In antiquity, Phrygia ( /ˈfrɪdʒiə/; Greek: Φρυγία, Ancient Greek: [pʰryɡía]) Turkish: Frigya) was a kingdom in the west central part of Anatolia, in what is now modern-day Turkey, centered around the Sakarya River.

The Phrygians are most famous for their legendary kings of the heroic age of Greek mythology: Gordias whose Gordian Knot would later be untied by Alexander the Great, Midas who turned whatever he touched to gold, and Mygdon who warred with the Amazons. According to Homer's Iliad, the Phrygians were close allies of the Trojans and participants in the Trojan War against the Achaeans. Phrygian power reached its zenith in the late 8th century BC under another, historical King Midas, who dominated most of western and central Anatolia and rivaled Assyria and Urartu for power in eastern Anatolia. This later Midas was however also the last independent king of Phrygia before its capital Gordium was sacked by Cimmerians around 695 BC. Phrygia then became subject to Lydia, and then successively to Persia, Alexander and his Hellenistic successors, Pergamon, Rome and Byzantium. Phrygians were gradually assimilated into other cultures by the early medieval era, and the name Phrygia passed out of usage as a territorial designation after the Turkish conquest of Anatolia.

Aram Ilyich Khachaturian (Armenian: Արամ Խաչատրյան; Russian: Ара́м Ильи́ч Хачатуря́н; June 6 [O.S. May 24] 1903 – May 1, 1978) was a prominentSoviet Armenian composer. Khachaturian's works were often influenced by classical Russian music and Armenian folk music. He is most famous for the Adagio of Spartacus and Phrygia from his ballet Spartacus, and for the "Sabre Dance" from his ballet Gayane and the adagio from the same ballet, much used in films since its first use in Stanley Kubrick's 2001: A Space Odyssey.

Aram Ilyich Khachaturian was born in Tiflis, Imperial Russia (now Tbilisi, Georgia) to a poor Armenian family. His father was a bookbinder. In his youth, he was fascinated by the music he heard around him, but at first he did not study music or learn to read it.

In 1920, when Armenia was declared a Soviet republic, Khachaturian joined a propaganda train touring Armenia, populated by Georgian-Armenian artists. The following year he travelled to Moscow to join his brother, the stage director of the Second Moscow Art Theatre. Although he had almost no musical education, Khachaturian showed such great talent that he was admitted to the Gnessin Institute where he studied cello under Sergey Bychkov, and later Andrey Borysyak. In 1925 Mikhail Gnessin started a composition class at the Gnessin Institute, which Khachaturian joined.