5-MeO-MiPT is a psychedelic and hallucinogenic drug, used by some as an entheogen. It has structural and pharmacodynamic properties similar to the drugs 5-MeO-DiPT, DiPT, and MiPT. It is commonly used as a "substitute" for 5-MeO-DiPT (known as "Foxy Methoxy"), and because of the very similar structure and effects, it is commonly referred to as "Moxy" or "Moxie".
5-MeO-MiPT is in a class of compounds commonly known as tryptamines, and is the N-methyl-N-isopropyl homologue of the organic psychedelic, 5-MeO-DMT. The full name of the chemical is 5-methoxy-N-methyl-N-isopropyltryptamine.
This is an analogue of the more popular drug 5-MeO-DiPT (nicknamed "foxy methoxy") and has the nickname "moxy". Some users report the tactile effects of 5-MeO-DiPT without some of the unwanted side effects. At higher doses it becomes much more psychedelic and less tactile. But at doses of 4-10 milligrams users find 5-MeO-MiPT to be a very euphoric and tactile chemical. Its energetic effects can be very strong at high doses, increasing normal heart rate considerably. Sounds can be amplified in perception to a point where synesthetic effects ("touching or/and tasting sounds") occur.
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American expatriate poet, critic and a major figure of the early modernist movement. His contribution to poetry began with his promotion of Imagism, a movement that derived its technique from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. His best-known works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his unfinished 120-section epic, The Cantos (1917–1969).
Working in London in the early 20th century as foreign editor of several American literary magazines, Pound helped to discover and shape the work of contemporaries such as T. S. Eliot, James Joyce, Robert Frost, and Ernest Hemingway. He was responsible for the publication in 1915 of Eliot's "The Love Song of J. Alfred Prufrock," and for the serialization from 1918 of Joyce's Ulysses. Hemingway wrote of him in 1925: "He defends [his friends] when they are attacked, he gets them into magazines and out of jail. ... He writes articles about them. He introduces them to wealthy women. He gets publishers to take their books. He sits up all night with them when they claim to be dying ... he advances them hospital expenses and dissuades them from suicide."
With all my heart I love you, baby
Stay with me and you will see
My arms will hold you, baby
Never leave, 'cause I believe
I'm in love, sweet love
Hear me calling out your name, I feel no shame
I'm in love, sweet love
Don't you ever go away, it'll always be this way
Oh your heart has called me closer to you
I will be all that you need
Just trust in what we`re feeling
Never leave `cause baby, I believe
In this love, sweet love
Hear me calling out your name, I feel no shame
I'm in love, sweet love
Don't you ever go away, it'll always be this way
No stronger love in this world
Oh baby no, you`re my man, I`m your girl
I'll never go, wait and see, can't be wrong
Don't you know this where you belong
Sweet, sweet and lovely baby
Stay right here, never fear
I will be all that you need
Never leave, `cause baby, I believe
I'm in love, sweet love
Hear me calling out your name, I feel no shame
I'm in love, sweet love
Wicked (a)
Wicked
Junglist massive
Wicked (a)
Wicked
Junglist massive
Wicked (a)
Wicked (a)
Junglist massive
Wicked (a)
Original
Well big up
All the original junglist massive
The original dancehall junglist dere
General Levy alongside the M-Beat
The world is in trouble
Ah what we tell dem murdera
It goes
I am the (a)
Incred (a)
Incred (a)
Incredible general
Sensational wah dem call me
Incred (a)
Incred (a)
Incredible Gene--
Select, selec-lect--
Mad de whole ah dem
I spin dem like a windmill
New talk fi dem
Gwarn tella dem we got the skill
Dance cyan nice unless we name pon de bill
And the girls hear we voices like dem dreams get
fulfill
??? me-ni-me-ni ??? me-ni-me-ni ??? me-ni-me-ni chill
??? we nah sekkle we nah ???
Wah de want come see us say us must be sick and must be
Test the daddy M-Beat unnu better go write your will
Come down!
Lord have mercy
Lord have mercy
Lord have mercy
Lord have mercy
Lord have mercy
So wah:
Booyaka booyaka
When the general ah pass
Booyaka booyaka
M-Beat run the dance
Booyaka booyaka
We nah tek back nah talk
Booyaka booyaka
......Incredible
Me stylee fi pon de mic ??? general
Get pon brock (a) inna me style
Wicked (a) original (a)
Me-ni-me-ni brock (a)
Me-ni-me-ni skin
Me nah (a) (a) or chat
Me-ni-me-ni nah ??? send ah (a) (a)
DJ to dem funeral
General Le-- (a) me-ni-me-ni-me nah pet (a)
or (a) pam-- (a) --per (a)
When we come in dancehall hold pon de mic ???
To de pinnacle
Looky looky DJ chat in me face me ah go (a) (a) bare
chat
Cah we ah get dem critical, critical, critical
Come down
Select, selec-lect--
Select, selec-lect (a) (a) (a)
Sensational
Wah dem call me
Select, selec-lect--
Select, selec-lect (a) (a) (a)
Sensational
Incredible
Unstoppable
Unbeatable
Invincible
As beneficial
Respected by man
And loved by gyal
Come me (a) (a) inna de place we get dem (hys) terical
Cah me (a) (a) style is (o) (o) riginal
Junglist massive
Hear dis!
So wah:
(a) (a) icky icky (a) (a) mmm
M-Beat him come fe mad dem
(a) (a) icky icky (a) (a) mmm
General him come fe mad dem
Mad de whole ah dem
I spin dem like a windmill
New talk fi dem
Gwarn tella dem we got the skill
dance cyan nice unless we name pon de bill
And the girls hear we voices like dem dreams get
fulfill
??? me-ni-me-ni ??? me-ni-me-ni ??? me-ni-me-ni chill
??? we nah sekkle we nah ???
Wah de want come see us say us must be sick and must be
Test the General unnu better go write your will, becah
(a) (a) icky icky (a) (a) mmm
Wicked, wicked (a)
BO, BO, BO
(a) (a) icky icky (a) (a) mmm
Wicked, (a) wicked
(wicked) (wicked) BO BO BO
I am the (a)
Incred (a)
Incred (a)
Incredible Gene--
Booyaka
Select, selec-lect (a) (a) (a)
Sensational wah dem call me
I am the (a)
Incred (a)
Incred (a)
Incredible Gene--
Booyaka
Select, selec-lect (a) (a) (a)
Sensational so wah
Select, select, select, select
Select, select, select, select
Select, select, select, select
Select, select, select, select
Watch out
Talking about General
Unnu must be sick unnu must be fraud
Dis de General
Unnu better pack up and brock
Talking about ya ???
You ah cold like salad
When de M-Beat come
Unnu better cock up and brock
Stop play tune
Word pon farm yard
Stand up and we drop it like
Between people cars
You diss ???
We ah still two teachers
Dis de General
You get the critical ward
(a) icky icky (a) (a) mmm
Wicked, (M-Beat ya come fe mad dem) wicked
Me nah come fe ramp
with the riddim and the riddim ah ramp, nah ramp with
de riddim at all
Come General General Levy wit de computer tongue, wah
me do
Talk to de boys anna talk to de girls anna talk to de
woman anna talk to de men
Talk to de bredren anna talk to de young generation
I give them ??? sound ??? (wicked, wicked)
and I ??? suck it in ??? (wicked, wicked)
Phenomenon one General system wit de computer tongue,
wah me do (wicked, wicked)
??? (wicked, wicked)
Some of dem ah wee and
Some of dem ah tall
Some of dem ah jook
Some of dem ah chump
Some of dem ah addict for the coke and ah bawl fi the
crack and ah cry for the opium, wah me do