The publication in English of The Man Who Loved Dogs by the Cuban author, Leonardo Padura is a major literary and political event. I read this remarkable novel when it came out in Spanish and it made a profound impression on me. I had intended to write a review then, but was prevented from doing it by a combination of circumstances. With the greatest pleasure I will now rectify this omission.
On 31 July Gore Vidal died at his home in Los Angeles from complications arising from pneumonia. He was 86 and had been ill for some time. As I was away on holiday at the time, I did not find out about this till later. The comrades in charge of Marxist.com decided to republish an article I had written in July 2002 with the title The decline and fall of the American empire, based on a television interview with the American writer.
The effects of the capitalist crisis are being felt at every level of society. As reported in a Time magazine article in April, this also includes the preservation of historical sites. As the cash-strapped European states race to cut public spending and slash budgets, the historical achievements of mankind crumble under paltry allotments for cultural preservation.
The artist’s task is not merely to mirror reality in an unthinking way but to impart a special meaning and feeling to what is being depicted: “The painter who draws merely by practice and by eye, without any reason,” wrote Leonardo, “is like a mirror which copies everything placed in front of it without being conscious of their existence.” [part 1]
The true genius of Leonardo has only really begun to be understood in our own times. Yet surprisingly little is known about his life and person. But in the beginning he was severely disadvantaged.The known facts about his life are simply stated. Born in 1452 in the little Tuscan town of Vinci in the hills above the Arno, Leonardo was the illegitimate son of a lawyer. He never knew who his mother was, though she nursed him as a baby. [part 1]
“Obstacles cannot crush me. Every obstacle yields to stern resolve. He who is fixed to a star does not change his mind.” (Leonardo da Vinci, 1452-1519)
In the 1950s, amid prosperity and a booming economy, Allen Ginsberg defied conventions and the mainstream by openly standing forward as a homosexual, a socialist and a sharp critic of the capitalist American society he lived in. For this he was persecuted in a famous obscenity trial, which he ended up winning. This is portrayed in the feature film Howl from 2010.
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