- Maurice Ravel BOLERO - Wiener Philharmonic
ARCHIVIO IEM: Maurice Ravel, Bolero ( London Symphony Orchestra / Valery Gergiev)
BOLERO-RAVEL
Album Những bản độc tấu Guitar Bolero nhạc vàng hay nhất (Vol1)
TRUC PHUONG DONG NHAC BOLERO
Flash mob at Copenhagen Central Station. Copenhagen Phil playing Ravel's Bolero.
Ravel - Bolero (original version)
Torvill & Dean - 1984 Olympics - Bolero - HQ
Ravel - Bolero. Sergiu Celibidache 1971
Maurice Ravel - Bolero
Flashmob - Bolero de Ravel na Pinacoteca de São Paulo, Brasil, Conservatoire de Paris, GURI & EMESP
東方神起 / Bolero
Ravel Bolero Muti/Philadelphia.O
Ravel Bolero Muti/Wiener Philharmoniker
Plot
Garfield is back and this time Garfield and his canine sidekick Odie follows their owner, Jon Arbuckle, to England, the U.K. may never recover, as Garfield is mistaken for a look-alike, regal cat who has inherited a castle. Garfield savors the royal treatment afforded by his loyal four-legged subjects, but his reign is in jeopardy! The evil nefarious stubborn Lord Dargis is determined to do away with Garfield, so he can turn the castle into a resort. Garfield's bigger, better, more perfect world is soon turned upside down in this tale of two kitties.
Keywords: body-double, box-office-flop, candle, cat, character-name-in-title, dinner, dog, england, ford-motor-company, hdtv
The Ego has landed.
Too much of a good thing is even better.
A Tail of two Kitties
Jon Arbuckle: Liz, will you marry me?::[shows the ring to Liz]::Liz Wilson: Yes.::[Everyone starts clapping]::Garfield: You know a dog's mouth is cleaner than a human's.
Prince: [holding up lasagna plate] Please sir. May I have some more? [gives big eyes]
Jon Arbuckle: Whoa, whoa, whoa, whoa, whoa. Garfield, what are you doing?::Garfield: I'm security, pal. Just protecting you from yourself.::Jon Arbuckle: Garfield, you've caused enough trouble today. Now you have food, water, and company.::Garfield: [points at Odie] Which one is he?::Jon Arbuckle: Be good.::Garfield: Jon, he's hilarious. Be careful, she's a maneater!::[Jon closes the door]::Garfield: Oh no. He's under her spell.::[Odie still looks for the hamburger in the cabinet]::Garfield: Okay, Odie, I'll give you one small clue... *it's not in there!*
Jon Arbuckle: Garfield? Odie, wh-wh-what are you doing here?::Prince: Garfield? What the devil is a garfield?
[sees two dogs on a horse-driven cart]::Garfield: Hey, Odie, it's one of those royal corgis.::[also sees the queen on the cart]::Garfield: Hey lady, you got any leftover liver?::[no response from the queen]::Garfield: Ah, stuck-up little punk. Oh, I know she heard it, they had the top down. Odie... Odie?::[Odie starts peeing on a British soldier's foot]::Garfield: D'uh-oh! Odie, no, don't do the ugly American thing!::[soldier looks down at Odie]::Garfield: [running away with Odie from the soldier] The British are coming, the British are coming! Well, you made him crack anyway.
Prince: [after falling out of hotel window] Sore bottom, a little disorientated, but undeterred!
Winston: [End scene, in pool] Great party, sire!::Garfield: Yep. When the going gets tough, the great ones party.
[gets his butt stuck in the door of the play castle]::Garfield: Does this make my butt a little too big?::Winston: Fits you like a glove.::[blows a stinker in Garfield's butt]::Winston: Ooh, darn it. Well struck, sire. Nice chord. Strong finish. Should we have a look at the kitchen?::Garfield: Did I hear you say... the kitchen?
Veterinary Assistant: They're gonna be fine, Jon.::Jon Arbuckle: You know, Garfield's never stayed in a kennel before, so I'm afriad he might have some separation anxiety.::Veterinary Assistant: [assuring] No. He's probably fast asleep in his cage by now.::[in the cage room, Garfield and Odie are in a cage and Garfield shouts while striking the cage door]::Garfield: YOU HEAR ME WARDEN? I HAVE THE RIGHT TO REMAIN SILENT!::[strikes the cage door again]::Garfield: ANYTHING I SAY CAN AND WILL BE HELD AGAINST ME IN A COURT OF LAW!::[shakes the cage door]::Garfield: AND I HAVE THE RIGHT TO AN ATTORNEY TOO, PAL!::[stomps the floor of the cage]::Garfield: AND IF I CAN'T AFFORD ONE, ONE MUST BE PROVIDED FOR ME BY THE COURT!::[Garfield shakes the cage door very hard, causing it to swing open with him on it]::Garfield: NEVER MIND!::[Garfield lets go of the cage door and falls to the floor]::Garfield: I just broke out!
Garfield: [jumps onto a table] We gotta put an end to this torture.::[meaning the soft music]::Garfield: Time for a new DJ.::[switches the track to a loud fast-paced song]
Plot
Four stories... one city. A dark comedy about crime in the big city: EL TORZON - two friends are smoking grass in their car, when they're caught by a corrupt Judicial Police Officer; VIDA EXPRESS - a wealthy businesswoman is kidnapped and her deadbeat husband has to come up with the money; BARBACOA DE CHIVO - an angry mob mistakes a college professor with a burglar and decide to lynch him in front of the church; COMIDA PARA PERROS - a bumbling thief tries to rob a restaurant.
Keywords: asthma, asthma-attack, brother-brother-relationship, cancer, child-cancer, church, church-bell, class-differences, cocaine, contract
- Maurice Ravel BOLERO - Wiener Philharmonic
ARCHIVIO IEM: Maurice Ravel, Bolero ( London Symphony Orchestra / Valery Gergiev)
BOLERO-RAVEL
Album Những bản độc tấu Guitar Bolero nhạc vàng hay nhất (Vol1)
TRUC PHUONG DONG NHAC BOLERO
Flash mob at Copenhagen Central Station. Copenhagen Phil playing Ravel's Bolero.
Ravel - Bolero (original version)
Torvill & Dean - 1984 Olympics - Bolero - HQ
Ravel - Bolero. Sergiu Celibidache 1971
Maurice Ravel - Bolero
Flashmob - Bolero de Ravel na Pinacoteca de São Paulo, Brasil, Conservatoire de Paris, GURI & EMESP
東方神起 / Bolero
Ravel Bolero Muti/Philadelphia.O
Ravel Bolero Muti/Wiener Philharmoniker
Bolero-Jelena
Hướng dẫn chơi guitar điệu Bolero -xẩm chế
Bolero - Maurice Ravel / Leonard Berstein & the New York Philharmonic
Maurice Ravel - Bolero [HD]
Hướng dẫn bolero tù chi tiết - vechaitiensinh
Mass Bolero - A Tribute To Torvill & Dean
Bolero - O Jesenjinu
#12 Dieu bolero - Bai giang guitar van anh
Andre Rieu - Bolero (Telstra Dome in Melbourne)
Bolero is a genre of slow-tempo Latin music and its associated dance and song. There are Spanish and Cuban forms which are both significant and which have separate origins.
The term is also used for some art music. In all its forms, the bolero has been popular for over a century.
The bolero is a 3/4 dance that originated in Spain in the late 18th century, a combination of the contradanza and the sevillana. Dancer Sebastiano Carezo is credited with inventing the dance in 1780. It is danced by either a soloist or a couple. It is in a moderately slow tempo and is performed to music which is sung and accompanied by castanets and guitars with lyrics of five to seven syllables in each of four lines per verse. It is in triple time and usually has a triplet on the second beat of each bar.
In Cuba, the bolero is perhaps the first great Cuban musical and vocal synthesis to win universal recognition. In 2/4 time, this dance music spread to other countries, leaving behind what Ed Morales has called the "most popular lyric tradition in Latin America".
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation.
Ravel is perhaps known best for his orchestral work Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music".
According to SACEM, Ravel's estate earns more royalties than that of any other French composer. According to the law of most countries (including all members of the World Trade Organization), Ravel's works have been in the public domain since January 1, 2008, in most countries.
Valery Abisalovich Gergiev PAR (Russian: Валерий Абисалович Гергиев, Ossetic: Гергиты Абисалы фырт Валери/Gergity Abisaly Fyrt Valeri; born 2 May 1953) is a Russian conductor and opera company director. He is general director and artistic director of the Mariinsky Theatre, principal conductor of the London Symphony Orchestra, and artistic director of the White Nights Festival in St. Petersburg.
Gergiev, born in Moscow, is the son of Tamara Tatarkanovna and Abisal Zaurbekovich. He and his siblings were raised in Vladikavkaz in their native North Ossetia in the Caucasus. He began piano at secondary school, before going on to study at the St. Petersburg Conservatory in Leningrad from 1972 to 1977. His principal conducting teacher was Prof. Ilya Musin (Илья Мусин), one of the greatest conductor-makers in Russian musical history. His sister, Larissa Gergieva, is a pianist and director of the Mariinsky's singers' academy.
In 1978, he became assistant conductor at the Kirov Opera, now the Mariinsky Opera, under Yuri Temirkanov, where he made his debut conducting Sergei Prokofiev's War and Peace. He was chief conductor of the Armenian Philharmonic Orchestra from 1981 until 1985 – the year he made his debut in the United Kingdom, along with pianist Evgeny Kissin, and violinists Maxim Vengerov and Vadim Repin, at The Lichfield Festival.
Sergiu Celibidache (Romanian pronunciation: [ˈserd͡ʒju t͡ʃelibiˈdake]; 28 June 1912 – 14 August 1996) was a Romanian conductor.
Celibidache was born in Roman, Romania, and began his studies in music with the piano, after which he studied music, philosophy and mathematics in Bucharest, Romania and then in Paris. One of the most important influences in his life was his introduction to Martin Steinke, who, being knowledgeable about Buddhism, heavily affected Celibidache's outlook for the rest of his life.
Sergiu Celibidache studied in Berlin and, from 1945 to 1952, he was principal conductor of the Berlin Philharmonic. He later worked with radio orchestras in Stockholm, Stuttgart and Paris. He also worked in Britain in the late 1940s and 1950s, due partly to the promotional efforts of the pianist Eileen Joyce and her partner, an artists' agent. Joyce said that Celibidache was the greatest conductor she had ever worked with - "he was the only one who got inside my soul". In 1970 he was awarded Denmark's Sonning Award. From 1979 until his death he was music director of the Munich Philharmonic. He regularly taught at Mainz University in Germany and in 1984 taught at the Curtis Institute in Philadelphia, Pennsylvania. Teaching was a major focus throughout his life and his courses were frequently open to all without fee. Among his notable students are Françoys Bernier, Jordi Mora, Peter Perret, and Markand Thakar.
Si supieras cuanto yote quiero de verdadmereciamos sanar los dos.y solo tu lo sabescuando puede llegarY solo tu lo sabestodo vuelve a empezar.Ni una lagrima caera sobre tus mejillasNi una sola gota masvamos a dejarnos ircon la inmensa lunay que nos de todo igual.Cuando sangra el corazonte vuelvo a encontrarpara mi que ya no es, casualY solo tu lo sabesdonde voy a llegaryo se que tu lo sabestodo vuelve a empezarVamos a dejarnos ircon la inmensa lunay que todo nos de todo igual.Pido nada masque se abra este cieloy que nos deje consuelo.Quiero nada mas...que la luz en tu miradate diga lo que yo quiero.Quiero nada masque se abra este cieloy que nos deje consuelo.Quiero nada mas...que la luna en tu miradate diga lo que yo quiero.Quiero nada mas...Quiero nada mas...
Let's not be the ones outside Looking at the world go by saw you standing all alone Wasted time has gone for good Play no more, its understood Come to the twilight zone, let me feel your secret hand Like a feather on the sand. Only made of gold You can make me feel a king And surrender everything. A fire can't control
Hold me in your arms again Strangers down a lonely lane We can still survive, driftwood on the stream of life Hold me in your arms again Let me touch your velvet skin No more lonely nights on the way of no return Play me the bolero
I am dancing slowly to the beat of your heart
Spanish lights are holy
There's a million dreams apart
Deep in your eyes I see the danger
Fall for you, bolero
Bolero... bolero...
I will love you, "te quiero"
Bolero... bolero...
Dance with me at the "fiesta" tonight
"Asi", the morning sunshine
Let me face bolero
I can hear you whisper sounds of joy and pain
I can feel the passion
It's the same from the old Spain
My soul is lost, lost in ilusions
I fall for you, bolero
Bolero... bolero...
I will love you, "te quiero"
Bolero... bolero...
Dance with me at the "fiesta" tonight
"Asi", the morning sunshine
Let me face bolero
Bolero... bolero...
I will love you, "te quiero"
Bolero... bolero...
Dance with me at the "fiesta" tonight
"Asi", the morning sunshine
Let me you face bolero
Cada verso que te di
Pertenece una vez mas
Al recuerdo de un amor
Que se confunde en un adios
Cada minuto sin ti
Siento que vuelvo a empezar
La ternura no vendrá
Perdida en algún lugar
Busco un recuerdo
Escucho tu voz
Muero un momento
No siento tu amor
De vez en cuando es tan difícil recordar
Las ilusiones que te hacían despertar
Los cambios vienen sin pensar
Nada sucede por casualidad
Y piensas en mi
al despertar
el tiempo va cerrando
tus heridas
vuelvo a empezar
una vez mas
la ilusión
envuelve una sonrisa
Cada verso que te di
Pertenece una vez mas
Al recuerdo de un amor
Que se confunde en un adiós
Sunday, set your sail for me
Take me to the closest harbor near you
And I'll row you over
When we are far from each other,
Then we slip into something more comfortable
I shoot them down at one
And I say two and three
When the movie starts I'll be gladly all over you
And we move much closer
When we are far from each other,
Then we slip into something more comfortable
I was in the mood for playing
I was in the bathroom changing
I was in the mood for playing
You were by the counter paying
When we are far from each other,
Then we slip into something more comfortable
Let's not be the ones outside
Looking at the world go by
Saw you standing all alone
Wasted time has gone for good
Play no more, its understood
Come to the twilight zone
Let me feel your secret hand
Like a feather on the sand
Only made of gold
You can make me feel a king
And surrender everything
A fire can't control
REFRAIN:
Hold me in your arms again
Strangers down a lonely lane
We can still survive
Driftwood on the stream of life
Hold me in your arms again
Let me touch your velvet skin
No more lonely nights
On the way of no return
Play me the bolero
See your mystery in your eyes
And the emotion in your lies
I feel the magic in your touch
'cause the wanting is too much
Hold me in your arms again
Strangers down a lonely lane
We can still survive
Driftwood on the stream of life
Hold me in your arms again
Let me touch your velvet skin
No more lonely nights
On the way of no return
Play me the bolero
My bolero
Hold me in your arms again
Strangers down a lonely lane
We can still survive
Driftwood on the stream of life