Coordinates: 55°57′00″N 4°34′00″W / 55.95°N 4.566667°W / 55.95; -4.566667

Dumbarton (from Scottish Gaelic: Dùn Breatainn meaning "fort of the Britons",pronounced [t̪umˈpɾʲɛʰt̪ɪɲ]) is a town and burgh which is the administrative centre of the council area of West Dunbartonshire, and formerly of the historic county of Dunbartonshire, in the West-Central Lowlands of Scotland. The town lies on the north bank of the River Clyde where the River Leven flows into the Clyde estuary. As of 2006, the town had an estimated population of 19,990 and forms a conurbation with Alexandria, Bonhill and Renton with a combined estimated population of 44,690.

Dumbarton functioned as the capital of the ancient Kingdom of Strathclyde, and later as the county town of the county of Dunbartonshire.Dumbarton Castle, sitting on top of Dumbarton Rock, dominates the area. Dumbarton was a Royal burgh between 1222 and 1975.

Dumbarton emerged from the 19th century as a centre for shipbuilding, glassmaking, and whisky production. However these industries have since declined, or demised altogether, and Dumbarton today increasingly functions as a commuter town for the major City of Glasgow which is 13 miles (21 km) east-southeast. Dumbarton F.C. is the burgh's local association football club.

Dumbarton Oaks is a historic estate in the Georgetown neighborhood of Washington, D.C.. It was the residence and gardens of Robert Woods Bliss (1875–1962) and his wife Mildred Barnes Bliss (1879–1969).

The Dumbarton Oaks Research Library and Collection was founded here by the Bliss couple, who gave the property to Harvard in 1940. It is currently administered by the Trustees for Harvard University. The research institute that has emerged from this bequest is dedicated to supporting scholarship in the fields of Byzantine, Pre-Columbian, and garden design and landscape architecture studies, especially through its research fellowships, meetings, exhibitions, and publications. Dumbarton Oaks also opens its gardens and museum collections to the public, and hosts public lectures and a concert series.

The land of Dumbarton Oaks was formerly part of the Rock of Dumbarton grant that Queen Anne made in 1702 to Colonel Ninian Beall (ca. 1625-1717). About 1801, William Hammond Dorsey (1764–1818) built the first house on the property (the central block of the existing structure) and an orangery, and in the mid-nineteenth century, Edward Magruder Linthicum (1787–1869) greatly enlarged the residence and named it The Oaks. The Oaks also was the Washington residence of U.S. Senator and Vice President John C. Calhoun (1782–1850) between 1822 and 1829.

Igor Fyodorovich Stravinsky (sometimes spelled Strawinsky or Stravinskii; Russian: Игорь Фёдорович Стравинский, transliterated: Igorʹ Fëdorovič Stravinskij; Russian pronunciation: [ˌiɡərʲ ˌfʲjodɐrɐvʲɪtɕ strɐˈvʲinskʲɪj]; 17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian, and later French and American composer, pianist and conductor. He is acknowledged by many as one of the most important and influential composers of the 20th century.

Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913). The Rite of Spring, which provoked a riot during its premiere, transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His so-called Russian phase was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue and symphony). They frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form, of instrumentation and of utterance.