The Adamson was an English car manufactured in Enfield, Middlesex, from 1912 to 1925. It was designed by Reginald Barton Adamson at the premises of the family haulage contract business.
The first car of 1912 was a small two-seater bullnosed cyclecar and had a 1,099 cc twin-cylinder or 1,074 cc four-cylinder engine made by Alpha of Coventry driving the rear wheels via a three-speed-and-reverse gearbox and a countershaft from which two V-belts went to the rear wheels. The engine could be started from the driving seat using a mechanical linkage. The channel section steel chassis was placed under the axles with suspension by semi-elliptic leaf springs. This arrangement allowed the car to have a low, sporting appearance. In 1914 the option of a larger four-cylinder version was added. A new model was announced in 1916 with 1330 cc four-cylinder engine, but few if any reached the public before car production ceased later that year.
After the war a new company, R. Barton Adamson and Co was formed and the 1916 four-cylinder car was resurrected but now with a Coventry-Simplex engine. In 1920 it cost £375 falling to £210 in 1924 but to put the price into perspective, in 1923 the Austin 7 was launched costing £165.
Barry Adamson (born 11 June 1958, Moss Side, Manchester) is a British rock musician who has worked with rock bands such as Magazine, Visage, The Birthday Party, Nick Cave and the Bad Seeds, and the electronic musicians Pan sonic. Adamson has also remixed Grinderman, The Jon Spencer Blues Explosion and Depeche Mode. He created the seven-minute opus "Useless (Escape From Wherever: Pts. 1 & 2)" remix for the latter band in 1997. He has also worked on the soundtrack for David Lynch's Lost Highway, and released numerous solo recordings.
He read comic books from an early age. In school he absorbed himself in art, music and film, writing his first song, "Brain Pain", at the age of 10. His musical influences were diverse, ranging from Alice Cooper to Motown to David Bowie.
Adamson left school and shifted into graphic design attending Stockport Art College but quit shortly after, favouring to venture into the exploding punk rock scene of the late 1970s. He joined ex-Buzzcocks singer Howard Devoto's band Magazine, playing bass guitar, scoring one chart single, "Shot by Both Sides"; in late 1977, he also joined Buzzcocks, as a short-time replacement of Garth Smith. He played on all of Magazine's albums, and contributed to Devoto's solo album and his next band, Luxuria. He also contributed to the studio-based band Visage, playing on the ensemble's first two albums, Visage and The Anvil.
Bruce Lorne Campbell (born June 22, 1958) is an American film and television actor. As a cult movie actor, Campbell starred as Ashley J. "Ash" Williams in Sam Raimi's Evil Dead series of films and he has starred in many low-budget cult films such as Crimewave, Maniac Cop, Bubba Ho-tep, Escape From L.A. and Sundown: The Vampire in Retreat. He would later spoof his B-movie career in My Name Is Bruce, in which he starred and directed. He has since made appearances in films including Cloudy with a Chance of Meatballs and Cars 2.
In television, Campbell is known for his lead role in The Adventures of Brisco County, Jr., his portrayal of Autolycus (the King of Thieves) in Hercules: The Legendary Journeys and Xena: Warrior Princess, and notably for his role as Sam Axe on the USA Network series Burn Notice.
Campbell was born in Royal Oak, Michigan, the son of Joanne Louise (née Pickens), a homemaker, and Charles Newton Campbell, an amateur actor and traveling billboard inspector. Bruce Campbell is of Scottish descent. He has an older brother, Don, and an older half-brother, Michael Rendine.
Sir (William Owen) Campbell Adamson (26 June 1922 – 21 August 2000) was a British industrialist who was best known for his work as Director-General of the Confederation of British Industry from 1969 to 1976. He rose through the steel industry where he was in charge of labour relations, and worked as a government adviser during the late 1960s.
Coming to the CBI at the peak of political controversy over the Labour government's attempt to reform trade union law, Adamson held the difficult role of representing industry through the complex struggle over Edward Heath's Industrial Relations Bill. Remarks he made about Government policy on the eve of the February 1974 election were blamed by Heath for the Conservative Party's loss of the election. Adamson was able to unite industry to support the British application to join the European Communities. In later life as Chairman of Abbey National, Adamson led the move to demutualise and convert it from a building society to a bank, and saw an overwhelming majority of the society's members support the move. Also interested in family policy, he set up the Family Policy Studies Centre.
Robert Wilson Adamson ( circa 1889 – circa 1952) was a rugby union player who represented Australia.
Adamson, a wing, claimed 1 international rugby cap for Australia.
I need to tell this secret be sure to keep it down
If this gets out I don't know what I'll do
I've held it in through many heartaches and all you did was smile
Cna't you see I've fallen in love wiht you, with you
Apology accepted, erase what's in the past
You need me you don't need them
And in spite of my mistakes, I've learned there's so much I can take
I can't believe what I'm saying
Don't walk away so quickly I haven't lost it yet
I just need to be honest with myself
And all the times I've used my shoulder to wipe away the tears
I vowed to see you with nobody else, or else
Apology accepted, erase what's in the past
You need me you don't need them
And in spite of my mistakes, I've learned there's so much more I can take
I can't believe what I'm saying
Then it hits me, fooled again
Into thinking, we'd be more than friends
The messages you left for me, will all go unreturned
I need some time to think about the facts
I opened up my heart to you and you hid yours away
So silence is the best way to react, react
Apology accepted, erase what's in the past
You need me you don't need them
And in spite of my mistkes there's only so much I can take
I can't believe what I'm saying, I'm saying, I'm saying
From the limits of time to a helping hand
a welcome crime becomes a loaded gun
from time to time - too scared to defy
no solution in sight - obligation demands
you shoot up some more while you tip the scales
expectation is for…your efforts fail
fooled by none-existent
everytime you realize
things are going wrong as before
that´s when you try to conceal