John Kobal (born Ivan Kobaly, 30 May 1940 – 28 October 1991^[1]) was an Austrian-born British based film historian responsible for The Kobal Collection, a commercial photograph library related to the film industry.

Kobal was born in Linz, Austria, but the family emigrated to Canada when Kobal was ten^[1] and settled in Ottawa.^[2]

Kobal had a short-lived career as an actor in early 1960s London. He was an inveterate collector: magazines, postcards, pictures, any movie memorabilia. It was a chance encounter with Marlene Dietrich in Canada in the 1950s that led Kobal to develop his affection for the Golden Age of Hollywood. He used his contacts from a BBC appointment in New York from 1964 to acquire Hollywood related photographs,^[2] eventually numbering about 4,500 images dating from the end of the silent era to about 1960.^[3] The material was then considered of little value and regularly dumped.

The author of 30 books, Kobal was responsible for organising the first exhibition of Hollywood related photographs at London's Victoria and Albert Museum in 1974.^[4] The critic John Russell Taylor has described Kobal's contribution to film studies as "unique".^[1] A homosexual, Kobal died aged 51 of AIDS-related pneumonia in London.^[5]

The John Kobal Foundation, to which he donated his collection, was established as a registered charity at the end of 1992^[6] and presented an annual award in Portrait Photography between 1993 and 2002.^[7]

The Kobal Collection can be found at http://www.picture-desk.com. The collection is split between the London and New York offices of The Picture Desk and now consists of more than 200,000 images. The Collection also continues the exhibition work begun by John Kobal, mounting several exhibitions commissioned by the International Festival du Film, Cannes, and prestigious department stores in Japan.^[8]

References[link]

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Cary Grant
Cary Grant in a 1941 publicity still
Born	Archibald Alexander Leach (1904-01-18)January 18, 1904 Bristol, England, United Kingdom
Died	November 29, 1986(1986-11-29) (aged 82) Davenport, Iowa, United States
Cause of death	Cerebral hemorrhage
Other names	Archie Leach
Occupation	Actor
Years active	1932–1966
Spouse	Virginia Cherrill (1934–1935) Barbara Hutton (1942–1945) Betsy Drake (1949–1962) Dyan Cannon (1965–1968) Barbara Harris (1981–1986)
Partner	Maureen Donaldson (1973–1977)[1]
Children	Jennifer Grant, born on (1966-02-26) February 26, 1966 (age 46)
Awards	Academy Honorary Award - 1970 For his unique mastery of the art of screen acting with the respect and affection of his colleagues. Kennedy Center Honors - 1981

Archibald Alexander Leach^[2] (January 18, 1904 – November 29, 1986), better known by his stage name Cary Grant, was an English-American actor.^[3] Known for his transatlantic accent, debonair demeanor and "dashing good looks", Grant is considered one of classic Hollywood's definitive leading men.

Grant was named the second Greatest Male Star of All Time by the American Film Institute. Noted particularly for his work in comedy but also for drama, Grant's best-known films include The Awful Truth (1937), Bringing Up Baby (1938), Gunga Din (1939), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), To Catch A Thief (1955), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).

Nominated twice for the Academy Award for Best Actor, for Penny Serenade (1941) and None But the Lonely Heart (1944), and five times for a Golden Globe Award for Best Actor, Grant was continually passed over, and in 1970 was given an Honorary Oscar at the 42nd Academy Awards. Frank Sinatra presented Grant with the award, "for his unique mastery of the art of screen acting with the respect and affection of his colleagues".^[4][5]

Early life and career[link]

Archibald Alexander Leach was born at 15 Hughenden Road, Horfield, Bristol, England, to Elsie Maria Kingdon (1877–1973) and Elias James Leach (1873–1935).^[6][7] An only child, Leach had an unhappy upbringing, attending Bishop Road Primary School. His mother had suffered from clinical depression since the death of a previous child. Her husband placed her in a mental institution, and told his nine-year-old son only that she had gone away on a "long holiday". Believing she was dead, Grant did not learn otherwise until he was 31 and discovered her alive in a care facility.^[8] When Grant was 10, his father abandoned him after remarrying and having a baby with his new young wife.^[9]

Grant was expelled from the Fairfield Grammar School in Bristol in 1918. After joining the "Bob Pender Stage Troupe", Leach performed as a stilt walker and travelled with the group to the United States in 1920 at the age of 16, on a two-year tour of the country. He was processed at Ellis Island on July 28, 1920.^[10]

When the troupe returned to the UK, he decided to stay in the U.S. and continue his stage career. During this time, he became a part of the vaudeville world and toured with Parker, Rand and Leach. Still using his birth name, he performed on the stage at The Muny in St. Louis, Missouri in such shows as Irene (1931); Music in May (1931); Nina Rosa (1931); Rio Rita (1931); Street Singer (1931); The Three Musketeers (1931); and Wonderful Night (1931). Leach's experience on stage as a stilt walker, acrobat, juggler, and mime taught him "phenomenal physical grace and exquisite comic timing" and the value of teamwork, skills which would benefit him in Hollywood.^[8]

Hollywood stardom[link]

After appearing in several musicals on Broadway under the name "Archie Leach,"^[11] Grant went to Hollywood in 1931.^[8] When told to change his name, he proposed "Cary Lockwood," the name of the character he had played in the Broadway show Nikki, based upon the recent film The Last Flight. He signed with Paramount Pictures, where studio bosses decided that the name "Cary" was acceptable, but that "Lockwood" was too similar to another actor's surname. Paramount gave their new actor a list of surnames to choose from, and he selected "Grant" because the initials C and G had already proved lucky for Clark Gable and Gary Cooper, two of Hollywood's biggest movie stars.

Grant appeared as a leading man opposite Marlene Dietrich in Blonde Venus (1932), and his stardom was given a further boost by Mae West when she chose him for her leading man in two of her most successful films, She Done Him Wrong and I'm No Angel (both 1933).^[12] I'm No Angel was a tremendous financial success and, along with She Done Him Wrong, which was nominated for an Academy Award for Best Picture, saved Paramount from bankruptcy. Paramount put Grant in a series of unsuccessful films until 1936, when he signed with Columbia Pictures. His first major comedy hit was when he was loaned to Hal Roach's studio for the 1937 Topper (which was distributed by MGM).

in The Philadelphia Story (1940)

The Awful Truth (1937) was a pivotal film in Grant's career, establishing for him a screen persona as a sophisticated light comedy leading man. As Grant later wrote, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point." Grant is said to have based his characterization in The Awful Truth on the mannerisms and intonations of the film's director, Leo McCarey, whom he resembled physically. As writer/director Peter Bogdanovich notes, "After The Awful Truth, when it came to light comedy, there was Cary Grant and then everyone else was an also-ran."

With Ingrid Bergman in Notorious (1946)

The Awful Truth began "what would be the most spectacular run ever for an actor in American pictures."^[8] During the next four years, Grant appeared in several classic romantic comedies and screwball comedies, including Holiday (1938), Bringing Up Baby (1939), and The Philadelphia Story (1940) with Katharine Hepburn; His Girl Friday(1940) with Rosalind Russell; and My Favorite Wife (1940), which reunited him with Irene Dunne, his co-star in The Awful Truth. During this time he also made the adventure films Gunga Din and Only Angels Have Wings (both 1939) and dramas Penny Serenade (1941, also with Dunne) and Suspicion (1941, the first of Grant's four collaborations with Alfred Hitchcock).

Grant remained one of Hollywood's top box-office attractions for almost 30 years.^[8] Howard Hawks said that Grant was "so far the best that there isn't anybody to be compared to him".^[13] David Thomson called him "the best and most important actor in the history of the cinema".^[8]

as John Robie in Alfred Hitchcock's
To Catch a Thief (1955)

Grant was a favorite of Hitchcock, who called him "the only actor I ever loved in my whole life".^[14] Besides Suspicion, Grant appeared in the Hitchcock classics Notorious (1946), To Catch a Thief (1955) and North by Northwest (1959). Biographer Patrick McGilligan wrote that, in 1965, Hitchcock asked Grant to star in Torn Curtain (1966), only to learn that Grant had decided to retire after making one more film, Walk, Don't Run (1966); Paul Newman was cast instead, opposite Julie Andrews.^[15]

In the mid-1950s, Grant formed his own production company, Granart Productions, and produced a number of movies distributed by Universal, such as Operation Petticoat (1959), Indiscreet (1958), That Touch of Mink (co-starring with Doris Day, 1962), and Father Goose (1964). In 1963, he appeared opposite Audrey Hepburn in Charade. His last feature film was Walk, Don't Run three years later, with Samantha Eggar and Jim Hutton.

In Hitchcock's North by Northwest (1959)

Grant was the first actor to "go independent" by not renewing his studio contract, effectively leaving the studio system,^[8] which almost completely controlled what an actor could or could not do. In this way, Grant was able to control every aspect of his career, at the risk of not working because no particular studio had an interest in his career long term. He decided which movies he was going to appear in, he often had personal choice of the directors and his co-stars and at times even negotiated a share of the gross revenue, something uncommon at the time. Grant received more than $700,000 for his 10% of the gross for To Catch a Thief, while Hitchcock received less than $50,000 for directing and producing it.^[16]

Grant was nominated for two Academy Awards, for Penny Serenade (1941) and None But the Lonely Heart (1944), but never won a competitive Oscar; he received a special Academy Award for Lifetime Achievement in 1970. Accepting the Best Original Screenplay Oscar in 1965, Father Goose co-writer Peter Stone had quipped, "My thanks to Cary Grant, who keeps winning these things for other people." In 1981, Grant was accorded the Kennedy Center Honors.

Never self-absorbed, Grant poked fun at himself with statements such as, "Everyone wants to be Cary Grant—even I want to be Cary Grant,"^[17] sometimes elaborating, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point." He poked fun at himself in ad-lib lines - such as in the film "His Girl Friday", saying, "I never had so much fun since Archie Leach died" and in "Arsenic and Old Lace" a gravestone is seen bearing the name Archie Leach. According to an extremely famous story now believed to be apocryphal, after seeing a telegram from a magazine editor to his agent asking "How old Cary Grant?" Grant reportedly responded with "Old Cary Grant fine. How you?"^[18][19]

Retirement and death[link]

Statue of Cary Grant in Millennium Square, Bristol, England

Cary Grant retired from the screen at 62 when his daughter Jennifer was born, in order to focus on raising her and to provide a sense of permanency and stability in her life. While raising his daughter, he archived artifacts of her childhood and adolescence in a (bank quality) room sized vault he had installed in the house. His daughter attributed this meticulous collection to the fact that artifacts of his own childhood had been destroyed during the bombing of Bristol in World War II (an event that also claimed the lives of his uncle, aunt and cousin as well as the cousin's husband and grandson) and he may have wanted to prevent her from experiencing a similar loss.^[20]

Although Grant had retired from the screen, he remained active in other areas. In the late 1960s, he accepted a position on the board of directors at Fabergé. By all accounts this position was not honorary, as some had assumed; Grant regularly attended meetings and his mere appearance at a product launch would almost certainly guarantee its success. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother, Dyan Cannon, was working. He later joined the boards of Hollywood Park^{[disambiguation needed ]}, The Academy of Magical Arts (The Magic Castle, Hollywood, CA) Western Airlines (now Delta Air Lines), and MGM.^[21]

In the last few years of his life, Grant undertook tours of the United States in a one-man show, A Conversation with Cary Grant, in which he would show clips from his films and answer audience questions. Grant was preparing for a performance at the Adler Theater in Davenport, Iowa on the afternoon of November 29, 1986 when he sustained a cerebral hemorrhage (he had previously suffered a stroke in October 1984). He died at 11:22 pm^[21] in St. Luke's Hospital at the age of 82. The bulk of his estate, worth millions of dollars, went to his fifth wife Barbara Harris and his daughter Jennifer Grant.^[22]

In 2001 a statue of Grant was erected in Millennium Square, a regenerated area next to the harbour in his city of birth, Bristol, England.

In November 2005, Grant came in first in the "The 50 Greatest Movie Stars of All Time" list by Premiere Magazine.^[23] Richard Schickel, the film critic, said about Grant: "He's the best star actor there ever was in the movies."^[24]

Personal life[link]

Second wife Barbara Hutton

Grant was married five times. He wed Virginia Cherrill on February 10, 1934. She divorced him on March 26, 1935, following charges that Grant had hit her. In 1942 he married Barbara Hutton, one of the wealthiest women in the world, and became a father figure to her son, Lance Reventlow. The couple was derisively nicknamed "Cash and Cary", although in an extensive prenuptial agreement Grant refused any financial settlement in the event of a divorce.^{[citation needed]} After divorcing in 1945, they remained lifelong friends. Grant always bristled at the accusation that he married for money: "I may not have married for very sound reasons, but money was never one of them."^{[citation needed]}

Wife Betsy Drake in trailer of her film with Grant, Every Girl Should Be Married (1948)

On December 25, 1949, Grant married Betsy Drake. He appeared with her in two films. This would prove to be his longest marriage, ending on August 14, 1962. Drake introduced Grant to LSD, and in the early 1960s he related how treatment with the hallucinogenic drug — legal at the time — at a prestigious California clinic had finally brought him inner peace after yoga, hypnotism and mysticism had proved ineffective.^[25][26][27] Grant and Drake divorced in 1962.

He eloped with Dyan Cannon on July 22, 1965, in Las Vegas. Their daughter, Jennifer Grant, was born prematurely on February 26, 1966. He frequently called her his "best production" and regretted that he had not had children sooner. The marriage was troubled from the beginning, and Cannon left him in December 1966, claiming that Grant flew into frequent rages and spanked her when she "disobeyed" him. The divorce, finalized in 1968, was bitter and public, and custody fights over their daughter went on for nearly ten years.

On April 11, 1981, Grant married long-time companion Barbara Harris, a British hotel public relations agent, who was 47 years his junior. They renewed their vows on their fifth wedding anniversary. (Fifteen years after Grant's death, Harris married former Kansas Jayhawks All-American quarterback David Jaynes in 2001.)^[28]

Some, including Hedda Hopper^[29] and screenwriter Arthur Laurents, have said that Grant was bisexual, the latter writing that Grant "told me he threw pebbles at my window one night but was luckless".^[30] Grant allegedly was involved with costume designer Orry-Kelly when he first moved to Manhattan,^[31] and lived with actor Randolph Scott off and on for twelve years. Richard Blackwell wrote that Grant and Scott were "deeply, madly in love",^[32] and alleged eyewitness accounts of their physical affection have been published.^[31] Alexander D'Arcy, who appeared with Grant in The Awful Truth, said he knew that Grant and Scott "lived together as a gay couple", adding: "I think Cary knew that people were saying things about him. I don't think he tried to hide it."^[31] The two men frequently accompanied each other to parties and premieres and were unconcerned when photographs of them cozily preparing dinner together at home were published in fan magazines.^[31]

Barbara, Grant's widow, has disputed that there was a relationship with Scott.^[21] When Chevy Chase joked about Grant being gay in a television interview Grant sued him for slander; they settled out of court.^[33] However, Grant did admit in an interview that his first two wives had accused him of being homosexual.^[33] Betsy Drake commented: "Why would I believe that Cary was homosexual when we were busy fucking?"^[21]

Politics[link]

Cary Grant

Grant did not think movie stars should publicly make political declarations.^[34] Grant described his politics and his reticence about them this way:

"I'm opposed to actors taking sides in public and spouting spontaneously about love, religion, or politics. We aren't experts on these subjects. Personally I'm a mass of inconsistencies when it comes to politics. My opinions are constantly changing. That's why I don't ever take a public stand on issues."^[35]

Throughout his life, Grant maintained personal friendships with colleagues of varying political stripes, and his few political activities seemed to be shaped by personal friendships. Repulsed by the human costs to many in Hollywood, Grant publicly condemned McCarthyism in 1953, and when his friend Charlie Chaplin was blacklisted, Grant insisted that the actor's artistic value outweighed political concerns.^[35] Grant was also a friend of the Kennedy brothers and Robert Kennedy's press secretary Frank Mankiewicz. He hosted one of Robert Kennedy's first political fundraisers at his home. He made one of his rare statements on public issues following the assassination of Robert F. Kennedy, calling for gun control.^[35]

In 1976, after his retirement from movies, Grant made his one overtly partisan appearance, introducing his friend Betty Ford, the First Lady, at the Republican National Convention,^[34] but even in this he maintained some distance from partisanship, speaking of "your" party, rather than "ours" in his remarks.^[35]

Filmography[link]

References[link]

Notes[link]

Bibliography of cited references[link]

External links[link]

Biography portal

Wikiquote has a collection of quotations related to: Cary Grant

• Media related to Cary Grant at Wikimedia Commons
• Cary Grant at the Internet Movie Database
• Cary Grant at AllRovi
• Cary Grant at the TCM Movie Database
• Cary Grant at the Internet Broadway Database
• Becoming Cary Grant (in Atlantic Magazine)
• Cary Grant's christening record, and his appearance in the 1911 England/Wales Census, 1920 US immigration, and Social Security Death index in 1986

James Bond, code name 007, is a fictional character created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short story collections. There have been six other authors who wrote authorised Bond novels or novelizations after Fleming's death in 1964: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks and Jeffery Deaver; a new novel, written by William Boyd, is planned for release in 2013.^[1] Additionally, Charlie Higson wrote a series on a young James Bond and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny.

The fictional British Secret Service agent has also been adapted for television, radio, comic strip and video game formats as well as being used in the longest running and the second-highest grossing film franchise to date, which started in 1962 with Dr. No, starring Sean Connery as Bond. As of 2012, there have been twenty two films in the Eon Productions series, with a twenty third, Skyfall, due for release on 26 October 2012. The film will star Daniel Craig in his third portrayal of Bond: he is the sixth actor to play Bond in the Eon series. There have also been two independent productions of Bond films, Casino Royale, a 1967 spoof, and Never Say Never Again, a 1983 remake of an earlier Eon-produced film, Thunderball.

The films are renowned for a number of features, including the musical accompaniment, with the theme songs to the films having picked up Academy Award nominations on several occasions. Other important elements which run through most of the films include Bond's cars, his guns and the gadgets he is supplied with by Q Branch.

Publication history[link]

Creation and inspiration[link]

As the central figure for his works, Ian Fleming created the fictional character of James Bond, an intelligence officer in the Secret Intelligence Service, commonly known as MI6. Bond was also known by his code number, 007, and was a Royal Naval Reserve Commander.

Name

Fleming took the name for his character from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies; Fleming, a keen birdwatcher himself, had a copy of Bond's guide and he later explained to the ornithologist’s wife that "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born".^[2] He further explained that:

When I wrote the first one in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened; I wanted him to be a blunt instrument...when I was casting around for a name for my protagonist I thought by God, (James Bond) is the dullest name I ever heard.

—Ian Fleming, The New Yorker, 21 April 1962^[3]

On another occasion Fleming said: "I wanted the simplest, dullest, plainest-sounding name I could find, "James Bond" was much better than something more interesting, like "Peregrine Carruthers". Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, blunt instrument wielded by a government department."^[4]

Inspiration

Fleming based his fictional creation on a number of individuals he came across during his time in the Naval Intelligence Division during World War II, admitting that Bond "was a compound of all the secret agents and commando types I met during the war".^[5] Among those types were his brother, Peter, who had been involved in behind the lines operations in Norway and Greece during the war.^[6] Aside from Fleming's brother, a number of others also provided some aspects of Bond's make up, including Conrad O'Brien-ffrench, Patrick Dalzel-Job and Bill "Biffy" Dunderdale.^[5]

Hoagy Carmichael—Fleming's view of James Bond.

Tastes

Fleming also endowed Bond with many of his own traits, including sharing the same golf handicap, the taste for scrambled eggs and using the same brand of toiletries.^[7] Bond's tastes are also often taken from Fleming’s own as was his behaviour,^[8] with Bond's love of golf and gambling mirroring Fleming's own. Fleming used his experiences of his espionage career and all other aspects of his life as inspiration when writing, including using names of school friends, acquaintances, relatives and lovers throughout his books.^[5]

Looks

Fleming decided Bond should look a little like both the American singer Hoagy Carmichael and himself^[9] and in Casino Royale, Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is "certainly good-looking… Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."^[9]

Background

It was not until the penultimate novel, You Only Live Twice, that Fleming gave Bond a sense of family background. The book was the first to be written after the release of Dr. No in cinemas and Sean Connery's depiction of Bond affected Fleming's interpretation of the character, to give Bond both a sense of humour and Scottish antecedents that were not present in the previous stories.^[10] In a fictional obituary, purportedly published in The Times, Bond's parents were given as Andrew Bond, from the village of Glencoe, Scotland, and Monique Delacroix, from Yverdon, Switzerland.^[11] Fleming did not provide Bond's date of birth, but John Pearson's fictional biography of Bond, James Bond: The Authorised Biography of 007, gives Bond a birth date on 11 November 1920,^[12] while a study by John Griswold puts the date at 11 November 1921.^[13]

Novels and related works[link]

Ian Fleming novels[link]

Goldeneye, in Jamaica, where Fleming wrote all the Bond novels.^[14]

Whilst serving in the Naval Intelligence Division, Fleming had planned to become an author^[15] and had told a friend, "I am going to write the spy story to end all spy stories."^[5] On 17 February 1952, he began writing his first James Bond novel, Casino Royale at his Goldeneye estate in Jamaica,^[16] where he wrote all his Bond novels, during the months of January and February each year.^[17] He started the story shortly before his wedding to his pregnant girlfriend, Ann Charteris, in order to distract himself from his forthcoming nuptials.^[18]

After completing the manuscript for Casino Royale, Fleming showed the manuscript to his friend (and later editor) William Plomer to read. Plomer liked it and submitted it to the publishers, Jonathan Cape, who did not like it as much. Cape finally published it in 1953 on the recommendation of Fleming's older brother Peter, an established travel writer.^[17] Between 1953 and 1966, two years after his death, twelve novels and two short-story collections were published, with the last two books – The Man with the Golden Gun and Octopussy and The Living Daylights – published posthumously.^[19] All the books were published in the UK through Jonathan Cape.

Post-Fleming novels[link]

After Fleming's death a continuation novel, Colonel Sun, was written by Kingsley Amis (as Robert Markham) and published in 1968.^[34] Amis had already written a literary study of Fleming's Bond novels in his 1965 workThe James Bond Dossier.^[35] Although novelizations of two of the Eon Productions Bond films appeared in print, James Bond, The Spy Who Loved Me and James Bond and Moonraker, both written by screenwriter Christopher Wood,^[36] the series of novels did not continue until the 1980s. In 1981, thriller writer John Gardner picked up the series with Licence Renewed.^[37] Gardner went on to write sixteen Bond books in total; two of the books he wrote – Licence to Kill and GoldenEye – were novelizations of Eon Productions films of the same name. Gardner moved the Bond series into the 1980s, although he retained the ages of the characters as they were when Fleming had left them.^[38] In 1996, Gardner retired from writing James Bond books due to ill health.^[39]

In 1996, American author Raymond Benson became the author of the Bond novels. Benson had previously been the author of The James Bond Bedside Companion, first published in 1984.^[54] By the time he moved on to other, non-Bond related projects in 2002, Benson had written six Bond novels, three novelizations and three short stories.^[55]

After a gap of six years, Sebastian Faulks was commissioned by Ian Fleming Publications to write a new Bond novel, which was released on 28 May 2008, the 100th anniversary of Ian Fleming's birth.^[65] The book—titled Devil May Care—was published in the UK by Penguin Books and by Doubleday in the US.^[66] American writer Jeffery Deaver was then commissioned by Ian Fleming Publications to produce Carte Blanche, which was published on 26 May 2011.^[67] The book updated Bond into a post 9/11 agency, independent of MI5 or MI6.^[68]

Young Bond[link]

The Young Bond series of novels was started by Charlie Higson^[69] and, between 2005 and 2009, five novels and one short story were published.^[70] The first Young Bond novel, SilverFin was also adapted and released as a graphic novel on 2 October 2008 by Puffin Books.^[71]

The Moneypenny Diaries[link]

The Moneypenny Diaries are a trilogy of novels chronicling the life of Miss Moneypenny, M's personal secretary. The novels are penned by Samantha Weinberg under the pseudonym Kate Westbrook, who is depicted as the book's "editor".^[79] The first instalment of the trilogy, subtitled Guardian Angel, was released on 10 October 2005 in the UK.^[80] A second volume, subtitled Secret Servant was released on 2 November 2006 in the UK, published by John Murray.^[81] A third volume, subtitled Final Fling was released on 1 May 2008.^[82]

Adaptations[link]

Television[link]

In 1954 CBS paid Ian Fleming $1,000 ($8,654 in 2012 dollars^[86]) to adapt his novel Casino Royale into a one-hour television adventure as part of its Climax! series.^[87] The episode aired live on 21 October 1954 and starred Barry Nelson as "Card Sense" James 'Jimmy' Bond and Peter Lorre as Le Chiffre.^[88] The novel was adapted for American audiences to show Bond as an American agent working for "Combined Intelligence", while the character Felix Leiter—American in the novel—became British onscreen and was renamed "Clarence Leiter".^[89]

In 1973 a BBC documentary Omnibus: The British Hero featured Christopher Cazenove playing a number of such title characters (e.g. Richard Hannay and Bulldog Drummond). The documentary included James Bond in dramatised scenes from Goldfinger—notably featuring 007 being threatened with the novel's circular saw, rather than the film's laser beam—and Diamonds Are Forever.^[90] In 1991 a TV cartoon series James Bond Jr. was produced with Corey Burton in the role of Bond's nephew, also called James Bond.^[91]

Radio[link]

In 1956, the novel Moonraker was adapted for broadcast on South African radio, with Bob Holness providing the voice of Bond.^[92] According to The Independent, "listeners across the Union thrilled to Bob's cultured tones as he defeated evil master criminals in search of world domination".^[93]

The BBC have adapted three of the Fleming novels for broadcast: in 1990, You Only Live Twice was adapted into a 90 minute radio play for BBC Radio 4 with Michael Jayston playing James Bond. The production was repeated a number of times between 2008 and 2011.^[94] On 24 May 2008, BBC Radio 4 broadcast an adaptation of Dr. No. Actor Toby Stephens, who played Bond villain Gustav Graves in the Eon Productions version of Die Another Day, played James Bond, while Dr. No was played by David Suchet.^[95] Following the success of Dr. No, a second Bond story was adapted and on 3 April 2010, BBC Radio 4 broadcast Goldfinger with Toby Stephens again playing Bond.^[96] Sir Ian McKellen was Goldfinger and Stephens' Die Another Day co-star Rosamund Pike played Pussy Galore. The play was adapted from Fleming's novel by Archie Scottney and was directed by Martin Jarvis.^[97]

Comics medium[link]

In 1957, the Daily Express approached Ian Fleming to adapt his stories into comic strips, offering him £1,500 per novel and a share of takings from syndication.^[98] After initial reluctance, Fleming, who felt the strips would lack the quality of his writing, agreed.^[99] To aid the Daily Express in illustrating Bond, Fleming commissioned an artist to create a sketch of how he believed James Bond looked. The illustrator, John McLusky, however, felt that Fleming's 007 looked too "outdated" and "pre-war" and changed Bond to give him a more masculine look.^[100] The first strip, Casino Royale was published from 7 July 1958 to 13 December 1958^[101] and was written by Anthony Hern and illustrated by John McLusky.^[102]

Most of the Bond novels and short stories have since been adapted for illustration, as well as Kingsley Amis's Colonel Sun; the works were written by Henry Gammidge or Jim Lawrence with Yaroslav Horak replacing McClusky as artist in 1966.^[101] After the Fleming and Amis material had been adapted, original stories were produced, continuing in the Daily Express and Sunday Express until May 1977.^[100]

Several comic book adaptations of the James Bond films have been published through the years: at the time of Dr. No's release in October 1962, a comic book adaptation of the screenplay, written by Norman J. Nodel, was published in Britain as part of the Classics Illustrated anthology series.^[103] It was later reprinted in the United States by DC Comics as part of its Showcase anthology series, in January 1963. This was the first American comic book appearance of James Bond and is noteworthy for being a relatively rare example of a British comic being reprinted in a fairly high-profile American comic. It was also one of the earliest comics to be censored on racial grounds (some skin tones and dialogue were changed for the American market).^[104][103]

With the release of the 1981 film For Your Eyes Only, Marvel Comics published a two-issue comic book adaptation of the film.^[105][106] When Octopussy was released in the cinemas in 1983, Marvel published an accompanying comic;^[103] Eclipse also produced a one-off comic for Licence to Kill, although Timothy Dalton refused to allow his likeness to be used.^[107] New Bond stories were also drawn up and published from 1989 onwards through Marvel, Eclipse Comics and Dark Horse Comics.^[103][106]

Films[link]

The Eon Productions films[link]

In 1962 Eon Productions, the company of Canadian Harry Saltzman and American Albert R. "Cubby" Broccoli released the first cinema adaptation of an Ian Fleming novel, Dr. No, featuring Sean Connery as 007.^[108] Connery starred in a further four films before leaving the role after You Only Live Twice,^[109] which was taken up by George Lazenby for On Her Majesty's Secret Service.^[110] Lazenby left the role after just one appearance and Connery was tempted back for his last Eon-produced film Diamonds Are Forever.^[111]

In 1973, Roger Moore was appointed to the role of 007 for Live and Let Die and played Bond a further six times over twelve years before being replaced by Timothy Dalton for two films. After a six year hiatus, during which a legal wrangle threatened Eon's productions of the Bond films,^[112] Irish actor Pierce Brosnan was cast as Bond in GoldenEye, released in 1995; he remained in the role for a total of four films, before leaving in 2002. In 2006, Daniel Craig was given the role of Bond for Casino Royale, which rebooted the franchise.^[113] The twenty-third Eon produced film, Skyfall, was announced in November 2011, with release scheduled for 26 October 2012.^[114] The Eon Productions series has grossed $4,910,000,000 (over $12,360,000,000 when adjusted for inflation) worldwide, making it the second highest grossing film series, behind Harry Potter.^[115]

Non-Eon films[link]

In 1967, Casino Royale was adapted into a parody Bond film starring David Niven as Sir James Bond and Ursula Andress as Vesper Lynd. David Niven had been Ian Fleming's preference for the part of James Bond.^[116] The result of a court case in the High Court in London in 1963 allowed Kevin McClory to produce a remake of Thunderball titled Never Say Never Again in 1983.^[117] The film, starring Sean Connery as Bond, was not part of the Eon series of Bond films. In 1997 the Sony Corporation acquired all or some of McClory's rights in an undisclosed deal,^[117] which were then subsequently acquired by MGM, whilst on 4 December 1997, MGM announced that the company had purchased the rights to Never Say Never Again from Schwartzman's company Taliafilm.^[118] Eon now currently (as of 2012) holds the full adaptation rights to all of Fleming's Bond novels.^[117][119]

Music[link]

The "James Bond Theme" was written by Monty Norman and was first orchestrated by the John Barry Orchestra for 1962's Dr. No, although the actual authorship of the music has been a matter of controversy for many years.^[121] In 2001, Norman won £30,000 in libel damages from the The Sunday Times newspaper, which suggested that Barry was entirely responsible for the composition.^[122] The theme, as written by Norman and arranged by Barry, was described by another Bond film composer, David Arnold, as "bebop-swing vibe coupled with that vicious, dark, distorted electric guitar, definitely an instrument of rock 'n' roll...it represented everything about the character you would want: It was cocky, swaggering, confident, dark, dangerous, suggestive, sexy, unstoppable. And he did it in two minutes."^[120] Barry composed the scores for eleven Bond films^[123] and had an uncredited contribution to Dr. No with his arrangement of the Bond Theme.^[120]

A Bond film staple are the theme songs heard during their title sequences sung by well-known popular singers.^[124] Several of the songs produced for the films have been nominated for Academy Awards for Original Song, including Paul McCartney's "Live and Let Die",^[125] Carly Simon's "Nobody Does It Better"^[126] and Sheena Easton's "For Your Eyes Only".^[127] For the non-Eon produced Casino Royale, Burt Bacharach's score included "The Look Of Love", which was nominated for an Academy Award for Best Song.^[128]

Video games[link]

In 1983, the first Bond video game, developed and published by Parker Brothers, was released for the Atari 2600, the Atari 5200, the Atari 800, the Commodore 64 and the ColecoVision.^[129] Since then, there have been numerous video games either based on the films or using original storylines. In 1997, the first-person shooter video game GoldenEye 007 was developed by Rare for the Nintendo 64, based on the 1995 Pierce Brosnan film GoldenEye.^[130] The game received very positive reviews,^[131] won the BAFTA Interactive Entertainment Award for UK Developer of the Year in 1998^[132] and generated $250 million of sales worldwide.^[133]

In 1999, Electronic Arts acquired the licence and released Tomorrow Never Dies on 16 December 1999.^[134] In October 2000, they released The World Is Not Enough^[135] for the Nintendo 64^[136] followed by007 Racing for the PlayStation on 21 November 2000.^[137] In 2003, the company released Everything or Nothing,^[138] which included the likenesses and voices of Pierce Brosnan, Willem Dafoe, Heidi Klum, Judi Dench and John Cleese, amongst others.^[139] In November 2005, Electronic Arts released a video game adaptation of From Russia with Love,^[140] which involved Sean Connery's image and voice-over for Bond.^[140]

In 2006 Electronic Arts announced a game based on then-upcoming film Casino Royale: the game was cancelled because it would not be ready by the film's release in November of that year. With MGM losing revenue from lost licensing fees, the franchise was removed from EA to Activision.^[141] Activision subsequently released the 007: Quantum of Solace game on 31 October 2008, based on the film of the same name.^[142]

Guns, vehicles and gadgets[link]

The Walther PPK is the most famous of Bond's handguns

Guns

For the first five novels, Fleming armed Bond with a Beretta 418^[143] until he received a letter from a thirty-one-year-old Bond enthusiast and gun expert, Geoffrey Boothroyd, criticising Fleming's choice of firearm for Bond,^[144] calling it "a lady's gun – and not a very nice lady at that!"^[145] Boothroyd suggested that Bond should swap his Beretta for a Walther PPK 7.65mm and this exchange of arms made it to Dr. No.^[146] Boothroyd also gave Fleming advice on the Berns-Martin triple draw shoulder holster and a number of the weapons used by SMERSH and other villains.^[147] In thanks, Fleming gave the MI6 Armourer in his novels the name Major Boothroyd and, in Dr. No, M introduces him to Bond as "the greatest small-arms expert in the world".^[146] Bond also used a variety of rifles, including the Savage Model 99 in "For Your Eyes Only" and a Winchester .308 target rifle in "The Living Daylights".^[143] Other handguns used by Bond in the Fleming books included the Colt Detective Special and a long-barrelled Colt .45 Army Special.^[143]

The first Bond film, Dr. No, saw M ordering Bond to leave his Beretta behind and take up the Walther PPK,^[148] which the film Bond used in eighteen films.^[149] Since Tomorrow Never Dies, Bond's main weapon has been the Walther P99 semi-automatic pistol.^[149]

An Aston Martin DB5 as seen in Goldfinger.

Vehicles

In the early Bond stories Fleming gave Bond a battleship-grey Bentley 4½ Litre with an Amherst Villiers supercharger.^[150] After Bond's car was written off by Hugo Drax in Moonraker, Fleming gave Bond a Mark II Continental Bentley, which he used in the remaining books of the series.^[151] During Goldfinger, Bond was issued with an Aston Martin DB Mark III with a homing device, which he used to track Goldfinger across France. Bond returned to his Bentley for the subsequent novels.^[151]

The Bond of the films has driven a number of cars, including the Aston Martin V8 Vantage^[152], during the 1980s), the V12 Vanquish^[152] and DBS^[153] during the 2000s, as well as the Lotus Esprit;^[154] the BMW Z3,^[155] BMW 750iL^[155] and the BMW Z8.^[155] He has, however, also needed to drive a number of other vehicles, ranging from a Citroën 2CV to a Routemaster Bus, amongst others.^[156]

Bond's most famous car is the silver grey Aston Martin DB5, first seen in Goldfinger;^[157] it later featured in Thunderball, GoldenEye, Tomorrow Never Dies and Casino Royale.^[158] The films have used a number of different Aston Martins for filming and publicity, one of which was sold in January 2006 at an auction in the US for $2,090,000 to an unnamed European collector.^[159]

Gadgets

The Little Nellie autogyro with its creator and pilot, Ken Wallis

Fleming's novels and early screen adaptations presented minimal equipment such as the booby-trapped attaché case in From Russia with Love, although this situation changed dramatically with the films.^[160] However, the effects of the two Eon-produced Bond films Dr. No and From Russia with Love had an effect on the novel The Man with the Golden Gun, through the increased number of devices used in Fleming's final story.^[161]

For the film adaptations of Bond, the pre-mission briefing by Q Branch became one of the motifs that ran through the series.^[162] Dr. No provided no spy-related gadgets, but a Geiger counter was used; industrial designer Andy Davey observed that the first ever onscreen spy-gadget was the attaché case shown in From Russia with Love, which he described as "a classic 007 product".^[163] The gadgets assumed a higher profile in the 1964 film Goldfinger. The film's success encouraged further espionage equipment from Q Branch to be supplied to Bond, although the increased use of technology led to an accusation that Bond was over-reliant on equipment, particularly in the later films.^[164]

Davey noted that "Bond's gizmos follow the zeitgeist more closely than any other...nuance in the films"^[163] as they moved from the potential representations of the future in the early films, through to the brand-name obsessions of the later films.^[163] It is also noticeable that, although Bond uses a number of pieces of equipment from Q Branch, including the Little Nellie autogyro,^[165] a jet pack^[166] and the exploding attaché case,^[167] the villains are also well-equipped with custom made devices,^[163] including Scaramanga's golden gun,^[168] Rosa Klebb's poison-tipped shoes,^[169] Oddjob's steel-rimmed bowler hat^[170] and Blofeld's communication and bacteriological warfare agents vanity case.^[163]

Cultural impact[link]

Cinematically James Bond has been a major influence within the spy genre since the release of Dr. No in 1962.^[171] The first parody was the 1964 film Carry on Spying showing the villain Dr. Crow being overcome by agents who included James Bind (Charles Hawtry) and Daphne Honeybutt (Barbara Windsor).^[172] One of the films that reacted against the portrayal of Bond was the Harry Palmer series, whose first film, The Ipcress File was released in 1965. The eponymous hero of the series was what academic Jeremy Packer called an "anti-Bond",^[173] or what Christoph Lindner calls "the thinking man's Bond".^[174] The Palmer series were produced by Harry Saltzman, who also used key crew members from the Bond franchise, including designer Ken Adam, editor Peter R. Hunt and composer John Barry.^[175] In 1966 there were twenty two secret agent films released attempting to capitalise on the popularity and success of Bond.^[176] The four "Matt Helm" films starring Dean Martin were released between 1966 and 1969,^[177] the "Flint" series starring James Coburn provided two films in 1966 and 1969,^[178] whilst The Man from U.N.C.L.E. also moved onto the cinema screen, with eight films released: all were testaments to Bond's prominence in popular culture.^[123] More recently, the Austin Powers series by writer, producer and comedian Mike Myers^[179] and other parodies such as the 2003 film Johnny English^[180] have also used elements from or parodied the Bond films.

Following the release of the film Dr. No in 1962, the quote "Bond ... James Bond", became a catch phrase that entered the lexicon of Western popular culture: writers Cork and Scivally said of the introduction in Dr. No that the "signature introduction would become the most famous and loved film line ever".^[181] In 2001 it was voted as the "best-loved one-liner in cinema" by British cinema goers^[182] and in 2005, it was honoured as the 22nd greatest quotation in cinema history by the American Film Institute as part of their 100 Years Series.^[183] The 2005 American Film Institute's '100 Years' series also recognised the character of James Bond himself in the film as the third greatest film hero.^[184] He was also placed at number eleven on a similar list by Empire.^[185] Premiere also listed Bond as the fifth greatest movie character of all time.^[186]

The twenty two James Bond films produced by Eon Productions, which have grossed $4,910,000,000 in box office returns alone,^[187] have made the series one of the highest-grossing ever. It is estimated that since Dr. No, a quarter of the world's population have seen at least one Bond film.^[188] The UK Film Distributors' Association have stated that the importance of the Bond series of films to the British film industry cannot be overstated, as they "form the backbone of the industry".^[189]

Television also saw the effect of Bond films, with the NBC series The Man from U.N.C.L.E.,^[190] which was described as the "first network television imitation" of Bond,^[191] largely because Fleming provided advice and ideas on the development of the series, even giving the main character the name Napoleon Solo.^[192] Other 1960s television imitations of Bond included I Spy,^[178] and Get Smart.^[193]

See also[link]

James Bond portal

• Shaken, not stirred
• Sir Fitzroy MacLean, 1st Baronet
• The Battle for Bond
• 9007 James Bond Asteroid named after the character

References[link]