- published: 13 Dec 2014
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Gharbzadegi (Persian: غربزدگی) is a pejorative Persian term variously translated as "Westoxification," "West-struck-ness" "Westitis", "Euromania", or "Occidentosis". It is used to refer to the loss of Iranian cultural identity through the adoption and imitation of Western models and Western criteria in education, the arts, and culture; through the transformation of Iran into a passive market for Western goods and a pawn in Western geopolitics.
The phrase was first coined by Ahmad Fardid, a professor of philosophy at the University of Tehran, in the 1940s. it gained common usage following the clandestine publication in 1962 of the book Occidentosis: A Plague from the West by Jalal Al-e Ahmad. Fardid's definition of the term as referring to the hegemony of Greek philosophy, differed from its later usage as popularised by Al-e Ahmad.
Al-e Ahmed describes Iranian behavior in the twentieth century as being "Weststruck." The word was play on the dual meaning of "stricken" in Persian, which meant to be afflicted with a disease or to be stung by an insect, or to be infatuated and bedazzled.
Provided to YouTube by Domino Gharbzadegi · Robert Wyatt Old Rottenhat ℗ 1986 Robert Wyatt under exclusive licence to Domino Recording Co Ltd Released on: 2008-11-17 Music Publisher: Cherry Red Songs Composer, Lyricist: Robert Wyatt Auto-generated by YouTube.
Robert Wyatt performing "Gharbadzegi"
Robert Wyatt, Old Rottenhat [Rough Trade, 1985]
Video instillation from my solo exhibition, "Warp and Weave" 2019. Yasmeen Abedifard 2019 https://www.instagram.com/yasmeen.abedi/ - - - edited by Jake Ryan https://www.instagram.com/boingeauxmcmasters/ voiced by Kaiden Talesh https://www.instagram.com/mayorfunkulous/
Provided to YouTube by harmonia mundi Gharbzadegi · Pascal Maupeu · Mop Meuchiine · Bertrand Hurault · Nicolas le Moullec · Hugues Vincent · Cédric Piromalli · Jean-Baptiste Réhault Mop Meuchiine Plays Robert Wyatt ℗ Le Chant du Monde Released on: 2010-05-04 Artist: Bertrand Hurault Associated Performer: Bertrand Hurault Artist: Cédric Piromalli Associated Performer: Cédric Piromalli Artist: Hugues Vincent Associated Performer: Hugues Vincent Artist: Jean-Baptiste Réhault Associated Performer: Jean-Baptiste Réhault Artist: Mop Meuchiine Associated Performer: Mop Meuchiine Artist: Nicolas le Moullec Associated Performer: Nicolas le Moullec Artist: Pascal Maupeu Associated Performer: Pascal Maupeu Composer: Robert Wyatt Auto-generated by YouTube.
The group: Annie Whitehead, trombone, arrangements Jennifer Maidman, vocal, electric guitar Harry Beckett, trumpet Larry Stabbins, saxophone Janette Mason, piano Steve Lamb, bass; Liam Genockey, drums Lyrics It's so easy to decide on a name It's a name caller's game It's so easy to look down from above Helicopter vision Get the picture when you're outside the frame Retrospective my eye Call it art and you can say what you like It's a name caller's game Your perspective describes where I stand Out of line, out of mind Calling myopia 'focus', of course, Makes it easier still Gharbzadegi means nothing to me Westernitis to you We get so out of touch Words take the place of meaning
From the Album "Desert Heat". Music & Lyrics by Robert Wyatt Gharbzadegi lyrics It's so easy to decide on a name it's a name caller's game It's so easy to look down from above Helicopter vision Get the picture when you're outside the frame Retrospective my eye Call it art and you can say what you like it's a name caller's game Your perspective describes where I stand Out of line, out of mind Calling myopia 'focus', of course, makes it easier still Gharbzadegi means nothing to me Westernitis to you ...We get so out of touch Words take the place of meaning. Dar Nahmias : piano, vocals, purc sampels
Gharbzadegi (Persian: غربزدگی) is a pejorative Persian term variously translated as "Westoxification," "West-struck-ness" "Westitis", "Euromania", or "Occidentosis". It is used to refer to the loss of Iranian cultural identity through the adoption and imitation of Western models and Western criteria in education, the arts, and culture; through the transformation of Iran into a passive market for Western goods and a pawn in Western geopolitics.
The phrase was first coined by Ahmad Fardid, a professor of philosophy at the University of Tehran, in the 1940s. it gained common usage following the clandestine publication in 1962 of the book Occidentosis: A Plague from the West by Jalal Al-e Ahmad. Fardid's definition of the term as referring to the hegemony of Greek philosophy, differed from its later usage as popularised by Al-e Ahmad.
Al-e Ahmed describes Iranian behavior in the twentieth century as being "Weststruck." The word was play on the dual meaning of "stricken" in Persian, which meant to be afflicted with a disease or to be stung by an insect, or to be infatuated and bedazzled.
It's so easy to decide on a name
It's a name caller's game
It's so easy to look down from above
Helicopter vision
Get the picture when you're outside the frame
Retrospective my eye
Call it art and you can say what you like
It's a name caller's game
Your perspective describes where I stand
Out of line, out of mind
Calling myopia 'focus', of course,
Makes it easier still
Gharbzadegi means nothing to me
Westernitis to you
...We get so out of touch