I've Got Your Number (1934)

Actors

• Mike Lally (actor)
• Edward McWade (actor)
• Clay Clement (actor)
• Joseph E. Bernard (actor)
• Wallis Clark (actor)
• Joseph Crehan (actor)
• James Donlan (actor)
• Lester Dorr (actor)
• Robert Ellis (actor)
• Hobart Cavanaugh (actor)
• Selmer Jackson (actor)
• Allen Jenkins (actor)
• Milton Kibbee (actor)
• Henry Kolker (actor)
• Bert Moorhouse (actor)

Genres

• Comedy
• Romance

Riley, Terry Filmography

• Musical Outsiders: An American Legacy
  1994, role: actor , character name: Himself
• Pictures from a Revolution
  1991, role: composer
• In Between the Notes
  1986, role: actor , character name: Himself
• No Man's Land
  1985, role: composer
• Crossroads
  1976, role: composer
• Lifespan
  1975, role: composer
• Les yeux fermés
  1974, role: composer
• Music with Roots in the Aether: Opera for Television by Robert Ashley
  1974, role: actor
• La chute d'un corps
  1973, role: composer
• Corridor
  1970, role: composer

Riley, Terry Filmography

• See Hear
  1981, role: producer
• See Hear
  1981, role: editor

Terry, Riley Filmography

• Church Ball
  2006, role: actor , character name: Parking Lot Baby

Famous quotes by Terry Riley:

"People really have stepped up to the plate."

"A lot of things are happening. We've had people who arrived here on one day and on the next day have found a job. A lot of these people are hungry for jobs."

"The danger is not so much in an assault or robbery at the airport, but an airport is a good place for the thieves to target their victims."

"The incredible thing about the human mind is that is didn't come with an instruction book."

"This morning I was practicing raga, and at one point I was singing a long tone and I became very peaceful and still. I thought this is really the highest point of music for me is to become in a place where there is no desire, no craving, wanting to do anything else, just to be in a state of being to the highest point."

"Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time."

"Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns."

"Pran Nath always encouraged me to do my own composition and experiments with Western classical music, along with the pure study of Indian classical music. I think he also felt that something of this depth could also be assimilated in America and would be uniquely our own, since it's been transplanted here."

"It is important that we are coming up on the millennium because what I am experiencing, just being one person out of billions, is the feeling of acceleration. I experience this through my contact with other people. Everyone seems to be in a kind of accelerated time mode that is beyond their own control."

"We are either going to dissolve as a human race or we are going to break through into a new understanding of what it is to be a human being."

"It seems like we are moving towards something, some kind of point and it is probably going to be an important point in our development or dissolution. That is what everybody seems to be thinking."

"I had been interested in Indian music and I actually started studying Tableaus before I met him."

"I really didn't have a plan, I just went in and started playing. one of my specialties was to be able to play for a really long time without stopping and I would play these repeated patterns for hours and hours and I wouldn't seem to get tired."

"Acceleration is finite, I think according to some laws of physics."

"I had already done Rainbow in Curved Air and had a big record on CBS. I was launched to have a long career and then I just dropped out and went to India."

"So, essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns."

"It is important that we are coming up on the millennium because what I am experiencing, just being one person out of billions, is the feeling of acceleration. I experience this through my contact with other people."

"Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays."

"Throughout the evening I would be recording these long saxophone delays and about four hours into the concert, if I wanted to take a break I would just play back the saxophone."