Capitalism is generally considered to be an economic system that is based on private ownership of the means of production and the creation of goods or services for profit or income by individuals or corporations. Some have also used the term as a synonym for competitive markets, voluntary exchange, wage labor, capital accumulation, or personal finance. Capitalism is variously defined by sources and there is no general consensus among scholars on the definition nor which economies can historically be properly considered capitalist. The designation is applied to a variety of historical cases, varying in time, geography, politics, and culture. There is, however, general agreement that capitalism became dominant in the Western world following the demise of feudalism.
Economists, political economists and historians have taken different perspectives on the analysis of capitalism. Economists usually emphasize the degree to which government does not have control over markets (laissez faire), as well as the importance of property rights. Most political economists emphasize private property as well, in addition to power relations, wage labor, class, and the uniqueness of capitalism as a historical formation. The extent to which different markets are free, as well as the rules defining private property, is a matter of politics and policy. Many states have what are termed mixed economies, referring to the varying degree of planned and market-driven elements in a state's economic system. A number of political ideologies have emerged in support of various types of capitalism, the most prominent being economic liberalism.
A Love (사랑 - Sarang) is a 2007 South Korean film directed by Kwak Kyung-taek. Kwak Kyung-taek's most notable film is Chingoo. A Love stars Ju Jin-mo from 200 Pounds Beauty and Park Si-yeon.
At age 17, In ho meets a girl as beautiful as a watercolor painting, and promises to protect her after her brother dies. Although he is the best fighter in his school, he dreams of making his mother proud by going to college. It takes him 7 years to confess to the girl of his dreams. He stabs a gangster in the neck for her, although he wanted to live quietly like everyone else. But to keep his promise to protect her, he stabs Chi-kwon, a notorious mobster in Busan. He devotes his life to working for Chairman Yoo. He buries his love for the vanished girl and gets a second chance while working at the docks. He offers his life to the man who first holds out his hand for him. The girl he cannot forget returns as a love he cannot have. She becomes his patron’s woman and beyond reach... But as he decides to be happy for once in life, cruel destiny rattles everything in his life.
The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP), and was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, W.S. Braithwaite, M. D. Maclean.
The original title of the journal was The Crisis: A Record of The Darker Races. From 1997 to 2003, it appeared as The New Crisis: The Magazine of Opportunities and Ideas, but the title has since reverted to The Crisis. The title derives from the poem "The Present Crisis" by James Russell Lowell. Published monthly, by 1920 its circulation had reached 100,000 copies. Du Bois proclaimed his intentions in his first editorial:
Predominantly a current-affairs journal, The Crisis also included poems, reviews, and essays on culture and history. Du Bois' initial position as editor was in line with the NAACP's liberal programme of social reform and racial equality, but by the 1930s Du Bois was advocating a form of black separatism. This led to disputes between Du Bois and the NAACP resulting in his resignation as editor in 1934. He was replaced by Roy Wilkins.
Arundhati Roy (born 24 November 1961) is an Indian novelist. She won the Booker Prize in 1997 for her novel, The God of Small Things, and has also written two screenplays and several collections of essays. Her writings on various social, environmental and political issues have been a subject of major controversy in India.
Arundhati Roy was born in Shillong, Meghalaya, India, to Ranjit Roy, a Bengali Hindu tea planter and Mary Roy, a Malayali Syrian Christian women's rights activist.
She spent her childhood in Aymanam in Kerala, and went to school at Corpus Christi, Kottayam, followed by the Lawrence School, Lovedale, in Nilgiris, Tamil Nadu. She then studied architecture at the School of Planning and Architecture, Delhi, where she met her first husband, architect Gerard da Cunha.
Roy met her second husband, filmmaker Pradip Krishen, in 1984, and played a village girl in his award-winning movie Massey Sahib. Until made financially secure by the success of her novel The God of Small Things, she worked various jobs, including running aerobics classes at five-star hotels in New Delhi. Roy is a cousin of prominent media personality Prannoy Roy, the head of the leading Indian TV media group NDTV. She lives in New Delhi.
Siddhartha Deb (Assamese: সিদ্ধাৰ্থ দেৱ) (born 1970) is an Indian author who was born in Meghalaya and grew up in Shillong in northeastern India. He was educated in India and at Columbia University,USA. Deb began his career in journalism as a sports journalist in Calcutta in 1994 before moving moving to Delhi to continue regular journalism until 1998 . His first novel, The Point of Return, is semi-autobiographical in nature and is set in a fictional hill-station that closely resembles Shillong in India's Northeast. His second novel, Surface, also set in Northeast India, is about a disillusioned Sikh journalist. His first non-fiction book, The Beautiful And the Damned: A Portrait of the New India was published in June 2011 by Viking Penguin. He has also contributed to the Boston Globe, The Guardian, The Nation, The New Statesman, Harper's, the London Review of Books, and the Times Literary Supplement. He currently teaches creative writing at The New School in New York.
There's nothing wrong with Capitalism
There's nothing wrong with free enterprise
Don't try to make me feel guilty
I'm so tired of hearing you cry
There's nothing wrong with making some profit
If you ask me I'll say it's just fine
There's nothing wrong with wanting to live nice
I'm so tired of hearing you whine
About the revolution
Bringin' down the rich
When was the last time you dug a ditch, baby!
If it ain't one thing
Then it's the other
Any cause that crosses your path
Your heart bleeds for anyone's brother
I've got to tell you you're a pain in the ass
You criticize with plenty of vigor
You rationalize everything that you do
With catchy phrases and heavy quotations
And everybody is crazy but you
You're just a middle class, socialist brat
From a suburban family and you never really had to work
And you tell me that we've got to get back
To the struggling masses (whoever they are)
You talk, talk, talk about suffering and pain
Your mouth is bigger than your entire brain
What the hell do you know about suffering and pain . . .
(Repeat first verse)
(Repeat chorus)
There's nothing wrong with Capitalism
There's nothing wrong with Capitalism
There's nothing wrong with Capitalism
You think that you're all alone
Your friends and your money all gone
You don't know where you're heading at
Downpressed by all that
You come on knocking on my door
Say you don't matter any more
Say you don't know what you're living for
Well, haven't you heard before
Capitalism feeds on individual depression
Exchange your nameless fears for a hopeful expression
Now, don't let that drag you down
Pick yourself up from the ground
You're worth much more than gold
Stand up and take a look around
You come on knocking on my door
Say you don't matter any more
Say you don't know what you're living for
Well, haven't you heard before
Capitalism feeds on individual depression