- published: 28 Dec 2016
- views: 987
Pacific 231 is an orchestral work by Arthur Honegger, written in 1923. Honegger was widely known as a train enthusiast, and once notably said: "I have always loved locomotives passionately. For me they are living creatures and I love them as others love women or horses." It is one of his most frequently performed works.
The popular interpretation of the piece is that it depicts a steam locomotive, an interpretation that is supported by the title of the piece. Honegger, however, insisted that he wrote it as an exercise in building momentum while the tempo of the piece slows. He originally titled it Mouvement Symphonique, only giving it the name Pacific 231, a class of steam locomotive designated in Whyte notation as a 4-6-2, with four pilot wheels, six driving wheels, and two trailing wheels (the French, who count axles rather than wheels when describing locomotives, call this arrangement 2-3-1) after it was finished.
The orchestration consists of the following: 2 flutes, piccolo flute, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon – 4 French horns, 3 trumpets, 3 trombones, tuba, – 4 percussionists (tenor drum, cymbal, bass drum, tam tam) – strings.
Arthur Honegger (French: [aʁtyʁ ɔnɛɡɛːʁ]; 10 March 1892 – 27 November 1955) was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les Six. His most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive.
Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony and violin in Le Havre. After studying for two years at the Zurich Conservatory he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Charles-Marie Widor and Vincent d'Indy. He made his Paris compositional debut in 1916 and in 1918 wrote the ballet Le dit des jeux du monde, generally considered to be his first characteristic work. In 1926 he married Andrée Vaurabourg, a pianist and fellow student at the Paris Conservatoire, on the condition that they live in separate apartments. They lived apart for the duration of their marriage, with the exceptions of one year from 1935 to 1936 following Vaurabourg's injury in a car accident, and the last year of Honegger's life, when he was not well enough to live alone. They had one daughter, Pascale, born in 1932. Honegger also had a son, Jean-Claude (1926–2003), with the singer Claire Croiza.
The Pacific Ocean is the largest of the Earth's oceanic divisions. It extends from the Arctic Ocean in the north to the Southern Ocean (or, depending on definition, to Antarctica) in the south and is bounded by Asia and Australia in the west and the Americas in the east.
At 165.25 million square kilometers (63.8 million square miles) in area, this largest division of the World Ocean—and, in turn, the hydrosphere—covers about 46% of the Earth's water surface and about one-third of its total surface area, making it larger than all of the Earth's land area combined.
The equator subdivides it into the North Pacific Ocean and South Pacific Ocean, with two exceptions: the Galápagos and Gilbert Islands, while straddling the equator, are deemed wholly within the South Pacific. The Mariana Trench in the western North Pacific is the deepest point in the world, reaching a depth of 10,911 metres (35,797 ft).
The eastern Pacific Ocean was first sighted by Europeans in the early 16th century when Spanish explorer Vasco Núñez de Balboa crossed the Isthmus of Panama in 1513 and discovered the great "southern sea" which he named Mar del Sur. The ocean's current name was coined by Portuguese explorer Ferdinand Magellan during the Spanish circumnavigation of the world in 1521, as he encountered favourable winds on reaching the ocean. He called it Mar Pacifico, which in both Portuguese and Spanish means "peaceful sea".
Arthur Honegger - Pacific 231 Mouvement symphonique No. 1 (1923)
Honegger - Pacific 231
"Pacific 231" 1949 movie: Jean Mitry-music: Arthur Honegger original !
Honegger - Pacific 231 _Marc Andreae,Conductor
PACIFIC 231 HONEGGER
HONEGGER - PACIFIC 231(MOVTO SINFÓNICO Nº 1) - BERNSTEIN /NVA YORK
HONEGGER - PACIFIC 231.wmv
PACIFIC 231 STEAM LOCOMOTIVE RAILROAD FILM JEAN MITRY ARTHUR HONEGGER 77804
Honegger-Pacific 231 MSTS
Arthur Honegger Pacific 231 - Gennady Rozhdestvensky
Arthur Honegger (10 March 1892 – 27 November 1955) was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les Six. His most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive. Pacific 231 Mouvement symphonique No. 1 (1923) Dedicated to Ernest Ansermet The Danish National Radio Orchestra conducted by Neeme Jarvi Through his sources of inspiration, Honegger proves to us that he is a composer of the twentieth century. Violent sports, war, machines are often reflected in his music. "I've always loved locomotives passionately," he says, "for me they are living things ... What I've been looking for in" Pacific "is not imitation of the sounds of the locomotive, but t...
In 1923, steam locomotives, the height of modern technology, were fast and exciting. Although airplanes were newer, and automobiles and roads were quickly improving, steam was still the prime mover of high-speed transport. The excitement of seeing a huge working locomotive flash by spewing steam, smoke and cinders is hard to describe. Their eerie whistles were at once frightening and exhilarating. Trains were a symbol of technology improving people's lives, of the hope for an exciting new future. This is especially poignant so soon after World War I, where technology was used to create previously unimagined horrors. The Music: The 1923 Mouvement Symphonique "Pacific 231" of Arthur Honegger is the driving force behind this video. The video's visual elements are collected from many sources,...
Arthur Honegger:Pacific 231 , Conductor: Marc Andreae
Óscar-Arthur Honegger (1892-1955), de origen suizo radicado en Francia, fue integrante en un principio del denominado "Grupo de Los Seis", formado en Paris entre otros por Milhaud, Poulenc y Satie, movimiento que tenía por objeto reaccionar en contra del impresionismo, wagnerianismo y surrealismo, habiendo sido prontamente expulsado de éste por la proximidad de su música con la de Stravinsky. No obstante que su música debió haber figurado entre la llamada "música degenerada" (Weill, Berg, Schoenberg) proscrita por el régimen nazi, por ser íntimo amigo del Ministro de Cultura nazi Joseph Goebbels, ésta no fue objeto de restricciones, habiendo sido frecuentemente interpretada por Wilhelm Furtwangler y el director holandés Willem Mengelberg, gran difusor de su música. Su obra más popular es s...
Arthur Honegger - Pacific 231 - Orhestre du Capitole de Toulouse - Direction : Michel Plasson - Disque EMI Classics - Peintures de Fernand Léger
PACIFIC 231 is a wonderful short film directed by Jean Mitry, that dates to 1949. Its soundtrack uses Arthur Honegger's orchestral work of the same name for a tribute to the steam locomotive, and includes incredible close-up footage of driving wheels, running gear and railroad operations, mostly taken at speed, and cut to the music. The film was awarded the Short Film Palme d'Or at the 1949 Cannes Film Festival. Plot: An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on...
I have deleted the sound effects of the engines in favor of Honegger's excellent recreation of the sound of a moving steam locomotive
made by Burleska
Arthur Honegger (10 March 1892 – 27 November 1955) was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les Six. His most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive. Pacific 231 Mouvement symphonique No. 1 (1923) Dedicated to Ernest Ansermet The Danish National Radio Orchestra conducted by Neeme Jarvi Through his sources of inspiration, Honegger proves to us that he is a composer of the twentieth century. Violent sports, war, machines are often reflected in his music. "I've always loved locomotives passionately," he says, "for me they are living things ... What I've been looking for in" Pacific "is not imitation of the sounds of the locomotive, but t...
In 1923, steam locomotives, the height of modern technology, were fast and exciting. Although airplanes were newer, and automobiles and roads were quickly improving, steam was still the prime mover of high-speed transport. The excitement of seeing a huge working locomotive flash by spewing steam, smoke and cinders is hard to describe. Their eerie whistles were at once frightening and exhilarating. Trains were a symbol of technology improving people's lives, of the hope for an exciting new future. This is especially poignant so soon after World War I, where technology was used to create previously unimagined horrors. The Music: The 1923 Mouvement Symphonique "Pacific 231" of Arthur Honegger is the driving force behind this video. The video's visual elements are collected from many sources,...
Arthur Honegger:Pacific 231 , Conductor: Marc Andreae
Óscar-Arthur Honegger (1892-1955), de origen suizo radicado en Francia, fue integrante en un principio del denominado "Grupo de Los Seis", formado en Paris entre otros por Milhaud, Poulenc y Satie, movimiento que tenía por objeto reaccionar en contra del impresionismo, wagnerianismo y surrealismo, habiendo sido prontamente expulsado de éste por la proximidad de su música con la de Stravinsky. No obstante que su música debió haber figurado entre la llamada "música degenerada" (Weill, Berg, Schoenberg) proscrita por el régimen nazi, por ser íntimo amigo del Ministro de Cultura nazi Joseph Goebbels, ésta no fue objeto de restricciones, habiendo sido frecuentemente interpretada por Wilhelm Furtwangler y el director holandés Willem Mengelberg, gran difusor de su música. Su obra más popular es s...
Arthur Honegger - Pacific 231 - Orhestre du Capitole de Toulouse - Direction : Michel Plasson - Disque EMI Classics - Peintures de Fernand Léger
PACIFIC 231 is a wonderful short film directed by Jean Mitry, that dates to 1949. Its soundtrack uses Arthur Honegger's orchestral work of the same name for a tribute to the steam locomotive, and includes incredible close-up footage of driving wheels, running gear and railroad operations, mostly taken at speed, and cut to the music. The film was awarded the Short Film Palme d'Or at the 1949 Cannes Film Festival. Plot: An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on...
I have deleted the sound effects of the engines in favor of Honegger's excellent recreation of the sound of a moving steam locomotive
made by Burleska
Pacific 231 ► http://ryanmovies.com è stata completamente verificata dal partner sito degli sviluppatori di YouTube Orologio* Pacific 231 1949 Streaming'in linea ----------------------------------------------------------------------- Facebook: https://www.facebook.com/ Twitter: https://twitter.com/ Pinterest: https://Pinterest.com Instagram: https://www.instagram.com/ #Pacific 231
1.Arthur Honegger - Pacific 231 2. Camille Saint-Saёns - Cello Concerto No.1 (10월17일 예술의전당 1부공연)
Tracklist: 00:00 | Traveling 231 05:52 | Jewels Of The Ocean 13:15 | Special Guide Book 22:54 | Café Équatorien (Original Mix) 29:24 | Have A Nice Trip! 37:16 | Adventures In A Tropical Temple 47:23 | The Best Of Mineral Springs 56:26 | Jewels Of The Ocean (Bon Voyage Mix) (=⌒‿‿⌒=)
Tracklist A1 –Merzbow Susanou (Devil Of The Storm) A2 –If Bwana* Martinet (Magick Patron) A3 –Le Syndicat Alastor (Hell's Executioner) A4 –Black Humour* Abadon (Exterminating Devil) A5 –Mauthausen Orchestra Raum (Ravaging Devil) B1 –Haters* Andras (Quarrels Fomenter) B2 –The Sodality Nybbas (Hell's Pimp) B3 –Pacific 231 (2) Eurynome (Corpses Devourer) B4 –TV Cherubs Azrael (Death Angel) B5 –Bruno Cossano Ambucias (Hell's Music Director)
»Ursprung« ∙ Programm: JOHANN SEBASTIAN BACH Toccata und Fuge d-Moll – Orchesterfassung: Leopold Stokowski ∙ JEAN-PHILIPPE RAMEAU Ouvertüre zur Oper »Castor et Pollux« ∙ MAURICE RAVEL / MORITZ VON OSWALD / CARL CRAIG Recomposed Boléro ∙ JOHANN SEBASTIAN BACH Partita Nr. 6 e-Moll – Allemande & Courante ∙ PAUL DUKAS Der Zauberlehrling ∙ MAURICE RAVEL Klavierkonzert G-Dur – 2. Satz ∙ FRANCESCO TRISTANO Melody ∙ MORITZ VON OSWALD Club Set ∙ ARTHUR HONEGGER Pacific 231 ∙ FRANCESCO TRISTANO Island Nation – 3. Satz ∙ Francesco Tristano ∙ Moritz von Oswald ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ José Luís Gómez, Dirigent ∙ Jahrhunderthalle Frankfurt, 28. Februar 2016 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.face...
A1 Pacific 231 and B.Wolf - The Cultural Shock 00:00 A2 L'Akstremaunçió - Testament En Sanskrit; I. Autizma 11:38 A3 L'Akstremaunçió - Testament En Sanskrit; II. Aürt 13:34 A4 L'Akstremaunçió - Testament En Sanskrit; III. Al. Legoriá 19:17 A5 L'Akstremaunçió Testament En Sanskrit; IV. Libre Hermètic 21:58 A6 L'Akstremaunçió Testament En Sanskrit; V. Apostasya 23:16 B1 Architects Office - AO 359: SYM 40 25:29 B2 Das Synthetische Mischgewebe - Greetings From Orm 50:58 https://www.discogs.com/Various-Internationalism/release/1040756
Cassette compilation du label TDS de Poitiers sortie en 1987 à 50 ex , vendue en boite de conserve A1 –Der Komsks Ich Bin Kalt A2 –Der Komsks In The Corner A3 –La Nomenklatur Ostao A4 –X-Ray Pop Bébé Cosmique A5 –Pacific 231 (2) Prélude A6 –Pacific 231 (2) Kz A7 –La Strada (2) Djouallah A8 –La Strada (2) Obsession A9 –David Chazam Drivin'My Car A10 –CHAAU New Frankeinstein A11 –CHAAU No Name B1 –Vox Populi! Bemafu B2 –Vox Populi! Néoplasie 4 B3 –Le Syndicat Corniches Et Sagaies B4 –Borgovnia Dzigen Wart B5 –Minamata Emle B6 –No Unauthorized En Couleur B7 –Berlinerluft Hippke & Schröder B8 –Castor Nost Sombre Eté B9 –BB Speedok Gonocoque B10 –N.S.I La Machine A Coudre B11 –N.S.I The Cockroach B12 –P.L.Z Pasqua T'es Un Gros Con B13 –P.L.Z Le Pape A La Télé
En la presente emisión, Gerardo Pietrapertosa explica cómo funciona el área y los talleres de escenografía del Teatro Colón. El escenógrafo habla sobre la formación de los profesionales, el trabajo plástico y la investigación histórica. Luego, se emite un fragmento de “Bailando Honegger”, una obra de danza moderna de Carlos Trunsky (sobre Pastorele de ête y Pacific 231 de Arthur Honegger) e interpretada por el ballet estable del Teatro Colón. Al finalizar, se pasan momentos de óperas de Claudio Monteverdi y Francesco Cavalli. Visitá el sitio http://www.archivoprisma.com.ar
Este canal se dedica únicamente a la difusión de la obra de distintos artistas de diferentes partes del mundo, si el material te gusta apoya a los músicos comprando su música. www.pov.com.mx Tracklist: A1 Jar – Tag X (2nd Version) A2 Le Syndicat – Eskimos A3 Dr. Strangelove – A Perfect Scene A4 Pacific 231 – Nibelungen A5 FâLX çèrêbRi – Navepv Nabodl A6 Bande Berne Crematoire – Maid To Be Laid A7 Ak Ak – Es Tanzen Die Mutanten Und Mutonkel A8 Robert Charlesworth – Sam's Compass A9 No Unathorized* – Orgasm Of Pigs A10 Zewa X – Kal 007 Massacre (Final Words) A11 Nau Fragio – Alankar A12 Paul Kelday – Seeds Of Decay That Flourish In The Shadows Of Doubt A13 Fassion Industrie Division (F.I.D.) (Der Akteur)– Brain Operation (Exerpt) B1 D.Z. Lectric – M...
Sergej Prokofjew (1891–1953) Iwan der Schreckliche op. 116 (1945) Orchester und Chöre der Zürcher Hochschule der Künste Marc Kissóczy, Leitung Peter Schweiger, Sprecher Ewa Wolak, Mezzosopran Markus Eiche, Bariton Finstere Figuren beflügeln die Fantasie – beauftragt von Josef Stalin schuf Sergej Eisenstein sein monumentales Filmepos „Iwan der Schreckliche“, für das Sergej Prokofiew mit seinem op. 116 die Filmmusik schuf. Erstmals ist das Werk in der Schweiz als Oratorium nach Vorlagen von Abram Stasewitsch und Wladimir Lugowski (1961) zu hören. Sprecher, Solistinnen, Konzertchor und Orchester der ZHdK präsentieren in ihrer Aufführung das von Marc Kissóczy und Peter Schweiger aus Filmmusik und Skizzen erarbeitete Stück. Erzählungen in Deutsch ergänzen die russischen Gesangspartien. Eröff...
heres your fertility
wanting so badly to be crushed
you leave it up to me
to do the crushing
through new sencerity
making a mockery of trust
but if its up to me
bring on the new thing
pacific 231
were not cleaning off the rails
steady up to speed
another dream
i learned to love
the taste of bitter fictions
ring of contradictions
but sing to me
and its appearently
a faster forward than you want
but still you keep it u
is that delusion
im told appearently
poor faith and reconditioned thoughts
weary at your knees
sick from the motion
and now were letting up
about the charity that costs
we could do without
the education
another dream
id learn to love
the taste of bitter fictions
ring of contradictions
but sing to me
but they sing
to me
but they sing
to me
they sing
to me
(you could get everything you want)
another dream
id learn to love
the taste of bitter fictions
ring of contradictions