C-QUAM is the method of AM stereo broadcasting used in Canada, the United States and most other countries. It was invented in 1977 by Norman Parker, Francis Hilbert, and Yoshio Sakaie, and published in an IEEE journal.
Using circuitry developed by Motorola, C-QUAM uses quadrature amplitude modulation (QAM) to encode the stereo separation signal. This extra signal is then stripped down in such a way that it is compatible with the envelope detector of older receivers (hence the name C-QUAM, i.e. Compatible QUadrature Amplitude Modulation). A 25 Hz pilot tone is added to trigger receivers; it is not necessary for the reconstruction of the original audio sources.
As with the subcarrier used for FM stereo, the audio in the C-QUAM signal is the stereo difference — the left channel "minus" the right channel (L − R). (This "subtraction" is accomplished by simply reversing the polarity of the right channel before mixing it with the left.) The main audio is the stereo sum, or left channel plus right channel (L + R). Once fully demodulated at the receiver, adding the two together yields the left channel again (L+R + (L−R) = 2L), and subtracting the difference then gives the right (L+R − (L−R) = 2R). This method of multiplexing audio is common to all analogue stereo systems.
Jeffry "Jeff" Wayne, born in Forest Hills, Queens, New York, is a musician best known for Jeff Wayne's Musical Version of The War of the Worlds, his musical version of H. G. Wells' The War of the Worlds. Wayne has written approximately 3,000 advertising jingles in the 1970s which appeared on television in the United Kingdom, notably a Gordon's Gin commercial which was covered by The Human League. Wayne also composed numerous well-known television themes, including Good Morning Britain (TV-am), ITV's The Big Match and The World of Sport, BBC's 60 Minutes, and for 24 years, the UK's first news radio station, LBC. Wayne wrote feature film and documentary film scores and was musical director for various artists. Wayne published a book called The Book of Tennis and created, produced and scored eight thirty-minute episodes of The Book of Tennis Chronicles that was distributed by Fox Sports in approximately twenty countries, and was broadcast in the US on The Tennis Channel between 2005 and 2008.
Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King".
Born in Tupelo, Mississippi, Presley moved to Memphis, Tennessee, with his family at the age of 13. He began his career there in 1954, working with Sun Records owner Sam Phillips, who wanted to bring the sound of African American music to a wider audience. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was the most important popularizer of rockabilly, an uptempo, backbeat-driven fusion of country and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage the singer for over two decades. Presley's first RCA single, "Heartbreak Hotel", released in January 1956, was a number one hit. He became the leading figure of the newly popular sound of rock and roll with a series of network television appearances and chart-topping records. His energized interpretations of songs, many from African American sources, and his uninhibited performance style made him enormously popular—and controversial. In November 1956, he made his film debut in Love Me Tender.
Francis Jean Marcel Poulenc (French pronunciation: [fʁɑ̃sis ʒɑ̃ maʁsɛl pulɛ̃k]) (7 January 1899 – 30 January 1963) was a French composer and a member of the French group Les Six. He composed solo piano music, chamber music, oratorio, choral music, opera, ballet music, and orchestral music. Critic Claude Rostand, in a July 1950 Paris-Presse article, coined the term "half monk, half thug" (translated by Ivry from "le moine et le voyou"), a phrase that would often be used to describe Poulenc.
Poulenc was born in Paris in 1899. His father Emile Poulenc was a second generation director of the Poulenc, and later Rhône-Poulenc, chemical corporation. His mother, an amateur pianist, taught him to play. He was introduced to Ricardo Viñes in 1914, a champion of the music of Claude Debussy and Maurice Ravel, and became his pupil shortly afterwards. He was a capable pianist, and the keyboard dominated his early compositions.
In 1916 a childhood friend, Raymonde Linossier (1897-1930), introduced Poulenc to Adrienne Monnier's bookshop, the Maison des Amis des Livres. There he met avant-garde poets such as Guillaume Apollinaire, Max Jacob, Paul Eluard and Louis Aragon. He was to set many of their poems to music.
Richard Sidney Hickox CBE (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music.
Hickox was born in Stokenchurch in Buckinghamshire into a musical family. After attending the Royal Grammar School, High Wycombe from 1959 to 1966, he studied at the Royal Academy of Music in London from 1966 to 1967, then was an organ scholar at Queens' College, Cambridge from 1967 to 1970.
In 1967, while his father was Vicar of Wooburn, Buckinghamshire, Richard founded the Wooburn Festival and eventually became its President. The Festival is ongoing and features music, drama and the visual arts. Richard also founded the Wooburn Singers and continued as conductor until succeeded by Stephen Jackson. Hickox founded the City of London Sinfonia in 1971, remaining music director until his death, and also founded the Richard Hickox Singers and Orchestra in the same year. The Richard Hickox Singers feature in Kate Bush's album Hounds of Love, released in 1985. He was the director of music at the St. Endellion Music Festival from 1972 to 2008. In 1972 at the age of only 24 he was appointed Martin Neary's successor as organist and master of music at St. Margaret's, Westminster (the church of the Houses of Parliament), subsequently adding the directorships of the London Symphony Chorus (1976) and Bradford Festival Choral Society (1978). From 1982 to 1990, he served as Artistic Director of the Northern Sinfonia. He was Associate Guest Conductor of the London Symphony Orchestra from 1985 until his death. He was also Chorus Director of the London Symphony Chorus from 1976 to 1991, with whom he premiered The Three Kings by Peter Maxwell Davies in 1995. He also premiered A Dance on the Hill in 2005, by the same composer. His repertoire included over 100 first performances.
did you know that the kkk adopted a hiway?
just a few miles away from my mom's house.
they paid their money and they put up a sign.
i guess they dress up in sheets and go pick up the trash.
the trash, the trash, they pick up the trash.
the trash, the trash, they pick up the trash.
they should know it when they see it,
they get a good look every day in the mirror.
sometimes I feel so alone, carrying only a few simple truths
and the weight a world bent to bury them
and I can feel myself getting tired.
the fire inside my heart now pales in comparison
to what I once felt, and I'm dying
eyes have bled so much they should have dried
my body should be decayed from all the filth I've put inside.
I push you away so you let me go
but it's too dark and cold for me to be alone.
most of my thoughts are shadowed by the treachery of life,
my convictions are torn and yellowed, and half aren't half as bright.
standing alone, I find myself so far away from you
looking back on where I left your path.
and here I am again, feeling slightly abandoned by you
when it was me that walked away, and I'm lost without you.
traditions, addictions, I bear this responsibility
my own twisted actions now take their toll on me.
infected, affected, let your light shine on my face.
fill this tattered shell once again in these dark days.
Lord save me not only from the enemy, but also from the frailty within
and the stubbornness of my humanity, show me where to begin.
superior, inferior, bring me life through rebirth
before I lose the life I have and dissolve into the earth.
interior, exterior, I used to know the difference.
a shred of hope, my eyes shut tight,
blind hands clench, I need you.
this hole I've dug is deep, my arms too short to reach.
I need you, lift me out, I need you.
your blood ran down upon me, yet still I feel that I'm guilty.