Megan Amram: Comedy Crack in 140 Characters
לירון עמרם והפנתרים- א-ליל - Liron Amram - هذه الليلة
Think X with Megan Amram
Aharon Amram - Haya Mei Sana'a - אהרון עמרם - היא מעי צנעא - اهارون عمرم
Help me Megan Amram get on Glee!!!
Adira Amram "FingerBlast"
The Amigos Band And David Amram Perform "The California Blues"
Megan Amram Gets Into Science!
Aharon Amram- Im Nin'alu
אהרון עמרם - סאפרת Aharon Amram - Safart
David Amram: The First 80 Years - The Movie Trailer
"Should I Go Now" by Alana Amram & The Rough Gems
ALANA AMRAM & THE ROUGH GEMS - "SPRING RIVER"
David Amram - American Dance Suite (1/3)
Megan Amram: Comedy Crack in 140 Characters
לירון עמרם והפנתרים- א-ליל - Liron Amram - هذه الليلة
Think X with Megan Amram
Aharon Amram - Haya Mei Sana'a - אהרון עמרם - היא מעי צנעא - اهارون عمرم
Help me Megan Amram get on Glee!!!
Adira Amram "FingerBlast"
The Amigos Band And David Amram Perform "The California Blues"
Megan Amram Gets Into Science!
Aharon Amram- Im Nin'alu
אהרון עמרם - סאפרת Aharon Amram - Safart
David Amram: The First 80 Years - The Movie Trailer
"Should I Go Now" by Alana Amram & The Rough Gems
ALANA AMRAM & THE ROUGH GEMS - "SPRING RIVER"
David Amram - American Dance Suite (1/3)
Aharon Amram- Ya Benaya اهرون عمرم- يابنيه
לירון עמרם והפנתרים // יהודה קיסר - פעם פעם
David Amram with Dizzy Gillespie
Adira Amram - Mom Song
Enlace Judío - Rab. Amram Anidjar en la Conferencia sobre el Ego: "4 Rabinos dan el brinco."
David Amram Recounts History & Sings of Allen Ginsberg's "First Blues" at Housing Works NYC 1-16-13
Adira Amram "Electric" LIVE in Toronto
Portraying Fred Amram
Aharon Amram- Yom Ezkera Khat'i- live
Amram Interview
Ofra Haza & Aharon Amram interview
Interview No. (32)13 - Blau, Amram (בלוי, עמרם)
David Amram Quartet - Blue Monk
Rhonda Hamilton of WBGO interviews David Amram for PBS special about Thelonious Monk
Classical/Jazz Composer David Amram Reflects On Luis Chaluisan Rocker Roller Rican Documentary.
Ofra Haza + Aharon Amram a capella
HILLOULLA RABBI AMRAM BEN DIWAN- PART 1/5
An Invitation to Megan Amram
David Amram Discusses Shir l'erev shabbat
Amram and Kazan
David Amram for- Making Of Buy This Fracking Album - Lack Of Cash Flow Blues
Adira Amram
KATG episode 1822 "Whistle While You Work" after-show with Adira Amram
David Amram on WorldStreams
fPeople - FashionTV Magazin röpörtaj
David Amram's Waltz from "After The Fall" performed by Paquito D'Rivera and David Amram
David Amram @ Kerrville Folk Festival 2011-part 1
In the Book of Exodus, Amram (Hebrew: עַמְרָם, Modern Amram Tiberian ʻAmrām ; Friend of the most high/The people are exalted) Arabic عمران Imran, is the father of Aaron, Moses, and Miriam and the husband of Jochebed.
In addition to being married to Jochebed, Amram is also described in the Bible as having been related to Jochebed prior to the marriage, although the exact relationship is uncertain; some Greek and Latin manuscripts of the Septuagint state that Jochebed was Amram's father's cousin, and others state that Amram was Jochebed's cousin, but the Masoretic text states that he was Jochebed's nephew. Amram's name changes to Imram later in the Bible.
Textual scholars attribute the biblical genealogy to the Book of Generations, a document originating from a similar religiopolitical group and date to the priestly source. According to biblical scholars, the Torah's genealogy for Levi's descendants, is actually an aetiological myth reflecting the fact that there were four different groups among the levites – the Gershonites, Kohathites, Merarites, and Aaronids; Aaron – the eponymous ancestor of the Aaronids – couldn't be portrayed as a brother to Gershon, Kohath, and Merari, as the narrative about the birth of Moses (brother of Aaron), which textual scholars attribute to the earlier Elohist source, mentions only that both his parents were Levites (without identifying their names). Biblical scholars suspect that the Elohist account offers both matrilinial and patrilinial descent from Levites in order to magnify the religious credentials of Moses.
David Amram (born November 17, 1930) is an American composer, musician, conductor, and writer. As a classical composer and performer, his integration of jazz (including being one of the first noted as an improvising jazz French hornist), ethnic and folk music has led him to work with the likes of Charlie Parker, Thelonious Monk, Dizzy Gillespie, Lionel Hampton, Willie Nelson, Langston Hughes, Charles Mingus, Pepper Adams, Leonard Bernstein, Sir James Galway, Tito Puente, Mary Lou Williams, Joseph Papp, Arthur Miller, Miles Davis, Arturo Sandoval, Stan Getz, Pete Seeger, Elia Kazan, Odetta, Lord Buckley, Dustin Hoffman, Steve Allen, Machito, Earl "Fatha" Hines, Allen Ginsberg, Nina Simone, Gregory Corso, Bob Dylan, Steve Goodman, Hunter Thompson, Johnny Depp and Jack Kerouac throughout the course of his career.
David Amram has composed more than 100 orchestral and chamber music works, written many scores for Broadway theater and film, including the scores for the films Splendor in the Grass and The Manchurian Candidate; two operas, including the Holocaust opera, The Final Ingredient, a comic opera Twelfth Night with a libretto by Joseph Papp; and the score for the 1959 film Pull My Daisy, narrated by novelist Jack Kerouac. He is also the author of three books, Vibrations, an autobiography, Offbeat: Collaborating With Kerouac, a memoir, and Upbeat: Nine Lives of a Musical Cat, all published by Paradigm Publishers.
John Birks "Dizzy" Gillespie ( /ɡɨˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer and, occasionally, singer.
Allmusic's Scott Yanow wrote, "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated . . . Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time."
Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.
In the 1940s Gillespie, together with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.
Irwin Allen Ginsberg ( /ˈɡɪnzbərɡ/; June 3, 1926 – April 5, 1997) was an American poet and one of the leading figures of the Beat Generation in the 1950s. He vigorously opposed militarism, materialism and sexual repression. Ginsberg is best known for his epic poem "Howl", in which he celebrated his fellow "angel-headed hipsters" and harshly denounced what he saw as the destructive forces of capitalism and conformity in the United States. This poem is one of the classic poems of the Beat Generation. The poem, which was dedicated to writer Carl Solomon, opens:
madness, starving hysterical naked, dragging themselves through the negro streets at dawn
looking for an angry fix...</poem>In October 1955, Ginsberg and five other unknown poets gave a free reading at an experimental art gallery in San Francisco. Ginsberg's "Howl" electrified the audience. According to fellow poet Michael McClure, it was clear "that a barrier had been broken, that a human voice and body had been hurled against the harsh wall of America and its supporting armies and navies and academies and institutions and ownership systems and power support bases." In 1957, "Howl" attracted widespread publicity when it became the subject of an obscenity trial in which a San Francisco prosecutor argued it contained "filthy, vulgar, obscene, and disgusting language." The poem seemed especially outrageous in 1950s America because it depicted both heterosexual and homosexual sex at a time when sodomy laws made homosexual acts a crime in every U.S. state. "Howl" reflected Ginsberg's own homosexuality and his relationships with a number of men, including Peter Orlovsky, his lifelong partner. Judge Clayton W. Horn ruled that "Howl" was not obscene, adding, "Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"
Philip Bailey, Allee Willis A.Z. Giles
Het gets wild at night
Gotta sleep all day
'Cause he's wound so tight
Blowing his brains away
He's in the land of the free
And he wants to be
Someone they all say will make good
But what's reality when you're from the hood
It's evil yea, yea, yea
(Chorus)
Evil, Evil Roy, who is fooling who
Don't you know Evil Evil someone
watching you
Well he got no job so he peddling-fear
Trying to push so hard
No way out of here
It's just the law of the street
Too much heat
Pressure cooking, gonna explode
But where you gonna be
if you lose control
it's evil yea yea yea
(Chorus)
(Bridge)
Can't you see that your way
Is going nowhere fast
And your time is just running out
Fighting fire with fire
It will never pass
If evil's what your life's about
(Out Chrus)
When you take never giving
Hide the pain
You stop living
Zieh Dich nicht aus, amore mio
komm doch nach Haus, amore mio
trink nicht so viel, amore mio
bei jedem Glas, amore mio
werd ich ganz blass, amore mio
zieh Dich nicht aus, amore mio
Nach 4, 5 Rotwein, amore mio
bist Du nicht zu halten
und jedesmal kommt dann diese Show
Sei doch vernünftig, amore mio
und denk an die Kinder
wenn sie Dich so sehen
was meinst Du wohl, amore mio
Der Knopf bleibt zu, amore mio
gib endlich Ruh, amore mio
ich fleh Dich an, amore mio
das geht zu weit, amore mio
ich will kein Streit, amore mio
ich fleh Dich an, amore mio
Ich bin ganz ratlos, amore mio
sonst bist Du so friedlich
ein Typ, der nie aus der rolle fä,llt
denk auch an mich, amore mio
und laß diesen Unsinn
das ganze Lokal amüsiert sich schon, amore mio
Jetzt zieh Dich aus, amore mio
wir sind zu Haus, amore mio
ich liebe Dich, amore mio
trink noch ein Glas, amore mio
das wird ein Spaß, amore mio
wir sind allein, amore mio
Nach 4, 5 Rotwein, amore mio
bist Du nicht zu halten
und jedesmal kommt dann diese Show
Sei doch vernünftig, amore mio
und denk an die Kinder
wenn sie Dich so sehen
Halb zwölf Uhr nachts
die Stadt liegt im Fieber
ich zieh' durch die Kneipüen
die Luft ist so heiß
und ich fange ein Lächeln auf
aus der Menge
und ich seh ganz kurz ein Gesicht
das ist schön
das ist wild
das ist fremd
und das Fieber brennt.
Amore Mio
Amore Mio
ich such' nach Liebe -
doch die Kälte der Stadt kennt kein Erbarmen
Amore Mio
ich sah deine Augen
zwei Sterne im Dunkeln
ich hab' dich gefunden
und wieder verloren.
Und ich spür'
du bist noch ganz in der Nähe
doch jedes Gesdicht
das sich umdreht
ist fremd;
denn ich suche nur ein verlorenes Lächeln
eines Mädchens
das Samstagabend allein ist wie ich
so wie ich - doch
wo find ich dich ?
Amore Mio
Amore Mio
ich such' nach Liebe -
doch die Kälte der Stadt kennt kein Erbarmen
Amore Mio
ich sah deine Augen
zwei Sterne im Dunkeln
ich hab' dich gefunden
und wieder verloren.
Amore Mio
Amore Mio
ich such' nach Liebe -
doch die Kälte der Stadt kennt kein Erbarmen
Amore Mio
ich sah deine Augen
zwei Sterne im Dunkeln
ich hab' dich gefunden
Giro per la strada e non so dove sei
Ti vedo dappertutto non sai quanto ti vorrei
e adesso che te ne sei andato e forse non ritornerai mai piu'
mi manchi mi manchi tu
Io che ti ho sempre allontanato dai pensieri miei
ma per riaverti ora con me non so cosa darei
e i giorni passano di un lento perche' non mi chiami piu'
mi manchi..
amore mio
lo so che questa volta ho sbagliato io
amore mio
che se tornassi indietro adesso
che cosa ti farei
Provo a immaginare chissa' che cosa fai
e ti vorrei telefonare ma non parlerei
non era cosi' che doveva andare quante cose non ti ho detto mai
amore mio mi sa che questa volta ho sbagliato io
amore mio a ripensarci bene adesso...
Devo salvarmi l'anima
Upon the waves the ancient's graves
Thru tempest, thirst and plague
Beneath the sky of the maters eye
So grey, we sail for Eire
Blind, embarking in purple twilight
Westward, through the night
A shore to be reached
A batle beseached inside
In darkness the fearful sat beside themselves without a pride
A greater power guide, challenged, guarded the thresholds of their minds
And then an island came in sight
A weary crews heart filled with light
Until a scent of death blew east
Bones strewn for a raven's feast
Our ship was thrown into the rocks
Impaling three on boney docks
Perhaps our fate was to be late
A grave at sea, merciful would be
Fire...reigning from the sky
Water...endless brime
Air...parching, hot and dry
For earth we search and pray to find
Scorn...hungry and bleeding and left for dead
Hopeless...could we trust our minds?
Desperation...forced to feed upon the dead
Surely hell is on this earth!!
Staggering we reached the western shore
Dying we faced our every fear
Regret then was meaningless
Salvation! A three skinned boat appeared!
Now we flee the west, having passed our test
The horrors beckoned, 'join us' forever would we rest
But nay, to our land we shall return to pass the stories on,
Shala la la e sacundê arundon amore mio
é seu meu coração se quer saber
pega logo o telefono e vem falar comigo
diz alô quero ouvir sua voz
essa brigas de ciúmes não faz mais sentido
esse amor tão carente de nós
só quero dizer apenas, I love you ôôôôÔÔÔououou
devemos voltar de novo
se dar ao prazer
e se amar pra valer
e assim, selar nosso amor
REFÃO
Sha lá lá lá e sacundê arundon, amore mio
estou apaixonado por você eieêÊ
sha lá lá lá e sacundê arundon amore mim
é seu meu coração se quer saber