Rodney Sturt "Rod" Taylor (born 11 January 1930) is an Australian actor of film and television. He has appeared in over 50 films, and is well known for his roles in the science fiction film The Time Machine (1960), and in the Alfred Hitchcock horror movie The Birds (1963).

Taylor was Born on 11 January 1930 in Lidcombe, a suburb of Sydney, the only child of William Sturt Taylor, a steel construction contractor and commercial artist, and the former Mona Thompson, a writer of more than a hundred short stories and children's books. His middle name comes from his great-great grand uncle, Captain Charles Sturt, a British explorer of the Australian Outback in the 19th century.

Taylor attended Parramatta High School and later studied at the East Sydney Technical and Fine Arts College. For a time he worked as a commercial artist, but decided to become an actor after seeing Laurence Olivier in an Old Vic touring production in Australia.

Taylor acquired extensive radio and stage experience in Australia where his radio work included a period on Blue Hills and a role as Tarzan. Earlier in his career he had to support himself by working at Sydney's Mark Foys department store designing and painting window and other displays during the day. In 1951 he took part in a re-enactment of Charles Sturt's voyage down the Murrumbidgee and Murray Rivers, playing Sturt's offsider, George Macleay. A short documentary, Inland with Sturt (1951), was based on it. Taylor also appeared in a number of theatre productions for Australia's Mercury Theatre.

Michael George Campbell (born 4 June 1954 in Port Antonio, Jamaica - died 15 March 2008 in Connecticut, United States), better known as Mikey Dread, was a Jamaican singer, producer, and broadcaster. He was one of the most influential performers and innovators in reggae music. His abilities, technical expertise, and unique vocal delivery combined to create a unique sound that tells the listener emphatically that it is the "Dread at the Controls".

From an early age, Campbell showed a natural aptitude for engineering and electronics. In 1976, after he finished college, Campbell started out as an engineer with the Jamaica Broadcasting Corporation (JBC). Campbell wasn't impressed that the JBC's playlists mainly consisted of bland, foreign pop music at a time when some of the most potent reggae was being recorded in Jamaica. He convinced his JBC bosses to give him his own radio program called Dread At The Controls, where he played nothing but reggae. Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well-known for its fun and adventurous sonic style, Dread At The Controls became a hit all over Jamaica. Inevitably, JBC's conservative management and Campbell clashed, and he quit in protest.

King Tubby (January 28, 1941 – February 6, 1989) was a Jamaican electronics and sound engineer, known primarily for his influence on the development of dub in the 1960s and 1970s. Born Osbourne Ruddock, Tubby's innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix, and so may be seen as a direct antecedent of much dance and electronic music production.

Mikey Dread stated "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did".

King Tubby's music career began in the 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found himself in great demand by most of the major sound systems of Kingston, as the tropical weather of the Caribbean island, (often combined with sabotage by rival sound system owners) led to malfunctions and equipment failure. Tubby owned an electrical repair shop on Drumalie Avenue, Kingston, that fixed televisions and radios. It was here that he built large amplifiers for the local sound systems. In 1961/62 he built his own radio transmitter and briefly ran a private radio station playing ska and rhythm and blues which he soon shut down when he heard that the police were looking for the perpetrators. Tubby would eventually form his own sound system, Tubby's Hometown Hi-Fi, which became a crowd favourite due to the high quality sound of his equipment, exclusive releases and Tubby's own echo and reverb sound effects, at that point something of a novelty.

Joseph Cotton aka Jah Walton (born Silbert Walton, 1957, St. Ann, Jamaica) is a reggae deejay active since the mid-1970s.

After spending a year working in the Jamaican police force, Walton turned to recording, initially working with Joe Gibbs in 1976, under the name Jah Walton. He then moved to Harry Mudie, recording popular tracks such as "Stay a Yard and Praise God", "Touch Her Where She Want It Most" (the title track from his debut album), and "Married To A Bank Cashier". In the mid-1980s he began recording under the name Joseph Cotton, immediately having success in the United Kingdom with "No Touch The Style", leading to a television appearance on Channel 4's Club Mix programme in 1987. Several more reggae chart hits followed in the form of "Things Running Slow", "Pat Ha Fe Cook", "Tutoring", "Judge Cotton", and "What Is This". Walton continued to perform and record into the 1990s and 2000s.

Quentin Jerome Tarantino (pronunciation: /ˌtærənˈtiːnoʊ/; born March 27, 1963) is an American film director, screenwriter, producer, cinematographer and actor. He has received many industry awards, including an Academy Award, a Golden Globe Award, a BAFTA and the Palme d'Or and had been nominated for an Emmy and Grammy.

Born in Knoxville, Tennessee, Tarantino was an avid film fan. His career began in the late 1980's, when he wrote and directed My Best Friend's Birthday. Its screenplay would form the basis for True Romance. In the early 1990s, he began his career as an independent filmmaker with films employing nonlinear storylines and the aestheticization of violence. His films include Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Kill Bill (2003, 2004), Death Proof (2007), and Inglourious Basterds (2009).

His movies are generally characterized by stylistic influences from grindhouse, kung fu, and spaghetti western films. Tarantino also frequently collaborates with his friend and fellow filmmaker Robert Rodriguez.