RADIO STATION | GENRE | LOCATION |
---|---|---|
Okemos Brewing Company | Classic Rock | USA |
Radio Company | Varied | Italy |
Bogotá Beer Company Radio | Rock | Colombia |
Georgian Radio Company Nostalgia | 90s | Georgia |
Plot
Eugene Olivier is an eccentric theater artist living in NYC, where he has spent the last ten years of his life putting on various musicals to rave reviews. After years of creative triumphs, Broadway has lost its luster for him and Eugene longs for the early days when he and his childhood friends would put on shows together back home in Orrville, Ohio. With little thought and no preparation, Eugene decides to move to Los Angeles where he will surprise his two best friends from childhood, Lawrence and Regina, and help them rediscover their now forgotten love for the theater. After pitching them on his brand new OJ Simpson musical, which is loosely based on Othello, Eugene comes to realize that it may not be as easy as he thought to stage the next great American musical.
Plot
It's 1846. Sweeney Todd and Anthony Hope, greeted only by a crazed beggar woman, sail into London, where Todd implies he has been before but not in quite some time. Todd heads to his old stomping grounds of Fleet Street, where he runs across the pie shop belonging to Mrs. Nellie Lovett, who professes to make the worst meat pies in London due to the high cost of meat. The upstairs of her building has sat empty since no one wants to rent a space that is considered haunted by its long ago tenant, barber Benjamin Barker who was falsely accused and ultimately sentenced by the sadistic Judge Turpin and who was shipped away to prison in Australia, leaving his wife Lucy and infant daughter Johanna alone in the world. Todd comes to an agreement with Mrs. Lovett to rent the upstairs of her building so that he can open his own barber shop. A series of incidents, including one with rival barber Senor Pirelli, make Todd change his focus slightly away from having a choice encounter with Judge Turpin and his equally sadistic henchman Beadle Bamford, which was one of the reasons he returned to London. Mrs. Lovett believes this change can only help her pie shop. Meanwhile, upon sighting each other, Anthony and Johanna fall in love at first sight. Johanna is now the ward of Judge Turpin, who has his own incompatible wants with her. Todd and Mrs. Lovett's collaboration as well as Anthony's pursuit of Johanna take marked turns with a number of revelations, most specifically about the crazed beggar woman and Mrs. Lovett's motivations.
Keywords: 19th-century, adoption, assumed-identity, asylum, barber, based-on-stage-musical, betrayal, black-comedy, blackmail, burned-alive
Judge Turpin: [singing] What more can man require than love sir?::Sweeney Todd: [singing] More than love sir.::Judge Turpin: [singing] What sir?::Sweeney Todd: [singing] Women.::Judge Turpin: [singing] Ah yes, women.::Sweeney Todd: [singing] Pretty women.
Nellie Lovett: [singing] Mrs Mooney has a pie shop. Does a business, but I notice something weird - lately all her neighbour's cats have disappeared.
Nellie Lovett: [singing, after Sweeney Todd has bitten into one of Mrs Lovett's pies] Is that just disgusting? You have to conceed it. It's nothing but crusting, here drink this - you'll need it.
Sweeney Todd: [singing] There's a hole in the world like a great black pit/ And the vermin of the world inhabit it/ And its morals aren't worth what a pig could spit/ And it goes by the name of London.
[first lines]::Man: [singing] Attend the tale of Sweeney Todd. His skin was pale and his eye was odd. He shaved the faces of gentlemen who never thereafter were heard of again. He trod a path that few have trod, Did Sweeney Todd, the Demon Barber of Fleet Street.
Company: [singing] Swing your razor wide, Sweeney! Hold it to the skies! Freely flows the blood of those who moralize...
Sweeney Todd: [singing] Attend the tale of Sweeney Todd...::Company: [singing] Attend the tale of Sweeney Todd...::Sweeney Todd: [singing] He served a dark and a vengeful god...::Company: [singing] He served a dark and a vengeful god...::Sweeney Todd: [singing] What happened then? Well, that's the play and he wouldn't want us to give it away. Not Sweeney...::Todd, Company: [singing] Not Sweeney Todd... the demon barber of Fleet... Street.
Sweeney Todd: [singing] There was a barber and his wife, and she was beautiful. A foolish barber and his wife. She was his reason and his life, And she was beautiful. And she was virtuous. And he was - Naive. There was another man who saw that she was beautiful, a pious vulture of the law, who, with a gesture of his claw removed the barber from his plate. Then there was nothing but to wait and she would fall, so soft, so young, so lost, and oh, so beautiful!::Anthony Hope: [speaking] And the lady, sir-did she-succumb?::Sweeney Todd: [singing] Oh, that was many years ago... I doubt if anyone would know.
Sweeney Todd: [singing] You there, my friend. Come, let me hold you. Now, with a sigh you grow warm in my hand, my friend, my clever friend. Rest now, my friends. Soon I'll unfold you. Soon you'll know splendors you never have dreamed all your days, my lucky friends. Till now your shine was merely silver. Friends you shall drip rubies...::Nellie Lovett: [singing] [simultaneously] I'm your friend too, Mr. Todd. If you only knew, Mr. Todd - Ooh, Mr. Todd, you're warm in my hand. You've come home. Always had a fondness for you, I did. Never you fear, Mr. Todd, you can move in here, Mr. Todd. Splendors you never have dreamed All your days will be yours. I'm your friend. Don't they shine beautiful? Silver's good enough for me, Mr. T.::Sweeney Todd: [singing] You'll soon drip precious rubies...::Sweeney Todd: [holds up his razor]::Sweeney Todd: [singing] At last, my right arm is complete again!
Johanna: [singing] Green finch and linnet bird, mightingale, blackbird, how is it you sing? how can you jubilate, sitting in cages, never taking wing? Outside the sky waits, beckoning, beckoning, just beyond the bars. How can you remain, staring at the rain, maddened by the stars?
Plot
It's 1846. Sweeney Todd and Anthony Hope, greeted only by a crazed beggar woman, sail into London, where Todd implies he has been before but not in quite some time. Todd heads to his old stomping grounds of Fleet Street, where he runs across the pie shop belonging to Mrs. Nellie Lovett, who professes to make the worst meat pies in London due to the high cost of meat. The upstairs of her building has sat empty since no one wants to rent a space that is considered haunted by its long ago tenant, barber Benjamin Barker who was falsely accused and ultimately sentenced by the sadistic Judge Turpin and who was shipped away to prison in Australia, leaving his wife Lucy and infant daughter Johanna alone in the world. Todd comes to an agreement with Mrs. Lovett to rent the upstairs of her building so that he can open his own barber shop. A series of incidents, including one with rival barber Senor Pirelli, make Todd change his focus slightly away from having a choice encounter with Judge Turpin and his equally sadistic henchman Beadle Bamford, which was one of the reasons he returned to London. Mrs. Lovett believes this change can only help her pie shop. Meanwhile, upon sighting each other, Anthony and Johanna fall in love at first sight. Johanna is now the ward of Judge Turpin, who has his own incompatible wants with her. Todd and Mrs. Lovett's collaboration as well as Anthony's pursuit of Johanna take marked turns with a number of revelations, most specifically about the crazed beggar woman and Mrs. Lovett's motivations.
Keywords: 19th-century, adoption, assumed-identity, asylum, barber, based-on-stage-musical, betrayal, black-comedy, blackmail, burned-alive
Judge Turpin: [singing] What more can man require than love sir?::Sweeney Todd: [singing] More than love sir.::Judge Turpin: [singing] What sir?::Sweeney Todd: [singing] Women.::Judge Turpin: [singing] Ah yes, women.::Sweeney Todd: [singing] Pretty women.
Nellie Lovett: [singing] Mrs Mooney has a pie shop. Does a business, but I notice something weird - lately all her neighbour's cats have disappeared.
Nellie Lovett: [singing, after Sweeney Todd has bitten into one of Mrs Lovett's pies] Is that just disgusting? You have to conceed it. It's nothing but crusting, here drink this - you'll need it.
Sweeney Todd: [singing] There's a hole in the world like a great black pit/ And the vermin of the world inhabit it/ And its morals aren't worth what a pig could spit/ And it goes by the name of London.
[first lines]::Man: [singing] Attend the tale of Sweeney Todd. His skin was pale and his eye was odd. He shaved the faces of gentlemen who never thereafter were heard of again. He trod a path that few have trod, Did Sweeney Todd, the Demon Barber of Fleet Street.
Company: [singing] Swing your razor wide, Sweeney! Hold it to the skies! Freely flows the blood of those who moralize...
Sweeney Todd: [singing] Attend the tale of Sweeney Todd...::Company: [singing] Attend the tale of Sweeney Todd...::Sweeney Todd: [singing] He served a dark and a vengeful god...::Company: [singing] He served a dark and a vengeful god...::Sweeney Todd: [singing] What happened then? Well, that's the play and he wouldn't want us to give it away. Not Sweeney...::Todd, Company: [singing] Not Sweeney Todd... the demon barber of Fleet... Street.
Sweeney Todd: [singing] There was a barber and his wife, and she was beautiful. A foolish barber and his wife. She was his reason and his life, And she was beautiful. And she was virtuous. And he was - Naive. There was another man who saw that she was beautiful, a pious vulture of the law, who, with a gesture of his claw removed the barber from his plate. Then there was nothing but to wait and she would fall, so soft, so young, so lost, and oh, so beautiful!::Anthony Hope: [speaking] And the lady, sir-did she-succumb?::Sweeney Todd: [singing] Oh, that was many years ago... I doubt if anyone would know.
Sweeney Todd: [singing] You there, my friend. Come, let me hold you. Now, with a sigh you grow warm in my hand, my friend, my clever friend. Rest now, my friends. Soon I'll unfold you. Soon you'll know splendors you never have dreamed all your days, my lucky friends. Till now your shine was merely silver. Friends you shall drip rubies...::Nellie Lovett: [singing] [simultaneously] I'm your friend too, Mr. Todd. If you only knew, Mr. Todd - Ooh, Mr. Todd, you're warm in my hand. You've come home. Always had a fondness for you, I did. Never you fear, Mr. Todd, you can move in here, Mr. Todd. Splendors you never have dreamed All your days will be yours. I'm your friend. Don't they shine beautiful? Silver's good enough for me, Mr. T.::Sweeney Todd: [singing] You'll soon drip precious rubies...::Sweeney Todd: [holds up his razor]::Sweeney Todd: [singing] At last, my right arm is complete again!
Johanna: [singing] Green finch and linnet bird, mightingale, blackbird, how is it you sing? how can you jubilate, sitting in cages, never taking wing? Outside the sky waits, beckoning, beckoning, just beyond the bars. How can you remain, staring at the rain, maddened by the stars?
Plot
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride.
Keywords: ambition, based-on-play, betrayal, blackface, breaking-the-fourth-wall, character-name-in-title, confrontation, cyprus, deception, devotion
The greatest Othello ever by the greatest actor of our time
An actual performance of the National Theatre of Great Britain
Iago: O beware my lord,of jealousy! It is the green-ey'd monster which doth mock the meat it feeds on.
Othello: I pray you, in your letters; when you shall these unlucky deeds relate, speak of them as they are. Nothing extenuate, nor set down aught in malice. Then must you speak of one that lov'd not wisely but too well.
Brabantio: Look to her, Moor; have a quick eye to see. She has deceiv'd her father; may do thee!
Othello: [to the Senate] Most, potent, grave and reverend Seigniors; My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true I have married her. The very head and front of my offending Hath this extent, no more.
Iago: I have it; it is engend'red! Hell and night Must bring this monstrous birth to the world's light!
Iago: I am not what I am.
Othello: It is the cause. It is the cause, my soul. Let me not name it to you, you chaste stars. It is the cause.
Othello: O, blood, blood, blood!
Plot
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride.
Keywords: ambition, based-on-play, betrayal, blackface, breaking-the-fourth-wall, character-name-in-title, confrontation, cyprus, deception, devotion
The greatest Othello ever by the greatest actor of our time
An actual performance of the National Theatre of Great Britain
Iago: O beware my lord,of jealousy! It is the green-ey'd monster which doth mock the meat it feeds on.
Othello: I pray you, in your letters; when you shall these unlucky deeds relate, speak of them as they are. Nothing extenuate, nor set down aught in malice. Then must you speak of one that lov'd not wisely but too well.
Brabantio: Look to her, Moor; have a quick eye to see. She has deceiv'd her father; may do thee!
Othello: [to the Senate] Most, potent, grave and reverend Seigniors; My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true I have married her. The very head and front of my offending Hath this extent, no more.
Iago: I have it; it is engend'red! Hell and night Must bring this monstrous birth to the world's light!
Iago: I am not what I am.
Othello: It is the cause. It is the cause, my soul. Let me not name it to you, you chaste stars. It is the cause.
Othello: O, blood, blood, blood!
Plot
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride.
Keywords: ambition, based-on-play, betrayal, blackface, breaking-the-fourth-wall, character-name-in-title, confrontation, cyprus, deception, devotion
The greatest Othello ever by the greatest actor of our time
An actual performance of the National Theatre of Great Britain
Iago: O beware my lord,of jealousy! It is the green-ey'd monster which doth mock the meat it feeds on.
Othello: I pray you, in your letters; when you shall these unlucky deeds relate, speak of them as they are. Nothing extenuate, nor set down aught in malice. Then must you speak of one that lov'd not wisely but too well.
Brabantio: Look to her, Moor; have a quick eye to see. She has deceiv'd her father; may do thee!
Othello: [to the Senate] Most, potent, grave and reverend Seigniors; My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true I have married her. The very head and front of my offending Hath this extent, no more.
Iago: I have it; it is engend'red! Hell and night Must bring this monstrous birth to the world's light!
Iago: I am not what I am.
Othello: It is the cause. It is the cause, my soul. Let me not name it to you, you chaste stars. It is the cause.
Othello: O, blood, blood, blood!
Plot
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride.
Keywords: ambition, based-on-play, betrayal, blackface, breaking-the-fourth-wall, character-name-in-title, confrontation, cyprus, deception, devotion
The greatest Othello ever by the greatest actor of our time
An actual performance of the National Theatre of Great Britain
Iago: O beware my lord,of jealousy! It is the green-ey'd monster which doth mock the meat it feeds on.
Othello: I pray you, in your letters; when you shall these unlucky deeds relate, speak of them as they are. Nothing extenuate, nor set down aught in malice. Then must you speak of one that lov'd not wisely but too well.
Brabantio: Look to her, Moor; have a quick eye to see. She has deceiv'd her father; may do thee!
Othello: [to the Senate] Most, potent, grave and reverend Seigniors; My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true I have married her. The very head and front of my offending Hath this extent, no more.
Iago: I have it; it is engend'red! Hell and night Must bring this monstrous birth to the world's light!
Iago: I am not what I am.
Othello: It is the cause. It is the cause, my soul. Let me not name it to you, you chaste stars. It is the cause.
Othello: O, blood, blood, blood!
Plot
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride.
Keywords: ambition, based-on-play, betrayal, blackface, breaking-the-fourth-wall, character-name-in-title, confrontation, cyprus, deception, devotion
The greatest Othello ever by the greatest actor of our time
An actual performance of the National Theatre of Great Britain
Iago: O beware my lord,of jealousy! It is the green-ey'd monster which doth mock the meat it feeds on.
Othello: I pray you, in your letters; when you shall these unlucky deeds relate, speak of them as they are. Nothing extenuate, nor set down aught in malice. Then must you speak of one that lov'd not wisely but too well.
Brabantio: Look to her, Moor; have a quick eye to see. She has deceiv'd her father; may do thee!
Othello: [to the Senate] Most, potent, grave and reverend Seigniors; My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true I have married her. The very head and front of my offending Hath this extent, no more.
Iago: I have it; it is engend'red! Hell and night Must bring this monstrous birth to the world's light!
Iago: I am not what I am.
Othello: It is the cause. It is the cause, my soul. Let me not name it to you, you chaste stars. It is the cause.
Othello: O, blood, blood, blood!
Plot
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride.
Keywords: ambition, based-on-play, betrayal, blackface, breaking-the-fourth-wall, character-name-in-title, confrontation, cyprus, deception, devotion
The greatest Othello ever by the greatest actor of our time
An actual performance of the National Theatre of Great Britain
Iago: O beware my lord,of jealousy! It is the green-ey'd monster which doth mock the meat it feeds on.
Othello: I pray you, in your letters; when you shall these unlucky deeds relate, speak of them as they are. Nothing extenuate, nor set down aught in malice. Then must you speak of one that lov'd not wisely but too well.
Brabantio: Look to her, Moor; have a quick eye to see. She has deceiv'd her father; may do thee!
Othello: [to the Senate] Most, potent, grave and reverend Seigniors; My very noble and approved good masters, That I have ta'en away this old man's daughter, It is most true; true I have married her. The very head and front of my offending Hath this extent, no more.
Iago: I have it; it is engend'red! Hell and night Must bring this monstrous birth to the world's light!
Iago: I am not what I am.
Othello: It is the cause. It is the cause, my soul. Let me not name it to you, you chaste stars. It is the cause.
Othello: O, blood, blood, blood!
Company (Hindi: कम्पनी) is a 2002 Indian film directed by Ram Gopal Varma and written by Jaideep Sahni, starring Ajay Devgan, Mohanlal, Manisha Koirala, Vivek Oberoi,and Antara Mali. It is a fictional exposé of the Mumbai underworld, loosely based on the Indian mafia organization D-Company, known to be run by Dawood Ibrahim. The film received positive reviews from critics and won six out of the eleven awards it was nominated for at the Filmfare Awards.
The film highlights the economics behind running an Indian mafia organization. In the opening of the film, Ajay Devgan describes the modus operandi of underworld. He states "Despite anybody telling anything else, in this world everything is done for profit, so is this business. We don't pay taxes, neither do we keep accounts; For this work is done by inducing fear. Anybody can join us anytime, but can never resign. Whoever breaks our law, is broken by us. Here friendship, respect or honesty, the only real reason behind all these is same thing -- Profit". During murder / extortion scenes following, Ajay Devgan adds "profit happens -- like this, like this or like that".