14:41
FACULTI - Architecture - The Age of Sinan: Architectural Culture in the Ottoman Empire
The Age of Sinan: Architectural Culture in the Ottoman Empire
Gulru Necipoglu
Aga Khan Pro...
published: 16 Apr 2014
FACULTI - Architecture - The Age of Sinan: Architectural Culture in the Ottoman Empire
FACULTI - Architecture - The Age of Sinan: Architectural Culture in the Ottoman Empire
The Age of Sinan: Architectural Culture in the Ottoman Empire Gulru Necipoglu Aga Khan Professor of Islamic Art Director of the Aga Khan Program for Islamic Architecture Department of History of Art and Architecture Harvard University- published: 16 Apr 2014
- views: 12
1:32
Closer Look To Ottoman Architecture
Ottoman architecture was influenced by Persian, Byzantine Greek and Islamic architectures....
published: 17 May 2014
Closer Look To Ottoman Architecture
Closer Look To Ottoman Architecture
Ottoman architecture was influenced by Persian, Byzantine Greek and Islamic architectures. During the Rise period the early or first Ottoman architecture period, Ottoman art was in search of new ideas. The growth period of the Empire become the classical period of architecture, when Ottoman art was at its most confident. During the years of the Stagnation period, Ottoman architecture moved away from this style, however. During the Tulip Era, it was under the influence of the highly ornamented styles of Western Europe; Baroque, Rococo, Empire and other styles intermingled. Concepts of Ottoman architecture mainly circle the mosque. The mosque was integral to society, city planning and communal life. Besides the mosque, it is also possible to find good examples of Ottoman architecture in soup kitchens, theological schools, hospitals, Turkish baths and tombs. Examples of Ottoman architecture of the classical period, besides Istanbul and Edirne, can also be seen in Egypt, Eritrea, Tunisia, Algiers, the Balkans and Romania, where mosques, bridges, fountains and schools were built. The art of Ottoman decoration developed with a multitude of influences due to the wide ethnic range of the Ottoman Empire. The greatest of the court artists enriched the Ottoman Empire with many pluralistic artistic influences: such as mixing traditional Byzantine art with elements of Chinese art- published: 17 May 2014
- views: 6
1:20
Context Istanbul - Ottoman Architecture
Join our architectural scholar on a walk exploring mosques of the Ottoman Empire....
published: 14 Nov 2012
author: ContextTravel
Context Istanbul - Ottoman Architecture
Context Istanbul - Ottoman Architecture
Join our architectural scholar on a walk exploring mosques of the Ottoman Empire.- published: 14 Nov 2012
- views: 186
- author: ContextTravel
30:17
Who Was Architect Mimar Sinan?
Koca Mi'mâr Sinân Âğâ (Ottoman Turkish: معمار سينان; Modern Turkish: Mimar Sinan, pronounc...
published: 21 Dec 2013
Who Was Architect Mimar Sinan?
Who Was Architect Mimar Sinan?
Koca Mi'mâr Sinân Âğâ (Ottoman Turkish: معمار سينان; Modern Turkish: Mimar Sinan, pronounced [miːˈmaːɾ siˈnan]) (c. 1489/1490 -- July 17, 1588) was the chief Ottoman architect (Turkish: "Mimar") and civil engineer for sultans Suleiman the Magnificent, Selim II, and Murad III. He was responsible for the construction of more than three hundred major structures and other more modest projects, such as his Islamic primary schools (sibyan mektebs). His apprentices would later design the Sultan Ahmed Mosque in Istanbul, Stari Most in Mostar and help design the Taj Mahal in the Mughal Empire. The son of a stonemason, he received a technical education and became a military engineer. He rose rapidly through the ranks to become first an officer and finally a Janissary commander, with the honorific title of ağa. He refined his architectural and engineering skills while on campaign with the Janissaries, becoming expert at constructing fortifications of all kinds, as well as military infrastructure projects, such as roads, bridges and aqueducts.At about the age of fifty, he was appointed as chief royal architect, applying the technical skills he had acquired in the army to the "creation of fine religious buildings" and civic structures of all kinds. He remained in post for almost fifty years. His masterpiece is the Selimiye Mosque in Edirne, although his most famous work is the Suleiman Mosque in Istanbul. He headed an extensive governmental department and trained many assistants who, in turn, distinguished themselves, including Sedefkar Mehmed Agha, architect of the Sultan Ahmed Mosque. He is considered the greatest architect of the classical period of Ottoman architecture, and has been compared to Michelangelo, his contemporary in the West. Michelangelo and his plans for St. Peter's Basilica in Rome were well known in Istanbul, since Leonardo da Vinci and he had been invited, in 1502 and 1505 respectively, by the Sublime Porte to submit plans for a bridge spanning the Golden Horn. According to contemporary biographer, Mustafa Sâi Çelebi, Sinan was born in 1489 (c. 1490 according to the Encyclopædia Britannica, 1491 according to the Dictionary of Islamic Architecture and sometime between 1494 and 1499, according to the Turkish professor and architect Reha Günay) with the name Joseph. He was born either an Armenian, Albanian, Greek or a Turkish in a small town called Ağırnas near the city of Kayseri in Anatolia (as stated in an order by Sultan Selim II). One argument that lends credence to his Armenian background is a decree by Selim II dated Ramadan 7 981 (ca. Dec. 30, 1573), which grants Sinan's request to forgive and spare his relatives from the general exile of Kayseri's Armenian community to the island of Cyprus. According to Herbert J. Muller he "seems to have been an Armenian —though it is almost a criminal offense in Turkey today to mention this probability." Lucy Der Manuelian of the Tufts University suggests that "he can be identified as an Armenian through a document in the imperial archives and other evidence." Several scholars have cited Sinan's possible Albanian origin, while according to the British scholar Percy Brown and the Indians Mahajan, the Mughal Emperor Babur was very dissatisfied from the local Indian architecture and planning, thus he invited "certain pupils of the leading Ottoman architect Sinan, the Albanian genius, to carry out his architectural schemes." The scholars who support the thesis of his Greek background have identified his father as a stonemason and carpenter by the name of Christos (Greek "Χρήστος"), a common Greek name. It is certain that both his parents were of the Eastern Orthodox Christian faith, since the Ottoman archives of that epoch recorded only religion information about the population (the concept of ethnicity was irrelevant to the religion-based Ottoman Millet system). Sinan (Joseph) grew up helping his father in his work, and by the time that he was conscripted would have had a good grounding in the practicalities of building work. There are three brief records in the library of the Topkapı Palace, dictated by Sinan to his friend Mustafa Sâi Çelebi. (Anonymous Text; Architectural Masterpieces; Book of Architecture). In these manuscripts, Sinan divulges some details of his youth and military career. His father is mentioned as "Abdülmennan." Military career- published: 21 Dec 2013
- views: 28
0:29
Aqueduct Ottoman Architecture Istanbul 2
You can download this video 1920x1080 from the links below:
http://depositphotos.com/port...
published: 17 Nov 2013
Aqueduct Ottoman Architecture Istanbul 2
Aqueduct Ottoman Architecture Istanbul 2
You can download this video 1920x1080 from the links below: http://depositphotos.com/portfolio-2378221.html- published: 17 Nov 2013
- views: 2
0:06
Aqueduct Ottoman Architecture Istanbul 1
You can download this video 1920x1080 from the links below:
http://depositphotos.com/port...
published: 17 Nov 2013
Aqueduct Ottoman Architecture Istanbul 1
Aqueduct Ottoman Architecture Istanbul 1
You can download this video 1920x1080 from the links below: http://depositphotos.com/portfolio-2378221.html- published: 17 Nov 2013
- views: 17
32:05
Architectural Stylistic Trends of Ottoman Jerusalem - Yusuf Natsheh
Talk given by Dr Yusuf Natsheh, Director of the Department of Tourism and Archaeology at H...
published: 18 Jun 2013
author: kenyoninstitute
Architectural Stylistic Trends of Ottoman Jerusalem - Yusuf Natsheh
Architectural Stylistic Trends of Ottoman Jerusalem - Yusuf Natsheh
Talk given by Dr Yusuf Natsheh, Director of the Department of Tourism and Archaeology at Haram al-Sharif, on the subject of Jerusalem's architectural heritag...- published: 18 Jun 2013
- views: 15
- author: kenyoninstitute
7:37
Ottoman Baroque Architecture from the Bosporus in Istanbul, Turkey
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)...
published: 20 Dec 2011
author: UniqueWorldTravel
Ottoman Baroque Architecture from the Bosporus in Istanbul, Turkey
Ottoman Baroque Architecture from the Bosporus in Istanbul, Turkey
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)- published: 20 Dec 2011
- views: 299
- author: UniqueWorldTravel
61:47
Teaching Ottoman Art: Why and How
The artistic traditions of the Ottomans give us insight into both their cosmopolitan world...
published: 22 Apr 2014
Teaching Ottoman Art: Why and How
Teaching Ottoman Art: Why and How
The artistic traditions of the Ottomans give us insight into both their cosmopolitan worldview and their ambitions to develop a quintessentially Ottoman style that would underpin their claims of imperial power. In this webinar, we'll examine these two themes through Ottoman architecture, calligraphy, and figural art including miniature painting. Study of these forms offers western students an opportunity to understand and utilize unique characteristics of Islamic art. Presented by Primary Source; Barbara Petzen, Middle East Connections; and Deb Rosenbaum, Denver School of the Arts.- published: 22 Apr 2014
- views: 25
Youtube results:
4:53
A Guided Tour of The Ottoman Area of Sarajevo, Bosnia
http://www.TravelsWithSheila.com "Pigeon Square" holds the lovely old Sebilj water fountai...
published: 22 Sep 2011
author: Sheila Simkin
A Guided Tour of The Ottoman Area of Sarajevo, Bosnia
A Guided Tour of The Ottoman Area of Sarajevo, Bosnia
http://www.TravelsWithSheila.com "Pigeon Square" holds the lovely old Sebilj water fountain from 1891, the only one remaining in Sarajevo. It resembles a gaz...- published: 22 Sep 2011
- views: 1956
- author: Sheila Simkin
1:32
The Traditions And Culture Of The Ottoman Empire
The Ottomans absorbed some of the traditions, art and institutions of cultures in the regi...
published: 17 May 2014
The Traditions And Culture Of The Ottoman Empire
The Traditions And Culture Of The Ottoman Empire
The Ottomans absorbed some of the traditions, art and institutions of cultures in the regions they conquered, and added new dimensions to them. Numerous traditions and cultural traits of previous empires (in fields such as architecture, cuisine, music, leisure and government) were adopted by the Ottoman Turks, who elaborated them into new forms, which resulted in a new and distinctively Ottoman cultural identity. Intercultural marriages also played their part in creating the characteristic Ottoman elite culture. When compared to the Turkish folk culture, the influence of these new cultures in creating the culture of the Ottoman elite was clear. Slavery was a part of Ottoman society. Female slaves were still sold in the Empire as late as 1908.[146] During the 19th century the Empire came under pressure from Western European countries to outlaw the practice. Policies developed by various Sultans throughout the 19th century attempted to curtail the slave trade but, since slavery did have centuries of religious backing and sanction, they never directly abolished the institution outright.[citation needed] Plague remained a major event in Ottoman society until the second quarter of the 19th century. Between 1701 and 1750, 37 larger and smaller plague epidemics were recorded in Istanbul, and 31 between 1751 and 1801.- published: 17 May 2014
- views: 9
2:05
The Ottoman Siege of Bursa
The Siege of Bursa (also called Prusa, Prousa, Brusa or Broussa) occurred from 1317/20 unt...
published: 19 May 2014
The Ottoman Siege of Bursa
The Ottoman Siege of Bursa
The Siege of Bursa (also called Prusa, Prousa, Brusa or Broussa) occurred from 1317/20 until the capture on 6 April 1326, when the Ottomans deployed a bold plan to seize Prusa (modern-day Bursa, Turkey). The Ottomans had not captured a city before; the lack of expertise and adequate siege equipment at this stage of the war meant that the city fell only after six or nine years. According to some sources Osman I died of natural causes just before the fall of the city, while others suggest that he lived long enough to hear about the victory on his and was buried in Bursa afterwards. After the fall of the city, his son and successor Orhan made Bursa the first official Ottoman capital and it remained so until 1366, when Edirne became the new capital. As a result, Bursa holds a special place in Ottoman history as their founding city, and also as the birthplace of Ottoman architecture (Bursa Grand Mosque (1399), Bayezid I Mosque (1395), Hüdavendigar Mosque (1385) and Yeşil Mosque (1421)). During his reign Orhan encouraged urban growth trough the construction of buildings such as imarets, hammams, mosques, inns and caravanserais, and he also build a mosque and a medrese in what is now known as the Hisar district, and after his death was buried there in his türbe (mausoleum) next to his father. The famous Muslim traveler Ibn Battuta who visited Bursa in 1331 was impressed by the sultan and found Bursa an enjoyable city "with fine bazaars and wide streets, surrounded on all sides by gardens and running springs." Importance Paul K. Davis writes, "The capture of Brusa established Osman I (Othman) and his successors as the major power in Asia Minor, beginning the Ottoman Empire. *image Citrat from tr- published: 19 May 2014
- views: 0