit, and I'm hungry
Fox with the Dog, it's about to get ugly, for real
Aiyyo
[Both]
1 - Ya bitches suck a dick
(Ya'll niggaz eat a clit)
Yeah, you think you fuckin' slick
(Ya'll niggaz ain't shit)
Ya bitches suck a dick
(Ya'll niggaz want this bitch)
You think you fuckin' slick?
Ya bitches suck a dick
(Ya'll niggaz eat a clit)
You think you fuckin' slick
(Ya'll niggaz ain't shit)
Ya bitches suck a dick
(Ya'll niggaz want this bitch)
You think you fuckin' slick?
[Foxy Brown]
Nigga fuck you, eat a fat boy
Do' I stacked on pussy, platinum and lace
Ain't no smile on my face
Shit, burn up by the waist
Fuck him right to the safe and tell him
Crack the bitch before I blast his bitch
Ya'll know Na-Na come through
Dime-chicks, iced up, minked out, rolly 6, light grey chrome 6
Go to ask, wanna fuck? Then throw the cash right
'Aye bitch needs some dick in they life
Make 'em cop you with rock or just copy some rocks
Take it all from his dumb-ass, slide on his bum-ass
I want some shit and I'm hungry, Dog with the Fox
It's about to get ugly
Repeat 1
Repeat 1
In the wintercold I see the blood
clotting slowly in the snow
Unsung heroes cry in the night
may they die before dawn
Broken banners mourn fallen crowns
grieving swords lay all around
As the swansong touches the mountainside
unseeing eyes look at you
Can't you hear it
hear the sorrows vail
Oh, can't you see it
the newborn day
Impaled hearts welcome the end of pain
black blood releasing warrior souls
Vultures circle 'round the fields of grief
another graveyard, another tale
Can't you hear it
hear the sorrows vail
Oh, can't you see it
the newborn day
She was working in a bridal shop in Flushing, Queens,
Til her boyfriend kicked her out in one of those crushing scenes.
What was she to do, where was she to go
She was out on her fanny.
So over the bridge from Flushing to the Sheffield's door,
She was there to sell make up but the father saw more,
She had style, she had flair, she was there,
That's how she became the Nanny.
Who would have guessed that the girl we described
was just exactly what the doctor prescribed?
Now, the father finds her beguiling, watch out C.C.,
The kids are actually smiling, such joie de vivre
She's the lady in red when everybody else is wearing tan.
The flashy girl from Flushing, the Nanny named Fran.
We can do anything just you and me hey baby baby baby, baby,baby,baby wait and see.
{Chanel}
Hold on stay tight are you ready for a crazy ride.
{Dorinda}
you're on your own it aint right somethings gotta give tonite.
So if you wanna run, run and dissapear
{Aqua}
You and i can bust our way right out of here.
{Chorus}
Together we can shot the moon stop the rain even ride a hurricane if we wanna ,together we can walk in space save the human
race do u think we oughta oughta (x2)
{Galleria}
Here we take our time we can have it all
{Chanel}
I dont think were gonna make it on our own.I am so ugly. Realy
{all}
together we can......even ride a hurricane if we wanna together we can walk in space save the human race do u think we
oughta together we can!
(Brutal Truth)
Slack wish for fancy free
Pluked fromthe money tree
Cash crop for all to see
Shotgun your fantasy
Preordained by destiny
Overwhelmed monopoly
Class act
You'll kiss the bat
Your fault
At last, meets its crack
Bite the roll
Chew your fat
Curse your fowl
Waste of cash...
See them tumbling down
Pledging their love to the ground
Lonely but free I'll be found
Drifting along with the tumbling tumble weed
Cares of the past are behind
Nowhere to go but I'll find
Just were the trail will wind
Drifting along with the tumbling tumble weed
I know when night has gone
That a new world's born at dawn
I'll keep rolling along
Deep in my heart is a song
Here on the range I belong
Drifting along with the tumbling tumble weed
I know when night has gone
That a new world's born at dawn
I'll keep rolling along
Deep in my heart is a song
Here on the range I belong
Drifting along with the tumbling tumble weed
(feat. Jay-Z, Twista)
[Jay-Z]
Guess who Uh, uh-uh uh-uh
Jigga, ya heard
Uh-uh, a-Timbaland, ya heard
Uh, Twista, ya heard C'mon, c'mon
Uh-uh, uh-uh, g-ge, ge-geah
Yo.. yo.. ye-yea, ye-yea
Turn this up.. yo, yo, yeah
When the war's on, the pores are drawn like pictures
The niggaz is all gone when these triggers get witcha
Nigga before long you need stitches in your longjohns
A.K., t-t-t-t, heartbeat, t-t-t-t
Eight figures you fake twitchy niggaz can't stop (that)
Jigga, Twista my nigga Timb on the hot track
How you gon' stop that We can't be slowed
Niggaz throwed dawg, look at your clothes
When I'm in crazy mode, three-eighty blows like
Maceo, leave acey holes
That's just Jay-Z doe, crazy flow
Rhyme great, dominate your radio
C'mon, get your gun, your mask and gloves
I don't ask for love, I blast 'em up
Respect my gangsta dude, or your life's in danger dude
Doctors pushin on your chest tryin to bring you through
[Chorus: Timbaland + (Twista)]
All my party people gon' do what (Gonna get buck)
Get some liquor in the gut (So whassup)
(Get them lighters lit up, make them get up
with somethin the East and West gon' bump)
All my party people gon' do what (Get crunk)
Get some liquor in the gut (So whassup)
(Get them lighters lit up, T got some gangsta shit
that's beatin in yo' trunk)
[Magoo]
Fuckin with Mag, nigga end up in a hospital
Sittin on the corner of the bed, sick cause of what I said to him
On a track star beef take it in the kitchen
Cookin MC's all niggaz taste like chicken
Hittin 'em high, right in the ear
Slicin on 'em muh'fucker vampire style, I'm a bloodsucker
You turnin into a mad ducker, tellin ya dog
I'm at the Rucker with a bad Puerto Rican chick
Fat as my cash and she a dick sucker, get up outcha car
You ain't goin real far, see the chainsaw
Breakin the law, like turnin a dyke
when it come to that man that just like Mike
I don't care what you like, I'll make you run in outer space
If you go to court man, only wish you got a case
For real, I'm fuckin faced on a hill of ice
Mag hot now nigga 50 G's the price
[Timbaland]
Timbaland good for that - [beat plays, he scats]
[scatting] - I invented that
Hear the hi-hat, hear the bassline on the track
Remember 'One in a Million' when I left ya back
Producers sayin, 'How you get your sound like that'
I don't know playa, I'm a creative cat
Got party people dancin to dis and dat
Got party people sayin, 'This a dope-ass track!'
[Chorus]
[Twista]
Timbaland hit 'em with the um, ah-um, ah-um-ahh, you gon' do what
Stop frontin you bumpin the new cut
like a shoe ah, um ah-um ah, hit 'em in the gut
Twitchin and itchin to get up, I hit 'em up
With some skanless to vibe to and ride to
with the stanky inside you - listen to while a freak lickin you
Go on a bogus mission to, somethin you crip-walk in the kitchen to
Somethin you bump on the porch or the park
Or pump it while you displayin yo' heart when you flex on a mark
You can play it to clear your head from drama with the feds
and all the homies like down for when they in the dark
Used to rock up at the block club, players wasn't ridin slick
You can let your mind cruise for miles
They can't tell no sucker who's allowed, with a strap on the mic
I'm thinkin how can I move the crowd, move the crowd
[Chorus - repeat 2X]
[Timbaland]
.. bounce wit me, bounce wit me, bounce, ow ow ow
Ow ow ow-ow ah, shake wit me, shake wit me, shake wit me, shake..
.. bounce wit me, bounce wit me..
Shake wit me, shake wit me
Ow, one time, bounce wit me, bounce wit me
Yo, ahh
Remember when you first found me
I was workin at Burger King
Now take a good look around me
Look at all these cars, look at all these girls
Why you always tryin to put down me
Why you always tryin to put down me
You get 'round your friends and try to clown me
Why you always tryin to pull that boo-boo
I'm gettin tired of all that bullshit
Always talkin dis and dat
Your girls screamin, 'We looove him!'
See girls, they LOVE me
Girl that's just, only Tim
Yes, it's only Tim
Whatchu talkin 'bout that's only Tim
Yeah whatchu talkin 'bout that's only Tim
Cause
[Timbaland: repeat 2X]
I made it this far (this far)
Made it without yo' money (yo' money)
Made it without yo' car (yo' car)
Made it without yo' naggin (what)
Now look who's the star (whoo!)
[Timbaland]
YaknowhatI'msayin
Why it gotta happen to people like me, I don't get it
I don't understand it
That's why people like myself, only hang with self
Hahaha, and nobody else
Easy now
Sexy everything about you's so sexy,
You dont even know what you got.
you're really hitting my spot, oh yeh yeh
And you're so innocent,
please dont take this wrong coz its a compliment,
i just wanna get wiv ur flow oh
u gota learn to let go, oh baby won't u,
Chorus
work, just a little get hot,
just a little bit neat,
in the middle let go,
just a little bit more,
(just a little bit)
gimme just a little bit more,
Let me,
i'd do any thing if you just let me,
Find a way you make you respond,
i kno you wanna break down those walls (yeh yeh)
and its so challenging,
getting close to you is what i'm imagining,
i just wanna see you get down,
you gotta let it all out (oh baby wont you)
chorus
x 2
its so exiting the way your inviting me,
(i love it wen u do it like that ooohhh aaahhh)
cant get enough wont you satisfy my needs yeh
chorus
just a little bit more
chorus x 2
sexy everthing about you so sexy
you dont even know woooohh
Vaahtokukka pinnalla puolen litran maljakon
baarimikon aarrearkussa Lapin Kulta kimaltaa
monta syyt
Monster,
monster feeding
Like a climber
lost in the mountains
i dream
only of sleeping
Ain't it something
Ain't this something
Ain't we something
Nothing to move
nothing in here to explain
Just pillow clouds of poison gas
and moving on somewhere
that always stays
miles away
miles away
miles away
miles away
miles away
miles away
miles away
And you're miles away
We're lying here just contemplating
While the heavenly bodies are rotating
Held in orbit by the powers of sheer attraction
And in this universal vastness
You and I still cling to this madness
Kept together by the forces of sheer attraction
Earth moves forever
On its eternal course
Your limbs entwined in mine
Caught up in gravitational force
Our beating hearts
Swell our heated veins
Unite two solar systems
On one relentless flame
You and I
In the force of sheer attraction
You and I
And the forces of sheer attraction
Your fingers - searching and drifting
Arouse me with their dancing and shifting
Awaken in me forces I cannot fathom
And far above this place where we're lying
Two great stars in space are colliding
Brought together by forces of sheer attraction
Earth moves forever
On its eternal course
Your limbs entwined in mine
Caught up in gravitational force
Our beating hearts
Swell our heated veins
Unite two solar systems
On one relentless flame
You and I
In the force of sheer attraction
You and I
And the forces of sheer attraction
Vet du, min lilla v
It will find you in the park, it will meet you after dark,
It will remind you that nothing's the same.
It will take you by surprise, it will be this young girl's eyes,
It will remind you that she's gonna stay.
It will wake you in the morning, get yourself right out of...
There's this little sanctuary from these voices in my head...in my head...
It will stab you in the back, change your world, fade it to black,
It will remind you that nothing's the same.
It will take you by surprise, it will leave you paralyzed,
It will remind you that he's gonna stay.
It will wake you in the morning, get yourself right out of...
There's this little sanctuary from these voices in my head...in my head...
And I don't know what to do, all I want is to be with you...
And I sit by candlelight, wishing you were here tonight...
It will shoot you in the head, it will make your life bleed of lead,
It will remind you that nothing's the same.
It will take you by surprise, it will be this young girl's eyes,
It will remind you that nothing's the same.
It will wake you up in the morning, get yourself right out of...
There's this little sanctuary from these voices in my head...in my head...
And I don't know what to do, all I want is to be with you...
And I sit by candlelight, wishing you were here tonight...
And I don't know what to do, all I want is to be with you...
And I sit by candlelight, wishing you were here tonight...
Wishing you were here tonight,
Wishing you were here tonight...
Blue Monday how I hate Blue Monday
Got to work like a slave all day
Here come Tuesday, oh hard Tuesday
I'm so tired got no time to play
Here come Wednesday, I'm beat to my socks
My gal calls, got to tell her that I'm out
'Cause Thursday is a hard workin' day
And Friday I get my pay
Saturday mornin', oh Saturday mornin'
All my tiredness has gone away
Got my money and my honey
And I'm out on the stand to play
Sunday mornin' my head is bad
But it's worth it for the time that I had
But I've got to get my rest
'Cause Monday is a mess
They are watching you from far away
everything is under thier control
you can run but you can't hide
in this very little world
so you better leave this place
looking for a better world
without watchers in the night
where you can live in peace
every little step you take
every little move you make
they're watching you they're watching you
without respect for your life
Everywhere are microphones
they listen all day and night
to every tiny word you speak
in your very little world
so you better speak a word
keep the silence in your heart
no more shoutings anywere
until they leave you
every little step you take
every little move you make
they're watching you they're watching you
without respect for your life
The festival was over, the boys were all planning for a fall,
The cabaret was quiet except for the drilling in the wall.
The curfew had been lifted and the gambling wheel shut down,
Anyone with any sense had already left town.
He was standing in the doorway lookin' like the Jack of Hearts.
He moved across the mirrored room, Set it ‘em for everyone, he said,
Then everyone commenced to do what they were doin' before he moved their heads.
Then he walked up to a stranger and he asked him with a grin,
Could you kindly tell me, friend, what time the show begins?
Then he moved into the corner, face down like the Jack of Hearts.
Backstage the girls were playin' five-card stud by the stairs,
Lily had two queens, she was hopin' for a third to match her pair.
Outside the streets were fillin' up, the window was open wide,
A gentle breeze was blowing, you could feel it from inside.
Lily called another bet and drew up the Jack of Hearts.
Big Jim was no one's fool, he owned the town's only diamond mine,
He made his usual entrance lookin' oh so dandy and so fine.
With his bodyguards and silver cane and every hair in place,
He took whatever he wanted to and he laid it all to waste.
But his bodyguards and silver cane were no match for the Jack of Hearts.
Rosemary combed her hair and took a carriage into town,
She slipped in through the side door lookin' like a queen without a crown.
She fluttered her false eyelashes and whispered in his ear,
Sorry, darlin', that I'm late, but he didn't seem to hear.
He was staring into space over at the Jack of Hearts.
I know I've seen that face before, Big Jim was thinkin' to himself,
Maybe down in Mexico or a picture up on somebody's shelf.
But then the crowd began to stamp their feet and the house lights did dim
And in the darkness of the room there was only Jim and him,
Staring at the butterfly who just drew the Jack of Hearts.
Lily was a princess, she was fair-skinned and precious as a child,
She did whatever she had to do, it was a kind of a flash every time she smiled.
She'd come away from a broken home, had lots of strange affairs
With men in every walk of life which took her everywhere.
But she'd never met anyone quite like the Jack of Hearts.
The hangin' judge came in unnoticed and was being wined and dined,
The drilling in the wall kept up but no one seemed to pay it any mind.
It was known all around that Lily had Jim's ring
And nothin' would ever come between Lily and the king.
No, nothing ever would ‘cept maybe the Jack of Hearts.
Rosemary started drinkin' hard and seein' her reflection in the knife,
She was tired of the attention, tired of playin' the role of Big Jim's wife.
She had done a lot of bad things, even once tried suicide,
Was lookin' to do just one good deed before she died.
She was gazin' to the future, riding on the Jack of Hearts.
Lily washed her face, took her dress off and buried it away.
Has your luck run out? she laughed at him, Well, I guess you must
have known it would someday.
Be careful not to touch the wall, there's a brand-new coat of paint,
I'm glad to see you're still alive, you're lookin' like a saint.
Down the hallway footsteps were comin' for the Jack of Hearts.
The backstage manager was pacing all around by his chair.
There's something funny going on, I know, I can just feel it in the air.
He went to get the hangin' judge, but the hangin' judge was drunk,
And the leading actor hurried by in the costume of a monk.
There was no actor anywhere better than the Jack of Hearts.
Lily's had her arms around the man that she dearly loved to touch,
She forgot all about the man she hated, who hounded her so much.
I've missed you so, she said to him, and he felt she was sincere,
But just beyond the door he felt jealousy and fear.
Just another night in the life of the Jack of Hearts.
No one knew the circumstance but they say that it happened pretty quick,
The door to the dressing room burst open and a cold revolver clicked.
And Big Jim was standin' there, you couldn't say surprised,
Rosemary right beside him, steady in her eyes.
She was with Big Jim but she was leanin' to the Jack of Hearts.
Two doors down and the boys finally made it through the wall
Cleaned out the bank safe, it's said that they got off with quite a haul.
In the darkness by the riverbed they waited on the ground
For one more member who had business back in town.
But they couldn't go no further without the Jack of Hearts.
Well the next day was hangin' day, and the sky was overcast and black,
Big Jim lay covered up, killed by a penknife in the back.
And Rosemary on the gallows, boy, she didn't even blink,
The hangin' judge was sober, Lord, he hadn't had a drink.
The only person on the scene missing was the Jack of Hearts.
The cabaret was quiet now, a sign said, Closed for repair,
Lily had already taken all of the dye out of her hair.
She was thinkin' 'bout her father, who she very rarely saw,
Thinkin' about Rosemary and thinkin' about the law.
But, most of all she was thinkin' about the Jack of Hearts.
You simply defy, I cannot even look to the sky,
we try it single filed, take on me, and it's my denial,
I cannot ever find, something safe, not done on the fly,
I cannot live this way, floor and me will kick the P.A
You wanna play with me
I'm really gonna rock your world
You want to comfort me
I'm gonna rock your world
You say everything is fine, I cannot compete with the skies,
my sing has crossed the line, come in me,
I fly through the sky, I can not ever find,
you and me will make all the lines, oh, if they could see the plague,
no one would want to be me
You wanna play with me
I'm really gonna rock your world
You wanna comfort me
I'm gonna rock your world
So I fly
Take me
I cannot fly
Most people hate me
To fly away from this pain
Please take away
Please take away my P.A
Originally performed by Twisted Sister
there ain't no way i'm gonna wait for sathurday night
i worked all day, i slaved away
i gotta set it right
gonna hit the streets, cruise around
i gotta find some action
ain't gonna stop until i drop or get some satisfaction!
gonna tear it, gonna tear it loose
gonna shout it from the roof
blast my way into the night
i'm gonna live my dream
shout and scream!
i'm gonna
tear it loose
come on now
tear it loose
i've been brutalized, computerized
punched in and punched out
now here comes the night and it just ain't right
to be shut in or shut out
so i'm breaking down the barricades
gonna slow the hands of time
cause to waste away the rest of the day
is such a f**king crime!
gonna tear it, gonna tear it loose
gonna shout it from the roof
blast my way into the night
i'm gonna live my dream
shout and scream!
i've got to
tear it loose
you've got to
tear it loose
i'll keep grabbin' hold of all the gold
in this old world of trash
long as there's light breakin' through the night
i'm never gonna crash
and if i'm down and out one day
i won't throw in the deuce
i'll just kick it out, thrash about
till i tear it loose, oh!
gonna tear it, gonna tear it loose
gonna shout it from the roof
blast my way into the night
i'm gonna live my dream
shout and scream!
we've got to
tear it loose
all right let's
tear it loose
This song appears on four albums, and was first released on the Different Directions Album, and has also been released on The Gift You Are and The John Denver Collection - Sunshine On My Shoulder Albums. A live version appears on The Wildlife Concert Album.
There is a river that runs from the mountains
That one river is all rivers
All rivers are that one
There is a tree that stands in the forest
That one tree is all forests
All trees are that one
There is a flower that blooms in the desert
That one blossom is all flowers
All flowers are that one
There is a bird that sings in the jungle
That one song is all music
All songs are that one
It is the song of life
It is the flower of faith
It is the tree of temptation
It is the river of no regret
There is a child that cries in the ghetto
That one child is all children
All children are that one
There is a vision that shines in the darkness
That one vision is all of our dreams
It is a vision of heaven
It is a child of promise
It is the song of life
It is the river of no regret
Let this be a voice for the mountains
Let this be a voice for the river
Let this be a voice for the forest
Let this be a voice for the flowers
Let this be a voice for the ocean
Let this be a voice for the desert
Let this be a voice for the children
Let this be a voice for the dreamers
Let this be a voice of no regret
Words and music by John Denver
dear god, how have you been, then
i'm not fine, fuck pretending
all of this death you're sending
best throw some free heart mending
invite you in my heart, then
when done, my sinds forgiven
this god of mine relaxes
world dies i still pay taxes
can i be as my god am
can you be as god am
can i be as my god am
god of all my god am
so lord, i see you grinnin'
must be grand always winning
how proud are you being able
to gather faith from fable
can i be as my god am
can you be as god am
can i be as my god am
god of all my god am
god am
my god am
god am
god
all this respect i'm giving
shared strength acquired by livin'
all bloomin' life youre feeding
can't hide sick ones you're weeding
can i be as my god am
can you be as god am
can i be as my god am
god of all my god am
god am
god am
god am
talk to me
can you listen to me now
do you understand
can you identify? but it's as if you seem to make a small effort
but you bend, you're bending my mind, and you try to suffocate, and
smother me
covered so i can't breathe
we collapse our weakened hands fall together at once abandoned
they'll fore you down and strap you in, now we agree and understand
speak slowly
you gotta get it all out now
what are you saying?
just remember we will always be here...just in case you have been
waiting, waiting to show us something or give us some sign.
as if you're gonna suffocate, smothering
covered so you can't breathe
[chorus]
gently lure your submission
all the while suspicion grows
so be sick of listening
to senile old and staggering naive youth
pick us up when we fall down
Written by james black, scott anderson,
sean anderson, arnold lanni
I've never been so certain, I've never been sure.
We're on the side of angels,
If we believe this love is pure.
Is it so hard to trust it,
'Cause we've been wrong before?
There comes a time in every life,
We find the heart we're waiting for.
After all the might-have-beens,
The close and distant calls
After all the try-agains,
Don't be afraid to fall
We're on the side of angels after all.
Every time you touch me,
Don't you feel it too?
The gentle hand that's guiding us
You to me, me to you
After all the might-have-beens,
The close and distant calls
After all the try-agains,
Don't be afraid to fall
We're on the side of angels after all.
Heaven only knows
Why this took so long
But only Heaven knows
A love is right or wrong
After all the might-have-beens,
The close and distant calls
After all the try-agains,
Don't be afraid to fall
We're on the side of angels,
On the side of angels,
On the side of angels, after all.