Shakespeare like never before.
Plot
'The Other Shore' exists in a dystopia where food shortages are the norm and suicides happen often. Celia and George can't help but look across the water to the other shore and wonder at people's comfortable lifestyles and full bellies. When Celia is confronted with someone escaping that idealized society, it forces her to consider that the city on the other shore has problems of its own.
Plot
A young girl down on her luck lands a new job, wanting to fit in she takes a bet with her new co-workers. Locked in a vault she experiences the mysteries of an old children's hospital. Befriended by a young ghost, they attempt to set her free before being murdered by a vengeful nurse who haunts the premises.
He's out of the woods - and into your neighborhood!
Celia may refer to:
People with the given name Celia:
Celia Cruz (October 21, 1925 – July 16, 2003) was a Cuban-American and was one of the most successful salsa performers of the 20th century, having earned twenty-three gold albums. She was renowned internationally as the "Queen of Salsa" as well as "La Guarachera de Cuba."
She spent much of her career living in New Jersey, and working in the United States and several Latin American countries. Leila Cobo of Billboard Magazine once said "Cruz is indisputably the best known and most influential female figure in the history of Cuban music."
Úrsula Hilaria Celia de la Caridad Cruz Alfonso was born on October 21, 1925 in the diverse, working-class neighborhood of Santos Suárez in Havana, Cuba. She was the second eldest of fourteen children born to Catalina Alfonso and Simón Cruz. Simón Cruz worked in the railroads as a stoker, and his wife took care of the extended family.[citation needed]
While growing up in Cuba's diverse 1930s musical climate, Cruz listened to many musicians who influenced her adult career, including Fernando Collazo, Abelardo Barroso, Pablo Quevedo and Arsenio Rodríguez. Cruz also studied the words to Yoruba songs with colleague Mercedita Valdes (an Akpwon santeria singer) from Cuba and Celia made various recordings of this religious genre singing even back up for other female akpwons like Candita Batista.
Allison Brooks Janney (born November 19, 1959) is an American actress, best known for her role as C.J. Cregg on the television series The West Wing.
Janney was born in Dayton, Ohio, the daughter of Macy Brooks (née Putnam), a former actress and homemaker, and Jervis Spencer Janney, Jr., a real estate developer and jazz musician. She has an older brother, Jay, and a younger brother, Hal. She attended The Miami Valley School in Dayton, where she was named a distinguished alumna in 2004, and the Hotchkiss School in Connecticut. She then attended Kenyon College. At Kenyon, Janney studied under another Kenyon alum, Paul Newman.[citation needed] She went on to study drama at the Neighborhood Playhouse in New York and the Royal Academy of Dramatic Art in London.[citation needed] She attended The Neighborhood Playhouse the same years as actor Dylan McDermott.[citation needed]
Janney's first roles on television were as comedic foils on soap operas: she first played Vi Kaminski for a short time on As the World Turns, following up with a two-year stint as one of the Spaulding maids, Ginger on Guiding Light. In the spring of 1994, she appeared in the season finale of Law & Order, as a reluctant witness against a member of the Russian mob.
Hannah Dakota Fanning (born February 23, 1994), better known as Dakota Fanning, is an American actress who rose to prominence after her breakthrough performance in the 2001 film I Am Sam. As a child actress, she appeared in high-profile films such as Man on Fire, War of the Worlds, and Charlotte's Web.
In 2006, Fanning began the transition to more adult roles with Hounddog and The Secret Life of Bees. Her recent films have included The Twilight Saga, the fantasy/horror animated children's movie Coraline, and The Runaways. In 2002, she became the youngest nominee for a Screen Actors Guild Award.
Fanning was born in Conyers, Georgia. Her mother, Heather Joy (née Arrington), played tennis professionally, and her father, Steven J. Fanning, played minor league baseball, and works as an electronics salesman in Los Angeles. Her maternal grandfather was former American football player, Rick Arrington, and her aunt is former ESPN reporter Jill Arrington. Dakota is the elder sister of Elle Fanning, also an actress.
Leopoldo Dante Tévez (born March 22, 1942), known as Leo Dan, is an Argentine composer and singer born in Villa Atamisqui, Santiago del Estero Province. He recorded more than 20 albums during his long career during the late 20th century between Argentina and Mexico. His appreciation for Mexican music led him to record with mariachis, and from there he went to international fame. His music was well received by the Mexican public since his voice was a good match to the traditional mariachi sound.
His greatest hits include "Como te extraño, mi amor", "Mari es mi amor" "Celia", "Pídeme la luna", "Esa pared" and "Toquen mariachis, canten", to name a few.
Leo Dan currently lives in the United States. He, Palito Ortega and Leonardo Favio are considered the principal Argentine singers of the Nueva Ola (New Wave) music that was popular in the 1960s and 1970s in Latin America. With a mellow voice and an individual interpretative style, Leo Dan is one of the most recognized figures Spanish-language vocalist. His inspiration went further than interpretation; he also wrote most of his popular hits.
When the wind from the island is rollin' through the trees
When a kiss from a prison cell is carried in the breeze
That's when I wonder how sad a man can be
Oh, when will Celia come to me?
I still remember the mountains of the war
Sierra Madre and the Philipino shore
When will I lie beside my Celia 'neath the trees?
Oh, when will Celia come to me?
So many years were stolen, so many years are gone
And the vision of my Celia make dreams to dream upon
Each hour is a day filled with memories
Oh, when will Celia come to me?
I wake each morning and I watch the sun arise
Wonder if my Celia sleeps, wonder if she cries
If hate must be my prison lock, love must be the key
Oh, when will Celia come to me?
The guns have stopped their firing, you may wander through the hills
They kept my Celia through the war, they keep her from me still
She waits upon island now, a prisoner of the sea
Oh, when will Celia come to me?
When the wind from the island is rolling through the trees
When a kiss from a prison cell is carried in the breeze
That's when I wonder how sad a man can be
Oh, when will Celia come to me?
NOT, Celia, that I juster am
Or better than the rest!
For I would change each hour, like them,
Were not my heart at rest.
But I am tied to very thee
By every thought I have;
Thy face I only care to see,
Thy heart I only crave.
All that in woman is adored
In thy dear self I find--
For the whole sex can but afford
The handsome and the kind.
Why then should I seek further store,
And still make love anew?
When change itself can give no more,
Celia, Celia
Oh Celia, you Celia
I left my home for four long years
And now I come back home.
The woman I left in charge of my house
Has gone with everything.
She took my pop.
She took my plates.
She took my knife and fork.
And everything that's necessary
She's gone with everything.
She took my bed.
She took my spread.
She took my pillows too.
And everything that's necessary
She's gone with everything.
Yeah Celi-Celi-Celia, Celia, Celia
Celia, oh Celia
Celia, oh Celia
I left my home for four long years
And now I come back home.
The woman I left in charge of my home
She's gone with everything.
She took my shoes,
Took my socks,
Took my pants and shirt.
And everything that's necessary
She's gone with everything.
Oh Celia
Oh Celia
Celia, Celia
Oh Celia
Celia
Celia, Celia
Oh Celia, oh Celia
I left my home for four long years
And now I come back home.
The woman I left in charge of my house
She's gone with everything.
She took my bed.
She took my spread.
She took my pillows, too.
Ah everything that's necessary
She's gone with everything.
Celia, oh Celia
Oh Celia, Celia
Oh Celia, oh Celia
Making my way back to Georgia
From a place that I’d rather be
I was dreamin’ of a girl that I used to love
The one that got the best of me
Oh, Celia
Oh, Celia
There was something about that girl
Something that made me burn
She would always try to hide
But I could always find her, she said
“You can have my hand, but my heart your gonna have to earn”
Celia, I am tryin’ but your bringing me down
It’s hard to carry on, when your not around
I could try to forget somehow, but Celia
You’ve got the best of me now
I saw her just the other day
She asked me just how I’d been
I said fine and cracked a smile, but all I could think was,
Why did it have to end?
Celia, I am tryin’ but your bringing me down
It’s hard to carry on, when your not around
I could try to forget somehow, but Celia
You’ve got the best of me now
You know it ain’t easy
You know it ain’t kind
The way your
Leaving love behind
Celia, oh Celia
la conoc? un domingo
hablamos de pasi?n
le pregunt? su nombre
y muchas cosas m?s
el lunes fue un fracaso
no vino ya lo s?
por que al otro domingo
de nuevo la encontr?
as? comienza nuestro amor
en primavera
cuando las rosas del rosalson como celia
ahora solo me pregunto quizas me quiera
y no hago m?s que repetir
tu nombre es celia
entramos juntos a la iglesia
por ves primera
para que dios desde el altar nos bendijer?
ahora el tiempo nos dir? que yo con celia
no nos separaremos m?s
que dios no quiera
ahh, ay celia
The body, a painting in abstract.
Contorted hues, framed by steel and tubes.
Reflection of youth and beauty.
Smashed, splintered, nothing.
Fragments, as words - meaningless.
Remnants of flesh - pallid, forlorn.
An object in this gallery.
Of living corpses and surrogate breath.
Begotten, the invalid.
In wreckage, and broken glass adorned.
Angles unkind, joylessly entwined.
This palette of ruin that Celia becomes.
The body, a study disfigured.
She is God's own art.
Contusion of youth and beauty.
Crushed, crippled, yielding.
Motion, as time - intangible.
The verdigris of subsequent decay.
Suffusing the sickroom, the wheelchair, the needles, the hours, the days.
Forgotten, the invalid.
Pristine the canvas, the certainty, the stain.
Flawless design, sorrowfully refined.
Celia
See what you've done
See what you've done
See what you've done to someone
Oh girl you was looking so good
Actin' so smart
You took the man's heart and then you broke it
You had your fun, fun for a day
You took him to your room and then you sent him
On his way
Celia
See what you've done
See what you've done
See what you've done to someone
You had your laughs
You had your fun for a while
You took that man into your room
And then you sent him on the run
Girl, you sent him on the run
Celia
See what you've done
See what you've done
See what you've done to someone
Oh girl, now you made him so sad
You got him so mad
You better be careful he could hurt you
I heard him talking, I heard him say
He wasn't gonna kill you
He was just gonna fuck up your pretty face
If I was you I'd take the next train out of town
I'm telling you the man is mad
He's mad as hell and he's got a gun
Girl, he's got a gun
Celia
See what you've done
See what you've done
She left her town
For another place
Stay at home
Can't find some rest
But she won't get around
Won't get around
She left her keys
But she took her stuff
And I wonder why
She was so rough
But she won't get around
Won't get around
Celia, would you ever come home
Celia, the kids are waiting all alone
Celia, watch out for those fuckers
The kitchen is neat
I've clean the floor
I do the laundry
And even more
But she won't get around
Won't get around
She left her town
For another place
Stay at home
Can't find some rest
But she won't get around
Won't get around
Celia, would you ever come home
Celia, the kids are waiting all alone
Celia
It started out great
We were staying up late
Hanging out in the park till 2
Then you met your boyfriend
Left all of your girlfriends
Everybody's talking 'bout you...
Hey Celia
Hey Celia
Hey Celia
Hey Celia
Since the whole big showdown
I've been on the low-down
We used to have our time too
Oh but you're hanging out with his friends
Baggin' all your girlfriends
Crying when he doesn't call you...
I've been putting in good words for ya
But everybody's talking 'bout ya
Girl I don't know what we're gonna do
They've written on all the bus stop windows
Caught you on video
They've got some new names for you...
Hey Celia
Hey Celia
Hey Celia
Hey Celia
This used to be our town
Now it's just a ghost town
With no one and nothing to do
Your messing with your girlfriends
Chasing all their boyfriends
Hey Girl what's happened to you?
Hey Celia
Hey Celia
Hey Celia
Hey Celia
Oh I've been putting in good words for ya
But everybody's out to get ya
Girl I don't know what we're gonna do
They've written on all the bus stop windows
Caught you on video
They've got some new names for you...
Oh I'm calling on the phone (HEY CELIA)
And it says you're not at home
When I know you're up there crying and blue
Oh don't feel you don't belong (HEY CELIA)
Keep your heap up and be strong
Girl I'll always be here waiting for you