Flappers - The Roaring Twenties
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Plot
A romantic comedy set against the backdrop of America's nascent pro-football league in 1925. Dodge Connolly, a charming, brash football hero, is determined to guide his team from bar brawls to packed stadiums. But after the players lose their sponsor and the entire league faces certain collapse, Dodge convinces a college football star to join his ragtag ranks. The captain hopes his latest move will help the struggling sport finally capture the country's attention. Welcome to the team Carter Rutherford, America's favorite son. A golden-boy war hero who single-handedly forced multiple German soldiers to surrender in WWI, Carter has dashing good looks and unparalleled speed on the field. This new champ is almost too good to be true, and Lexie Littleton aims to prove that's the case. A cub journalist playing in the big leagues, Lexie is a spitfire newswoman who suspects there are holes in Carter's war story. But while she digs, the two teammates start to become serious off-field rivals for her fickle affections. As the new game of pro-football becomes less like the freewheeling sport he knew and loved, Dodge must both fight to keep his guys together and to get the girl of his dreams. Finding that love and football have a surprisingly similar playbook, however, he has one maneuver he will save just for the fourth quarter...
Keywords: 1910s, 1920s, african-american, american-football, army-lieutenant, athlete, autograph, ball, bar-fight, barber
In the beginning, the rules were simple. There weren't any.
If love is a game, who'll make the first pass?
Jimmy 'Dodge' Connelly: [as they prepare to fight] I just want to say, stay away from my right knee.::Carter Rutherford: Watch my left shoulder.::Jimmy 'Dodge' Connelly: I will. Also, my right hindquarter. Behind my right thigh, but really, the *whole* hindquarter.::Carter Rutherford: Well, you wouldn't punch me in the back, would you? Because I got a bad back.::Jimmy 'Dodge' Connelly: No, never. Let's just go for the face.::Carter Rutherford: Me too, just hit me in the face.
Carter Rutherford: [Wants to fight Dodge over Lexie] Okay, we can do this right here, or we can go outside.::Lexie Littleton: Get him, Dodge!::Jimmy 'Dodge' Connelly: We got a game in five days.::Lexie Littleton: What?::Carter Rutherford: What, you think you're gonna hurt me?::Jimmy 'Dodge' Connelly: I might.::Lexie Littleton: Did you hear what he just called me?::Jimmy 'Dodge' Connelly: He's a little drunk.::Carter Rutherford: [Scoffs] I'm not drunk, you coward!::Jimmy 'Dodge' Connelly: Really? Cause your sleeve's on fire.
Jimmy 'Dodge' Connelly: You're only as young as the woman you feel.
Jimmy 'Dodge' Connelly: I got a new play. It's called the Sergeant York.
Jimmy 'Dodge' Connelly: So here we are.::Lexie Littleton: Not sure what the next move is.::Jimmy 'Dodge' Connelly: It happens.::Lexie Littleton: It's the first time for me.::Jimmy 'Dodge' Connelly: They all say that.
Lexie Littleton: Being the slickest operator in Duluth is sort of like being the world's tallest midget, if you ask me!::Jimmy 'Dodge' Connelly: You know, it's too bad we are so much alike, otherwise we would have gotten along perfectly!::Lexie Littleton: I'll live.::Jimmy 'Dodge' Connelly: Alone!
Jimmy 'Dodge' Connelly: So you're a sportswriter, now?::Lexie Littleton: Why not?::Jimmy 'Dodge' Connelly: Well, certain jobs are always going to be done by men.::Lexie Littleton: Big, strapping men?
Jimmy 'Dodge' Connelly: So you flying solo, or is the Bullet casting about?::Lexie Littleton: What do you care? You're here to entertain Miss Nipplewidth.::Jimmy 'Dodge' Connelly: It wouldn't look good for you to get caught in a place like this.::Lexie Littleton: I dare say it wouldn't look good for *anyone* to be caught in a place like this.
Lexie Littleton: [about Belinda] Enchanting girl. I thought you had to be twenty-one to get into a place like this.::Jimmy 'Dodge' Connelly: She *is* twenty-one.::Lexie Littleton: I meant her I.Q.::Jimmy 'Dodge' Connelly: I wasn't planning on running her for Congress.::Lexie Littleton: No? What *were* you planning on doing with her?::Jimmy 'Dodge' Connelly: You know, the usual.::Lexie Littleton: Put her in shoulder pads and a helmet and knock her brains out?::Jimmy 'Dodge' Connelly: I think somebody beat me to it.::Lexie Littleton: She'll do well in Congress.::Jimmy 'Dodge' Connelly: Well you're only as young as the women you feel.::Lexie Littleton: How quiet it must be at the Algonquin with you here in Duluth.
Carter Rutherford: Wait. Where were you two?::Jimmy 'Dodge' Connelly: Out.::Lexie Littleton: Nowhere.::Carter Rutherford: Did you *kiss* her?::Lexie Littleton: Now wait a minute.::Carter Rutherford: I want answers!::Jimmy 'Dodge' Connelly: Yeah, I kissed her! On the mouth, twice! And I liked it. A lot!::Carter Rutherford: Oh you did, did you?::Jimmy 'Dodge' Connelly: Yeah!::Lexie Littleton: Thanks.::Jimmy 'Dodge' Connelly: You're welcome.
Plot
All star adaptation of Jonathan Swift's satirical tale about a normal man who, after returning home following eight years of absence, relates fantastical tales about how he was thought to be giant in the Land of Lilliput, but was only six inches high in the Land of Brobdingnag. He also tells of his visit to the floating island of Laputa populated by scientists who are so obsessed with reason that they act with no common sense. Finally, he tells of his journey to the land where his disturbing likeness to the bestial Yahoos and his inferiority to the intelligent horses there makes him question the very worth of his humanity.
Keywords: based-on-novel, captain, character-name-in-title, father-son-relationship, flashback, giant, horse, horse-actor, husband-wife-relationship, king
Emperor of Lilliput: Well, you weren't exaggerating... he's a whopper!
Emperor of Lilliput: Good plans, boys, but I don't think we should actually murder him. You were so keen on killing Mother last year and now I miss her dreadfully. You're both too impulsive!
Empress of Lilliput: [while passing under Gulliver whose trousers are ragged] Colossus!
Lemuel Gulliver: The bestial Yahoos fight for no reason all. While we on the order hand fight for very good reasons, such as, well, our enemies are weaker than us or we desire all their land.
Lady-in-Waiting: I was wondering if the little gentleman might be for sale.::Farmer Grultrud: No disrespect, my lady, but no amount of money is going to part the two of us.::Lady-in-Waiting: I have here five-hundred pieces of gold.::Farmer Grultrud: Do you want to take him tonight?
Gen. Limtoc: Yesterday we gave him enough to feed a regiment for a week. Now he says he's hungry again!
[Gulliver has just kissed the Empress of Lilliput's hand, covering it with drool]::Clustril: Bring towels and a bucket! [to the Emperor] It seems his lips were a bit... wet.
Adm. Bolgolam: [the Emperor, his sons, General Limtoc and Admiral Bolgolam, Clustril and other s are in the Lilliputian campaign room, discussing Gulliver's 'inventive' way of extinguishing a fire] This is an outrage! He made water in the royal grounds! It's a treasonable offence!::Emperor of Lilliput: But he saved the Empress' life!::Gen. Limtoc: At what cost? Our stepmother may never go out in public again, convinced that she's the laughing stock of Lilliput!::Emperor of Lilliput: But she's not that... [to Clustril] Is she? [Clustril sniggers]
Gen. Limtoc: [Gulliver, who is looking into the window of Lilliputian Great Chamber of War, blows off Clustril's hat] Giant's a bloody menace!
Lemuel Gulliver: [to Clustril] I want you to have this.::[Gulliver gives him his wedding ring]::Clustril: Oh, marvellous! What do I want with your ring, eh? I can't wear it, can I?::Lemuel Gulliver: It's *gold*.::Clustril: [takes it in awe] You always were good to me! You were always my friend! Dad! We're *rich*!::Drunlo: Never mind that, son, never mind that. I think I've found... the other boot!
Plot
A nerdy virgin who spends most of his waking hours dreaming about big-busted, naked women gets a job catering at a film festival party that is chock full of his "dream girls". Unfortunately, he finds himself involved in a Mafia jewel-smuggling plot and must impersonate a Mafia don who he has inadvertently caused to die of a heart attack.
Keywords: diamond, female-nudity, heist, mafia, moped, sex, virgin
The All-Out Sex Comedy Riot!
Plot
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can't stay committed to anything in life for very long.
Keywords: 1910s, 1920s, 1930s, 1940s, animated-sequence, applause, architectural-model, audience, baby, backstage
Paramount's Melody Masterpiece Featuring All of Irving Berlin's Biggest Hits!
32 BERLIN HITS Old and New
It's the nearest thing to Heaven!
Plot
A Manhattan playboy falls for a mysterious European woman, whom he notices is an exact double for a famous socialite who disappeared at the turn of the century. At first he thinks it's just a coincidence, as the beautiful young woman he's romancing is much younger than the woman who vanished, who would be in her late 50s or early 60s by now. Soon, however, he begins to believe that maybe it's not such a coincidence after all.
Keywords: based-on-novel, color-in-title, flapper, melodrama, partially-lost-film, second-chance, young-again, youth, youth-restored
Yes!! A woman can come back and does thru rejuvenation -- in the screen's strangest story
Flappers - The Roaring Twenties
Gatsby 1920s Flapper Girl
Flapper|Daisy Buchanan & Gatsby Halloween Tutorial! (Hair,Makeup&Outfit;)
Flapper Hair-Style Tutorial
Fancy - Vintage 1920s Flapper - Style Iggy Azalea Cover ft. Ashley Stroud
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Flapper Dance Practice | GREAT GATSBY Workout
DIY 1920's Flapper Costume
Flapper Dance Craze From 1929.wmv
Roaring 20's Flapper Makeup Tutorial
Roaring 20's Flapper Tutorial
The Lumineers - Flapper Girl
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The Lumineers - "Flapper Girl" (Live at WFUV)
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Flappers: Rebels of the 1920s
Flappers were a "new breed" of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles and otherwise flouting social and sexual norms.
Flappers had their origins in the period of Liberalism, social and political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.
The slang word flapper, describing a young woman, is sometimes supposed to refer to a young bird flapping its wings while learning to fly. However, it may derive from an earlier use in northern England to mean teenage girl, referring to one whose hair is not yet put up and whose plaited pigtail flapped on her back; or from an older word meaning prostitute. The slang word flap was used for a young prostitute as long ago as 1631. By the late 19th century the word flapper was emerging in England as popular slang both for a very young prostitute and in a more general—and less derogatory sense—of any lively mid-teenage girl.
Amethyst Amelia Kelly (born June 7, 1990), better known by her stage name Iggy Azalea is an Australian hip hop recording artist signed to Grand Hustle Records. She is perhaps better known for her promotional songs "Two Times", "Pu$$y" and "My World" whose music videos went viral on YouTube. On 27 September 2011, Azalea released her first project, a mixtape titled Ignorant Art, saying she made it "with the intent to make people question and redefine old ideals".
Iggy Azalea was born Amethyst Amelia Kelly in Sydney, Australia but moved with her family to Mullumbimby when she was still a baby, into a house on 12 acres that her father built by hand from mudbricks in New South Wales. Her father was a comic artist and painter and her mother a real estate agent. Azalea says her father "made her look at [art] as a teenager" which has always influenced her life and work.
Azalea began rapping at age 14. Azalea took her stage name from her family's dog while growing up. Before embarking on a solo career, Azalea formed a group with two other girls from her neighborhood: "I was like, I could be the rapper. This could be like TLC. I’ll be Left Eye." Azalea eventually decided to leave the group because the other girls weren’t taking it seriously: "I take everything I do serious. I’m too competitive."
"Choose the right" is a saying or motto among members of The Church of Jesus Christ of Latter-day Saints (LDS Church) that is taught to children and used by members of the church as a reminder to act righteously. The phrase is taken from an LDS hymn which has that title.
The letters CTR, a reference to this phrase, are incorporated into a shield logo designed by Helen Alldredge, a Primary General Board member in the 1960s. In 1970, a church committee headed by Naomi W. Randall recommended that the shield be incorporated into official church material. Since then, both the phrase and symbol have been used in religious educational materials for LDS youth of Primary age. The symbol is also used in LDS culture by members of all ages, both as a reminder of the motto, as well as an indicator of religious affiliation. The CTR initials, displayed on the shield and in other forms, can be seen mainly on CTR rings as well as other types of jewelry, tee shirts, bookmarks and stationery.
According to the US Patent and Trademark Office, the LDS Church's stylized "CTR" abbreviation and shield with the CTR symbol are trademarked for use on finger ring jewelry by Intellectual Reserve. The phrase "Choose the Right," however, is not trademarked in the United States and may be used by anyone for commercial purposes.[citation needed]