Plot
The corpse of a young woman is found in a public park. Annika Bengtzon, a criminal reporter at the tabloid Kvällspressen, starts researching and gets more and more personally involved as she learns that the victim worked as a stripper at the club Studio sex and was brutally murdered. Evidence arises that the Minister of Finance was present at Studio sex on the night of the murder, and a political scandal ensues. But things are not as they appear.
Keywords: barefoot, female-nudity, journalist, minister, murder, naked-dead-woman, nude-woman-murdered, stockholm-sweden, strip-club, tabloid
Saint Joachim ("he whom YHWH has set up", Hebrew: יְהוֹיָקִים Yəhôyāqîm, Greek Ἰωακείμ Iōākeím) was the husband of Saint Anne and the father of Mary, the mother of Jesus in the Roman Catholic, Orthodox, and Anglican traditions. The story of Joachim and Anne appears first in the apocryphal Gospel of James. Joachim and Anne are not mentioned in the Bible.
Since the genealogies of Jesus in Matthew and Luke do not explicitly name either of Mary's parents, but apparently name two different fathers for Saint Joseph, many scholars from John of Damascus (8th C.), and particularly Protestant scholars, argue that the genealogy in Luke is actually the family tree of Mary, and that Heli is her father. To resolve the problem of Joseph having two fathers - one descended from Solomon, one descended from Nathan, son of David, traditions from the 7th Century specify that Heli was a first cousin of Joachim.
In the Protoevangelium of James, Joachim is described as a rich and pious man of the house of David who regularly gave to the poor and to the temple (synagogue) at Sepphoris. However, as his wife was barren, the high priest rejected Joachim and his sacrifice, as his wife's childlessness was interpreted as a sign of divine displeasure. Joachim consequently withdrew to the desert where he fasted and did penance for forty days. Angels then appeared to both Joachim and Anne to promise them a child. Joachim later returned to Jerusalem and embraced Anne at the city gate. The cycle of legends concerning Joachim and Anne were included in the Golden Legend and remained popular in Christian art until the Council of Trent restricted the depiction of apocryphal events. Traditional depictions (e.g., vestibular statuary) of Joachim show him bearing a shovel.
Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
Joseph Joachim was born in Kittsee (Kopčany / Köpcsény), near Bratislava and Eisenstadt, in what is today's Burgenland area of Austria. He was the seventh of eight children born to Julius, a wool merchant, and Fanny Joachim who were of Hungarian Jewish origin. His infancy was spent as a member of the Kittsee Kehilla (Jewish community), one of Hungary's prominent Siebengemeinden ('Seven Communities') under the protectorate of the Esterházy family. He was a first cousin of Fanny Wittgenstein, the mother of Karl Wittgenstein and the grandmother of the philosopher Ludwig Wittgenstein and the pianist Paul Wittgenstein.
In 1833 his family moved to Pest, where he studied violin with Stanislaus Serwaczynski, the concertmaster of the opera in Pest. (Serwaczynski later moved to Lublin, Poland, where he taught Wieniawski). In 1839, Joachim continued his studies at the Vienna Conservatory (briefly with Miska Hauser and Georg Hellmesberger, Sr.; finally — and most significantly — with Joseph Böhm). He was taken by his cousin, Fanny Wittgenstein to live and study in Leipzig, where he became a protégé of Felix Mendelssohn. In his début performance in the Leipzig Gewandhaus he played the Otello Fantasy by Heinrich Wilhelm Ernst. The twelve-year-old Joachim's 1844 performance of Beethoven's Violin Concerto in London (under Mendelssohn's baton) was a triumph, and helped to establish that work in the repertory. Joachim remained a favorite with the English public for the rest of his career.
Joachim Garraud, was born in 1968 in Nantes, is a French DJ, but he is also a remixer and producer. He is the producer of stars such as Geyster, Paul Johnson, Deep Dish, David Bowie, OMD, Kylie Minogue, Mylène Farmer, Cassius, Belamour, Kid Vicious, Saffron Hill and Culture Club.
Known for his many collaborations with other DJs and musicians like David Guetta or Jean-Michel Jarre he moderates a weekly radio show on Radio FG that plays a new mix (Zemixx) each week to its listeners before making it available on his Podcast. He is also the Co-founder of various labels:
His mixes are a mixture of traditional DJ and then he remixes live directly onto cd. Certain sounds which he employs had never been heard in House Music before.
Joachim is known for his energetic sets, using images to go with his sounds, as well as the keyboard, and for his setting in scene.
After having perfectionned his piano and percussions for seven years at the conservatory, he decided to move toward electronic music. long with Laurent Garnier, he started as a DJ as the Boy, the Parisian club that first initiated the discovery of the techno phenomenon in France. He then successfully tried some music production with Maxximum radio station, number one national 100% dance radio station (CTL group). Becoming the pioneer of numerical music, he created his own recording studio in the middle of Paris, which allowed him to remix, compose or produce artists such as David Guetta, Jean-Michel Jarre, Paul Johnson, Deep Dish, David Bowie, OMD, Kylie Minogue, Mylène Farmer, Cassius, Cerrone, Moby, Robbie Rivera... and many more. Joachim developed a new concept, blending Deejaying and musical improvisation, thus giving a true concert, a unique live performance which soon gave him the opportunity to perform all over the World. Today, he is surrounded by a big community with the Space Invader mascot.
Joachim Witt (born 22 February 1949 in Hamburg, Germany) is a German musician and actor.
Joachim Witt became a major star of the German pop scene during the eighties with huge hits such as "Der Goldene Reiter". He was one of the biggest names of the "Neue Deutsche Welle" (New German Wave), of which performers like Nena and Falco were also a part.
He made a big comeback at the end of the nineties, when he scored a major hit with "Die Flut", a duet with Peter Heppner, the singer of popular German synth pop group Wolfsheim. Witt's album "Bayreuth 1" (1998) scored platinum in Germany and Austria. "Bayreuth 2" followed two years later. He has collaborated with such artists as Apocalyptica, Oomph!, Angelzoom, Tilo Wolff of Lacrimosa and just recently, German Electropop group Purwien as well.
Joachim Witt was the guitarist/singer in the Seventies Krautrock band Duesenberg. He released three albums with them, "Duesenberg" (1977), "Duesenberg 2" (1978) and "Strangers" (1979), before embarking on a solo career as a singer and actor.
Joachim "Jogi" Löw (German pronunciation: [joˈʔaxiːm (ˈjoːɡi) ˈløːf]; born 3 February 1960 in Schönau im Schwarzwald) is the manager of the German national football team and a former football midfielder.
In 1978, Löw started his playing career with 2. Bundesliga club SC Freiburg. He returned to the club twice (1982, 1985) and holds the club's overall goal scoring record. In 1980, Löw joined VfB Stuttgart in the Fußball-Bundesliga, but he had difficulties establishing in the starting lineup and played only four matches. In the 1981–82 season, Löw played for Eintracht Frankfurt (24 matches, five goals), but he returned to Freiburg the following year. In 1982–83, he scored eight goals in 34 matches, 1983–84 he scored 17 goals in 31 matches in the 2. Bundesliga. Afterwards, he returned to the Bundesliga with Karlsruher SC, but he only scored two goals in 24 matches. Later, he joined Freiburg again for four years, played 116 matches and scored 38 goals. Löw concluded his career in Switzerland, where he played for FC Schaffhausen (1989–1992) and FC Winterthur (1992–1994).